Several few months ago, I sat on the couch in my family room reading and re-reading middle-grade books. I had reached an end of sorts with young-adult fiction—had grown concerned about the divisions, the animosities, even, that festered among some YA camps and were splitting writers from writers from (ultimately) readers.
I read the most beloved of the new middle-grade stories to be alive again to pure story itself. I read in search of binding patterns. I read, and I thought.