Postmodern Blasphemies against Myth
Here is an essay on the genre of high fantasy and swords and sorcery which I hope will be studied seriously, both now in and in years to come, by all who read, write, and review in the genre.
The Bankrupt Nihilism of Our Fallen Fantasists by Leo Grin. Read it here:
I don’t particularly care for fantasy per se. What I actually cherish is something far more rare: the elevated prose poetry, mythopoeic subcreation, and thematic richness that only the best fantasy achieves, and that echoes in important particulars the myths and fables of old.This realization eliminates, at a stroke, virtually everything written under the banner of fantasy today.
The mere trappings of the genre do nothing for me when wedded to the now-ubiquitous interminable soap-opera plots (a conservative friend of mine once accurately derided “fat fantasy” cycles such as Robert Jordan’s Wheel of Time as “Lord of the Rings 90210”). Nor do they impress me in the least when placed into the hands of writers clearly bored with the classic mythic undertones of the genre, and who try to shake things up with what can best be described as postmodern blasphemies against our mythic heritage.
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