Physical Descriptions of Characters

How detailed should physical descriptions of characters in a novel be?

Many, if not most novels I’ve read recently include almost immediately after the introduction of a character, a detailed description of the character’s physical characteristics—age, height, weight, hair and eye colors, physique, and on and on.

Without a lot of premeditation, I find that my characters are described rather generally. The reader knows whether the character is young, middle-aged, or old, good looking, plain, or just plain ugly, but that’s about it.

I defend this approach in terms of giving readers the freedom to fill in the details rather than having me do it for them. For example, one reader wrote to me in regard to Erin, a principal character in Slipping on Stardust whom I describe in the book as “a young girl, for many years cute, now airily inhabiting the cusp between seriously pretty and downright beautiful” saying that the reader thought of her as a young Audrey Hepburn. To which I say, Great! That’s the image that reader’s imagination has conjured up. My point is that other readers should have the option to imagine a different one, e.g., a Sandra Dee with brains.

I think my approach is the result of my background as a playwright. Playwrights can detail physical descriptions in the script until they're blue in the face, but when it comes to performance, what you see on stage is what you get. I like to avoid that stricture by making my descriptions in my novel general, rather than specific.

I’d really treasure hearing other novelists’ views on this question. I’m as old as dirt, but not too old to change, particularly as I’m in the process of writing a sequel to Slipping on Stardust. I suspect that there is no right choice—only ones that suit a particular writer’s general approach to the task of producing a compelling and appealing novel.
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Published on May 04, 2013 07:56 Tags: character-descriptions, detail, novels
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message 1: by Jean (new)

Jean I so agree there's no one right choice. I love your descriptions and they work for me. I choose to include somewhat more detailed descriptions in my books. Perhaps that's because I need to visualize them myself. Especially when writing love scenes.
But I'm funny about my covers. Only one cover of a recent book actually has full faces on it. I prefer, like you, to let the reader imagine who they want. So Dawne Dominique chops them off around the nose. Lol! But I like that and hope it lets the reader see what they choose to see. I suppose it's an odd combination of descriptions in words but not in pictures. But then again, I am an odd combination sometimes myself. Great post. Very thought provoking.


message 2: by Gordon (new)

Gordon Osmond Thanks, dear Jean, for this highly perceptive comment. I'd send you a book, but I think you already have them all.
It's such a pleasure to e-talk to such a great writer and lovely person who walks her wonderful dog where I walked mine for many years. I lived across from Lincoln Center, and my two Siberian Huskies couldn't wait to hit the fresh snow on the Great Lawn.


message 3: by Jean (new)

Jean Thank you for the lovely compliments.
How wonderful!! Siberian Huskies...an animal that can easily live with NYC cold. The Lincoln Center area is so beautiful, Gordon. How lovely. I bet watching them frolick in the snow on the Great Lawn was fun. Do you miss NYC?


message 4: by Gordon (new)

Gordon Osmond I lived in NYC for more than 40 years and wouldn't trade a single one. I've sort of had my fill of the City itself, but of course I dearly miss my friends very few of whom are adventurous enough to visit me in Brazil.


message 5: by Jean (new)

Jean I went to Rio for Mardi Gras a long time ago, in my single days. Fell totally in love with Rio and the people. Also love Costa Rica. I could easily see living there. We have a shack in the country about 2 hours away. I escape there to write in the summer, which can be beastly here. I get how you could want to leave. By May or June, NYC starts to grate on my nerves.


message 6: by Michael (new)

Michael Henderson This is a great question, and one I'm considering now with my publisher.

I don't go into detailed descriptions right off the bat, but weave it into the story as I see fit. Generally, though, I agree with your approach. I have a female character that in the course of the book I describe with brown hair, blue eyes, she wears flannel PJs and pink-framed glasses. I describe briefly her outfit in one scene. But that's it.

The publisher wants more. I'm not in a position to argue, but I'm afraid they want to turn the thing into something it's not.

In any case, given my choice, I usually give a minimum of description, unless it's important to the story, for all the reasons you mentioned.


message 7: by Jean (new)

Jean I need to visualize the characters in my mind while I'm writing. So I like to offer those descriptions to my readers, too. I think readers can identify better with the characters and get more deeply into a story if they have character descriptions and more than once in the story. I have read books with zero character descriptions and found I could not connect with the characters and didn't care for the books.


message 8: by Gordon (new)

Gordon Osmond Thanks, Michael and Jean, for your interest in the topic and for your valuable comments. Gordon


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Gordon Osmond
Based on my long career as a playwright, author of fiction and non-fiction, editor, book and play critic, and lecturer on English,I am establishing this new blog for short articles and comments to ass ...more
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