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Breathtakingly brilliant, like the crystal glass buildings of the One State - in Natasha Randall's 2007 translation (older ones may differ a lot).
Seamlessly switching between beauty and horror:
“In the morning, the sun is rosy, transparent, warm gold. And the air itself is a little rosy, all steeped in the sun’s gentle blood.”
Laden with oxymorons: simultaneously Utopia and dystopia.
Polychromatic, synaesthetic, hypnotic, and often blurring reality and dreams.
Profound and prophetic, from a century ...more
Seamlessly switching between beauty and horror:
“In the morning, the sun is rosy, transparent, warm gold. And the air itself is a little rosy, all steeped in the sun’s gentle blood.”
Laden with oxymorons: simultaneously Utopia and dystopia.
Polychromatic, synaesthetic, hypnotic, and often blurring reality and dreams.
Profound and prophetic, from a century ...more

WE is the progenitor of the dystopian novel and had I read it in its proper place (i.e. before 1984, Brave New World and Anthem) I doubtlessly would have liked it more. Unfortunately, because it took so long to get a proper English translation, its popularity only bloomed in the last two decades, and even then to an unsatisfactory degree.
WE is the story of a numbered man living among numbered people in the dystopian capital of what's left of Russia in the 26th century. The men and women have bee ...more
WE is the story of a numbered man living among numbered people in the dystopian capital of what's left of Russia in the 26th century. The men and women have bee ...more


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