Margot Mifflin
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in Philadelphia, The United States
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“The blueprint for their ruin had already been drafted. Just as they had had no idea that their land had been handed from Spain to Mexico in 1821, the Mohaves were probably unaware that the United States had acquired the region at the end of the Mexican-American War in 1848. Soon after, with no perceived conflict of interest, the Department of the Interior had combined the government agency that was designed to protect Indians (the Bureau of Indian Affairs) with the departments responsible for assessing, dividing, and redistributing their land (the General Land Office and the Geological Survey and Territorial Office). “Indian Removal” was the precursor to a transcontinental railroad, and in its first two years of statehood, California spent over a million dollars executing it. 12”
― The Blue Tattoo: The Life of Olive Oatman
― The Blue Tattoo: The Life of Olive Oatman
“But the very pattern Olive wore appears on a ceramic figurine of the late nineteenth or early twentieth century that displays traditional Mohave face painting, tattoo, beads, and clothing.”
― The Blue Tattoo: The Life of Olive Oatman
― The Blue Tattoo: The Life of Olive Oatman
“Olive’s tattoo played an important role in the book: it appears on the face of the returned captive, where it registers as a mark of permanent violation, unlike her Mohave wardrobe, which signaled only temporary membership. Olive’s portrait, with her tattoo drawn in finer, more delicate lines than those of the actual tattoo, served as the coda to Life Among the Indians. The blue tattoo was the flourish that would make it a stand-alone story, supplying visual evidence of Olive’s ordeal and its irreversible impact.”
― The Blue Tattoo: The Life of Olive Oatman
― The Blue Tattoo: The Life of Olive Oatman
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