Congo


The Poisonwood Bible
King Leopold's Ghost: A Story of Greed, Terror, and Heroism in Colonial Africa
Heart of Darkness
Cobalt Red: How the Blood of the Congo Powers Our Lives
Dancing in the Glory of Monsters: The Collapse of the Congo and the Great War of Africa
Congo: een geschiedenis
Blood River: A Journey to Africa’s Broken Heart
In the Footsteps of Mr. Kurtz: Living on the Brink of Disaster in Mobutu's Congo
Congo
Broken Glass
Tram 83
The Lumumba Plot: The Secret History of the CIA and a Cold War Assassination
Africa's World War: Congo, the Rwandan Genocide, and the Making of a Continental Catastrophe
Black Moses
The Assassination of Lumumba
Blood River by Tim ButcherImmersed in West Africa by Terry ListerThe Ukimwi Road by Dervla MurphyA New Day Dawns by Terry ListerTravels in Senegal by Terry Lister
Armchair travel: Africa
78 books — 6 voters
Things Fall Apart by Chinua AchebeCutting for Stone by Abraham   VergheseThe Poisonwood Bible by Barbara KingsolverHalf of a Yellow Sun by Chimamanda Ngozi AdichieThe No. 1 Ladies' Detective Agency by Alexander McCall Smith
Fictitious Africa
547 books — 265 voters

Adam Hochschild
Most striking about the traditional societies of the Congo was their remarkable artwork: baskets, mats, pottery, copper and ironwork, and, above all, woodcarving. It would be two decades before Europeans really noticed this art. Its discovery then had a strong influence on Braque, Matisse, and Picasso -- who subsequently kept African art objects in his studio until his death. Cubism was new only for Europeans, for it was partly inspired by specific pieces of African art, some of them from the Pe ...more
Adam Hochschild, King Leopold's Ghost: A Story of Greed, Terror, and Heroism in Colonial Africa

Bruce Gilley
I also do not begrudge Hochschild his millions, although, unlike him, I have untold praise for the capitalist system that produced them (he recently compared Amazon warehouses to slave plantations and in a 2016 book he lamented the failure of a socialist revolution in Spain). But to write history requires an immersion in the context, constraints, and worldviews of those involved.
Bruce Gilley, The Ghost Still Haunts: Adam Hochschild responds to Bruce Gilley, who follows in kind

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