Sugar, Spice, and Ruthlessness: What Unconventional YA Heroines Are Made Of

What if Vlad the Impaler had been a young woman? This is the question that sparked Kiersten White’s bestselling young adult trilogy, The Conqueror's Saga. In this alternate history, the Wallachian "girl prince" Lada Dracul pursues power by any means. Here, White explores the importance of allowing YA heroines to be flawed, ambitious, and even a little cruel—in other words, fully human.
Sugar and spice and everything nice—that’s what little girls are made of. We’re taught that from infancy. There’s a song I love by Snow Patrol called "Empress" that starts with the line "You’re angry, but you don’t know how to be that yet." And that resonates with me, because for a lot of years I didn’t know how to be angry. Or, more specifically, I didn’t know how to allow myself to be angry.
In one of my earlier books, The Chaos of Stars, the main character is an angry girl. She’s mad at her family. She’s mad at the world. And even though she eventually begins to heal, a lot of readers responded very negatively to her.
I carried that feedback with me for a long time. Here was a character with every right to be angry, and I was being told she shouldn’t have felt that way. If she had been a boy, would that criticism have existed? Would she have been so hated for being flawed? I didn’t think so.
In the meantime, I discovered Melina Marchetta’s Lumatere Chronicles and the incomparably, masterfully unlikable Quintana in Quintana of Charyn. Then I was given Robin LaFevers’ Dark Triumph and the fiercely livid Sybella, who was allowed vengeance and love without ever softening. And then Marie Lu, who is one of the kindest people I know, gave us the horrifying Adelina in The Young Elites. Lu made a villain her hero, turning what made Adelina awful into what made her great.
I used this inspiration like armor. When I began writing Lada Dracul in And I Darken, I was fully prepared to channel all the rage I had never been allowed. I thought it would be fun. It surprised me because it was terrifying. I worried that people wouldn’t respond well to Lada, that they’d hate her, that she would repulse them. But every time I found myself looking for ways to soften her, to make her more likable, I siphoned some of her strength, steeled myself, and wrote angrier.
And much to my shock and delight, people loved her. Readers needed to read an unapologetically ruthless and brutal girl as much as I needed to write one. Even the final book, Bright We Burn, changed over the course of drafting as I found myself unwilling to "punish" Lada for what she wanted and how she got it. The world does that enough to ambitious, powerful women.
There is tremendous strength in kindness, in femininity, in gentleness. But giving anger its rightful place in girls' lives is long overdue. Screw likable. I want my heroines determined, relentless, even vicious. I want them to claim the portions of the world that have been denied them. I want them to have the same agency and the full range of emotions that we give to male characters. I want our heroines to need no one’s permission to be human.
In one of my earlier books, The Chaos of Stars, the main character is an angry girl. She’s mad at her family. She’s mad at the world. And even though she eventually begins to heal, a lot of readers responded very negatively to her.
I carried that feedback with me for a long time. Here was a character with every right to be angry, and I was being told she shouldn’t have felt that way. If she had been a boy, would that criticism have existed? Would she have been so hated for being flawed? I didn’t think so.
In the meantime, I discovered Melina Marchetta’s Lumatere Chronicles and the incomparably, masterfully unlikable Quintana in Quintana of Charyn. Then I was given Robin LaFevers’ Dark Triumph and the fiercely livid Sybella, who was allowed vengeance and love without ever softening. And then Marie Lu, who is one of the kindest people I know, gave us the horrifying Adelina in The Young Elites. Lu made a villain her hero, turning what made Adelina awful into what made her great.
I used this inspiration like armor. When I began writing Lada Dracul in And I Darken, I was fully prepared to channel all the rage I had never been allowed. I thought it would be fun. It surprised me because it was terrifying. I worried that people wouldn’t respond well to Lada, that they’d hate her, that she would repulse them. But every time I found myself looking for ways to soften her, to make her more likable, I siphoned some of her strength, steeled myself, and wrote angrier.
And much to my shock and delight, people loved her. Readers needed to read an unapologetically ruthless and brutal girl as much as I needed to write one. Even the final book, Bright We Burn, changed over the course of drafting as I found myself unwilling to "punish" Lada for what she wanted and how she got it. The world does that enough to ambitious, powerful women.
There is tremendous strength in kindness, in femininity, in gentleness. But giving anger its rightful place in girls' lives is long overdue. Screw likable. I want my heroines determined, relentless, even vicious. I want them to claim the portions of the world that have been denied them. I want them to have the same agency and the full range of emotions that we give to male characters. I want our heroines to need no one’s permission to be human.
Bright We Burn, the final installment of The Conquerer's Saga, will be available on July 10. Don’t forget to add it to your Want to Read shelf!
Comments Showing 1-50 of 53 (53 new)
message 1:
by
Jane
(new)
Jul 06, 2018 03:17AM

reply
|
flag


"Screw likable. I want my heroines determined, relentless, even vicious. I want them to claim the portions of the world that have been denied them. I want them to have the same agency and the full range of emotions that we give to male characters. I want our heroines to need no one’s permission to be human." <--THIS!



“Sugar and spice and everything nice—that’s what little girls are made of. We’re taught that from infancy.” When I was a little girl, I was not taught “sugar and spice and everything nice.” I was not treated differently from my brother. I was not told I would be less successful than him. I was taught that knowledge and morality are key to a good life. Having anger all the time will not solve anything.
Honestly, I am done with YA; all the stories are the same and I see no need to have an entire genre regarding strong young women. I am female, but not a feminist.


100 % agree. Stop this feminist outcry already...

How this is true I do not know. It’s nice you weren’t treated differently, but many still are.
All you have to do is look at the imbalance of women in top jobs like CEO’s, & at the unequal pay.
Look at the necessity of the #metoo movement. Women have been disrespected & used since the beginning of time & still are till this day. Rapists & harassers get away with it daily. In order for women to advance they’ve had to let it go & put up with it ALL this time. That is ridiculous. This is just in America. Women all over the world are killed, beaten, used for sex & kept from education.
They don’t get to have that knowledge, which you say is the key to life. They don’t have a choice to be moral. How is that fair?
Women who have been lucky enough not to have experienced the inequality should help those that have. & there are so many. We are not talking about anger for anger’s sake. We are talking about anger used constructively.
And because it’s unlikely anything I say will change your mind despite the facts, let me ask you this— If there’s is no problem as you say, how do books who feature strong women harm anyone?

& I.LOVE. LADA.
She is by far my favorite female protagonist of The YA books I’ve read so far. I love that she’s not pretty & doesn’t care. I love that she fights back. I love that she embraces her talents even if they are not the most feminine. I love that she wants what is rightfully hers & nothing more. I am giddy with excitement for the final book. Thank you Kiersten White for creating her.





Grimalkin wrote: "100 % agree. Stop this feminist outcry already... ..."
None of this is even in the slightest "feminist". It's just bad-tempered, self-indulgent and spoiled gender role reversal, where a lot of negative behaviour and violence are mistaken for "strength".
Amelia wrote: "We are talking about anger used constructively.
Negative behaviour and negative emotions cannot be used "constructively". They are, by their very nature, destructive. The only constructive thing you can do with anger is ridding yourself of it.
.... how do books who feature strong women harm anyone? ..."
The first problem of this is that these women and girls are not strong. They just behave as violently and destructively as men do. That's not strong, that's being toxic and unhinged, and most assuredly not being civilised and strong.
This projected idea of women being strong if they behave the same violent, angry and overbearing way men behave in the US society is harmful because it is a bad role model for youths. Instead boys and men should be taught to reflect more and moderate themselves.
The shoe is entirely on the other foot.
And lastly, and what to me is the worst thing about this book, there already exists a female contemporary of Vlad Dracul, who is world famous for killing as ruthlessly and occupying a genuine position of power, too.
A slight spot of genuine research could have reveiled her: Elizabeth Báthory. The Wikipedia article about her is not too bad.
https://en.wikipedia.org/wiki/Elizabe...
Of course, this would have necessitated dealing with and contemplating the effect of unchecked violence on those affected by it. Báthory - like Vlad Dracul by the way - was no role model and most assuredly not a nice, wholesome person. However, I contend that recounting the life of a real powerful woman of that era would have proven far more insightful to women today than a Hollywood-style gender reversal story.

Grimalkin wrote: "100 % agree. Stop this feminist outcry already... ..."
None of this is even in the slightest "feminist". It's just bad-tempered, self-in..."
I agree violence isn’t the answer. Couldn’t agree more actually. Unfortunately those times were violent ones. Vlad is known for his ruthlessness. At the time tho that’s what people did. It was the norm. I picked up this novel that was recommended by a friend, because I have a fascination for the area & because I visited it & learned much about Vlad Dracul, including that it is argued Vlad Dracul wasn’t more violent than others.
I don’t think we’ll ever truly know.
With that said it’s the spirit of it that we take with us. Clearly we’re not going to literally kill those that offend us or that try & stop us from succeeding. We will take the metaphor oath us. This is historical fiction. & if she felt like making Vlad into Lada what does it matter there is a comparable woman (no I have not checked out the link yet).
This is a fun fictional book that also inspires. Clearly many have already been touched by the protagonist & are empowered.
I’m sure a book about a powerful woman who existed then could be powerful too. Neither taking anything away from the other.
The problem with that is that women weren’t often in power then & their contributions for the most part have not been documented.
This is true throughout history.
Either way both books can exist.

As human we are limited
As human we suffer, crave revenge
Lack of omnipotence
Heightenened levels of distress
We seek power and freedom
From chains that lead on
We thus inflict pain for our own sake.
We become what we most hate.

He certainly was a fascinating figure of the past.
I doubt, though, that he has any relevancy for how men or women should behave today. At least not how people appear to react to this here portrait. If anything he should be taken as a negative example. Someone one should never emulate.
"This is historical fiction. & if she felt like making Vlad into Lada what does it matter there is a comparable woman (no I have not checked out the link yet). This is a fun fictional book that also inspires. Clearly many have already been touched by the protagonist & are empowered. ..."
Strictly speaking, "historical fiction" would be accurate as to the real people of history it depicts. So no, this is not "historical fiction". It's fantasy, or alternate reality instead. If anyone truly was interested in history, then research into actual women of power of that era would have been necessary.
And it is the "inspired" and "empowered" part I have huge problems with. People being "inspired" by a gender reversed Vlad Țepeș give me a belly ache. This is no person to be inspired or empowered by. Why should anyone strive to become more brutal and less civilised than before?
"Either way both books can exist."
I nowhere said the book shouldn't exist. I said that I think it leads down the wrong path and unfortunately it is just one among many similar ones, and many movies and other media which strive to teach women that they need to behave like men.

"Behave like men" only has meaning if we believe that some traits are inherently masculine, and that women are somehow trespassing or not staying in their lane when they express those traits, or want the characters they read about to express those traits.
Fictional characters exist for people to imagine, even to imagine dark things on occasion. Women have traditionally been limited in how they saw other women portrayed.
Women read more than men, keeping the publishing industry afloat, and so it on it only makes sense there's a market for women in more dynamic roles, as the hero, as the antihero, as the villain, as someone who is both admirable and horrible.
That isn't to say there shouldn't be books that cater to men -- they also deserve books that appeal to them, and lots of women like books marketed to men and vice versa -- only that I don't see why there is a fuss when an author gives a large segment of female readers what they want.
And if this is not what they really want, sales or lack of sales will take care of that.
I have always found Elizabeth Bathory interesting, and would read a book about her, from her POV, but while she gets called the female Dracula, she is not really the same as Vlad Tepes. It wouldn't be the same experience.
I hope it goes without saying, as it always should, that reading about dark topics, or liking to read about villains, is not the same as endorsing these acts in real life. Wanting to see women as dynamic characters. Fiction is where the reader gets to explore, whatever.
Saying you love a villain is not the same as supporting or evil, Finding an aspect of them to be interesting or something you want to mentally explore is just ... how storytelling works.
Some people want to read about Snow White and the evil queen, Aurora and Maleficent. Maybe a version where the Prince Phillip is Phillipa or someone who doesn't identify as one or the other. Or where Aurora saves herself. Or where Aurora turns out to be evil.


There are, in these reactions and reviews right here, as well as in the violent behaviour of Vlad the Impaler, plenty of specific examples of what I (and others) mean by saying "behave like men". It is clearly a reference to gendered behaviour, and where I am talking about it, even more concisely of the American Male Box.
As an outsider looking in, for I am contemplating this from across the pond, the toxic masculinity and the extremeties of violence in the American culture are quite outstanding, and not in a positive manner. What you call "just traits" are to me a symptom of the sickness. Just as the - by the way - toxic gendering emanating from the US culture, something which floods across the planet in an unhealthy way.
Neither can be remedied by claiming equal rights to negative behaviour. My rejection of toxic masculinity was addressed not just to women and girls, who should be or become wise enough not to engage in such behaviour. It is as emphatically addressed to men and boys, who should be discouraged from exhibiting it either, and learn instead how to better emotionally express themselves, how to solve problems without violence and how to resolve anger in a non-violent manner.
A guy nailing their turbans to the heads of ambassadors with finger long nails just to make a point sure as hell should not be raised on any pedestal, certainly not an allegedly feminist one.
I hope it goes without saying, as it always should, that reading about dark topics, or liking to read about villains, is not the same as endorsing these acts in real life. Wanting to see women as dynamic characters. Fiction is where the reader gets to explore, whatever.
I am so bloody tired of this strawman argument. Books influence, whether you want it or not. One cannot celebrate "books with female heroes so girls get their role models" and in the same breath deny that a role model influences the one who models herself after that role. One cannot fight racist or sexist publications (see recent reactions to books by Twain, Ingalls, Christie, Salinger or Hawthorne) because they give bad examples, and then claim that books don't do a thing except amuse. You just can't eat your cake and have it too in this argument.
And "women as dynamic characters" is a long, long way from pushing violence, torture, murder and anger at girls as something worth striving for. It shouldn't be pushed at boys either, just to clarify. It is nothing anyone should strive for if we want to achieve some modicum of civilisation as a species at all.
Lastly, and this affords me some quiet amusement, it is very gendered thinking to have "books for girls" and "books for boys". It is equally gendered thinking to gender-swap villains of the past to serve as "role models for girls". You directly buy into gendering by doing the above. To abolish gendering you have to cease thinking in these kinds of categories. And - of course - that doesn't just apply to readers. This just as much applies to writers who need to write genuine female heroines (and of course equally genuine male heroes) whose strengths are not based on our current toxic ideas of what is gender appropriate. Which means doing away with both concepts of gendered behaviour, male and female.
Herein lies the crux of the matter for me. Books like this aren't improving things. They make them worse.

Steelwhisper, thanks for being a champion racehorse in a flock of sheep!



I'm pretty sure I remain just a nice woman from the state known for it's niceness, but if I get to the planning stages of impaling someone, I'll put down the book.
In all seriousness, I do understand your concerns, and don't want to see women make the mistakes (in real life) that men have traditionally made. I appreciate that this worries you.


If people still think there are (non-physical) differences between women and men there is a need for feminism. Gender should be viewed as something insignificant, like someone's eye color.
Nowadays it's about people not having to feel as if they are forced to be someone they aren't. It's about the freedom to act 'feminine' or 'masculine' or whatever in between, it should be their choice.


About this quote - I always understood sugar and spice to be opposites of each other, or at least complementary. Little girls are sweet, but also "spicy", e.g. fierce or sharp or have a temper. And everything nice = everything that's good in the world (not just having a friendly character). But maybe that's just my understanding.
Well, this nursery rhyme might be simplifying (it is a nursery rhyme after all), but girls are described in a more complex and flattering way than little boys ... it basically says little boys are dirty.
What are little boys made of?
Snips and snails
And puppy-dogs' tails
That's what little boys are made of
On another note, which male heroes are determined, relentless or vicious and were applauded for it? I'm asking because most I can think of (from contemporary literature) are essentially morally "good" characters - maybe determined, but not ruthless or vicious. But I maybe have not read enough books with (memorable) male protagonists?


Well, this nursery rhyme might be simplifying (it is a nursery rhyme after all), but girls are described in a more complex and flattering way than little boys ... it basically says little boys are dirty.
What are little boys made of?
Snips and snails
And puppy-dogs' tails
That's what little boys are made of"
I always took it to mean that girls were expected to be nice and sweet, and took the spice to be something like cinnamon as opposed to, say, curry powder.
Pretty and sweet, like a cookie or cake.
While boys seem to have the less flattering ingredients, there's also the sense of boys are expected to get dirty and play hard, and their rougher edges are boys will be boys.
The poem seems to trace back to the early 19th century, and so I don't see them celebrating a lot of spirit or temper for a girl.

Woww...... I want to frame that and keep it on my nightstand, that is fucking inspirational.


The books do an excellent job in portraying a strong, badass woman who doesn’t take any crap. I love Lada, and I appreciate the links to more history of Vlad et all.
6 out of 5 stars!





Best of luck with your book! Rage on! :)


Also, the fact that she really does fight her own battles, consistently, and protects those she reluctantly loves, is a nice change of pace for a female character.

I hate it with a passion when people are bashing stories just because they don't like the characteristics of a character, especially when they have double standards towards male and female characters. Those people usually have those double standards in real life as well, unfortunately. "Oh, the perfect woman should have more flaws than being clumsy, but not too deep ones, because then she is unfeminine". The same selfishness, cockiness etc. is seen as endearing with males and a disgrace with females.
The only thing I cannot stand is when it is not emphasized in a story that a flaw is a flaw, but is introduced as being badass or cool or the norm. Like being rude to guys you are not attracted to, being shallow, being violent for no reason... they should be treated like flaws.