Iraqi


Frankenstein in Baghdad
The Corpse Exhibition and Other Stories of Iraq
وحدها شجرة الرمان
طشاري
فهرس
The Epic of Gilgamesh
حدائق الرئيس
God in Pink
يا مريم
I'jaam
The Beekeeper: Rescuing the Stolen Women of Iraq
ساعة بغداد
The Madman of Freedom Square
The War Works Hard
The Last Girl: My Story of Captivity, and My Fight Against the Islamic State
Reading Lolita in Tehran by Azar NafisiThe Epic of Gilgamesh by AnonymousNot Without My Daughter by Betty MahmoodyPersepolis by Marjane SatrapiRubáiyát of Omar Khayyám by Omar Khayyám
Iran and Iraq, Ancient and Modern
484 books — 199 voters
The Storyteller, Or, the Hakawati by Rabih AlameddineA Map of Home by Randa JarrarWhere Jasmine Blooms by Holly S. WarahThe Girl in the Tangerine Scarf by Mohja KahfCrescent by Diana Abu-Jaber
Arab Americans in Fiction
50 books — 27 voters

Syrian Brides by Anna HalabiThe Hidden Face of Eve by Nawal El SaadawiHeadscarves and Hymens by Mona EltahawyWoman at Point Zero by Nawal El SaadawiThe Veil and the Male Elite by Fatema Mernissi
Arab feminism
46 books — 45 voters

Ali Bader
[Shaul] told him that poverty was a historical poverty, not caused by him or his family but the result of History. Ismail was shocked when he heard this and immediately pulled a knife out of his pocket and told him, "Show me History and I will rip out his guts." Shaul smiled and replied, "We have to correct History, not kill it. ...more
Ali Bader

Syed Muhammad Naquib al-Attas
It seems to me that apart from the aptness of the Malay language in the construction of four-lined verses with a AAAA pattern of rhyme, the influence of Ibnu’l-‘Arabi’s and ‘Iraqi’s four-line shi’r and Jami’s ruba’i, the concept of the bayt and the shi’r in Arabic and Persian prosody, the creative genius of the poet, Hamzah’s choice of the four-line shi’r composed of a single bayt could well have been influenced also by the symbolism in the Sufi doctrines.
Syed Muhammad Naquib al-Attas, The Origin of the Malay Sha'ir

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