Voynich Reconsidered: the second name?

In a previous article on this platform, I examined the first of three short strings of glyphs on the first page of the Voynich manuscript. Each of these strings, unlike most of the Voynich text, is approximately right-justified. My idea, inspired by a recent debate on the voynich.ninja forum, was to see whether, among these strings, one might detect a proper name.

The second string, and its representation in Glen Claston’s v101 transliteration, is as follows:

Voynich manuscript, page f1r, line 10
A right-justified sequence of glyphs on page f1r, line 10 of the Voynich manuscript. Author's analysis. Image credit: Beinecke Rare Book and Manuscript Library

As with the first string, this sequence is open to some differences of interpretation. The v101 glyph {n} could be read as {iN}; and the glyph {(} looks like a hastily drawn {9}. If we accept that the first “word” is {8an}, and allow the last “word” to read {kco89}, all three “words” in the sequence are common in the Voynich manuscript. To my mind, the most probable reading is {8an oy kco89}. But the three "words" in this sequence occur nowhere else in the manuscript.

All three “words” confirm to the rules of sequencing glyphs within “words” which Massimilano Zattera has called the “slot alphabet”. Zattera's work expanded and quantified the earlier study of Mary D'Imperio on rules which she had called the "five states".

The second "name", and its slots
Voynich manuscript, page f1r, line 10: three interpretations of the glyphs, and the permitted "slots” in Zattera’s alphabet. Author’s analysis.

Mappings

I attempted mappings of the sequence {8an oy kco89} from various alternative transliterations of the Voynich manuscript, to some potential precursor languages. As before, I used frequency analysis as a tool for matching glyphs with letters (recognising that there should be some flexibility in the matching). As a priority language, again I started with medieval Italian, for the reasons that I outlined in the previous article.

Below are selected mappings that seemed to yield pronounceable words:

The second name on page f1r?
Selected transliterations of the Voynich manuscript, and corresponding mappings of the glyph string {8an oy kco89} to text strings in medieval Italian. RSQ = correlation between glyph frequencies and letter frequencies. AFD = average absolute difference in frequencies between glyphs and equally-ranked letters. Author’s analysis.

Of these text strings, only ES (a form of “is”) and ED (“and”) are words in medieval Italian.

To my mind, other possible mappings include the following:
• mappings based on other transliterations: for example, with the final {(} or {9} treated as wild cards, or as abbreviation signs
• flexible mapping of the glyph {k), which has a frequency of 4.2 percent in the v101 transliteration, and could plausibly map to C: in which case {kco89} could map to CRENA ("notch" or "furrow")
• re-ordering of the letters within the strings: for example, we could re-order NOB as BON (“good”), a very common word in medieval Italian; ES as SE (“if”), an extremely common word; and CRENA as CARNE ("meat" or "flesh")
• mappings based on other languages.
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Published on June 14, 2024 08:45 Tags: d-imperio, voynich, zattera
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Robert H. Edwards
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