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The Joy of Collars and Collaring 1: A Collar For Everyone Who Wants One

Collaring has a great deal of psychological meaning for many kinky folks. For some it is an analogue for a wedding band for kinksters, symbolizing the collarer's ownership of the collar wearer. And for others, it's just another bit of bondage gear. There are no civic structures for kinky relationships like there are for vanilla relationships (i.e., marriage) so these things vary.

This turned out to be important and useful when I decided to create an alternate world where everyone is into dominance and submission. I figured most would be into maledom/femsub stuff, like here on Earth, but there would also be femdom/malesub relationships, as well as gay relationships, asexuals and so forth. There just wouldn't be any, or very rarely, vanilla sexual relationships. It's not that there is any bigotry against vanilla sex, it's just that most people on Collar World wouldn't find it nearly as fun and sexy as kinky sex.

Plus, I didn't want bigotry to be a major theme in the world. “Bigotry is bad”is a good lesson but one well known to most who are into kinky sex. I wanted it to be more of a thought experiment: what kind of world would a world with just kinky people in it be? How would kink culture express itself if it were the dominant culture?

And that's where collaring comes in. To start with, of course, there's a personal collar, where a Master or Mistress gives a sub a collar proclaiming her or him the property of said Master or Mistress, with text that typically says, “XXX, property of ZZZ.” It would probably be the most common sort of collar, and the most sought-after collar.

There would also be Free Use collars, for women who want to have sex with just about anyone, anytime, with some kind of clearly visible hatching that lets Free Use collars be easily identifiable in a crowd or on the street.

There would also be institutional collars, or work collars, that let people know the wearer is on business. Women who have personal collars might have a work tag they hang from one of their personal collar rings, or maybe they'd wear two collars. It would be a matter of taste and practicality.

But work collars would also serve to let women who want a collar but aren't currently in a relationship go about their day without being collared by Masters looking for slaves.

And there would be asexual collars for men and women who don't want to be bothered, or whom are actually asexual, and Temple of the Collar collars for those in service or claiming shelter at a Temple of the Collar, as in the opening of Collar Dread. (I'll save a full explanation of the Temple of the Collar for another post.)

Of course, most Mistresses and Masters wouldn't wear collars at all. They'd be putting collars on the submissives. The lack of a collar would suffice to declare their status.

The point is, on Collar World most people can find a collar (or lack of one) that they are psychologically comfortable wearing. Everyone who wants to feel owned, and most women on Collar World do, can feel owned, generally by a personal Master or Mistress.

I did do one thing in my Collar World stories that I had to for the sake of their salability in the marketplace. And I made some other changes as a result, but more about that in another column. I think I've laid the groundwork here.
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Yard Sale Slut: The Novel Now On Smashwords

Smashwords link (includes Kindle format) $2.99



“Yard Sale Slut: The Novel,” is the greatly revised and extended version of “Yard Sale Slut” a novella published on Amazon three years ago. The novella was 33,000 words long and the novel is 53,000 words long.

The additional 20,000 words deals with the protagonist’s experiences after she is drugged and sold to the Mossport Slave Agency by a disgruntled ex-employer. (Her employer had her reasons.) It is basically 20,000 words of pure sexual bondage BDSM goodness. Moira gets tied up and whipped, put in stocks and raped by two male slavers, locked in a cage, tied up and gang raped by three other slavegirls who aren’t tied up (lesbian gang rape) put in chains and forced to rape a tied-up slavegirl, and whored out as a slave in the slave agency’s bordello, chained to the bed the whole time of course.

And many of the proceedings are captured on video to sell as porn. The Mossport slavers profit from Moira in every way they can, totally without her consent.

This is in keeping with the original concept of “Yard Sale Slut” in which the protagonist has a very rough time at the hand of the slavers and a very dispiriting time at the hands of her first owners, which sets things up nicely for a big turnaround when she becomes a Smiling Slut Tavern slavegirl.

Now you may be wondering, “but then, why did you not include all that wonderful BDSM sex slave rape in the original “Yard Sale Slut”? And the answer is that I could not do so because “Yard Sale Slut” was originally written for Amazon, and Amazon does not do nonconsensual erotica. In order to sell the story on Amazon I had to tone down the nonconsensual stuff to virtually nothing, in fact, I had Moira AGREEING to be enslaved, signing contracts agreeing to be enslaved and everything. (This is actually more humiliating than being drugged and taken by force, and I played it for all the humiliation I could manage, but it can’t come close to matching the impact of the direct BDSM thrills as originally conceived.)

What I’m saying is, the novel version is the REAL “Yard Sale Slut” story, the hardcore pure-D sexual bondage fuckathon I originally envisioned. Oh, and it comes with a Happily Ever After, too. But … that’s not all.

I also envisioned “Yard Sale Slut” as a real science fiction story. It’s set in my Basic Income timeline, in the runup to the Oligarch Wars. The Oligarch Wars are an “If this goes on” dystopia in which technology, specifically automation, has advanced enough that machines can provide the oligarchs with every material need they might ever have. Basically, the oligarchs see the rest of humanity as leeches who compete with them for resources and who produce way too many greenhouse gases. (Though, of course, on a per capita basis, the oligarchs do a lot more damage than regular folks. But without regular folks greenhouse gases will be greatly reduced even though the oligarchs keep on oligarching.)

Hence, the oligarchs have decided to get rid of 95 percent of us. (They’ll still need servants and employees of various kinds, of course, so a few hundred million will be saved.) But they don’t go about it in a comic book supervillain sort of way and declare war on humanity. They instead create terrible conditions in the societies they control. Things like mass evictions of the poor, food shortages, bringing back horrible institutions like chattel slavery. And when the inevitable revolts occur, they see to it that the government quashes them quickly and violently, with plenty of civilian casualties.

And the oligarchs use their control of the mainstream media to prevent anyone from knowing about all this horrible stuff going on. You could be living in the next town over from a government massacre and not know about it if you didn’t know anybody who lived there well. The oligarchs want spontaneous, local, easily quashed rebellions, but they don’t want widespread organized rebellions. Those might succeed, or perhaps get some oligarchs killed, and that’s unacceptable.

None of these things are spelled out in my story. We see things from Moira’s eyes, and she wants mostly to escape from the world via Italian Renaissance poetry, and so has only a superficial, fragmented viewpoint of what’s going on around her, though she’s sure she doesn’t like what she sees of it.

Also, one of the things I’ve noticed in written accounts by people who have lived through wars is how weirdly isolated a war can be. People can be living an approximation of normal life in one place and going through hell not far away.

Moira’s story takes place early on when the oligarchs are successfully waging their undeclared war on everyone. I hoped to give an unreal, science-fiction feel to her ordeals, sort of an alternate-timeline feel although this isn’t really an alternate timeline. It’s our timeline, if horrible trends get even more horrible. I wouldn’t be surprised if this future is completely off base and wrong about everything, and I devoutly hope it is. But human history makes it feel all too possible.

So, here’s da blurb:

Nobody who knew Moira Evans thought she had a brilliant future, but at least she had a good one. She was a topnotch student with a passion for Italian Renaissance poetry, unusual for a kid from a remote rural town. The most she could hope for was a teaching job at some podunk college, but it would be enough to make her hardscrabble mountain family proud and give her the sequestered life of academia she craved.

But when events beyond Moira’s control cause her to lose her family and her scholarship, she swiftly descends to the depths of a society that lost its bearings decades ago. Drugged and sold into slavery, she experiences the whip, slave rape, bondage rape, lesbian gang rape, being a slave whore, and worst of all, being sold for cheap at a yard sale! The world is going to hell and Moira is chained beneath the ground floor.

Will Moira be able to regain some semblance of peace and happiness when she’s bought by the Smiling Slave Tavern and becomes a tavern slave, having sex with customers on demand? You’ll have to read the story and find out.

This novel is 53,000 words long, and is an extensively revised and expanded version of the 33,000-word novella “Yard Sale Slut.” The story is number 3 in the Tavern Slut series but is set about 100-150 years prior to Tavern Slut #1 and Tavern Slut #2, which are roughly contemporaneous.
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Pat Powers Goes BEYOND Outer Subspace!

Pat Powers
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