Jennifer Brozek's Blog, page 36

Tell Me - Wendy Hammer

(Crossposted from Jennifer Brozek)

I love it went writers tell me something I didn't know about them that makes me look at their books in a different light. Wendy is an excellent author and now I understand what makes her meals scenes in her novels so good.
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I have a weakness for skill-based reality TV shows. I’ll watch participants design, drive, build, forge, style—you name it—but it’s cooking shows that really hook me in. So when I heard the buzz about The Great British Baking Show, I binge watched the season. It delivered everything I love about the genre. No surprise there. But I never expected it would also give me an “Aha!” moment about my writing. THIS. This is what I was going for.

The connection grew with each episode and by midseason I’d started to play around with elevator pitches. “The Cross Cutting novellas are The Great British Baking Show meets Half-Resurrection Blues and Supernatural” or “The trilogy is like TGBBS with fewer cakes and more monsters.” Clearly, I won’t be teaching a pitch class any time soon; however, the spirit of the show is an example of what I wanted to capture.

Those bakers put their all into that competition. Each contestant clearly wanted to win the big prize. There was loads of dramatic tension. And yet, despite the stakes, the atmosphere remained warmly supportive. The drama mostly focused on the task at hand instead of personal conflicts.

In the Cross Cutting trilogy I wanted to create a fundamentally harmonious group of characters to face the darkness. The problem is there’s a danger of making them sticky sweet and—boring. Trying to hit the right balance is a cool challenge. I tried to tackle it in the novellas because they’re long enough for character development and short enough to keep a lot of the attention fixed on action.

The route I chose began with thinking about the magic. My main character, Trinidad, has magic that’s cooperative in nature—she has to work with whatever city she’s bonded to. She needs a strong will and a stronger sense of self, but she can’t be selfish. One of the trade-offs is that she doesn’t deal with many people. She relates to the fringes and periphery better than the mainstream, anyway.

I balanced her by making Achilles a clairvoyant. His abilities are tied to his empathy and connection to people. It feels like a different form of cooperative magic. The rest of the supporting crew are family—tied together by blood or by choice. Put them all together and you have a group of characters engineered for harmony. It doesn’t always work, of course. A little friction is like salt. You need some for flavor amplification.

My favorite thing to do as a writer is to experiment with tones and genres. I learned a lot about finding balance while working with the novellas. I’m hoping it will help me out when I tackle more divisive characters.

In the meantime, I’ll still be looking to The Great British Baking Show to satisfy my cravings for seeing elaborate pastries being constructed in a tent by lovely people.

In case anyone is disappointed by the turn I took here, I’ll end by saying the cake is not a lie in The Thin. All of the novellas do include actual food moments. It’s another way to create bonds, to show fellowship. Characters do need fuel to keep fighting, after all.

And yes, everyone gets dessert.

---
Wendy Hammer teaches literature and composition at a community college in Indiana. She has stories in Urban Fantasy Magazine, the horror anthology Suspended in Dusk, and elsewhere. The first of the Cross Cutting novellas, The Thin, has been published by Apocalypse Ink Productions. When she isn’t reading or writing, she’s probably making a mess in the kitchen or telling herself  “Just one more episode.” You can find her at wendyhammer.com or on twitter @Wendyhammer13.

Saner Thoughts on the Bram Stoker Preliminary Ballot

(Crossposted from Jennifer Brozek)

From last night: I'm stupidly excited I've been listed twice on the 2015 Bram Stoker Awards Preliminary Ballot! Once for Superior Achievement in a Fiction Collection for Apocalypse Girl Dreaming and once for Superior Achievement in a Young Adult Novel for Never Let Me Sleep.

Now that the excitement of being listed twice on the 2015 Bram Stoker Awards Preliminary Ballot has died down, I can look at what this really means. The preliminary ballot is not an official nomination. That will come after the active and lifetime members of the HWA vote. I won’t know until Feb 23rd if I’m officially nominated or not. In the meantime, I can enjoy being that much closer to the award.

Also, I can enjoy the success of my friends and peers. In particular, I am super happy for Seanan McGuire who has been listed in the Long Form category for her spectacular story, “Resistance,” from The End Has Come anthology. And for Peter Clines who has been listed in the Novel category for his amazing novel The Fold.

I’m also pleased to see “Little Dead Red” by Mercedes M. Yardley (Long Fiction), “Sing Me Your Scars” by Damien Angelica Walters (Short Fiction), “Hungry Daughters of Starving Mothers” by Alyssa Wong (Short Fiction), “Hannibal: The Wrath of the Lamb” (Screenplay), Midian Unmade by Del Howison and Joseph Nassie (Anthology), and Author’s Guide to Marketing with Teeth by Michael Knost (Non-Fiction).

In my own two categories, I’m pleased to be going head-to-head against Samuel Sattin and The Silent End for Young Adult Novel. Also against both Lucy A. Snyder and Gary Braunbeck for Fiction Collection. What company to be in!

The competition is tough this year for the Bram Stoker Awards. I’ve read most of the entries listed and I’m going to have to do a lot of thinking and comparing before I vote.

I want to wish to congratulate everyone who was listed on the 2015 Bram Stoker Awards Preliminary Ballot. Good luck to one and all.

Bubble and Squeek for 20 January 2016

(Crossposted from Jennifer Brozek)

So much writing on Project Joe! Other than my computer setup exploding on me recently, requiring me to get a new keyboard and to vacuum the dust from the computer, my life is mostly about writing and editing. And petting demanding cats.

EVENT - READING: I will be reading at the University Bookstore in Seattle on Jan 26th. Please come! There will be cookies and book giveaways and I'll be reading from NEVER LET ME which Publisher's Weekly calls "a strong, entertaining tale."

And now back to your irregularly scheduled Bubble & Squeek.

Article: MIND MELD: The Growth and Future of SF/F. An interesting question.

Article: Nightmare Magazine – The H Word: Shifting Away From the Common. I talk about what I enjoy about shapeshifters that aren't werewolves.

Blog: I have a guest blog over at Jim Hines’s Blog site about revealing personal details in your writings. I didn't manage to post about this more than once. So, here it is again.

Event: I am a workshop leader at Foolscap on Feb 5th. I'm teaching a class on writing series called "Combat in the Land of Forgotten Details."

Review: Publisher's Weekly reviewed NEVER LET ME. It's a good review. I'm happy with it. I don't even mind the quibble.

SALE: COLONIAL GOTHIC: LOST TALES. This is one of those "oops, I have a fiction collection" sales. Totally unexpected but very happy for it.

SALE: MAKEDA RED. I'm running the shadows again. This time in novel form. I've wanted to write a Shadowrun novel for ages. Now I get to. MAKEDA RED stars the protagonist from my Shadowrun short story, "Rune's Avatar Cafe."

Tell Me - Ivan Ewert

(Crossposted from Jennifer Brozek)

I've worked with Ivan for years now as an editor. He's a great guy and I've enjoyed watching him grow as an author.
---

The biggest thing I learned while writing Famished: The Ranch (Book Three of the Gentleman Ghouls series) was just how much better a community can make a writer.

The first book I wrote, Famished: The Farm, was almost monkish. I wrote the entire thing on my own, and only sent it out for a review at Jenn’s insistence. I didn’t realize that was a thing, to be honest. Writing had always seemed a very solitary endeavor, and I made it so. The able assistance of Lillian Cohen-Moore and Jeff Meaders certainly improved the book, and I came to understand the value of beta readers.

After writing Famished: The Commons, I sent it willingly to a handful of beta readers. Unfortunately, that wound up requiring a rewrite of over half the book, cutting out a character whose presence didn’t make sense to most of the readers. At the same time, Jenn asked me to be an “alpha reader” for a book of hers.

Alpha reader? What?

She sent a chapter a week, more or less, for us to review as she was writing. It seemed half-mad to me at first. Don’t you need more time to polish and perfect the work? Well, as it turns out, you really don’t. That’s how I saw first-hand the value of these individuals. As an alpha reader myself I was able to catch one or two things which could have become bigger issues as the book, and I realized I could have saved myself a lot of headaches with The Commons by approaching alpha readers.

With Famished: The Ranch, I reached out to a handful of alpha readers. I wasn’t as quick or as disciplined in getting the chapters done, which meant I naturally lost a few of those original aides. Understandably, mind you. If I’m not willing to be disciplined around deadlines, I can’t howl when life gets in the way for people offering free assistance.

Those who remained helped a great deal, however. Two of them also served as beta readers once the entire work was done, providing more feedback in their close-up readings, along with a few additional readers who hadn’t seen the work before.

Finally, I was fortunate to have two wonderful friends and fans who saw I was flagging near the end. I was tired of writing, tired of the story, and tired and ashamed of missing my promised deadlines. These two picked me up when I was down and helped me cross the finish line with a mix of gentle encouragement, minor bribes, and very occasional threats of violence.

Famished: The Ranch was my first true community effort as a writer. It won’t be my last.

---
Ivan Ewert was born in Chicago, Illinois, and has never wandered far afield. He has deep roots in the American Midwest, finding a sense of both belonging and terror within the endless surburban labyrinths, deep north woods, tangled city streets and boundless prairie skies.

His work has previously appeared in the award-winning anthology Grants Pass, as well as the anthologies Human Tales and Beasts Within 3: Oceans Unleashed, while his culinary writing has appeared in Alimentum: The Literature of Food. An early treatment of the Gentleman Ghouls series appeared in the e-zine The Edge of Propinquity from 2006 to 2011. He was the sole author to span all six years of that publication.

In his spare time, Ivan occupies himself with reading, gaming, and assisting with the jewelry design firm Triskele Moon Studios. He currently lives near the Illinois-Wisconsin border with his wife of seventeen years and a rather terrifying collection of condiments and cookbooks. Ivan can be reached at www.ivanewert.com and on Twitter @IvanEwert.

I'm running the shadows again...

(Crossposted from Jennifer Brozek)

Press Release

For Immediate Release

 

 

 

WHEN AN EXTRACTION GOES BAD, WHAT’S A SHADOWRUNNER TO DO? TAKE RISKS, THAT’S WHAT.

 

Award winning author Jennifer Brozek returns to the world of Shadowrun ® with a new novel.

 

January, 2016 -  Catalyst games announces a new Shadowrun® title scheduled for publication mid 2017- Makeda Red

 

Hugo nominated editor, author and game designer, Jennifer Brozek, delves into the Shadowrun® world once more with an exciting new novel.  With the success of her first novella, DocWagon 19, Jennifer takes on a new challenge. This time, her Shadowrun® operatives face intrigue, and action.

It was supposed be a simple extraction from the Brussels2Rome party train. With an eclectic crowd, a willing target, and a lot of nuyen at stake, what could go wrong?

Everything—as Makeda Red discovers the hard way. There’s more than one target on the train, and more than one shadowrunner team in play. When someone sabotages the tracks in the middle of the Swiss Alps, she’s forced to extract her client much earlier than planned.

To complicate matters, other survivors are also fleeing the crash for their own reasons. One of them is trying to escape his corporate masters as well, and offers to pay Makeda to escort him to his safe haven.

A paying client

John Helfers, editor and Shadowrun® novel live developer, says this about the new novel:

 

“I’ve been a fan of Jennifer’s intricate, character-driven fiction for years, and after the terrific stories she’s written for Battletech (The Nellus Academy Incident) and her recent Shadowrun novella DocWagon 19, I can’t wait to see the story she has in mind for her first Shadowrun® novel come to life. Action, intrigue, and suspense aboard a train speeding through 2070s Europe—what could be better?”

 

Jennifer Brozek is a Hugo Award-nominated editor and an award-winning author. Winner of the Australian Shadows Award for best edited publication, Jennifer has edited fifteen anthologies and is a freelance author for numerous RPG companies. Winner of the Scribe, Origins, and ENnie awards, her contributions to RPG sourcebooks include Dragonlance, Colonial Gothic, Shadowrun®, Serenity, Savage Worlds, and White Wolf SAS. Jennifer is the author of the award winning YA Battletech novel, The Nellus Academy Incident, and Shadowrun® novella, DocWagon 19. She has also written for the AAA MMO Aion and the award-winning videogame, Shadowrun Returns. 

When she is not writing her heart out, she is gallivanting around the Pacific Northwest in its wonderfully mercurial weather. Jennifer is a Director-at-Large of SFWA, and an active member of HWA and IAMTW. Read more about her at her blog or follow her on Twitter at @JenniferBrozek.

 

Publication date is scheduled for mid 2017, so watch Catalyst Games (www.catalystgamelabs.com) and Jennifer Brozek (http://www.jenniferbrozek.com/blog/ ) for more details.

Tell Me - Chaz Kemp

(Crossposted from Jennifer Brozek)

I had the pleasure of meeting Chaz at LepreCon. I enjoy his artwork and his passion. He's one of the good guys.
---

I call my Patreon the "Ashelon Tarot Project" and it's been a long time coming.  Ashelon is a world that my fiancée, Carolyn Kay, and I are creating.  It's a blend of fantasy and steampunk and takes place in the mid 1800s.  A comet struck what is now called South America and it had the effect of revealing all of the hidden faerie creatures the world over - no longer could they hide behind faerie glamour.  Not only must they learn to co-exist with humans and their steam technology, but they must also deal with the most unscrupulous villain the world has ever seen... Queen Victoria.

The tarot deck will be divided into 4 courts of 13 cards each. Each of the cards will be a character in the world of Ashelon and will represent a virtue or a vice.  You'll be able to read these cards to tell your fortune but the cards themselves will be much simpler to interpret than a standard tarot deck.  For example:  You ask the question, "Should I quit my job today?"  You turn over a card, and instead of the card being the Chariot like in a normal tarot it will simply say, "Strength".  You could then interpret that as finding the strength to stay because things will get better - or that you need to finally muster the strength to give your two-week notice.

Another thing that will set my deck apart from a lot of the others is that I'm planning on turning each card into its own art print that you can hang on your wall.  So if you love the art on a particular card, you can purchase the art from me as an 11x14, 18x24 or even a 24x36 poster.  As an illustrator, this is the thing that excites me the most, because I LOVE the idea of everyone having posters from my tarot deck prominently displayed on their walls.  I'm even going to have a few exclusive pieces that will only be available to my Patreon members.

If all of this goes well, I plan on creating a booster pack of 26 cards next year which will have 2 new courts and all new virtues and vices that can be added to the 2016 main deck.  In the not too distant future, Carolyn will be writing short stories and novellas within the world of Ashelon using the characters on the cards, which will be awesome.  I'm also planning to turn the cards into a game and maybe even doing an Ashelon tabletop RPG down the road.

I have a ton of ideas and Patreon is giving me a portal through which I can really explore this new world that we're creating and it allows me to bring lots of friends along for the ride.  This project really makes me happy and it's only just begun!  If you want to see the project for yourself, take a look at:  www.Patreon.com/ChazKemp.

Thank you so much for giving me the opportunity to tell your fans about my dream come true, Jennifer. 

---
Bram Stoker Award finalist Chaz Kemp embraces an Art Nouveau style that incorporates vibrancy and color into fantasy and steampunk art in a way that is rarely seen. As an illustrator, the influence of Alphonse Mucha is evident in his award-winning work that combines the artistic energy of the Roaring 20s with the untamed possibilities of steampunk and fantasy.

Chaz Kemp is a featured artist in steampunk legend Paul Roland's book "Steampunk: Back to the Future with the New Victorians". Amazing Stories magazine featured him in the November 2014 issue, and his work has been seen in other publications such as Steampunk Magazine, Savage Insider and Aurealis. Over the years Chaz has created art for game publishers, sci-fi/fantasy conventions and several book covers including the anthology "Cthulhu Passant"  by Travis Heerman & the Oilman's Daughter by Local Hero Press. In 2012, he illustrated his first graphic novel entitled "Behind These Eyes" written by Guy Anthony De Marco and Peter J. Wacks. The graphic novel was a Bram Stoker Award finalist.

Patreon Page: www.patreon.com/ChazKemp
Portfolio: www.ChazKemp.com
Etsy Page: www.etsy.com/shop/ChazKempIllustration

 

2016 is the Year of the Tie-In

(Crossposted from Jennifer Brozek)

I’ve already written about what I did in 2015. Now I’m looking forward to what I need to do for 2016. The short version: A whole lot of contracted tie-in fiction, some editing, and a bunch of travel.

Contracts signed: 1 board game mythology/background, 1 reprint RPG fiction collection, and 1 tie-in novel.

Forthcoming contracts: 1 serialized YA tie-in novel, 1 anthology as editor, and 2 tie-in short stories. (As in, discussion is done, I’ve agreed to do it, and we’re just waiting on paperwork.)

Planned contracts: 1 tie-in novella. (Proposal requested. Writing is probably slated for early 2017 if all parties agree.)

Planned editing: 2 novels, 2 omnibuses, 3 novellas, 1 monthly fiction feature, and 1 anthology. (For Apocalypse Ink Productions and Evil Girlfriend Media.)

Events planned: 8 conventions (3 as GoH), 1 workshop, 2 readings, 1 wedding in Iceland.

The writing metrics for 2016 are daunting. It’s about 200,000 words of contract tie-in fiction. This doesn’t count any of the editing for that work or research or one-off anthologies or one-off articles. Or any blog posts. Or any of the 10,000 other things a freelance author-editor does.

What this means is that I’m going to have to buckle down and change my personal working schedule. I’m probably going to have to institute a “no internet before noon” policy to focus on my writing. Leave all the email and such to the afternoon once my word count for the day is done. It is too easy to fritter away my time online, answering emails, reading articles, and watching videos.

Scheduled Appearances:

Jan 8-10, 2016, OrcaCon, special guest
Jan 26, Reading at University Bookstore
Feb 5: Foolscap, Workshop leader
Feb 12-14, 2016, RadCon, Writer GoH
Mar 23-27, Norwescon, dealer/panelist
May 12-15, StokerCon, Panelist
Jun 15-20, Origins Game Fair, dealer/panelist 
Aug 17-21, Worldcon/MidAmericon, ??
Sep 4-6, Tracon XI in Tampere, Finland, GoH
Nov 4-6, We Are All SF Con, Ocean Shores, Lead Writer GoH

Tell Me - Lawrence M. Schoen

(Crossposted from Jennifer Brozek)

Tell me something that you’ve always wanted to tell the world about the project.

I can’t speak for other authors, but in my case my writing often reflects some idea or desire that my unconscious mind is trying to share with me, but which because I am such an obvious dunderhead fails to slip through to my awareness. As one example, I’ve committed more than half a million words to the story of a protagonist and his alien animal companion (two novels, three novellas, two novelettes, and half a dozen shorts) that turned out to be all about mourning the passing of my first dog. Finally, someone pointed this out to me and I realized that twelve years of missing her was enough, and I went off to animal rescue and got a new dog.

Another such idea that shows up in my fiction a lot is death, or more specifically how the essence of who we are survives our own mortality. Barsk deals with a lot of topics and themes, including intolerance and friendship and prophecy and history, but the notion that something of us lives past physical death permeates all of these other ideas. That’s the piece I wanted to explore, both overtly and more subtly, in this novel. More importantly, and in keeping with the messages from my unconscious, I suspect that what it’s really all about for me is exploring a way to hold on to those we’ve lost.

Like many people, I routinely see and speak in my dreams with friends and family members who have died. In Barsk I formalized this, conjuring up some plausible and vaguely scientific explanations for the how and why of doing this in the waking world. I’m pretty pleased with the result, which in turn allowed me to tell an interesting story. Ultimately, I suppose I find it all oddly comforting to think that my fictional characters are connecting with their loved ones in ways that those of us in the nonfiction universe can only dream about. It holds out the promise that mortality is not the end of our connection with those dear to us.

---
Lawrence M. Schoen holds a Ph.D. in cognitive psychology, has been nominated for the Campbell, Hugo, and Nebula awards, is a world authority on the Klingon language, operates the small press Paper Golem, and is a practicing hypnotherapist specializing in authors’ issues.

His previous science fiction includes many light and humorous adventures of a space-faring stage hypnotist and his alien animal companion. His most recent book, Barsk, takes a very different tone, exploring issues of prophecy, intolerance, friendship, conspiracy, and loyalty, and redefines the continua between life and death. He lives near Philadelphia, Pennsylvania with his wife and their dog

Website: http://www.lawrencemschoen.com
Facebook: https://www.facebook.com/lawrencemschoen
Twitter: @klingonguy

 

Quantifying 2015

(Crossposted from Jennifer Brozek)

When it comes to year in review posts, there’s two ways for me to look at it: What did I do? Did I enjoy myself? The short version answer to these two questions is: A lot. Yes.

Being a full-time freelancer, I need personal metrics that keep me going. To let me know I didn’t just spin my wheels. To know that I have done good. I can’t rely on money to tell me whether or not I’ve been productive. The publishing industry is so weird about money and timing. It’s feast or famine… mostly famine. Even if you’re working all the time.

So, to answer the second question first. Did I enjoy myself? On the whole, yes. I’m happier that I’ve ever been. Yes, there were hard times. Yes, I really do understand “leveling up to a better (harder) class of problem” thing. And yes, not everything was a success. But, by and large, I had the best time.

As for the first question of: What did I do? I keep a daily summary log. I need to. I must schedule myself and I must know what I’ve done and when I did it. Thus, I can quantify my freelance year like so:

Writing:  I wrote 110,000 of new fiction. This does not count any blog posts or articles written.
Editing: I edited 10 novels, 4 novellas, 1 anthology, and 90 EGM.Shorts flash fiction pieces.
Submissions: I had 5 of 9 short stories accepted. Not bad. Just didn’t have a lot of time to submit short fiction around.
Published: 4 novels, 1 novella, 1 fiction collection, 1 anthology, and 5 short stories. That is a lot. A whole lot.
Email: Answered email 320 days out of the year. This is much worse than last year. I answered email 268 days in 2014. I had hoped to do less email. I failed.
New Positions: Managing Editor of Evil Girlfriend Media and voted in as a SFWA Director-at-Large. I am still the Creative Director of Apocalypse Ink Productions.
Awards: I had 4 nominations (Scribe x2, an ENnie, and a Hugo). 1 win (Scribe for best YA tie-in novel for The Nellus Academy Incident ).
Reading: I read 41 novels (mostly for pleasure). Not bad, given my schedule.
Vacation: Took 23 days off to do nothing. This is better than I did last year. This averages 2 days off a month. Though, most of these came in the last third of the year.

Honestly, reading this list makes me both proud and tired. I already know I will be doing a lot less of some and a lot more of another in 2016 but that’s for another post in a week, next year.

Tell Me - Adrienne Dellwo

(Crossposted from Jennifer Brozek)

It's kind of a fluke that Through the Veil even happened. I got the original flash of inspiration not long after coming home from an SSF convention where I'd gone to a world-building panel. I only went because I wanted to see one of the panelists. I didn't think I'd need to build worlds from scratch, since I was more of a modern-day, almost-real-world kind of writer. (Yes, that requires world building too, but less.)

Anyway, I thinking about the panel and a thought crossed my mind: If I were going to create my own fantasy world, what would it be like? A moment later, a scene flashed through my mind of a girl in Renaissance-esque clothing running up a hill in tears, looking back at a walled city, and disappearing – then reappearing in a big-city penthouse.

Right away, I knew a lot about her. She was a violinist (like I used to be, but a whole lot better.) She loved the fantasy world and was miserable at home. She used music to cross between the worlds.

I knew a lot about the other world, too. The city she visited was all about order and somewhere in that dimension was a region that was all about chaos. (As a long-time Dungeons & Dragons geek, I'm fascinated by those ideas as well as the difference between law and justice.) Music was supremely important there, and her exceptional talent gave her a special status.

I settled on the name Dedra for kind of a funny reason. A Ouija board once told me I'd have a daughter with that name. It was wrong. But in thinking about a name, I was going over some I'd considered for my daughter, it came to me and I decided it was perfect. So, in a way, it was a self-fulfilling prophesy.

I immediately started writing her story. A few scenes in, back to the fantasy world, I asked myself, "What's unique about this world?" The character was looking over the city at night and I thought about what would be visible in a world without electricity. It came to me – what if music is visible?

I wrote more, then put it away. I didn't have much time to write as it was, and I had, months earlier, started a book that was slowly plodding along.

As it turned out, both projects sat for months until I decided to take a step back from an organization I was involved in that had sucked up all of my time. I told myself that was my year to finally get a novel written or admit that I wasn't going to do it.

I took part in National Novel Writing Month (NaNoWriMo) that November to make myself write every day instead of here and there as the mood struck. I read through the earlier project and realized my heart wasn't in it. Then I came across Dedra's story and read what I'd written. It was better than I'd remembered and, even better, I was excited to write it.

I met the NaNo goals and kept going, through December and into January, when I finished it. After lots of editing, it was picked up by Sky Warrior Books. Now I'm polishing up the sequel so I can get it to them soon, and I'm about to jump into the final book in the trilogy.

It's still kind of surreal to me that this book even happened. It makes me realize how important it is to open yourself to different kinds of ideas, even if you don't think they pertain to you.

---
Adrienne Dellwo lives in Washington state, where she works as a freelance medical writer, writes and produces indie films with her husband, and is raising a son and daughter who keep life magical. She's had short stories published by Alliteration Ink, Local Hero Press, Siren's Call, and DarkFire Fiction. Her first novel, Through the Veil, is available from Sky Warrior Books.