Uvi’s
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(group member since Apr 09, 2012)
Uvi’s
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from the The Creative Spark with Uvi Poznansky group.
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http://www.amazon.com/Apart-From-Love...

I created one piece a day, wrapped it in a damp tissue (so it won't dry too fast and crack) and hid it from view, so as not to spoil the surprise... Also, as the set is made of clay, the pieces shrink as the clay dries, so it is a challenge to imagine the final size, and to make sure that each pawn, for example, is about the same size as the one I made two weeks earlier.
Then I found an artist who had a kiln in her back yard, and she let me fire the set for free. Next I glazed half the pieces in black, half in white, and fired them again. Added a felt bottom to each one and walla! The present was ready!

Every chess set has a worldview behind it. Here...
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http://uviart.blogspot.com/2012/07/ba...

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http://uviart.blogspot.com/2012/07/an...

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No wonder, then, that she titled the interview Art, Love and Writing.
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http://katheryn-lane.blogspot.com/201...

Once Goodreads announces the three lucky winners, I will post my congratulations to them right here.

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http://uviart.blogspot.com/2012/06/am...


If you like the cover art, this is where to vote: http://www.goodreads.com/list/show/33...

I know you have read Apart From Love; thank you for watching out for me, so I don't give its essence away... Very thoughtful of you. To someone who hasn't read the book, I would only say this:
If you can strings my quotes together, in an order that makes up a story--do not buy the book!

We talked not only about my book, Apart From Love, but also about creativity, which I described as a landscape, a zone surrounded by a wall. You can listen to my conversation with Rob here: http://www.blogtalkradio.com/cwbywsdm...

I figure this may be a bit cryptic, so how about this: record; rewind; play; transcribe?
You are very lucky, Angela, that the model for you dialog is right there and you can 'take her in.' Every language has its own set of grammatical rules, so a Russian character would have not only an accent, but a particular set of grammatical structures that she 'translates' in her mind from her mother's tongue, which to us are 'mistakes.' You may even engage her in conversation, asking her what grammatical structures she finds 'strange' in English. For example, some words/concpts are plural in certain languages, singular in others; some words are perceived as a female/male gender in certain languages, but are devoid of gender in other languages. So it would help you to understand the way she expresses things, so that you can use these 'mistakes' in dialog.
Above all, don't expect to 'get' her speech immediately. Let the dialog 'rest' on paper, go back and listen to her some more, and come back to make adjustments.
Hope this will get you going, Angela!

Being sensual, Anita never thinks abstractly. For example, where Ben would use the sentence 'I imagine' or 'in my mind,' she would say 'I paint in my head.'
Another difference between them is confidence. Despite her painful past, she is a strong character. Where Ben would offer, 'I suppose,' she would say, 'I bet!'

My, do I envy you for having a Tennessee Williams festival! His dialog is absolutely amazing. A must study for any writer worth his salt!
In Apart From Love By design, Anita had to become a sharp contrast to both Lenny and his son, Ben, an antidote if you will to their refined, complex hesitations. I couldn't just drop in a double negative here and there, because it would be more jarring that way, so I dropped it in quite liberally, i'm afraid... And had loads of fun with it, and with the word 'like' which I threw in for good measure in every one of her paragraphs!
In fact, I think about her as a 'distant sister' to Eliza Doolittle, somewhere in the middle of the play, a place where she has already acquired a lot of new vocabulary, but has not managed yet to shake off her atrocious grammar. Anita, at this point, is a work-in-progress. Despite having learned so many complex words from Lenny, the would-be-writer, she tends to use the simplest, shortest words she can find, because they are the most direct. I totally share this with her!
Other writers search for the most literary words, thinking it would make them sound highly intelligent, but in fact it distances them from the heart and guts of the reader. The only case where I use 'big' words is when the character is a little 'bloated' (case in point: Mr. Bliss, the attorney who writes the Editorial Notes, using the 'language of the law'...)
