Bacon Review

#leftcontainerBox {
float:left;
position: fixed;
top: 10%;
left: 70px;
}

#leftcontainerBox .buttons {
float:left;
clear:both;
margin:4px 4px 4px 4px;

padding-bottom:2px;
}


#bottomcontainerBox {
height: 30px;
width:50%;
padding-top:1px;
}

#bottomcontainerBox .buttons {
float:left;
height: 30px;
margin:4px 4px 4px 4px;
}


I know — best journal title ever, right? My "Neither Heads Nor Tails" is up there now. Also, thanks to a heads-up from Gordon Highland, I just clicked through all the story links over to the right, here. Turns out a few of them were dead: "The Complete Absence of Cats is Another Definition for Silence," from Literal Latte (though I think I ran it through BOMB or somewhere as well — some B-place, anyway). the title story from Bleed Into Me, that I wrote one afternoon with a big fever. Anyway, this was just a PDF sneak from UNP, so I should have put it in a timer or something. It was built to go away. "Cops and Robbers," from Anthony Neil Smith's issue of Mississippi Review (or, one of his issues — he did a few, right?). I suspect that when they rebuilt, this fell off and away, never to return. My 'racetrack' definition from Barry Lopez's Home Ground book (I think I have twenty-one defs in there, all told). And, that Shadowbox link, with thirteen or so stories, I didn't even click on it. Every time I ever have, I get permanently lost. Kind of the drawback of designing with flash, I guess. Anyway, one of those stories is the one now at Bacon Review "So Perfect," the Tammy and Brianne/tick-poison story that's in The Ones That Got Away? It originally showed up in Grok. But that was then, this is now . . . Anyway, if anybody knows the obscure locations  . . . → → →