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The audio producer usually selects (and pays) the narrator. I actually did do an audition for the first time for "Knife Children", since I wanted to switch to a male narrator for Barr's story. They sent me three audio samples of narrators reading the same first few pages. (Modern technology!) All were good, but Tim Campbell seemed best to "get" the dry humor of the tale. I later learned that he was a prior Bujold fan, which explained it.
I've worked closely with my old friend Ron Miller on my indie e-book covers, and it's still not something I really control. I've gradually realized covers are one of those joint efforts where, weirdly, no one involved does.
Ta, L.


I'm pretty visual myself, but audiobooks have been a godsend for a friend, who used to read even faster than I used to, who developed eye issues that would have cut her off from books otherwise. So the transition was rather forced upon her, but she made it.
And, well, I sell ebooks too, so I trust everyone's covered.
Ta, L.



I listen to most audiobooks at 1.25 speed; some double the speed. Makes it a bit faster...

That's an amusing idea! Could also be useful for some.


In any case, I'm sure we're in good hands :) All your audiobooks have been beautifully produced, with my favorite of course, being Kate Reading's Paladin of Souls. 🖤