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For years, being a conservative or — in my case — a libertarian (no step on snek) in the arts, in writing, in publishing, in any cultural enterprise was an exercise in going insane.
You knew what was going on in private, you knew how hard they could hit on what absolutely minor and ridiculous points, but the public in general was not aware of any bias, and if you complained, they thought you were paranoid.
This was particularly the case when you were small potatoes, or when what they were d...
Published on August 28, 2018 08:48