Dialogue Tag Lines
Dialogue Tag Lines
Recently, while editing a book for a client, I came across the following line, “’You bitch,’ she said.” In my angel innocence, I suggested that maybe “said” could be spiced up a bit to underscore the obvious inherent intensity of the line. I thought that perhaps the author would consider “screamed,” “hissed,” or “cried” as alternatives, depending upon the author’s view of the precise emotional underpinnings of the scene.
Well, I may as well have slapped the Pope. As a mother would inform a child that Santa Claus is a spirit rather than a real person, my client/author told me that dialogue tag lines were constitutionally limited to “said.”
This “rule” struck me as sufficiently restrictive and unreasonable as to require a bit of research on my part, and, lo and behold, there is respectable authority for this injunction.
The rationale would seem to be that by using “said” over and over, it becomes invisible, which is apparently a very good thing.
I have two problems with this. First, things which happen over and over, like the Chinese Water Torture and tightening screws on an assembly line, do not become invisible, only irritating. Also, it never occurred to me that as an author fashioning words on a page, I should strive, as a summum bonum, to make them invisible. I could achieve that effect by not writing at all.
Now that I’ve been enlightened, I’m acutely sensitive to dialogue tag lines used by other authors. I’m happy to report that this “rule” is honored more in the breach than in its observance.
Other rules presented to me were that adverbs are suspect, that the passive voice is felonious, and that sentences more than ten words long must be chopped up like Lizzie Borden’s parents. We’ll deal with these absurdities in later articles.
Recently, while editing a book for a client, I came across the following line, “’You bitch,’ she said.” In my angel innocence, I suggested that maybe “said” could be spiced up a bit to underscore the obvious inherent intensity of the line. I thought that perhaps the author would consider “screamed,” “hissed,” or “cried” as alternatives, depending upon the author’s view of the precise emotional underpinnings of the scene.
Well, I may as well have slapped the Pope. As a mother would inform a child that Santa Claus is a spirit rather than a real person, my client/author told me that dialogue tag lines were constitutionally limited to “said.”
This “rule” struck me as sufficiently restrictive and unreasonable as to require a bit of research on my part, and, lo and behold, there is respectable authority for this injunction.
The rationale would seem to be that by using “said” over and over, it becomes invisible, which is apparently a very good thing.
I have two problems with this. First, things which happen over and over, like the Chinese Water Torture and tightening screws on an assembly line, do not become invisible, only irritating. Also, it never occurred to me that as an author fashioning words on a page, I should strive, as a summum bonum, to make them invisible. I could achieve that effect by not writing at all.
Now that I’ve been enlightened, I’m acutely sensitive to dialogue tag lines used by other authors. I’m happy to report that this “rule” is honored more in the breach than in its observance.
Other rules presented to me were that adverbs are suspect, that the passive voice is felonious, and that sentences more than ten words long must be chopped up like Lizzie Borden’s parents. We’ll deal with these absurdities in later articles.
Published on June 27, 2015 08:36
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Gordon Osmond on Writing
Based on my long career as a playwright, author of fiction and non-fiction, editor, book and play critic, and lecturer on English,I am establishing this new blog for short articles and comments to ass
Based on my long career as a playwright, author of fiction and non-fiction, editor, book and play critic, and lecturer on English,I am establishing this new blog for short articles and comments to assist present or future authors in their quest to be the best writers they can be.
Free copies of my books will be awarded from time to time to those who make substantial contributions to this new blog.
Those books include:
So You Think You Know English--A Guide to English for Those Who Think They Don't Need One.
Wet Firecrackers, my "unauthorized" autobiography.
Slipping on Stardust, my debut novel
Please add your comments and/or articles to make this blog an entertaining and valuable resource for authors in all genres.
Many thanks.
Gordon Osmond ...more
Free copies of my books will be awarded from time to time to those who make substantial contributions to this new blog.
Those books include:
So You Think You Know English--A Guide to English for Those Who Think They Don't Need One.
Wet Firecrackers, my "unauthorized" autobiography.
Slipping on Stardust, my debut novel
Please add your comments and/or articles to make this blog an entertaining and valuable resource for authors in all genres.
Many thanks.
Gordon Osmond ...more
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