S.E. Reichert's Blog, page 4

The Beautiful Writers Workshop: Novelty #3: Character

Good morning, writers! And a happy morning to you (or afternoon, or evening, whenever you tumbled out of bed–or back into it and are catching up on your bloggers). This week, in exploration of the novel, we’ll be talking characters.

I’m telling you now, because contrary to some reports out there, I’m not a complete idiot. A while back I did a decently in-depth study of character and I’m using a lot of that for this post. After all–the quicker I get the blogging part done, the quicker I can get back to my own novel and the characters I’m currently developing.

So without further ado– recycled Character Development:

Since character development is one of my favorite aspects of writing and I thought I’d pay homage to it’s process in a two part post.

So first, let’s address where characters come from.

I’ve had characters come to me in dreams (day or night), sometimes they’re inspired by true stories from news that I trip across. Sometimes they spring from hazy memories of a childhood friend, or the curious behavior of the neighbor across the street who steals decorative rock from the common area and smuggles it away in her purse. Any one adept at studying human nature and observing their fellow human beings can get inspiration simply from watching what our nutty human brethren do (and don’t do) in the course of their day.

Often, though never in their entirety, I write from people I know. By this I mean people I know both casually and intimately are good places to start for characters.

Although real people can help jumpstart the process, they rarely become the character in the final draft, and here’s why.

For one, it would be creepy (and, depending on the story and topic, possibly slanderous) to write about an actual person from your life, unless it is a memoir of said person and they are asking you for your help. Ethically, a writer looking to publish or share their work with the world must adhere to certain rules of respect and common decency concerning using the likeness of other people. That being said, you can (and should) borrow personality traits, history, and physical attributes that enhance your character’s believability, without putting someone’s life down, verbatim, on your page.

Secondly, even when based on someone you may know, something magical will inevitably happen when you put a ‘real’ person on a page and shove them into a conflict (the driving force of your story). Under the demands of a proper story arc, the character you began with will be forced to shift and evolve into someone else. You don’t know how your character will behave in an apocalyptic dystopia and the situations and decisions that they are faced and make will be a magical combination of what the author dreams up spontaneously, the character’s history and what the author needs them to do to move the story forward.

For example, Joe Smith may start off looking like your high school biology teacher but if you write him exactly as he was, including is normal day to day, your audience will be too bored to stick with his story.

Now, if you put the body of an alien in the school science lab’s freezer next to the dissected frogs, Joe Smith, your old biology teacher will automatically become way more interesting. And as he does, he will move away from the real person you started with and morph into a different character. A man of his own, alien-hiding, design.

They double-dog dared him.

A writer can tweak, correct, enhance and play with personality types, turning one, real-world person into a completely different but still realistic character. But it’s important to keep the relatable aspects of the initial ‘muse’, including the physical attributes that you can describe in realistic detail, or the personality types that can be explored in depth from a place of personal interaction.

What can be left behind are names, exact and undeniable physical description (don’t be a creeper) and any ‘boring’ or typical parts that may be cliché or expected. The character will change to be their own person with the natural progression of their role and development within your story.

The other method of character development is to begin with a story and let your mind follow the natural path of who lives it. This is one part plot-driven creation and one part spontaneous combustion.

An atomic bomb goes off, a virulent disease hits the population, a train switches tracks, a car runs through an intersection, an alien shows up in a freezer.

Start with an event and ask yourself; who would it affect most? Who stands to lose or gain the most? Who is equipped to deal with the situation? More interestingly, who is least able to cope with it and how do they survive?

Characters will find their way into your mind. They may look and act like someone you know or they may have a mind of their own. As a writer you will find that as your plotline advances the character will become less and less your creation and more a product of their history combined with their destiny.

We all have these personalities in our heads that sit dormant on the shelves until something shakes them loose. Most writers, (yes, I’m saying it) are a little bit schizophrenic. We are geniuses of introspection and observation. Humans are interesting and a good writer will watch and learn from their interactions how to build characters that could be a best friend or a worst enemy in their reader’s own world. They talk to us as we write their paths, they argue when we move too far away from their true reactions. They trip us up by throwing random but necessary bits of history our way that we hadn’t considered for the bigger picture. It’s maddening and magical all at once.

Next time we’ll talk about developing intricate characters and some tips I’ve picked up along my journey to make them somebody your reader’s will root for, love, and hate. Until then, take a few minutes today to think about some characteristics that you love and loathe in human beings and think about why they draw your attention.

Make a list of character traits that are interesting in both beneficial and detrimental ways.

Also, feel free to write or comment about your favorite characters, and if you’ve ever found yourself ‘accidently’ writing about someone from real life. Next time we’ll have an exercise on character development and I look forward to your responses!

Happy Writing!

What’s Coming Up This Month

Hey kids, it’s your monthly reminder of some cool stuff happening in my world and for writers everywhere.

First, this month on the 29th, Writing Heights Writers Association will be hosting its monthly classes. For the morning class, I’ll be teaching a super fun workshop on how to apply Gothic style and themes to every genre. We’ll be talking about the history of the style as well as how it applies to character, social commentary, and the prevailing themes that can enhance every genre. The afternoon class will be “Hiding the Bodies: Enliven Your Writing with Exquisite Corpse and Ekphrastic Poetry” with Chris Guppy and it should be a really fun and interesting day of class. I hope you are all able to come.

Remember, these are virtual so you can attend from anywhere (keep in mind its 10 and 12 MST). You don’t have to be a member to join and they’re inexpensive for quality classes. You can register here: MARCH CLASSES.

Remember, if you are a writer, of any level, and you have information to share with your writing community, send us in a proposal. It doesn’t have to be writing specific, and we’re always looking for ways to expand our knowledge and make cool connections with the arts and the business side of writing. You can send in your proposals HERE.

Next up…let’s see. I’ll be rearranging the Youth class this next month to accommodate Passover, more on that in my social feeds and on the website. I will also be looking for a new person to run the Youth Class for Writing Heights as I’m currently kicking my own ass with being over scheduled.

Speaking of that, I have a book coming out in May! And pre sales really matter. So if you wanted to get a copy, you can preorder it HERE. I’ll also be running a special pre-order package where I’ll send you the book, signed, and some goodies to go along with it, exclusive to those preorder packages only. I’ll keep you up to date on that as I have more details from my publisher.

I’m running a writing retreat in May (the 11th through the 14th) in Allenspark, Colorado. It will feature a flexible schedule of two different tracks. One for Memoir, one for Craft/Creativity. There will be time for critique as well as time to get some of your own writing done. Private rooms are a little expensive, but all prices include your food and room as well as the high-quality instruction, morning yoga, and some some of the coolest people I know.

I’ll be at the Mesa Verde Literary Festival (and writers conference) on July 9th-12th and also at Rocky Mountain Fiction Writers Conference in September. More on the classes I’ll be teaching and workshops I’ll be running later.

Other than that, I’m working on finishing up a Christmas-but-not-Hallmark holiday novel and hoping to start edits on my next series soon with 5 Prince Publishing.

My oldest is getting ready to graduate so May will be full with three major things happening all at once (I did it all to myself so there’s no real way to complain about it) If you have a hard time getting a hold of me, trust that I’m just trying to keep my head above water.

Hope to see you in some classes and some book signings soon!

Poetry 3-13-25

HEART

She is a bore
and a lofty braggart
claiming forever
but following the newest smell
away from her leash

She is tender and full
a bag tensed, to burst
at the slightest slight
heavy with blood and the suffering of want

She is the doorway
to a thousand churches
and the carnal sacrilege
of all good, and wild things

She is latin
for courageous
and holds my breath and my breathlessness
in space between her beats

She is a pauper
always begging
and a selfless saint
giving away all of her compassion in bills
like she could not take it with her

She dances in the kitchen
with a baby on her hip
even when that baby is
long, gone
grown

She lights up like Christmas
and echoes in dark gothic hallways

She shudders and trips
beats steady and sound
she's the only one I can ever claim
is mine
And yet, so often
I still think her,
a stranger
in my chest

We couldn't live without each other.
I hope
whatever the next life brings
I can take her with me.

Influenza, A Conversation

I caught the flu. I was vaccinated last November but, I also know those things don’t always last. Also, I’ve been a little worn down so it should come as no surprise that my immune system let one slip through. I could get political about this. What with RFK in office and the refusal to allow the yearly meeting of flu vaccine doctors/experts to determine next year’s best guess at protecting the herd that is the United States population… but right now my little electric meatloaf is a little fried. So fried that I wrote a post about it. The only thing I’ve accomplished today, actually. Besides sleep and pumping in a lot of fluids. Enjoy?

(Please be aware, all of this was written mid 103 temperature. What seemed really funny to me at the time, probably doesn’t translate the same)

Am I struggling with the words and the thinking? As my Minnesotan conclave would say, “oh yea, sure, you betcha”. So I thought I might document the exchange inside my overheated brain while I was living it. For posterity. And a laugh. I mean, I think it’s funny as hell. But it’s also…not. Is this how schizophrenia starts?

Me: Okay brain, Listen. I know you’re having a rough time of it right now. Lot of pain, lot of general unpleasantness. The thing is, I really need you to work on this presentation and speech we have to give next week.

Brain: No prob, my main man. I got this. You just point me in the direction of…

Me: Brain?

Brain: Hmm? Sorry, why does my left big toe hurt, like really bad?

Me: It’s the flu. Its normal. You’re not going to die.

Brain: Oh, really? Tell that to my phalange! Fuck should I try to pop it?

Me: No brain, just…hang in there, it will go away.

Brain: Oh—oh you’re right. Huh. Whew, that’s so much—Sweet baby Jesus, my back!

Me: Brain! Can you try to focus, Here. Here’s a heating pad and your favorite jammies and lots of pillows. Let’s just bang out a quick…

Brain: Jammmmmmiiiiieeessss…nap time we must.

Me: No! Brain—Come on man, focus. Just the outline. Let’s just get the outline written.

Brain: Right, right. Work, big talk. Lots of people. We hate lots of people though, right? Staring at us?

Me: They asked us to be there. We submitted the proposal, they accepted it.

Brain: jammmmmiiiieesss.

Me: Brain!

Brain: Why can’t I keep my right eye open? Oh look, I can switch them off. But I don’t get the two at once.

Me: *sigh* Can we just focus? Ten minutes.

Brain: Yes. Absolutely.

Me: Wait, is that Instagram? Are you opening Instagram?

Brain: I just need a little treat, thinking about work and being berated is so stressful.

Me: I didn’t—

Brain: Look at the miniature donkeys!

Me: Yes, yes, very cute. They will be there after you finish the outline.

Brain: Oh the outline, that’s right…we have work to do…So I shouldn’t…swiiiiippe!?

Me: Goddamn it, Brain,

Brain: What is it about Scottish toddlers cursing that makes my whole heart believe in the goodness of humanity.

Me: No—no don’t laugh!

*coughing fit ensues, pain shoots everywhere, gunk comes out of my mouth. Me and my brain stare at it in fascination and horror*

Brain: I don’t like this. This is dumb. I’m tired now.

Me: How about just three bullet points.

Brain: Fuck you, do you know how hot it is in here? Can’t you open a window or something? I’m baking.

Me: Open a—what like trepanation?

Brain: pfff! HA, that’s not a word.

Me: Look it up, hot stuff.

Brain: *types several renditions of trepanation until spell check has mercy on us* Jesus christ you want to cut a hole into me? What are you a barbarian? Fucking anthropologist. Why do you remember that of all the things? Of all the classes?

Me: It’s supposed to ease the pressure!

Brain: Ever heard of a decongestant you fucking savage?

Me: *Quietly sobs from couch* Can we please just get a little work done?

Brain: *gives haughty look over the phone at me* No. You wanted to perform ancient brain surgery on us. Look at this.

Me: *sighs* what?

We stare at the screen together at a poem by Mary Oliver

I do know how to pay attention,
how to fall down, into the grass, how to kneel down in the grass.
How to be idle and blessed.
How to stroll through the fields which is what I have been doing all day.
Tell me what else I should have done?
Doesn’t everything die at last and too soon?
Tell me what it is you plan to do with your one wild and precious life.

pause

We look into the screen that’s gone blank and dark. Into our flushed complexion and glassy eyes. Begging for rest. To kneel down in the grass. To pray to this body that is, right now, fighting battles we cannot know the extent of. While I stand on the sidelines of the fray and shout… ‘but my outline!’

ME: Hey, Brain. Wanna take a nap?

Brain: Fuck yes I do….jammmmiiieesss…

The Beautiful Writers Workshop: Novelty #2: The Story Arc

Good Thursday to you, Writers. I hope you have a brand-spankin’ new plot started in your head from Tuesday. Moving from that amazing raw material I’m going to tickle your inner plotting nerd and give you a ‘graph’ of sorts to help you with organize a killer storyline.

-I love tickling nerds–

Last time we discussed ways to help create a basic plot for your novel idea, today we’re going to outline the beats, or arcs, of that story. If you remember from my handy-dandy, bulleted list on Novels, I list Arcs as being an important element. While this blog does cover some of the theory, I will do a more in depth look at crafting an arc that creates the perfect amount of tension.

Back to plot. Some of the best stories follow a pattern, or what I like to think of as a rollercoaster of ever-rising stakes.

Most plots can be split into three acts. The Set Up (beginning), The Conflict (middle), and The Resolution (ending). Each of these acts should have some defined crisis or event which is like a doorway your character passes through and must either change, fight, or overcome more trials until they find resolution. I found this nifty diagram from David Harris Kline’s “Structure Lesson #2: The Three Act Structure” ( http://www.writers-for-writers.com/2017/11/08/structure-lesson-2-three-act-structure/)

As you can see the beginning has to hook the reader into a specific event, starting point, or character problem. Here’s where you introduce your character and show us who they are, what they want, what they are facing. Throw in some foreshadowing and Bam! You just met a small-town farmer from Tatooine.

Act II comes with something that disrupts their normal day to day. (Holy shit, this droid has an important message from the Rebellion!) The character is forced to make a choice (wipe the droid’s memory or try to get the message to old Ben).

Real, live image of me during quarantine.

The middle, as most of us know, can be a bitch to write. This is where the dreaded doldrums hit. The quagmire. The swamp of eternal despair. I’m not going to get too deep into that swamp today except to say that this is where plotting can really help build a bridge across the muck and help your character get to that final, defining climax. This bridge is paved with different obstacles and trials that keep the action and the tension going through out. (Scruffy looking nerfherders and tough-ass princesses, oh my!)

Then, finally, as our hero/ine comes through that final climax (for better or worse) we witness their transformation or acceptance of who they are or what they need to do . The final act is where you tie up your loose ends and give the audience the resolution they’re seeking. Like giving a Wookie a medal.

Wait a goddamn minute…where’s Chewie’s medal?

Well, that’s pretty much all I wanted to cover on plot for this time around. Next week we’ll be talking about one of my absolute favorite aspects of writing: Characters.

Until next week, diagram your plot, think about what events, scenes or characters you can inject to get those bursts of conflict. Think about what your character wants and what obstacles stand in the way of that. How does overcoming them move them/change them for the next bump in the road?

Good luck out there, and may the Force be with you.

Poetry 2-20-25

I’ve been participating in my own little poetry month challenge in an effort to get back into the swing of the art. For one, it’s a managable way for me to be able to write something every day, even in the chaos of my to do list. For two, I think it’s been very cathartic in helping me work through some of the things landing in my life (and all of our lives right now). The rage inside me finds a place on the page so I can clear a more rational path. The sadness gets to have its moment too, so I can move past the emotion and focus on how best to use my empathy. You don’t have to be good at it to write poetry. You just have to write it.

[image error]Pexels.com" data-medium-file="https://sarahreichertauthor.com/wp-co..." data-large-file="https://sarahreichertauthor.com/wp-co..." src="https://sarahreichertauthor.com/wp-co..." alt="" class="wp-image-8012" />Photo by aj povey on Pexels.com Daylight

Poems written by daylight
are hopeful, funny creatures
not yet domesticated by the world
shackled by the weight of
unbearable odds

Poems written in the high-sun hours
are words through clear eyes
not yet burning with the fire of
thousands of thoughts, words read,
millions of stitches placed across the
wound of our burning, tumultuous world

Poems written when I've still got time in the day
are different
I haven't properly fucked anything up
yet
there is still hope that I may not
I'm a glowing human goddess
for whom possibilities still exist

Poems written by daylight
seem hopeful and clear
unweighted and resilient
but they are
not me
not in total
It is the reticent dark, the weary and
mistake-riddled soul
sitting in the deep weighted night,
still choosing to pick up the pen
who is truly
the poet.

The Trouble with Love

Well, well, well, if it isn’t a day away from that ridiculous, capitalist exchange day. You know, the one where we exchange affection for $8 cards and a box of (probably last year’s) chocolates to prove we are enamored with one another. Valentine’s Day has become a symbol for showy displays and, in some part, single shaming. I’m always heartened when I hear of people celebrating in counter culture ways, because if anyone needs a big middle finger to the face, it’s capitalism and ‘traditional’ heterosexual misogyny.

So, I’m against love, right? Not in the slightest. Hell most of my writing career exists because I believe in and ache for, and get excited by love. But that doesn’t have anything to do with fancy jewelry or a hearty case of diabetes in a heart shaped box. Love is about connection. It’s about support and reliability. It’s about physical affection (not necessarily sex) and putting forth the effort to remember what they take in their coffee. It’s about hearing the exhaustion in their voice and ordering dinner in. It’s about sending silly memes that remind them of you. It’s a million different things that don’t necessarily have to put money into the corporate cesspool. If you’ve never read one of my books, the ongoing theme of them is that Love is something to be worked on and perfected. Love makes you want to be a better person. Love carries you past the hardships and centers you in the storm.

I’m not against love. I’m against my feelings being taken hostage and only released if I pay their fee. I’m against having to ‘prove’ affection with overpriced flowers or the anxiety of ‘choosing’ the right gift. Let me sleep in on a Saturday and bring me coffee in bed…that’s love. When I’m cranky and raging, kiss my forehead, tell me I’m right and the world is a fucking mess, and go take a warm bath, that you’ll clean up dinner. Be open and honest about your emotions and trust me enough to love you no matter what.

I urge you on the upcoming holiday to think differently about how you express your love. Write a poem, or if you’re not a poet-y type, find a poem and send it. Pick them up a coffee or tea on your way. Support a local book store and take them there for a date. Put on their favorite movie and sling a frozen pizza in the oven. Hold them when they cry. Turn off their light for them when they fall asleep reading. Give them the first cookie out of the oven. Clean up the cat vomit so they don’t have to…these are the things that make up love.

On a larger scale, I urge you to think more expansively about love. Stand up for others. Use your privilege and any means necessary to protect human rights, and the constitution. Protect science, and education. Fight for living wage, and lower cost medical services, adopt a rescue pet, donate to the food bank, donate blood, hell-donate a kidney, don’t allow disadvantaged voices to be silenced in any room you’re in. Fight for equal pay and stand between bullies without warrants and people just trying to live a better life. Join the resistance, support the National Parks Service, and keep reminding Google that it’s “The Gulf of Mexico”. There are a million ways to show your love, that don’t need to put money into the pockets of corporations who’ve sided with a traitor to democracy. That makes up the larger love that we all need so desperately right now.

Happy V-Day.

The Beautiful Writers Workshop: Novelty #1: Why in the Hell do I Need to Worry about Plot?

Can you believe I couldn’t think of a more creative title? Me neither. Some days are like that. Remember, this is geared towards beginning writers, so most of you long-in-the-tooth novelists may not get the same bang for your buck. But…there are a lot of sexual innuendoes. You’re welcome, or Sorry.

Today, I’m pushing through and rehashing an old, but viable post. Remember? Before the fucking world turned upside down and Elon Musk became president with Absolute Power? Yeah…those were good times. Let’s not dwell, you can call your congress person again (you’re calling right?) and attend those protests (you’re attending right? This IS the time to be the MOST KAREN you can KAREN–see below for my favorite emoji of the species) after this short and entertaining jaunt into PLOT. We’re getting into the meat and potatoes of writing a novel, and this kind of thing needs space. So, without further ado…

What is Plot and Why is it Important?

All right, I get it, it’s a dumb question, we’re all writers and we all KNOW that plot is the basic structure and story of your novel. It is the idea. The “what happened”, and why, and “what’s going to happen next” of any decent story. I’m not trying to dumb it down for you. But the true test of a good plot lies in the simplicity of answering those questions.

Now, you can have books that are character driven (an event happening TO a person, or BECAUSE OF a person). And you can have books that are historical non-fiction, based on one specific moment in time or occurrence. The PLOT of your book expands more than just beyond an event (otherwise The Hunger Games would have been maybe 50 pages long). The plot is the premise or sequence of events. Some novels will follow a very specific order of events that are common to their genre, or as we like to call them tropes. Tropes comes from the Greek Tropos define as “turn, direction, way” and refers to common, recognizable elements or sequences of events.

Many genre specific tropes (I almost prefer ‘formulas’) are embraced by the audience and even expected. Examples include: “the hero’s journey”, “enemies to lovers”, “small towns”, “cold cases”, “missing persons”, “AI gone wrong”, “fairy tale retelling”. But if almost every novel follows a plot formula how is it #1, that readers don’t get bored and #2 that you tell an original story that hasn’t been done before.

It’s an interesting dilemma on the part of a writer. We know which formulas work in fiction and straying from them often makes a plot fall apart or leaves a reader angry or unsatisfied at the end.

(She’s gonna want to talk to your manager)

But how do we follow commonalities in plot structure and still make it a fun, captivating, and surprising journey for our readers? The answer my friends, lies your ability as a writer to do five things: (Fuck Yeah! A bullet list!)

Begin with a unique event or crisis. This comes back to the “scan the headlines” exercise I’ve had you do before. A lot of weird shit goes down in the world. A lot of undercover, shady AF stuff too. Use it as a springboard, to your “what happens then/if” story building.Tie the reader to your character (through love or hate) and make their reactions to events unique or contrary to the norm. (ie a cheerleader who fights vampires. A small town farm boy who becomes a powerful Jedi. A teenager who comes into supernatural powers without the maturity to handle them and doesn’t use them to download free porn–come on….or *snicker* cum on? Oof, sorry. Uncalled for. Please keep reading, I’ll behave.) Character building will come later in this series but if you create unique ones, their actions will create new takes on formulas.Use honed writing technique to build tension for climaxes. Yikes, that sounds dirty and here I promised to be good. Tension is one key to making a story more than just series of events. So much of this depends on your voice and writing style. But the big take away here is about risk. Making the risks personally huge for your character, and even the world at large, will keep the plot fresh and drive it forward.Play with the number and intensity of climaxes (story arcs). I think I’ll start using story arcs (some prefer ‘beats’) because every time I type climaxes I can’t stop giggling. Ok. Story arcs are BIG deals in your plot. Think of these as door ways, crisis-points at the top of your arc, that your character has to move through in order to get closer to what it is they want/need. Once they hit that doorway, or crisis point, they can’t go back. A serious change has occurred either in the setting or with-in the character and they must move forward. Next blog will be all about these arcs so I won’t go into much more detail here.Consider using unexpected but intelligent twists. The best movies and books I can think of that do this are: “The Sixth Sense”, “Fight Club”, “Gone Girl”, “Mind Hunters”. What better way to shake up an audience than by having them accept one reality for the entirety of the story, only to show them the true reality at the end.

All right, so there are some tips for building an effective plot that carries readers throughout the book. My advice to you this week, is to explore various tropes and patterns, especially those in your genre. Turn a piece of paper (landscape-style) and write out the typical pattern of your story, then overlay events and characters of your proposed idea. See how they match up, see if you have enough tension building scenes, just play around with it. I’m not much of a plotter myself, but even I will do a general outline to keep myself on track and make sure I’m building a solid plot.

Next time, more on story arc, how to climax well (*snork*), and end satisfied (*hahahahaha). Until Thursday, happy writing.

What’s Coming Up

Sort of hard to think about a future right now, to be honest. But resistance and rebellions were not built on giving up ground. So, I keep getting up. I keep supporting the people I love and the people who are in the most need, and I keep practicing my art. I’m writing representatives and flooding ICE hotlines with tips to look into the financial contributions of an illegal immigrant named Musk. I’m donating money to Planned Parenthood and frequenting the library. I’m making sure that my organization (Writing Heights Writers Association) will always honor Diversity, Equity And Inclusion. That I understand privilege poisons the well of our society and I am a part of that, so it’s my duty and my honor to use what little power I have to uplift everyone in my community, support them, listen to them, and advocate in ways that help them most, not my ego.

On top of that, here are some things I’ll be doing. If you’re in the area, or are interested in supporting my writing organization or my career, you can. For the record, WHWA is not a non-profit, but its not a money maker either. It’s a zero-sum game after I pay the bills and the teachers so, know that if you sign up for a class, or register as a member, your fees go to teaching and supporting writers. It is a labor of love and I hope I can do it for a very long time.

Here’s a Bullet List:

Starting in February, I’ll be looking for Beta readers and reviewers for my newest book, “No Words After I Love You” is a beautiful homage to love, grief, and how we, as humans cope with the shifting changes, losses, and heartaches in life while still being open to love and joy. It follows two older friends on a journey of rediscovering their fire and making peace with the past. I’d call it contemporary/literary fiction with a romantic/philosophical twist. Let me know and I’ll send you a copy.WHWA is hosting classes at the end of the month in February and we’ll be talking about Plotting (Cristina Tripani-Scott) and How to Write Emotion in Fiction (me) You don’t have to be a member to attend and it’s all virtual so you can come in your pjs. Here’s the link to register: WHWA CLASSESRegistration is opening up in February for WHWA’s Spring Workshop and Retreat. This year we’ll have two tracks: Memoir and Creative Craft. There will be morning yoga, evening readings and socializing and plenty of time to write if that’s how the time serves you best. All up in beautiful Allenspark with views of Longs Peak and Rocky Mountain National Forest.In March (the 12th) I’ll be giving a talk at Founded in Fort Collins, sort of a community organizer/entrepreneur conference, aimed to help small businesses, nonprofits, and aspiring hopefuls navigate the world. My talk will be about the importance of writing, and getting your voice heard. Here’s the dets:https://foundedinfoco.com/#/FbazzjRiXpoXuhwSSvDjEarly bird pricing is still going onThey have socializing/networking hours as well as class timeI’m pitching two new novels to 5 Prince Publishing. Each is the first novel in a three-part series and I’m excited to get back into some fun, escapist romance. One is a time-traveling, historical romance, and the other is an odd hodgepodge of paranormal romance. Both have higher spice factors so…yum. I’m hopeful to get them out towards the end of the year, depending on how badly written they are and how much work my poor editor has to do.

Well, that’s all the news from my corner of the world. I hope you are doing good and just things from where you’re at. Be kind, work hard, don’t falter. Change happens with consistency and determination. We’ve got those things, so don’t lose hope.

Poetry 1-23-2025

It’s a tumultuous time. An era where its hard to trust information, its hard to have privacy, and its even harder to envision a world where we can be a functioning community again. These are the days that try good hearts. You are not alone. We are all in some phase of struggle. We are all clawing our way up. I love you. I see you. Do what you can, to be kind to yourself and others today. Don’t give up.

Love Me Enough

I've tried to breathe it away
this constant ache
a hunger, not satiated

I've tried to busy it away
with lists
and checked boxes

I've tried running it away
until my knees were torn
and my vertebra grew together

I've tried laughing it away
your darkest friend
is always the most funny

I've tried writing it away
harsh words and compassionate pages
like arms to enfold, or choke

I've tried drinking it away,
until all I lost were words
and years with my children

I've tried cutting it away
sharp stings and
barely hidden red bracelets

hoping someone would notice
but even when they did
no one loved me enough to stop me

I'm trying to love me enough to stop me
I'm trying, this time
to love it away

And I'm learning
that means
feeding myself on breath
sitting through it in stillness
running headlong into the fire
allowing the storm to laugh through me
and writing only the truth
watering my brain like a garden
holding my body close like a child
Soothing the scars and
loving the woman who survived long enough
to stand in love now