Input, Process, Output

Whatever our professions and however our lives are structured, our days are filled with inputs.

These inputs are sensory by definition—sights, sounds, tactile sensations, tastes, smells—but they contain a boggling assortment of information, ranging from the aesthetic to survival-related data, from the interpersonal to knowledge of meta-national importance.

We also generally engage in some kind of production on a daily basis; our generative acts culminating in different types of output.

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