Word Count by Genre
This is an old post, but I found it helpful. I think some of the genres may be even shorter now.
Word Count by Genre by Jacqui Murray
Here’s information worth reposting. I got it from the SCWC blog. Check out these word counts. The last time I checked, they were longer. Fits what I’ve heard that publishers want shorter and shorter books:
Word counts for different genres of novels vary, but there are general rules of thumb that a writer can use for how long is too long. For the purposes of this post, I’m only talking about YA, middle-grade and adult fiction:
• Middle Grade Fiction = Anywhere from 25k to 40k, with the average at 35k
• YA Fiction = For mainstream YA, anywhere from about 45k to 80k; paranormal YA or YA fantasy can occasionally run as high as 120k but editors would prefer to see them stay below 100k. The second or third in a particularly bestselling series can go even higher. But it shouldn’t be word count for the sake of word count.
• Paranormal Romance = 85k to 100k
• Romance = 85k to 100k
• Category Romance = 55k to 75k
• Cozy Mysteries = 65k to 90k
• Horror = 80k to 100k
• Western = 80k to 100k (Keep in mind that almost no editors are buying Westerns these days.)
• Mysteries, thrillers and crime fiction = A newer category of light paranormal mysteries and hobby mysteries clock in at about 75k to 90k. Historical mysteries and noir can be a bit shorter, at 80k to 100k. Most other mystery/thriller/crime fiction falls right around the 90k to 100k mark.
• Mainstream/commercial fiction/thrillers = Depending upon the kind of fiction, this can vary: chick lit runs anywhere from 80k word to 100k words; literary fiction can run as high as 120k but lately there’s been a trend toward more spare and elegant literary novels as short as 65k. Anything under 50k is usually considered a novella, which isn’t something agents or editors ever want to see unless the editor has commissioned a short story collection. (Agent Kristin Nelson has a good post about writers querying about manuscripts that are too short.)
• Science Fiction & Fantasy = Here’s where most writers seem to have problems. Most editors I’ve spoken to recently at major SF/F houses want books that fall into the higher end of the adult fiction you see above; a few of them told me that 100k words is the ideal manuscript size for good space opera or fantasy. For a truly spectacular epic fantasy, some editors will consider manuscripts over 120k but it would have to be something extraordinary. I know at least one editor I know likes his fantasy big and fat and around 180k. But he doesn’t buy a lot at that size; it has to be astounding. (Read: Doesn’t need much editing.) And regardless of the size, an editor will expect the author to be able to pare it down even further before publication. To make this all a little easier, I broke it down even further below:
• Hard SF = 90k to 110k
• Space Opera = 90k to 120k
• Wpic/high/traditional/historical fantasy = 90k to 120k
• contemporary fantasy = 90k to 100k
• Romantic SF = 85k to 100k
• Urban Fantasy = 90k to 100k
• New Weird = 85k to 110k
• Slipstream = 80k to 100k
• Comic Fantasy = 80k to 100k
• Everything else = 90k to 100k
Editors will often make exceptions for sequels, by the way. Notice that the page count in both J.K. Rowling’s Harry Potter series and George R.R. Martin’s Song of Ice and Fire series gets progressively higher. But even authors who have been published for years and should know better will routinely turn in manuscripts that exceed the editor’s requested length by 30k to 50k words, which inevitably means more work for that author because editors don’t back down. If a contract calls for a book that is 100k words and you turn in one that is 130k, expect to go back and find a way to shave 30k words off that puppy before your manuscript is accepted.
Remember that part of the payout schedule of an author’s advance often dangles on that one important word: acceptance.
I cannot stress highly enough that there are always exceptions to every rule, especially in SF/F. Jacqueline Carey and Peter F. Hamilton, among others, have proven this quite successfully. If an agent finds a truly outstanding book that runs in the 200k range (yes, it happens!), he or she may advise your cutting the manuscript into two books to make life easier for everyone. But for a debut novelist who is trying to catch the eye of an agent or editor for the first time? Err on the side of caution with your word count.
Word Count by Genre by Jacqui Murray
Here’s information worth reposting. I got it from the SCWC blog. Check out these word counts. The last time I checked, they were longer. Fits what I’ve heard that publishers want shorter and shorter books:
Word counts for different genres of novels vary, but there are general rules of thumb that a writer can use for how long is too long. For the purposes of this post, I’m only talking about YA, middle-grade and adult fiction:
• Middle Grade Fiction = Anywhere from 25k to 40k, with the average at 35k
• YA Fiction = For mainstream YA, anywhere from about 45k to 80k; paranormal YA or YA fantasy can occasionally run as high as 120k but editors would prefer to see them stay below 100k. The second or third in a particularly bestselling series can go even higher. But it shouldn’t be word count for the sake of word count.
• Paranormal Romance = 85k to 100k
• Romance = 85k to 100k
• Category Romance = 55k to 75k
• Cozy Mysteries = 65k to 90k
• Horror = 80k to 100k
• Western = 80k to 100k (Keep in mind that almost no editors are buying Westerns these days.)
• Mysteries, thrillers and crime fiction = A newer category of light paranormal mysteries and hobby mysteries clock in at about 75k to 90k. Historical mysteries and noir can be a bit shorter, at 80k to 100k. Most other mystery/thriller/crime fiction falls right around the 90k to 100k mark.
• Mainstream/commercial fiction/thrillers = Depending upon the kind of fiction, this can vary: chick lit runs anywhere from 80k word to 100k words; literary fiction can run as high as 120k but lately there’s been a trend toward more spare and elegant literary novels as short as 65k. Anything under 50k is usually considered a novella, which isn’t something agents or editors ever want to see unless the editor has commissioned a short story collection. (Agent Kristin Nelson has a good post about writers querying about manuscripts that are too short.)
• Science Fiction & Fantasy = Here’s where most writers seem to have problems. Most editors I’ve spoken to recently at major SF/F houses want books that fall into the higher end of the adult fiction you see above; a few of them told me that 100k words is the ideal manuscript size for good space opera or fantasy. For a truly spectacular epic fantasy, some editors will consider manuscripts over 120k but it would have to be something extraordinary. I know at least one editor I know likes his fantasy big and fat and around 180k. But he doesn’t buy a lot at that size; it has to be astounding. (Read: Doesn’t need much editing.) And regardless of the size, an editor will expect the author to be able to pare it down even further before publication. To make this all a little easier, I broke it down even further below:
• Hard SF = 90k to 110k
• Space Opera = 90k to 120k
• Wpic/high/traditional/historical fantasy = 90k to 120k
• contemporary fantasy = 90k to 100k
• Romantic SF = 85k to 100k
• Urban Fantasy = 90k to 100k
• New Weird = 85k to 110k
• Slipstream = 80k to 100k
• Comic Fantasy = 80k to 100k
• Everything else = 90k to 100k
Editors will often make exceptions for sequels, by the way. Notice that the page count in both J.K. Rowling’s Harry Potter series and George R.R. Martin’s Song of Ice and Fire series gets progressively higher. But even authors who have been published for years and should know better will routinely turn in manuscripts that exceed the editor’s requested length by 30k to 50k words, which inevitably means more work for that author because editors don’t back down. If a contract calls for a book that is 100k words and you turn in one that is 130k, expect to go back and find a way to shave 30k words off that puppy before your manuscript is accepted.
Remember that part of the payout schedule of an author’s advance often dangles on that one important word: acceptance.
I cannot stress highly enough that there are always exceptions to every rule, especially in SF/F. Jacqueline Carey and Peter F. Hamilton, among others, have proven this quite successfully. If an agent finds a truly outstanding book that runs in the 200k range (yes, it happens!), he or she may advise your cutting the manuscript into two books to make life easier for everyone. But for a debut novelist who is trying to catch the eye of an agent or editor for the first time? Err on the side of caution with your word count.
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