Nathan "N.R."’s
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(group member since Oct 28, 2012)
Nathan "N.R."’s
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from the William T Vollmann Central group.
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Was about to finally pester the Editor about a release date ;; and low, thaar she blar!!


_____________________
The editor says ::
Daniel Lukes, of New York University, and I assembled a collection of essays on the work of William T. Vollmann. I also penned the volume's Introduction, and the book has been accepted for publication by The University of Delaware Press. It is due to appear later this year.
Because Vollmann's reputation is as complex and provocative as his works, we decided to include not only the usual sorts of scholarly chapters, but also short "interchapters" by non-scholars who, because they are either also artists (creative writers, actors, filmmakers, and so forth) or figures with some professional or personal connection to Vollmann (his book designers, friends, translators, and so forth), could offer us some particularly helpful insights regarding the man and his writing and art.
https://bu.digication.com/ccoffman/Vo...
___________________
The ToC ::
Contents
Foreword: The Chrysanthemum and the Flame Thrower
Larry McCaffery
Acknowledgments
Introduction: Lonely Atoms
Christopher K. Coffman
I. Engaging People, Space and Place
Chapter 1: Egalitarian Longings: The Problem with Pity and the Search for Equality in Poor People
Aaron D. Chandler
Interchapter: The World According to William T. Vollmann
Heather Corcoran
Chapter 2: The Poetics and Politics of Zoning, Mythography, and Mestizo Space in Imperial Michael K. Walonen
Interchapter: Vollmann in Russia: On Poor People
Mariya Gusev
Chapter 3: William T. Vollmann’s Search for Truth and Community in Participative Research
Georg Bauer
Intechapter: Palm Trees
Michael Glawogger
II. Engaging Narratives: History, Historiography, Ethics
Chapter 4: Vollmann’s Argall-Text: Neo-Elizabethan Form and the Literalist Past in Seven Dreams
Buell Wisner
Interchapter: Vollmann between the Covers
Carla Bolte
Chapter 5: Writing Europe: Death, History, and the Intersecting Intellectual Worlds of William T. Vollmann and Danilo Kiš
John K. Cox
Chapter 6: Kurt Gerstein and the Tragic Parable of ‘Clean Hands’: The Imaginative Role of Fiction in the Moral Calculus of William T. VollmannBryan M. Santin
Interchapter: Reading Rising Up and Rising Down
James Franco
Chapter 7: The New Universalism and William T. Vollmann’s Rising Up and Rising Down
Okla Elliott
III. Power, Sex, Politics
Chapter 8: Our Oriental Heritage: Seeking the Postcolonial Postmodern in William T. Vollmann’s You Bright and Risen Angels
Miles Liebtag
Interchapter : Piss Lime Vitriol
Jordan A. Rothacker
Chapter 9: William T. Vollmann’s Paradigms of Power
Joshua C. Jensen
Interchapter: The Shattered Object: On Representation versus Self-Representation and Becoming Whole
Melissa Petro
Chapter 10: ‘Strange Hungers’: William T. Vollmann’s Literary Performances of Abject Masculinity
Daniel Lukes
Interchapter: A Friendship
Jonathan Franzen
IV. Methods and Mores: Texts, Paratexts, Aesthetics
Interchapter: William T. Vollmann: Artist’s Books
Priscilla Juvelis
Chapter 11: Imperial Photography
Françoise Palleau-Papin
Interchapter: Against All Loss: On Kissing the Mask
Mary Austin Speaker
Chapter 12: The Ethics of the Archive and the William T. Vollmann Collection
Geoffrey D. Smith
Afterword: Beyond the Book: William T. Vollmann’s End Matter (Appendices, Glossaries and Extra Texts)
Michael Hemmingson
Bibliography
Index
About the Contributors
https://rowman.com/ISBN/9781611495102
___________________
The publisher says ::
The essays in this collection make a case for regarding William T. Vollmann as the most ambitious, productive, and important living author in the US. His oeuvre not only includes outstanding work in numerous literary genres, but also global reportage, ethical treatises, paintings, photographs, and many other productions. His reputation as a daring traveler and his fascination with life on the margins have earned him an extra-literary renown unequaled in our time. Perhaps most importantly, his work is exceptional in relation to the literary moment. Vollmann is a member of a group of authors who are responding to the skeptical ironies of postmodernism with a reinvigoration of fiction's affective possibilities and moral sensibilities, but he stands out even among this cohort for his prioritization of moral engagement, historical awareness, and geopolitical scope. Included in this book in addition to twelve scholarly critical essays are reflections on Vollmann by many of his peers, confidantes, and collaborators, including Jonathan Franzen, James Franco, and Michael Glawogger. With a preface by Larry McCaffery and an afterword by Michael Hemmingson, this book offers readings of most of Vollmann's works, includes the first critical engagements with several key titles, and introduces the work of several foreign Vollmann scholars to American audiences.
October 2014 ISBN: 978-1611495102 $90.00
http://www2.lib.udel.edu/udpress/titl...

http://www.businesstimes.com.sg/lifes...
&
http://www.businesstimes.com.sg/lifes...

http://www.stevenmoore.info/vollmannr..."
Bumping this Moore=link just for the atch eee double toothpick of it.

http://www.kcrw.com/news-culture/show...
Direct'er links ::
Part I :: http://www.kcrw.com/news-culture/show...
Part II :: http://www.kcrw.com/news-culture/show...

Not that I can rank Bill's books much, but if you love this one, you've got a whole lot of good stuff to look forward to! But, yeah, this one in particular.

Finally read it. Very nice. Nothing really new, but very nice.

Oh yes I finally read it. A loving review which is such a freshness of air. Very nice.

Yeah I only announced it like six times!!
I've got my fingers crossed for a serious series of appearances next summer for The Dying Grass.

Yes thanks. Link'd ::
http://www.nytimes.com/2014/08/17/boo...

Oh yes many thanks don't think I've seen this one!

Dreary dross=drips of this sort is exactly what the internet is for!!(!) [and i think maybe that guy needs an editor. a paper shredder.] tl;dr

Definitely a clash of cultures - Uncle Sam versus the Phantom (of Communism - and the role of technology - radio/television/advertising."
Nope! We need something more like Conqueror and Conquered ; The clash of Cap & Com is more like the equal but opposite clashing of irresistibles and immovables. Also perhaps we would require a longer time scheme.

"Picking on Vollmann"
"Again, Siegel is erecting straw men, but this time there is an added twist. In The Royal Family, Vollmann is attempting to make his whores human, to make them comprehensible to the rest of us and let us see the humanity that exists in them. Siegel has taken Vollmann’s sincere (and successful) attempt to reveal the humanity of San Francisco’s whores and caricatured it, saying that he is being insanely honest and propping up a cliched stereotype: The whore with the heart of gold. He is doing nothing of the sort."
http://conversationalreading.com/pick...

We'll start with two posts by Scott Esposito (cf also his recent review of Last Stories) ::
"Vollmann on Nietzsche"
http://conversationalreading.com/voll...
[the Gass review, I'm almost certain, has been collected in book=form]
And a follow=up ::
"Vollmann Controversy"
http://conversationalreading.com/voll...
And back to rough chronology ::
The Review by Vollmann ::
"'Friedrich Nietzsche': The Constructive Nihilist"
http://www.nytimes.com/2005/08/14/boo...
Brian Leiter's objection ::
"Who is William T. Vollmann and Why Did the NY Times Invite Him to Write about Nietzsche?"
http://leiterreports.typepad.com/blog...
Response to Leiter by Edward Champion ::
"Who is Brian Leiter (And Who Really Cares) and Why Did He Invite Himself to Write a Bitter Blog Post?"
http://www.edrants.com/who-is-brian-l...
Scott McLemee thing. (He might still be resenting spend six weeks in RURD for a review) ::
"Will to Power"
http://www.insidehighered.com/views/m...
I've not read through it all yet. But you might because it's Monday! Also, there are perhaps a few more links floating around relevant to this convo ;; freely provide them below if you they strike your fancy!

"While his convoluted philosophizing suggests a deep ambivalence about the legitimacy of violence, the prose itself suggests that Vollmann's effort to create a moral system is actually a pretext for exploring his fascination with the aesthetic dimensions of carnage and its instruments. Either form of contemplation (moral or aesthetic) renders weapons and corpses into emblems of ultimate truth. ''The real aim of violence,'' he writes, ''is to conquer, direct, instruct, mark, warn, punish, injure, suppress, reduce, destroy or obliterate the consciousness within the body.'' He describes the uncanny fascination of gazing upon a corpse -- ''something with my form and shape'' but with ''no volition to give it buoyancy.''"
http://www.nytimes.com/2004/03/07/boo...

https://www.goodreads.com/review/show...
"With this big collection of ghost stories, Vollmann haunts the literary territory Henry James explored in "The Turn of the Screw," Charles Dickens in "A Christmas Carol" and, more recently, the prolific Joyce Carol Oates in "More Tales Than I Care to Count." Don't let my mention of James, Dickens or Oates fool you - Vollmann is Franz Kafka. He's William Burroughs and Thomas Pynchon skinny-dipping in a post-postmodern Vollmannesque ectoplasm."
http://www.sfgate.com/books/article/L...

Oh yes nice stuff there. Here's a direct link to his Vollmann=tag ::
http://biblioklept.org/tag/william-t-...