Iraqi


Frankenstein in Baghdad
The Corpse Exhibition and Other Stories of Iraq
وحدها شجرة الرمان
طشاري
فهرس
The Epic of Gilgamesh
حدائق الرئيس
God in Pink
يا مريم
The Beekeeper: Rescuing the Stolen Women of Iraq
I'jaam
The Madman of Freedom Square
The Last Girl: My Story of Captivity, and My Fight Against the Islamic State
ساعة بغداد
The Iraqi Nights
Syrian Brides by Anna HalabiThe Hidden Face of Eve by Nawal El SaadawiHeadscarves and Hymens by Mona EltahawyWoman at Point Zero by Nawal El SaadawiThe Veil and the Male Elite by Fatema Mernissi
Arab feminism
46 books — 45 voters
The Storyteller, Or, the Hakawati by Rabih AlameddineA Map of Home by Randa JarrarWhere Jasmine Blooms by Holly S. WarahThe Girl in the Tangerine Scarf by Mohja KahfCrescent by Diana Abu-Jaber
Arab Americans in Fiction
50 books — 27 voters

Reading Lolita in Tehran by Azar NafisiThe Epic of Gilgamesh by AnonymousNot Without My Daughter by Betty MahmoodyPersepolis by Marjane SatrapiRubáiyát of Omar Khayyám by Omar Khayyám
Iran and Iraq, Ancient and Modern
483 books — 197 voters

Syed Muhammad Naquib al-Attas
Hamzah’s sha’ir derived its original or primary influence not from the ruba’i, but from the four-line shi’r of Ibnu’l-Arabi and ‘Iraqi which forms the bulk of quotations of Sufi poetry in his works.
Syed Muhammad Naquib al-Attas, The Origin of the Malay Sha'ir

Alia Mamdouh
And I withdrew into myself when I understood that they wanted to extract every thought in my head, one by one, like decayed teeth.
Alia Mamdouh

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