Putting the heart back into my creative process

One of the things that trying to work as a creative professional can do to you, is knock the joy out of the creating. When being taken seriously as a creator depends on earning enough, there’s a lot of pressure. How people see you – friends, family, people your life brings you into contact with – often depends on your earning power. The underpaid creative is often taken to be a hobbiest, lazy, incompetent, selfish… it can be a very unhappy experience. So you try to make it pay, to prove that what you do is worth doing.


When did I stop creating for the joy of it? Hard to say as it was a process, not an event. I used to be someone who wrote a lot, but that’s not been true in a while. I’ve struggled to be creative. Starting a patreon account a few years ago helped a lot, in no small part because of that economic component – if I was writing for people who were willing to pay me to write, that made it ok. Not irresponsible self indulgence. Not a failure to take care of my family and household.


As lockdown started, I realised I needed something to work on that would help me stay functional. There’s little point trying to be seriously economically active at the moment and that’s been liberating. So I’m writing a series called Wherefore – it’s a bit like a soap opera in that there’s no grand plan or over-arching structure. It’s on my youtube channel – https://www.youtube.com/nimuebrown I’m just doing it because I want to. It’s been a long time since I’ve written anything on those terms.


I have a collaborator in this – Bob Fry, who is also in my mumming side, and has a truly unusual mind. He’s been giving me prompts and ideas, and I started writing primarily for him. As it has gone along and other people have responded, I’ve started writing with them in mind as well, and so it is made out of love and the desire to entertain people who like what I do – and this is going well. For the first time in many years, I want to write for the pleasure of creating and sharing. Working with other people and having other people to create for is key for me. I don’t do this well as a solitary process.


Much of my difficulty stems from wider issues in the creative industries as a whole. Most creative people cannot make a living from their work. The question has always been about how to respond to that. Should I dig in and try harder to be ‘professional’ and economically viable? Or should I try and muddle along economically and create what I feel moved to create? I’m moving towards the second position. As a household, we are viable financially, and that will do. I need to put the heart back into my work. I need to create for the love of it, and for the love of the people out there who enjoy what I make. The worth of creating is something I need to measure in the joy it brings, not what I’m paid for it.


If lockdown has taught us anything, it should be that the value of the work people do, and what they get paid for it, are wholly unrelated issues. It’s true of the frontline essential workers, and it’s just as true of the creative folk who are keeping everyone amused and comforted – often just by giving work away. What we pay for, and what we need are two separate issues in our strangely structured society. I don’t have to keep on measuring my worth as a creator in terms of what anyone is willing to pay me. I can measure it in terms of what it does, and if I can delight a few people, that’s time well spent.

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Published on April 14, 2020 02:30
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