Tremendous Trifles

by G.K. Chesterton

None of us think enough of these things on which the eye rests. But don't let us let the eye rest. Why should the eye be so lazy? Let us exercise the eye until it learns to see startling facts that run across the landscape as plain as a painted fence. Let us be ocular athletes. Let us learn to write essays on a stray cat or a coloured cloud. I have attempted some such thing in what follows; but anyone else may do it better, if anyone else will only try.

The only excuse for the scraps that follow is that they show what can be achieved with a commonplace existence and the sacred spectacles of exaggeration.

In other words, we may, by fixing our attention almost fiercely on the facts actually before us, force them to turn into adventures;

The world will never starve for want of wonders; but only for want of wonder.

I do LOVE this quote.

I then tried to explain the rather delicate logical shade, that I not only liked brown paper, but liked the quality of brownness in paper, just as I liked the quality of brownness in October woods, or in beer, or in the peat-streams of the North.

Once I planned to write a book of poems entirely about the things in my pockets. But I found it would be too long; and the age of the great epics is past.

"Oh, Parkinson, Parkinson!" I cried, patting him affectionately on the head with a mallet, "how far you really are from the pure love of the sport—you who can play. It is only we who play badly who love the Game itself.

I was driving yesterday afternoon in a hansom cab down one of the sloping streets into the Strand, reading one of my own admirable articles with continual pleasure, and still more continual surprise,

For those who study the great art of lying in bed there is one emphatic caution to be added. Even for those who can do their work in bed (like journalists), still more for those whose work cannot be done in bed (as, for example, the professional harpooners of whales), it is obvious that the indulgence must be very occasional.

The road was very erratic, for every true English road exists in order to lead one a dance; and what could be more beautiful and beneficent than a dance?

I heard some sailors uttering a measured shout as they laboured, and I remembered that sailors still sing in chorus while they work, and even sing different songs according to what part of their work they are doing. And a little while afterwards, when my sea journey was over, the sight of men working in the English fields reminded me again that there are still songs for harvest and for many agricultural routines. And I suddenly wondered why if this were so it should be quite unknown, for any modern trade to have a ritual poetry. How did people come to chant rude poems while pulling certain ropes or gathering certain fruit, and why did nobody do anything of the kind while producing any of the modern things? Why is a modern newspaper never printed by people singing in chorus? Why do shopmen seldom, if ever, sing? ..... If reapers sing while reaping, why should not auditors sing while auditing and bankers while banking? If there are songs for all the separate things that have to be done in a boat, why are there not songs for all the separate things that have to be done in a bank?

The whole object of travel is not to set foot on foreign land; it is at last to set foot on one's own country as a foreign land.

"That is what makes life at once so splendid and so strange. We are in the wrong world. When I thought that was the right town, it bored me; when I knew it was wrong, I was happy. So the false optimism, the modern happiness, tires us because it tells us we fit into this world. The true happiness is that we don't fit. We come from somewhere else. We have lost our way."