Characterization in the Donaghue & Stainer Crime Novel Series
Life sometimes seems to be the same story told over and over again, but people are always complex. We can never be entirely sure we understand the human being next to us. Shouldn’t our fictional characters engage us the same way?
Readers crave believable characters that will hold their attention and offer more food for thought than what you’ll find in Saturday morning cartoons.
As a former lit student I’ve always kept in mind the distinction E.M. Forster made in Aspects of the Novel between flat characters and round characters. A flat character is built around a “single quality or idea” and doesn’t receive much development through the course of the novel, whereas a round character is “complex in temperament and motivation” and is capable of surprising us as the novel progresses. In other words, you could describe a flat character with a single sentence but would struggle to sum up a round character in a paragraph. (See M.H. Abrams, “Character and Characterization,” A Glossary of Literary Terms, for a good summary.)
As a reader I grow bored very quickly with predictable, flat characters, particularly in fiction that's meant to challenge me as an educated adult. As an author I try very hard to ensure my characters have a roundness that will sustain and engage readers. Homicide Lieutenant Hank Donaghue and Detective Karen Stainer might appear on the surface to be a typical male-female odd couple, with Donaghue as the cultured, calm one and Stainer as his hot-blooded, foul-mouthed foil, but readers will find they have depths and complexities only glimpsed at in the first novel Blood Passage.
In the same way, readers are cautioned not to assume that Triad Red Pole Peter Mah is simply a cold-blooded, vengeful executioner. His relationships with other people, particularly with Donaghue, make him difficult to pigeon-hole.
The story arc of the Donaghue-Stainer series will provide many opportunities to explore these characters in more depth, to decide whether you like or dislike them, with plenty of time to change your mind before you're done.
Readers crave believable characters that will hold their attention and offer more food for thought than what you’ll find in Saturday morning cartoons.
As a former lit student I’ve always kept in mind the distinction E.M. Forster made in Aspects of the Novel between flat characters and round characters. A flat character is built around a “single quality or idea” and doesn’t receive much development through the course of the novel, whereas a round character is “complex in temperament and motivation” and is capable of surprising us as the novel progresses. In other words, you could describe a flat character with a single sentence but would struggle to sum up a round character in a paragraph. (See M.H. Abrams, “Character and Characterization,” A Glossary of Literary Terms, for a good summary.)
As a reader I grow bored very quickly with predictable, flat characters, particularly in fiction that's meant to challenge me as an educated adult. As an author I try very hard to ensure my characters have a roundness that will sustain and engage readers. Homicide Lieutenant Hank Donaghue and Detective Karen Stainer might appear on the surface to be a typical male-female odd couple, with Donaghue as the cultured, calm one and Stainer as his hot-blooded, foul-mouthed foil, but readers will find they have depths and complexities only glimpsed at in the first novel Blood Passage.
In the same way, readers are cautioned not to assume that Triad Red Pole Peter Mah is simply a cold-blooded, vengeful executioner. His relationships with other people, particularly with Donaghue, make him difficult to pigeon-hole.
The story arc of the Donaghue-Stainer series will provide many opportunities to explore these characters in more depth, to decide whether you like or dislike them, with plenty of time to change your mind before you're done.
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Open Investigations
A blog that explores crime fiction writing and other topics of interest to both readers and authors.
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