JULESY Shares New Single + Video "Never Never" ft. fantasy of a broken heart via The Big Takeover | 'Flip the Bed' LP Out 10/17 via Strong Place Music
feat. fantasy of a broken heart via The Big Takeover
Read New Noise Magazine and Reverie Online Features
Flip the Bed Out October 17th Via Strong Place Music

LISTEN/WATCH & SHARE: JULESY - "Never Never"
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LISTEN/WATCH & SHARE: JULESY - "Blue Lie"
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LISTEN/WATCH & SHARE: JULESY - "Heart On The Line"
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"Intimate yet edgy, polished yet raw, JULESY is an artist making her presence known in NYC’s indie space and her latest offering is stunning proof of her allure"
- Earmilk
"...JULESY’s music occupies a space where emotional complexity meets experimental sound. On Flip the Bed, she leans into vulnerability and contradiction, crafting a debut that feels bold, genre-blurring, and strikingly real."
- The Big Takeover
"powerhouse vocal performances and stark lyrical honesty"
- New Noise Magazine
"With influences ranging from Imogen Heap and They Might Be Giants to Alex G, JULESY’s debut explores the liminal emotional spaces many artists leave untouched."
-Northern Transmissions
"Brooklyn-based alt-indie pop act Julesy are quickly making a name for themselves as one of the most compelling new voices emerging from New York’s indie-pop scene."
- Reverie Online
"That balance—between the heavy and the playful, the devastating and the hooky—is already becoming JULESY’s signature."
- Mundane Mag
"With sonic nods to Imogen Heap and Alex G, Flip the Bed promises to be a magnetic debut — an unfiltered document of growth, disruption, and the delicate beauty of being in-between."
- That's Good Enough for Me
This summer, Brooklyn-based alt-indie pop artist JULESY announced her debut full-length album, Flip the Bed, out October 17 via Strong Place Music. Known for her soaring, evocative vocals and confessional songwriting, JULESY has already drawn comparisons to artists like Soccer Mommy and Snail Mail. Blending dreamy folk-pop textures with raw punk energy, she’s quickly emerging as one of the most compelling new voices in New York’s vibrant indie scene.
Today, the genre-defying artist shares her latest single, “Never Never,” an ethereal, hazy anthem featuring her signature tender, melancholic vocals, joined by Bailey Wollowitz of fantasy of a broken heart. The two artists’ echoing harmonies create an emotionally resonant duet that deepens the track’s introspective tone.
On the track, JULESY shares:
"Never never is an ode to losing yourself to self criticism. I’m prone to making songs that feel heavy to me and sound really fun, I realize. This song started out as a full fledged demo, with a drum machine and lots of vocoders. Taylor Wallace made this song what it is by transforming a machine sound onto the kit, which is a huge feat. The other thing that makes the song so special is Bailey from Fantasy of a Broken Heart on background vocals. When they sent me the take, it brought the whole song together. Given that the lyrics are a sort of conversation between me and my brain, it’s fitting to have another voice on the track.”
With influences ranging from Imogen Heap and They Might Be Giants to Alex G, JULESY’s debut explores the emotional spaces many artists leave untouched. Flip the Bed promises to be a bold, genre-blurring introduction to a young artist unafraid to be fully in-process — messy, honest, and magnetic.
“Never Never” drops September 25th via Strong Place Music. Flip the Bed arrives October 17.


1. “Heart On the Line”
2. “Blue Lie”
3. “Wendy”
4. “Amber”
5. “Water”
6. “Michael Gibson”
7. “Never Never”
8. “Missing Muse”
JULESY BIOJULESY is a Brooklyn-based singer/songwriter whose debut album, Flip the Bed, captures the unraveling and aftermath of a six-year relationship with melodic clarity and emotional precision.
Written during the final two years of that relationship — and in the uncertain space that followed — the album traces a mid-twenties life in flux, where heartbreak, identity, and creative renewal bleed together. Influenced by Imogen Heap, They Might Be Giants, and Japanese House, JULESY writes melody-first songs that blur genre boundaries while staying emotionally direct. Her voice slips easily between pop gloss and lo-fi intimacy — drawing you in, then breaking something open.
She describes her songwriting as “candid and right on the nose,” often realizing what a lyric really means long after it’s written. “It’s how I process things I don’t fully understand yet,” she says. “I’ll write something and think it’s just a song — then months later, I realize it’s exactly what I was going through at that moment.”
Music runs deep in her DNA: her dad is a film composer, her mom a voice teacher. Growing up, JULESY took marimba classes instead of dance, surrounded by instruments in a house where creativity and critique flowed freely. Flip the Bedwas co-produced by Sahil Ansari and performed by her band, which includes her twin brother Cal on keys and vocals. “Some things, he just gets — more than any collaborator could,” she says. “We can read each other’s minds a little bit.”
The album’s title comes from a ritual she still finds herself repeating — moving her bed around the room to try and shift something inside. “I was either trying to change my perspective, understand someone else’s, or being forced into a new one,” she says. The songs were written from that place: not quite heartbreak, not quite healing, but something messier in between.
Across Flip the Bed, JULESY threads sharp introspection through deceptively catchy, sometimes whimsical forms. The opener, “Heart on the Line,” sets the tone — a propulsive, harmony-rich anthem about emotional overexposure and the futility of trying to be “chill” when you're anything but. On “Blue Lie,” she reflects on staying in a relationship even as she and her partner began to grow in different directions. “I wasn’t happy and didn’t realize it,” she says. “I didn’t know how to pursue my life without him.”
“Wendy,” one of the oldest songs on the record, shifts focus from romance to family. It reflects the complex dynamics of a post-divorce household where boundaries blur and roles invert. “It’s about being kind of parentified as a kid,” she says, “and having to form individual relationships with your parents while they’re kind of in opposition to each other.”
Elsewhere, “Water” explores self-erasure in relationships, and “Never Never” flips the album’s central breakup on its head — trading grief for something closer to sardonic defiance. On “Amber,” one of the album’s most delicate tracks, she folds in a note of queer longing, drawing inspiration from Amber Bain of Japanese House. “It’s that feeling of wanting to be someone and be with them at the same time,” she reflects. The final track, “Missing Muses,” zooms out entirely — a meta-ballad about creative paralysis and the slow, private work of finding your voice again.
Throughout, Flip the Bed lives in contradiction: heartbreak and humor, structure and blur, sharp truths and unresolved questions. “I’m not really trying to write about my life,” JULESY says. “I’m writing through it — as a way to make sense of what I can’t say any other way.”JULESY LINKSWebsite | Instagram | Spotify | Apple Music | Youtube | Soundcloud | Facebook | X