LINES, LINES, LINES
AND I don’t mean those growing consumer lines at stores for food or goods, or the long waits on the phone for customer service. I mean those lines and lines and lines of character “Will” dialog in the movie script for The STATIC Movie – https://kspllc.media -the next filming being set of for this coming Sunday at the multi-million dollar house location. I love acting as much as I do authoring (maybe a bit more when I get to do the dance choreography and get to perform it like in The STATIC Movie cheek-dance scene), but, oh, those many and long lines that need memorization!
There’s no analog in authoring, except maybe surrounding keeping the storyline straight as it unfolds. But that’s not memorization. What comes to me during authoring is like voices from outside of me, telling me what to write. The challenge is to get it down as fast as it comes. Okay, maybe keeping the characters separate, distinct, and utterly consistent involves a “tough” of memorization, but again, there’s simply no analog to line memorization in acting. Until Savant Books and Publications – https://www.savantbooksandpublication... – “invented” the “screenplay novel,” a new genre as unique as “SciFu” (science-based futuring).
Creating characters through narration and dialog, and developing them clearly, completely and concisely (in that specific order of importance, the “Three C’s” of writing) is, however, very important to making the book a “good, clean read.” I always do my due author diligence in regard to the Three C’s, as, I hope is evident in THE EDGE OF MADNESS (Aignos 2020) by Raymond Gaynor – https://www.amazon.com/dp/0999693859 – and will be, I certainly hope, also evident in the upcoming sequel, “Prophecy.”
Oh, and did I mention that the audiobook version of THE EDGE OF MADNESS was an Amazon LBGTQ Genre BESTSELLER right from the go-get! Whoot! Whoot! Take a storyline as compelling as TEOM and have it read in the instantly mesmerizing voice of Peter Pollock and it’s a winner in every aspect.
https://www.youtube.com/watch?v=Je6CC...
Purchased for manga, animation and cinematic treatment by K. Simmons Productions.
There’s no analog in authoring, except maybe surrounding keeping the storyline straight as it unfolds. But that’s not memorization. What comes to me during authoring is like voices from outside of me, telling me what to write. The challenge is to get it down as fast as it comes. Okay, maybe keeping the characters separate, distinct, and utterly consistent involves a “tough” of memorization, but again, there’s simply no analog to line memorization in acting. Until Savant Books and Publications – https://www.savantbooksandpublication... – “invented” the “screenplay novel,” a new genre as unique as “SciFu” (science-based futuring).
Creating characters through narration and dialog, and developing them clearly, completely and concisely (in that specific order of importance, the “Three C’s” of writing) is, however, very important to making the book a “good, clean read.” I always do my due author diligence in regard to the Three C’s, as, I hope is evident in THE EDGE OF MADNESS (Aignos 2020) by Raymond Gaynor – https://www.amazon.com/dp/0999693859 – and will be, I certainly hope, also evident in the upcoming sequel, “Prophecy.”
Oh, and did I mention that the audiobook version of THE EDGE OF MADNESS was an Amazon LBGTQ Genre BESTSELLER right from the go-get! Whoot! Whoot! Take a storyline as compelling as TEOM and have it read in the instantly mesmerizing voice of Peter Pollock and it’s a winner in every aspect.
https://www.youtube.com/watch?v=Je6CC...
Purchased for manga, animation and cinematic treatment by K. Simmons Productions.
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