Song of the Vikings: What’s in a Title?

“Song of the Vikings,” for instance, wasn’t my choice for my upcoming biography of Snorri Sturluson, the story of how a scheming Icelandic chieftain gave Norse mythology to the world.
But it has a pleasing tension to it. Singing is not the first action that comes to mind when thinking about Vikings. Yet it was through their songs—using “song” the way Walt Whitman did in “Song of Myself”—that Snorri Sturluson, writing in the early 1200s, was able to reconstruct the Viking world of centuries before. Viking songs are the source of almost everything we know about the gods, kings, and warriors who ruled the North between 793 and 1066 (the Viking Age) and for two centuries after, until the Icelandic Sagas were written—some of the best by Snorri himself—in the 1200s.
Poets, or skalds, were a fixture at the Norwegian court for over four hundred years. They were swordsmen, occasionally. But more often in his collection of sagas about the kings of Norway, Heimskringla, Snorri depicts skalds as a king’s ambassadors, counselors, and keepers of history. They were part of the high ritual of his royal court, upholding the Viking virtues of generosity and valor. They legitimized his claim to kingship. Sometimes skalds were scolds (the two words are cognates), able to say in verse what no one dared tell a king straight. They were also entertainers: A skald was a bard, a troubador, a singer of tales—a time-binder, weaving the past into the present.

List to my song, sea-steed’s- sinker thou, for greatly skilled at the skein am I— a skald you must have—of verses; and even if thou, king of all Norway, hast ever scorned and scoffed at other skalds, yet I shall praise thee.
We know the names of over two hundred skalds from before 1300, including Snorri, one of his nieces, and three of his nephews. We can read (or, at least, experts can) hundreds of their verses: In the standard edition, they fill a thousand two-column pages. What skalds thought important enough to put into words provides most of what we know today about the inner lives of people in the Viking age, what they loved, what they despised. The big surprise is how much they adored poetry. Vikings were ruthless killers. They were also consummate artists.
“These old Norse songs have a truth in them, an inward perennial truth and greatness,” said the Victorian critic Thomas Carlyle. “It is a greatness not of mere body and gigantic bulk, but a rude greatness of soul.”

You can sample it at Amazon here: http://www.amazon.com/Edda-Icelandic-Medieval-Iceland-Sequentia/dp/B00000IFOM
Or on Youtube: http://www.youtube.com/watch?v=ghq4nrvldkY And: http://www.youtube.com/watch?v=QaUwG762FfU&feature=related
For a completely different approach to the concept of a “Song of the Vikings,” listen to this delightful recording made in 1915 by the Victor Male Quartet, available through the National Jukebox project of the Library of Congress: http://www.loc.gov/jukebox/recordings/detail/id/4021/
And finally, there’s Todd Rundgren’s “Song of the Vikings” here:http://www.youtube.com/watch?v=bO95rnkoKY4
Let me know if you find any more.
Join me again next Wednesday at nancymariebrown.blogspot.com for another writing adventure in Iceland or the medieval world.
Published on August 29, 2012 07:30
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