Where You Stand to Tell the Tale: An Open Book Blog Hop post

 

Welcome to Open Book Blog Hop. You can find us every Monday talking about the writing life. I hope you'll check out all the posts: you'll find the links at the bottom of this post.

Do you have advice for changing perspective? For example, switching from writing exclusivly in third person and switching to first person? Or do you have a reason for staying with the perspective you do 

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A story changes depending on who is telling it. So choosing a point of view is a crucial decision to an author. Some stories are better served by one choice or another. 

Mostly, I write in close third person. I like having a lens I'm viewing the story through--over the shoulder of a character. Though I've tried it out, omniscient doesn't seem to work for me so far. I need to understand where I'm standing to tell the tale, and that's best done (for me anyway) tied to a character and their biases, knowledge limitations, and perspective.

In my Menopausal Superhero series, I rotate through different characters in different chapters, so I get the immediacy and connection of being with a particular character, but the variety of what different characters might know or feel. I like the way they contradict one another and keep secrets from the other characters. Like real people. 

Sometimes, though, I write in first person. It's challenging in a longer work, as you can only show what that one particular character knows, but it can be a great draw for readers, making a strong connection because you see the world through the eyes of that character. I find it effective in short form horror, where it puts the reader in the shoes of the person in danger, and ratchets up the tension.

I've even written one short story in second person (you), which is not at all a common choice. I'm not sure I could maintain it for a longer piece, but I'm pleased with how it worked out for that short story. You can read The Beginning of You in 34 Orchard  if you're curious to see how that worked. It's on page 11. 
When I'm beginning a new piece, it sometimes comes with a voice in place, and I know from the outset what kind of point of view I'll be using. Other times, I've experimented, writing the same scene in a few different points of view until I hit the one that feels right and that I'll stick with for the rest of the piece. 
There are advantages and disadvantages to them all--ways that they limit the storytelling, but sometimes working within limitations is helpful and forces more creative techniques. 
Are there any particular points of view you enjoy reading or working with more than others? I'd love to hear about your preferences in the comments!

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