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Kindle Notes & Highlights
by
Sönke Ahrens
There is another reason that note-taking flies mostly under the radar: We don’t experience any immediate negative feedback if we do it badly. But without an immediate experience of failure, there is also not much demand for help.
Most people struggle for much more mundane reasons, and one is the myth of the blank page itself. They struggle because they believe, as they are made to believe, that writing starts with a blank page. If you believe that you have indeed nothing at hand to fill it, you have a very good reason to panic.
Getting something that is already written into another written piece is incomparably easier than assembling everything in your mind and then trying to retrieve it from there.
We know today that self-control and self-discipline have much more to do with our environment than with ourselves (cf. Thaler, 2015, ch. 2) – and the environment can be changed. Nobody needs willpower not to eat a chocolate bar when there isn’t one around. And nobody needs willpower to do something they wanted to do anyway. Every task that is interesting, meaningful and well-defined will be done, because there is no conflict between long-and short-term interests.
not having to use willpower indicates that you set yourself up for success.
“I never force myself to do anything I don’t feel like. Whenever I am stuck, I do something else.”
A good structure is something you can trust. It relieves you from the burden of remembering and keeping track of everything. If you can trust the system, you can let go of the attempt to hold everything together in your head and you can start focusing on what is important: The content, the argument and the ideas.
A good structure enables flow, the state in which you get so completely immersed in your work that you lose track of time and can just keep on going as the work becomes effortless (Csikszentmihalyi, 1975).
Having a clear structure to work in is completely different from making plans about something. If you make a plan, you impose a structure on yourself; it makes you inflexible. To keep going according to plan, you have to push yourself and employ willpower. This is not only demotivating, but also unsuitable for an open-ended process like research, thinking or studying in general, where we have to adjust our next steps with every new insight, understanding or achievement – which we ideally have on a regular basis and not just as an exception.
It is a huge misunderstanding that the only alternative to planning is aimless messing around. The challenge is to structure one’s workflow in a way that insight and new ideas can become the driving forces that push us forward.
learning in a way that generates real insight, is accumulative and sparks new ideas.
This is why high achievers who have had a taste of the vast amount of knowledge out there are likely to suffer from what psychologists call imposter syndrome, the feeling that you are not really up to the job, even though, of all people, they are (Clance and Imes 1978; Brems et al. 1994).
having impostor syndrome is a sign that you aren't an impostor. You aren't experiencing the Dunning Kruger effect.
There is no need to build a complex system and there is no need to reorganise everything you already have.
you will have to deal with an increasingly complex body of content, especially because it is not just about collecting thoughts, but about making connections and sparking new ideas.
Even the best tool will not improve your productivity considerably if you don’t change your daily routines the tool is embedded in, just as the fastest car won’t help you much if you don’t have proper roads to drive it on.
Only if nothing else is lingering in our working memory and taking up valuable mental resources can we experience what Allen calls a “mind like water” - the state where we can focus on the work right in front of us without getting distracted by competing thoughts.
Writing is not a linear process. We constantly have to jump back and forth between different tasks. It wouldn’t make any sense to micromanage ourselves on that level. Zooming out to the bigger picture does not really help, either, because then we have next steps like “writing a page.” That does not really help with navigating the things you have to do to write a page, often a whole bunch of other things that can take an hour or a month.
When it comes to writing, everything, from research to proofreading, is closely connected. All the little steps must be linked in a way that will enable you to go seamlessly from one task to another, but still be kept separate enough to enable us to flexibly do what needs to be done in any given situation.
“I only do what is easy. I only write when I immediately know how to do it. If I falter for a moment, I put the matter aside and do something else.” (Luhmann et al., 1987, 154f.)3
Studies on highly successful people have proven again and again that success is not the result of strong willpower and the ability to overcome resistance, but rather the result of smart working environments that avoid resistance in the first place
when I find myself needing willpower, I should ask myself how to change my environment so that I don't need it.
Luhmann had two slip-boxes: a bibliographical one, which contained the references and brief notes on the content of the literature, and the main one in which he collected and generated his ideas, mainly in response to what he read.
In a second step, shortly after, he would look at his brief notes and think about their relevance for his own thinking and writing. He then would turn to the main slip-box and write his ideas, comments and thoughts on new pieces of paper, using only one for each idea and restricting himself to one side of the paper, to make it easier to read them later without having to take them out of the box. He usually kept them brief enough to make one idea fit on a single sheet, but would sometimes add another note to extend a thought.
So source notes aren't atomic per see but are then studied and (multiple)atomic notes fall out of making new connections.
Another way is by adding a link on this and/or the other note, which could be anywhere in the system. This very much resembles, of course, the way we use hyperlinks on the internet. But, as I will explain later, they are quite different and it would be rather misleading to think of his slip-box as a personal Wikipedia or a database on paper.
The last element in his file system was an index, from which he would refer to one or two notes that would serve as a kind of entry point into a line of thought or topic.
If you want to learn something for the long run, you have to write it down. If you want to really understand something, you have to translate it into your own words. Thinking takes place as much on paper as in your own head.
Don’t worry too much about how you write it down or what you write it on. These are fleeting notes, mere reminders of what is in your head. They should not cause any distraction. Put them into one place, which you define as your inbox, and process them later.
Whenever you read something, make notes about the content. Write down what you don’t want to forget or think you might use in your own thinking or writing. Keep it very short, be extremely selective, and use your own words. Be extra selective with quotes – don’t copy them to skip the step of really understanding what they mean.
Make permanent notes. Now turn to your slip-box. Go through the notes you made in step one or two (ideally once a day and before you forget what you meant) and think about how they relate to what is relevant for your own research, thinking or interests.
Does the new information contradict, correct, support or add to what you already have (in the slip-box or on your mind)? Can you combine ideas to generate something new? What questions are triggered by them?
Develop your topics, questions and research projects bottom up from within the system. See what is there, what is missing and what questions arise.
Take more notes, develop ideas further and see where things will take you. Just follow your interest and always take the path that promises the most insight.
Don’t simply copy your notes into a manuscript. Translate them into something coherent and embed them into the context of your argument while you build your argument out of the notes at the same time.
These are the steps, presented as if you will write only one paper/article at a time. In reality, you never work on just one idea, but many ideas in different stages. And that is where the system plays out its real strengths.
You need something to capture ideas whenever and wherever they pop into your head. Whatever you use, it should not require any thoughts, attention or multiple steps to write it down. It can be a notebook, a napkin, an app on your phone or iPad.
The slip-box. Some prefer the old-fashioned pen and paper version in a wooden box. That's fine – computers can only speed up a relatively minor part of the work anyway, like adding links and formatting references. They can’t speed up the main part of the work, which is thinking, reading and understanding.
Luhmann’s slip-box is currently the object of a long-term research project at the Bielefeld University, and their first results have already given us a comprehensive understanding about how Luhmann really worked with it. You can look up for yourself some of his notes on their website.10
Having a clear, tangible purpose when you attend a lecture, discussion or seminar will make you more engaged and sharpen your focus. You will not waste your time with the attempt to figure out what you “should” learn. Rather, you will try to learn as efficiently as possible so you can quickly get to the point where actual open questions arise, as these are the only questions worth writing about.
In the old system, the question is: Under which topic do I store this note? In the new system, the question is: In which context will I want to stumble upon it again?
this is part of the purpose of the goals in source notes, get your brain thinking about what you might use this information for in the future
Even though the slip-box, being organised bottom-up, does not face the trade-off problem between too many or too few topics, it too can lose its value when notes are added to it indiscriminately. It can only play out its strengths when we aim for a critical mass, which depends not only on the number of notes, but also their quality and the way they are handled.
treats every note as if it belongs to the “permanent” category, the notes will never build up to a critical mass. The collection of good ideas is diluted to insignificance by all the other notes, which are only relevant for a specific project or actually not that good on second sight.
filtration of ideas helps build the usefulness of a slip box note storage.
is it really fleeting if it is an idea that is digitally stored?
can project notes be archived to their own vault. if so, log it on the vault so you don't need to remember.
If you try to mitigate the effect by opening a new folder for every potential new project whenever you stumble upon something that might be interesting for that, you will soon end up with an overwhelming amount of unfinished projects. If that in itself does not become a drag on your motivation, the task of keeping track of them will. But most importantly, without a permanent reservoir of ideas, you will not be able to develop any major ideas over a longer period of time because you are restricting yourself either to the length of a single project or the capacity of your memory.
This makes, more clear, the distinction between project notes and permanent notes. it also gives a thought to the time when you actually call something a project. Otherwise you have many unfinished projects. this thought seems to have a connection to the usefulness for ADHD