4 books
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2 voters
Poststructuralism
“
The most direct critique [in the TV series The Prisoner] of what might be called the politics-industry of late capitalism, however, is undoubtedly [the episode] “Free for All”, both the funeral dirge for the national mass party and the unofficial founding charter of the New Left. In many ways, “Free for All” is the logical complement to the visual innovations and luminous mediatic strategies of “A., B. & C.”; whereas the latter identifies the space of the editing room as a new kind of cultural z
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― The World is Watching: Video as Multinational Aesthetics, 1968-1995
― The World is Watching: Video as Multinational Aesthetics, 1968-1995






























