Pat Powers's Blog: Pat Powers Goes BEYOND Outer Subspace! - Posts Tagged "public-rape"

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A Wronged Wingwoman was inspired by a picture, more accurately, a GIF. It's Penny Pax and Donna Dolore in a Kink.com video. And there was just something in the way Penny was shaking her head "no" and smiling at the guy who held his cock while Donna gripped her neck that said, "Story here" to me.

And after a short time I had "A Wronged Wingwoman" in which Donna is El, a wingwoman for Penny (Flea) who stole her boyfriend. This caused El to hold a secret grudge and to plan out an elaborate revenge plan that involved having Flea gang raped publicly, without anyone knowing what was happening except she and her accomplice, Neuman the Rapist.

This has nothing to do with the actual video that I know of, it's purely my own invention. In fact I borrowed from other works including the Bard himself (there's a reason El's last name is SantIAGO). And Flea herself is partially borrowed from a very funny and intelligent Brit comedy series called "Fleabag" which made Phoebe Waller-Bridge a household name in Great Britain and known by some in the US too. (The series is on Amazon Prime if you're interested. I highly recommend it.)

In "Fleabag," Phoebe Waller-Bridges' character "Fleabag" steals the lover of her bestie Boo. It's not the major event in the story, which has a LOT of other elements, but it is a source of tons of guilt for Fleabag, since Boo subsequently dies, under circumstances that suggest she may have killed herself, shortly after she learns that Fleabag has been fucking her boyfriend.

And the thing is, it wasn't a big dramatic thing, Fleabag just grabs Boo's lover kinda because she can. And it's completely consistent with Fleabag's character -- she kind of plays emotional bumper cars with those who love her, fucking them up just for laughs. That's what makes the series fun, seeing how thoroughly Fleabag fucks things up. It's the equivalent of slapstick comedy, only done on an emotional level, which is much trickier than mere physical slapstick, requiring much high levels of writing skill than physical slapstick. It's the reason so many people in Great Britain and elsewhere think Phoebe Waller-Bridge, who scripted the series, is It On A Stick.

So I borrowed that careless lover theft though my Flea is not nearly as bright as Fleabag, she's just a physically beautiful party girl who gets away with everything, until El decides to rain on her parade for stealing her boyfriend.

And of course, El is nothing like Boo from Fleabag.

I built these characters to create the wild party scene that is nonstop rape, molestation, humiliation, sexual bondage, anal rape and fisting of Flea, all of it done in public. It was a very fun and long scene to write, and it all came from that little GIF. Amazing how that works sometimes. Give it a shot if you are interested.

Here's the link!

Karg asks the burning question of our times: “What if Margaret Mead was a curvy blonde astronaut and got captured and enslaved by warriors on a primitive planet and discovered she really liked sexual bondage and sex slavery?”

Karg is the story of Susan Yearby, a curvy astronaut who is stranded on Karg, a planet full of dinosaur-like giant lizards and the warriors who ride them, and sexy slave girls and the warriors who ride them. Separated from Tully when an unknown enemy blows up their lander and forces their mother ship to flee the solar system, Susan is quickly captured and enslaved by the primitives who live on Karg. Somehow, she must find Tully and make her way across this strange planet full of perils and discover what attacked their lander.

Susan’s journey is a long one, leading her through primitive bondage rituals and rites, the slightly more civilized Fighting Pits of Kanorga, a barn where she becomes a hucow, a field where Susan is one of many prizes in a battle fought by dinosaur-riding warriors and much more. She spends almost all of her time on Karg naked and in chains and she is raped, enslaved, sold and generally treated badly.

Keeping it together under such circumstances is a tall order, but even naked and in chains, Susan has inner resources her captors cannot even guess at... and a blazing determination to find her way back to Tully and civilization with nothing but her wits and her nanotech to aid her.

Karg is not the counter Earth, it’s the under-the-counter Earth! This novel is 117,000 words long and is not part of any other universe ... that we know of!

Here's the Smashwords link.

Here’s the short blurb for you blurb fiends:

Penny Paxton’s peaceful life among the Free Foragers of the Forest is rudely interrupted when the Patriarchal Raiders raid her village and capture her. She winds up tied to a bed deep in the passion pits of the Maledom Dominion, a sex slave. What is the ultimate secret that will allow her to escape her life of endless forced sexual bondage? Read this 15,000 word novelette and find out!

OK, here’s the straight skinny on this story. My previous short story, Butterfly went over a freaking cliff, that’s the story. It went over a cliff on Amazon. It went over a cliff on Smashwords. I’m not going to report the numbers, they’re embarrassing even to me. He’ll they’d be embarrassing to my goldfish if I had one.

Thing is, “Butterfly” was a pretty clean story. Clean, hell, it was WHOLESOME, for being a kinky erotic romance. Tons of explicit maledom/femsub sex with lots of sexual bondage of course, but everybody in the story was totally onboard with what was going on and having a wonderful time. Dancing, eating out (the restaurant kind, perv!) and tons of fun, exciting consensual sex.

And that’s how I marketed it, as a fun, clean, wholesome sexual bondage romance. And it went over a cliff on Amazon. And it went over a cliff on Smashwords. I mean, publishing that story was like dropping a penny down a well and never hearing the “splash.” If it weren’t for the fact that I have considerable backmatter built up, I might not have had any sales at all. Jeebus.

And that’s why “Your Body Or Your Life” is such a rapefest. It starts off with sex slave rape and proceeds to a mass capture and kidnapping with a public mass virgin gang rape. Consensuality? The characters in my story never experience it. Hell, they never HEARD OF it.

And me being me I added an ending that will Ruin… er, Change… Everything and force readers to re-evaluate the entire structure of modern society, something not normally found in hardcore nonconsensual rape erotica, but lemme tell ya… it works!

The rape erotica takes place in part of a mythical (because I just made it up) 1990s B movie that’s like most of those B-movies where the Peaceful Forest Dwellers’ village gets attacked by Grubby Raiders. We’ve all seen them, the Peaceful Forest Dwellers are all standing around in filmy togas grooving on how sweet they’ve got it hanging around in the forest, then the Grubby Raiders ride in, generally on horses, sometimes in SUVs or jeeps or motorcycles (curiously, almost never on bicycles) and they start beating, killing, robbing, kidnapping and raping everyone, as Grubby Raiders do.

I don’t have any brief for or against consensuality per se. Some stories consensuality works in, others it doesn’t. Some stories demand both nonconsensuality and consensuality (such as all the trad romances where the pirate rapes the main character and then falls in love with her, i.e., bodice rippers). I kind of hate that publishers push so hard to keep things consensual. What, do they think that the generally female readers who enjoy rape fantasies constitute some kind of danger to the public? It’s insane. Fantasy is fantasy, reality is reality. Readers can tell; most women who enjoy rape fantasy stories have NO interest in being raped in reality. Why can’t prudes and publishers tell?

Anway, we’ll see how this one does. It’s 15,000 words long and about 10,000 of those words is kidnapping and rape scenes with bondage throughout. Woo-hoo!

(Note: in its first day of sales, "Your Body Or Your Life" has doubled the sales of "Butterfly" in the three weeks since its release. And the backmatter sales have been great, more than ten times what I made off "Butterfly" in its 3 weeks. I think I have my answer as to which sort of story sells better.)

You can get your very own copy of Prison Bitch 2: Club Rape right here!

Rich Bitch, Prison Bitch, the first book in the Prison Bitch series, had too much plot for an erotica novel. I had to get fancy with the timelines to keep the story sexy, bringing the sexual bondage and rape elements forward and running them in counterpoint to the story of a rich girl who’s set up to take a very public fall for a bank’s pump and dump scheme and goes to jail for it.

But at the start of Prison Bitch 2, our protagonist Kimberly Halstead is fully ensconced in Brookhaven Prison, and she’s already a sex slave in Club Rape. And she remains a sex slave in Club Rape’s harem for the entire length of the novel, giving me the opportunity to write about the goings-on at Club Rape at length. I detail not just all the sexual bondage and rape that Kim experiences, but also the sexual bondage and rape that the other sex slave inmates experienced in Club Rape.

That’s a LOT of sex scenes. Which is exactly what I wanted. I used two main techniques to keep them fresh and evolving over the course of the story. 1) I put Kim through some emotional and sexual changes over the course of the novel and 2) I used the fact that the guard’s sex harem dungeon had to be easily and quickly convertible to an institutional employee break lounge in case there was a surprise inspection of the facilities by some high-up prison official or politician, or even worse, some goody-two-shoes organization. Fortunately the guards have had years to come up with imaginative ways to turn innocent-looking prison furniture and fixtures into very naughty sexual bondage toys. Some of them were as simple as ornate curves and curlicues and holes carved into the furniture that served as excellent tying-off points for various bondage sex positions. Others were things like ceiling-mounted fixtures that looked like garage door openers, and functioned a lot like garage door openers, but were not being used as garage door openers. (Cue ominous sexy music.)

With that kind of set-up I was able to write an awful lot of sexual bondage rape scenes. That provided plenty of taboo erotica content, but it also served more writerly purposes. When mainstream writers have a character who’s a captive or a slave the sexual elements are either ignored or glossed over. The most famous example being Slave Leia from Star Wars, captured by a gangster and forced to wear a slave collar and chain and the infamous metal bikini before Jabba and his henchmen, but otherwise unmolested, so far as we know.

(Fans of both sexes had a field day with “so far as we know” of course. Google “slave leia porn” and watch out for the avalanche!)

I, being an erotica writer, have carte blanche to write about the sex as much as I want, which gives me the ability to really convey just how much sex Kim experiences, and how intense that sex is. Readers get a much clearer idea of just how thoroughly and frequently fucked Kim and the other inmate sex slaves are. The drama and intensity and raunchiness of sex slavery isn’t watered down or ignored entirely, and that, IMHO, makes for a dramatically better story, no matter how over the top raunchy and frequent all the sex scenes are.

What I’m saying is that I had a lot of imaginative fun writing Club Rape but that I also think I wrote a pretty good story. And that I hope and believe that readers will have a lot of fun reading it.