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Bohumil Hrabal
“When I start reading I'm somewhere completely different, I'm in the text, it's amazing, I have to admit I've been dreaming, dreaming in a land of great beauty, I've been in the very heart of truth. Ten times a day, every day, I wonder at having wandered so far, and then, alienated from myself, a stranger to myself, I go home, walking the streets silently and in deep meditation, passing trams and cars and pedestrians in a cloud of books, the books I found that day and am carrying home in my briefcase.”
Bohumil Hrabal , Too Loud a Solitude

Emily R. Austin
“It’s actually sort of soothing to think of how massive the universe is, and how I could be snuffed out at any minute. I guess I like tricking my brain into disarming things.”
Emily R. Austin, Interesting Facts about Space

Hélène Cixous
“Sadly, I worshipped my childhood, I was fragile and all-powerful at the same time. I had the right to rule in a world created for my pleasure, which was enough for me. What was real interested me not at all for it did not burden me. I had the time to watch the most unenterprising insect, to make a beetle go round and round, to make a string of ants climb up a stem, I had time to count my steps, and to count the numbers of stamens in the heart of a daisy. I knew all about dates, odors, shapes.”
Hélène Cixous, Inside

Mahmoud Darwish
“The mercy bullet

I envy horses: if they break a leg and feel humiliated because they can no longer charge back and forth in the wind, they are cured by a mercy bullet. So if something in me gets broken, physically or spiritually, I would do well to look for a proficient killer, even if he is one of my enemies. I will pay him a fee and the price of the bullet, kiss his hand and his revolver, and if I am able to write, extol him in a poem of rare beauty, for which he can choose the metre and rhyme.”
Mahmoud Darwish, A River Dies of Thirst: Journals

Annie Ernaux
“When I think of my mother’s violent temper, outbursts of affection, and reproachful attitude, I try not to see them as facets of her personality but to relate them to her own story and social background. This way of writing, which seems to bring me closer to the truth, relieves me of the dark, heavy burden of personal remembrance by establishing a more objective approach. And yet something deep down inside refuses to yield and wants me to remember my mother purely in emotional terms—affection or tears—without searching for an explanation.”
Annie Ernaux, A Woman's Story

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