Ken’s
Comments
(group member since Jan 21, 2020)
Ken’s
comments
from the The Obscure Reading Group group.
Showing 661-680 of 797

Good sleuthing, Jeremy. Isn't it interesting, too, that Szabo named a character after herself and chose to make her overweight and worthy of the protagonist's ire in the key scene (marrying an aquarium).
I can also relate to your teaching aside. As a guy just out of the trade after many years, I get the Konig conundrum, too: kindness is not always rewarded in teachers. At least not when it is considered weakness, as it is here. Kindness paired with strictness? Another story entirely. Or, to put it in this novel's terms, more like Susanna.
Laysee, I haven't seen the movie Mean Girls but the title is inescapable. What you say about boys vs. girls in schools is something I only learned as a teacher. I grew up in a family of four sons with no sisters, so the ways of the young female mind were decidedly foreign to me.
Once in school, though, I learned from veteran teachers who claimed that boys usually took out their aggressions and grievances against each other in the open, often physically. They also confessed to their misdemeanors more quickly or provided info on other boys should that be the issue.
The girls? Much wilier. Much more psychological. And tough as hell to crack.
There must be a degree of stereotype to this, but I'm only typing what the veterans taught the newbie teachers.

For some reason, the twin K's set me to thinking of this. I'm speaking of two teachers at Bishop Matula. One is Kalmár, young and handsome. The other is König, older and less-regarded. I felt these dueling reputations were set-ups. I suspected that Kalmár might wind up being like that handsome Nazi that came back in the offensive uniform to the Von Trapps while the easy teacher, almost treated like a sub, it seems, might in the end prove heroic.
A classic "reverse expectations" set-up, if I'm right. If not, oh well. It's fun predicting.
As for WWII, my meagre knowledge of Hungary comes from reading Elie Wiesel's book Night. Elie grew up in a small town there called Sighet, and I seem to recall reference to a government replaced with one more to Nazi Germany's liking just before his family was put in transports and shipped off to Auschwitz / Birkenau.
And Diane brings up a good question: Can a book be considered "YA" if it existed before the term "YA" did? Are the traits and the label separate or do they need each other to exist? (I fear this might be chicken and egg territory we're entering!)

As for entitlement, yes, but I admired how stoic she was in the face of bad news, not wanting first the General (Daddy) and then the school staff to see her cry. Clearly there's a bit of her father's military bearing in her soul, or so it struck me.
As for the war, I was a bit confused as to which side Hungary was on. It seems to me they were run over by the Nazis and a puppet regime was put up, so was the General serving the resistance? It didn't seem to merit much mention. Either that or I missed something.
Finally, a question I wanted to knock about a bit was one of genre. It struck me, as I read Part One, that this was somewhat like a YA book. But then, what exactly IS a YA book? I know it when I read a modern-day one, but then some people consider ANY book with a young protagonist to be YA. I do not. Huck Finn and Holden Caulfield are not stars of YA books in my estimation, but I'm still on the fence about Gina and this book.
All that said, I've always been a fan of books set at boarding schools (like the aforementioned Catcher in the Rye and A Separate Peace) so am enjoying this historical version of Mean Girls. Maybe it's because I had a blue-collar, barely-getting-by upbringing where things like private schools and summer camps weren't even entertained by my family growing up.

If you have the nyrb paperback, this means pp. 3-114. If you have another translation, it means the beginning of the book to the end of the chapter called "Disaster. The General."
If you have read ahead, please try to confine your comments to this section -- this out of respect for those who are on schedule or behind and don't want to run into that unpleasantness we know as a spoiler.
Enjoy! It's an interesting start!

Oh, yes. I think you'll find it fast reading. I did. Had to apply the brakes, in fact, and divert myself first to a book of poetry and now to a book of essays.
I will create the Part 1 of 3 thread tomorrow night, knowing that June 1st starts in some parts of the world before it starts in mine. ;-)

Can you hear the excitement mounting (excitement being the mountaineer type)?

No matter. As long as I walk through it. (THE DOOR, I mean.)

A lot of teachers, active and (raises hand) retired, in this House of Reading Obscurity! If there's one thing I learned from teaching, it's the humility of realizing just how much I didn't know. In fact, on more than one occasion, students came up with observations about books, stories, and poems that had never occurred to me before and struck me as brilliant.
Stuff like that made going to work fun.

Funny, Diane. I used to be a purist about one book at a time, too. It seems Goodreads has cured me of that problem.
I started by making sure the second book was one that could be read in short bursts, such as poems or essays. But now it doesn't matter.
Always good to know this old(-ish) dog can learn new(-ish) tricks.

There are two ways to approach a 333-page book divided in three across three weeks.
1. Always have at least one other book going. Stop reading Abigail when you reach the last page of that discussion week's schedule and jump over to your other book. This will ensure no spoilers and that you don't -- whoops! -- mention something that other readers don't know about because they are adhering to the schedule.
2. Can't resist? Go ahead of the group, but come up with some kind of notation system that prevents your discussing something out of that week's discussion parameters.
I typically keep a piece of paper in the back of the book where I note page numbers with a brief comment to jar my memory about a point I might make in the discussion. If you're a book annotator, then you can write in the margins of the book, of course, using sticky notes to show the end page for Weeks #1 and #2 to ensure you don't bring up a note outside the discussion's parameters.
I hope everyone enjoys the book and that it leads to a "meaty" discussion. It always works best when some like the book, some don't, and some land in between those two poles.
We shall see! I will probably start the book some time during the last week of May, knowing I have the luxury of three weeks to complete AS the discussion unfolds (vs. having to read the whole magilla before we even begin).

And I now see where your wonderful sense of the ha-ha’s comes from!...👍"
😁
I know. I once alluded to my parents in the classroom and one of my students said, in genuine shock, "You mean your parents are still alive?"
That's how old people over 50 look to teenagers.

Like NY and eastern Mass., southern Maine got a lot of snow yesterday, but none of it stuck as the temp was above freezing.
In any event, as things open up, we'll all have to be more careful than usual. I have a feeling that letting your guard down could be a very bad thing (as if we need any more very bad things).
Anyway, I spoke to my mom who was as cheerful as ever. I'm just lucky I have both parents because, as a team, they get by.




Ken, I'm a huge Edith Wharton fan, and The Custom of the Country is excellent. I'll be interested to hear what you think when you've finished."
OK, will do. I see now that the POV is going to be a shifting one -- a good thing!

The only Edith Wharton I've read previously is Ethan Frome when I was a still young and still strapping lad. Such, such were the days.