A.L. Butcher's Blog, page 78
February 23, 2021
Review – Farenheit 451 – audio edition
Ray Bradbury’s internationally acclaimed novel Fahrenheit 451 is a masterwork of 20th-century literature set in a bleak, dystopian future, narrated here by Academy Award-winning actor Tim Robbins.
Guy Montag is a fireman. In his world, where television rules and literature is on the brink of extinction, firemen start fires rather than put them out. His job is to destroy the most illegal of commodities, the printed book, along with the houses in which they are hidden. Montag never questions the destruction and ruin his actions produce, returning each day to his bland life and wife, Mildred, who spends all day with her television “family”. But then he meets an eccentric young neighbor, Clarisse, who introduces him to a past where people didn’t live in fear and to a present where one sees the world through the ideas in books instead of the mindless chatter of television. When Mildred attempts suicide and Clarisse suddenly disappears, Montag begins to question everything he has ever known. He starts hiding books in his home, and when his pilfering is discovered, the fireman has to run for his life.
Farenheit 451 is one of the classic dystopian sci-fi books, and with good reason. It’s awesome. It’s dark, but there is hope. The audiobook is narrated by Tim Robbins and from the start he draws the listener in. The action is fast-paced, does not hold back with the darkness and violence but yet Robbins holds the listener.
It’s rather reminiscent of Orwell, but with more hope. The story builds – from Montag’s meeting of the young Clarisse and her questioning of the world, to the mundanity of a life he has never questioned. There is fear, from a terrifying cyborg dog which hunts down criminals to the burning of people as well as books. The Fireman captain is a fascinating character – he recites lines from books and he is obviously intelligent yet he burns the knowledge contained in the books, and tries to warn Montag of the dangerous path he’s on. He’s cynical, but methodical. He is not wicked, as such, he doesn’t take joy in what he does but he also doesn’t care about the lives and the books he destroys.
The final part is action-filled, paced and desperate, and the ending was actually a surprise to me. There is a lot of death, but there is also hope, and the continuity of knowledge.
Bradbury was ahead of his time with this – the almost slavish reliance of TV/media, the cyborg dog and (it could be argued) the turning away from books and knowledge. The characters are well written and the prose keeps the reader/listener engaged. I listened to this in one sitting and I could easily find myself engrossed in the book.
5 stars
February 22, 2021
Finding Forever Blog Tour – Shifter Anthology/Paranormal





February 20, 2021
Emi Blog Tour – Fantasy







Myth Agent – Blog Tour







February 19, 2021
Book Spotlight – The Long Night – Lucy Felthouse – Paranormal/Vampires/Reverse Harem
OUT NOW—The Long Night by Lucy Felthouse (@cw1985) #PNR #vampire #paranormal #reverseharem #whychoose #rhromance #reverseharemromance #military #uniform
Blurb:
Forever is a long time for a vampire… but is all that about to change for Lailah?
Lailah’s neighbour, Loulou, is well known for hosting wild, extravagant events, so as Lailah heads over there for the much-anticipated annual Halloween bash, she thinks she’s prepared for pretty much anything. Soon after arriving, though, she discovers Loulou has outdone herself—and presented Lailah, who, as well as being an actual vampire, has come in fancy dress as one, with the opportunity to have a little joke at her own expense.
What Lailah’s not prepared for, however, is the appearance of three gorgeous men in uniform. Their out-of-place getup piques Lailah’s curiosity, and as polite conversation turns to flirtation, Lailah gets the weirdest feeling nothing is ever going to be the same again.
But how will Luke, Leo and Jack react when they discover Lailah’s vampirism isn’t just for Halloween?
Note: This novella has been previously published as part of the Duty Bound with Bite anthology.
Available from: http://books2read.com/thelongnight
*****
Excerpt:
I’m prepared for pretty much anything on my way to my next-door neighbour’s house for her Halloween party. Loulou is well known across north London for her wild, extravagant events, a few of which I’ve had the good fortune to be a part of—they’re always good fun. So I’m expecting something spectacular—she wouldn’t let me help, or even have a sneak peek at the decorations, so whatever she’s gone for will be a complete surprise to me.
The nearest streetlamp to our houses is providing just enough light to show off her outdoor decorations. I smile as I push open her fake-cobweb-covered front gate, duck as a plastic bat swoops toward my head, then make my way up the garden path, which is lined with creatively carved pumpkins, the tealights nestled inside each helping to illuminate the way to the door.
For all intents and purposes, I’m walking through a graveyard. Headstones in varying states of decay litter the grass. Noises ring out periodically—the hoot of an owl, the howl of a wolf, the yowl of a cat. There’s even a dry ice machine secreted somewhere, as a sinister, low-lying fog hovers over the ground.
I jump and gasp as I pass a large tree to find a decrepit, bloodstained zombie grinning at me from behind its trunk. Tutting, then chuckling at my own silliness, I mount the three steps up to the porch, where more of the same greets me, as well as some macabre smiling skulls, blood dripping from their mouths and spiders crawling from their eye sockets. It’s great, it really is, but there’s nothing unusual about any of it. This is Loulou we’re talking about—I’m waiting for the ‘wow’ factor, that extra something she’s thrown in to make her party an event that’ll be talked about for weeks, maybe even months, to come.
A sign with Gothic blood-red print is fixed to the door.
PARTY THIS WAY. ENTER IF YOU DARE.
Obviously, I dare. With a roll of my eyes, I depress the door handle—which has a large plastic spider hanging off it—and step inside. It’s only a few minutes past the official start time for the party, so it’s still pretty quiet. I’m fine with that—it gives me the opportunity to have a good look around at what Loulou has done with the décor before it gets too busy, too heaving with bodies. Live ones, that is. The dead ones dotted around the place don’t seem to care one way or the other.
I don’t bother announcing my presence to my neighbour—we’ll find each other before long. Instead, I immediately start exploring, exchanging the occasional polite nod with other early partygoers as we pass. The scent of pumpkin spice hangs in the air. So far, so typical—more cobwebs, spiders, pumpkins, skulls, bats, black cats, ghosts, witches, zombies, black floaty material draped everywhere, creepy music…
Then something catches my eye. Toward the back of what is usually Loulou’s enormous living room—the properties in this area, including mine, are huge—is a sectioned-off area. A partition, designed to look like an old stone wall. It’s dark, gloomy, spooky. I love it. And that’s before I notice the sign affixed to the arched doorway embedded in the wall.
THE VAMPIRE’S LAIR
A snort escapes me, and I quickly look around to make sure nobody noticed. I’m alone, thankfully—probably the others are diving into the drinks and snacks which are most likely laid out in the dining room, getting their hands on all the best stuff before other people arrive.
I open the door carefully, since I don’t know how sturdy this whole shebang is, and I don’t want to wreck it—Loulou’ll kill me—and enter, eager to find out exactly what Loulou thinks a vampire lair looks like.
You’d think she’d have an idea, really, given she lives next door to one. Not that she knows, of course—I don’t make a habit of announcing my true nature to people. It just results in disbelief, asking for proof, which then often leads to screaming and freaking out. I just can’t be doing with that kind of drama. Therefore I keep my supernatural status to myself, and move around just often enough to ensure people don’t start to notice I haven’t aged a day since they first met me.
*****
Author Bio:
Lucy Felthouse is the award-winning author of erotic romance novels Stately Pleasures (named in the top 5 of Cliterati.co.uk’s 100 Modern Erotic Classics That You’ve Never Heard Of), Eyes Wide Open (winner of the Love Romances Café’s Best Ménage Book 2015 award), The Persecution of the Wolves, Hiding in Plain Sight, and The Heiress’s Harem and The Dreadnoughts series. Including novels, short stories and novellas, she has over 170 publications to her name. Find out more about her writing at http://lucyfelthouse.co.uk, or on Twitter or Facebook. Join her Facebook group for exclusive cover reveals, sneak peeks and more! Sign up for automatic updates on Amazon or BookBub. Subscribe to her newsletter here: http://www.subscribepage.com/lfnewsletter
Release blitz organised by Writer Marketing Services .

February 11, 2021
The Cyan Huntress – Blog Tour








February 10, 2021
Legacy of the Mask – On Tour
Legacy of the Mask Schedule
Feb 11
kickoff at Silver Dagger Book Tours
Feb 12
Feb 14
SE Lindberg – GUEST POST
Feb 15
Feb 16
Feb 17
Musings From An Addicted Reader
Feb 18
Feb 19
Feb 20
R Tran Books – GUEST POST
A Wonderful World of Words – GUEST POST
Feb 21
Tina Donahue – Heat with Heart
Feb 22
Feb 23
Feb 24
#BRVL Book Review Virginia Lee Blog
Feb 25
IndiePowerd by No Sweat Graphics
Feb 26
Feb 27
Feb 28
Mar 1
Books all things paranormal and romance
Momma Says: To Read or Not to Read
Mar 2
Mar 3
Inside the Insanity – GUEST POST
Mar 4
Stormy Nights Reviewing & Bloggin’
Mar 5
Mar 8
Mar 9
4covert2overt ☼ A Place In The Spotlight ☼ – GUEST POST
Mar 10
Books A-Brewin’ – GUEST POST
Mar 11
Valerie Ullmer | Romance Author

February 9, 2021
The Duke Heist Blog Tour – Historical Romance






Website * Facebook * Twitter * Instagram * Bookbub * Amazon * Goodreads

Follow the tour HERE for special content and a giveaway!
Winners choice of ebook or audiobook of the entire 7-book Dukes of War series,
$15 Amazon giftcard
– 1 winner each!
a Rafflecopter giveaway

February 8, 2021
Dirty Dozen Author Interview – Anthony St Clair
Author name: Anthony St. Clair
Links to book: https://rucksackuniverse.com/books/the-lotus-and-the-barley/
Bio: Anthony St. Clair, a freelance writer and entrepreneur, is the author of over 500 fiction and non-fiction works, including novels, short stories, articles, and more. Library Journal calls Anthony’s storytelling “reminiscent of Terry Pratchett,” and his fiction has been celebrated for its “quirk, wit, travel, and magic.” In addition to his global travels, Anthony spent fifteen years in media and business before turning full time to writing in 2011. Together with his wife, son, and daughter, Anthony lives a life of everyday adventure at home in Oregon and on the road anywhere. For more information, see rucksackuniverse.com and anthonystclair.com.
Tell us a silly fact about yourself: Much to my children’s ongoing amusement, I’m incapable of blowing up a balloon.
Please tell us about your publications/work. My Rucksack Universe series revolves around people who seek to know themselves so that they understand their place in the broader world, be that with a social group or a place they want to live in.
The core of everything I write is an exploration of how we make the decisions that shape our destinies. What are the rules we are told about life and living? How many of those rules help us do what we consider meaningful? What rules deserve to be followed—and which rules should we break or get rid of?
We go through this life trying to find our way, searching out how we fit in. Sometimes we have to push back against presumptions and notions from family or culture, so we can understand and live our own personal truths about the world. My Rucksack Universe series is all about people making those choices.
Do you think the written word (or art) bring power and freedom? Even when we don’t realize it, the written word is all around us. Books and articles are obvious manifestations, but even “visual” mediums such as video have an underlying script or teleplay written element that guides what happens and what’s said. The written word is similar to the atmosphere: All around us and essential, yet easy to forget it’s there.
How did you become involved with bundles? (For Bundle Authors) I got to meet Chuck Heintzelman at Kristine Kathryn Rusch’s and Dean Wesley Smith’s Business Master Class in 2017. I’d been aware of his BundleRabbit platform, but especially after meeting Chuck was so impressed with how BundleRabbit was helping authors develop and participate in ebook bundles. Bundles are such a great way to help readers dive in deep on different variations on a theme, topic, etc., and it’s so fun to work with other authors on new ways to put our work in the world.
How much research do you do for your work? What’s the wildest subject you’ve looked at? Travel has always been a big part of my life, and my fiction centers around people who travel as a lifestyle. I include destination research and draw from on-the-ground experience as much as I can too, so I can really evoke that feeling of “being there.”
For my novel THE LOTUS AND THE BARLEY, I drew on my own travels to London, my background covering Oregon’s craft beer industry, and a “what if?” mindset that helped me imagine a London that had built itself up in a different way, but based on landmarks that could be familiar to us in our world.
The beery touches were especially fun. My work has brought me on many a tour of breweries, so I got to bring all that experience together not only into my pro brewer and homebrewer characters, but the beer itself is its own character.
What is your greatest success? Marrying well. I had the good fortune and the good sense to know when I had found my soulmate. Jodie and I met in 2005, got married in 2009. From business to parenting, we bring out the best in one another, and I’m grateful every day that I found her.
Which authors have influenced you the most? If there is one author I wish I could have met, it’s Terry Pratchett. Discworld titles such as Thud! and Witches Abroad are books I re-read and re-read. Pratchett’s characters have to channel other feelings into meaningful action, and his sense of humor and satire is a candy coating that helps us swallow some tricky truths.
What is your writing space like? My wife and I currently share a “corner office” in our house. I usually use the office in the morning for writing and client work, and she uses it in the afternoon for teaching violin lessons. At other times I’ll be set up at our front table, with a MacBook Pro, a mouse, and an external keyboard. It helps me be both focused and flexible—and reminds me that I can work anywhere.
What’s the best advice you’ve received about writing/publishing? If you want others to value your work, time, and expertise, then make sure you show that you value them too.
It’s not uncommon for writers to undervalue their work and underestimate the time and energy it takes to do their work. When I went full-time as a freelance writer in 2011, I made sure to track my time on projects, agree fair rates with clients and editors, and, above all, to make sure that I always got paid. Writers do work that other people wish they could do—the power and value in understanding that is without equal.
Tell us about your latest piece? My 2020 novel, STRANGE RIDE, brought me an interesting challenge. The setting was in a walled city full of skyscrapers, and drew heavily on labyrinths, mythology, and the five stages of grief: depression, anger, bargaining, denial, acceptance, collectively referred to as “DABDA.” I had to extensively research labyrinths. Plus, the city where I live—Eugene, Oregon—is home to many indoor and outdoor labyrinths, so I also got to have some contemplative introverted fun going to different labyrinths around town and walking them.
STRANGE RIDE focuses on a 10-year-old girl named Soarsha. She lives in this giant walled city, in a high-rise apartment with her dad. They lost her mother years ago, in the wasteland beyond the city. We meet Soarsha on her tenth birthday, and see her get bullied by her classmates. She seeks refuge in her Wandering Heroes comic books, and in hanging out with her dad. It’s not necessarily a great life, but she has some good things going for her. Until, the next day, she comes home… but her father doesn’t. She sets out to find him, but winds up discovering truths she didn’t even know she was looking for.
What’s the worst piece best advice you’ve received about writing/publishing? There’s this ongoing discussion that it can be really difficult to publish ebooks to different retailers—you know, upload to Amazon, to Draft 2 Digital, to Apple Books, to Kobo, etc.—because you have to enter the same information over and over. The problem isn’t the process, it’s whether or not the writer is organized to handle the process in less time.
I independently publish my work, and I distribute ebooks to all the channels: Amazon, Kobo, Apple Books, Google Play, Nook, you name it. I keep a spreadsheet with all the details about every release: publication date, Patreon release date, links to stores, prices for different markets, even the color codes for my cover’s primary color. Once that info is set up, it’s a simple copy and paste job. I can set up a title across multiple channels in less than an hour.
Writers get hung up on the number of stores. That’s not the problem. Most of your time and energy goes into getting the details ready. Actually setting them up is a much smaller fraction of the time it takes than we often think it is.
What’s your greatest networking tip? There’s an easy way to be remembered by pretty much any presenter at any event. It’s based on a simple principle: Everyone likes knowing their work is appreciated, looked forward to, and will help someone.
Before going to any sort of writing conference, take a few minutes to research presenters whose talks or workshops you plan on attending. Then, contact them—through their website’s contact form, their email, or a social network—and leave a short and simple note, such as “Hi, I’m FIRSTNAME LASTNAME, and I’ll be attending your talk on SUBJECT at NAMEOFEVENT. Just wanted to let you know I’m really looking forward to it.”
Anytime I’ve done this, it’s led to useful connections and worthwhile conversations. Plus, the moment I introduce myself, they say something like, “Oh, I got a note from you, thank you so much!”
It’s a simple but powerful way to help yourself stand out.


February 6, 2021
Sylvie Denied – Blog Tour and Guest Post







What is your writing process? For instance do you do an outline first? Do you do the chapters first?
It’s more circular than linear. I write in snippets as ideas occur, then build until I have enough to start organizing into chapters that I keep in separate computer files so I can I play around with the order. When I have enough, I troubleshoot and adjust the story—is it what I planned? is it becoming something else? – and make some decisions.
What makes a good story?
A story needs to be about someone who learns something, someone who starts out with a lack and acquires it, or maybe has something and loses it and in the losing acquires it. I think stories were invented to teach about a lifespan – we’re born, we live, we die = beginning, middle, end. But how do we change during that time? If there’s no change in awareness, there’s not really a story, though it could be an anecdote or just a joke.
Do you believe in writer’s block?
This is an interesting question. I think I’ll say no and here’s why. I write because I have a lot to say. Maybe some days I don’t feel like talking or thinking or even writing. Or maybe I really don’t have anything to say because I’m tired, empty, distracted, otherwise engaged. Or it could be I’ve started writing something and it isn’t turning out as I expected so I quit going that way.
Describe your writing style.
There’s a certain compactness to my writing that comes from my trying to find the strongest most perfect words to convey what I want to say. And there’s humor – my sense of humor is very dry and subtle so people don’t always pick up on it. I get a kick out of people, even ones I don’t personally want to hang around with, so I try so share my amusement by showing their quirky ideas, behaviors and speech mannerisms.
Advice you would give new authors?
When I was learning to drive, my older brother said, “it’s great that you know the rules of the road and how to operate a car. But it’s most important to know how to get where you’re going.”
I’d amend that slightly and say an author should know what they want to say. For instance, Mary Shelly wrote the first book in the horror genre, but she wanted to say that humans aren’t ultimately in charge and shouldn’t be messing with the creation of life. There’s something unique we’ve all been learning in our life’s journeys and everyone has a perspective to share. Find that something and then figure out the best way of saying it. There’s nothing better for creating a sense of urgency and passion that keep you going.
What made you want to become an author and do you feel it was the right decision?
That’s like asking me whether it’s a good decision to breathe.