Filmmaking


In the Blink of an Eye: A Perspective on Film Editing
Making Movies
Rebel Without a Crew, or How a 23-Year-Old Filmmaker with $7,000 Became a Hollywood Player
Story: Substance, Structure, Style, and the Principles of Screenwriting
On Directing Film
Film Directing Shot by Shot: Visualizing from Concept to Screen (Michael Wiese Productions)
Save the Cat: The Last Book on Screenwriting You'll Ever Need
Directing Actors: Creating Memorable Performances for Film & Television
Screenplay: The Foundations of Screenwriting Paperback – November 29, 2005
Sculpting in Time
Hitchcock/Truffaut
The Filmmaker's Handbook: A Comprehensive Guide for the Digital Age
Master Shots Vol 1, 1st edition: 100 Advanced Camera Techniques to Get an Expensive Look on Your Low-Budget Movie
Cinematography: Theory and Practice: Image Making for Cinematographers, Directors, and Videographers
Notes on the Cinematographer
The Continuity Supervisor by Avril RowlandsScript Supervising and Film Continuity by Pat P. MillerBeyond Continuity by Mary Cybulski
Script Supervising
3 books — 2 voters
The Secrets of Filming Swallows & Amazons by Sophie NevilleWithout Empathy by Mk RaghavendraStory by Robert McKeeAs You Wish by Cary ElwesFrom Word to Image by Marcie Begleiter
Best film related books
64 books — 58 voters

The 48 Laws of Power by Robert GreeneThe Art of War by Sun TzuThe Way Hollywood Tells It by David BordwellHow to Win an Argument by Marcus Tullius CiceroA Handlist of Rhetorical Terms by Richard A. Lanham
Books recommend by Moviewise
20 books — 1 voter
Joy & Sorrow by Peter Sean DalyDaisy Jones & The Six by Taylor Jenkins ReidThe Picture of Dorian Gray by Oscar WildeGirl with a Pearl Earring by Tracy ChevalierStation Eleven by Emily St. John Mandel
ATY 2020 - A Book Related To The Arts
313 books — 125 voters

Katherine Howe
When I looked at life through the camera, I felt like I could finally see it.
Katherine Howe, The Appearance of Annie van Sinderen

Dziga Vertov
I'm an eye. A mechanical eye. I, the machine, show you a world the way only I can see it. I free myself for today and forever from human immobility. I'm in constant movement. I approach and pull away from objects. I creep under them. I move alongside a running horse's mouth. I fall and rise with the falling and rising bodies. This is I, the machine, manoeuvring in the chaotic movements, recording one movement after another in the most complex combinations. Freed from the boundaries of time and ...more
Dziga Vertov

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