Art is often best when it is unintended. A masterfully simple Biedermeier desk, the futuristic Parker 51 fountain pen, Bauhaus woven cloth, Japanese wabi sabi objects, Dieter Rams' appliances for BRAUN, or the Gill Sans type font, things like these were expressly conceived to be used every day and not live out their years in a museum. But they were so exceptional or singular that over time they rode the elevator up to art's top floor and stayed there. So too with photography. Whether it be...
Published on December 10, 2009 20:20