The One Sentence Review: The Row

Have you ever mulled over a particular sentence for so long that after a while, you weren’t even sure what it meant anymore? Fashion designers are so lucky because when they do that (proverbially) the result is often a really smart, really edited, highly directional collection that makes sense and feels familiar in a way that appears not stale but just confident — and such was certainly the case this morning at The Row when a series of gold and burnt orange and navy and cream looks in a combination of foreign, rich fabrics and good old poplin, some caped, many belted and tied together in huge knots that accentuated the female waist but also celebrated the deflection of the male gaze stood to tell the story of Spring.

That was two sentences. Sue me.