Nicholas Fox Weber's Blog, page 31

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Alma Mahler

Alma Schindler Mahler was a force to reckon with. Her appear­ance was more

fas­ci­nat­ing than clas­si­cal; she had fiery eyes and a vibrant pres­ence that

many men found irresistible.

Alma Mahler, 1909

Bonnard

Din­ing Room Over­look­ing the Gar­den (The Break­fast Room) Pierre Bon­nard 1930–31 Another gem purchased by Stephen Clark and then given to the world as The Breakfast Room. This large painting, which evokes the splendor of daily living, has altered American sensibility–not just about art, but about how to start the day–with its revelation of the possibility of everyday sumptuousness. — The Clarks of Cooperstown

Dining Room Overlooking the Garden (The Breakfast Room)
Pierre Bonnard
1930–31

Bonnard

 

Din­ing Room Over­look­ing the Gar­den (The Break­fast Room)

Pierre Bon­nard, 1930–31.

Another gem purchased by Stephen Clark and then given to the world as The Breakfast Room.

This large painting, which evokes the splendor of daily living, has altered American sensibility–

not just about art, but about how to start the day–with its revelation of the possibility of everyday

sumptuousness.

– The Clarks of Cooperstown

Dining Room Overlooking the Garden
(The Breakfast Room)
Pierre Bonnard
1930–31

The Clarks of Cooperstown and Renoir

Pierre-Auguste Renoir, Sleeping Girl with a Cat, 1880

Minimal Means

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It is so simple. 5 December DERKLE

http://www.scribd.com/doc/117153426/Minimal-Means

It is so simple.

Josef Albers often spoke about “minimal means, maximum effect.” He realized that goal in his

paintings of nested squares of undiluted colors that achieve endless magic, and in well-placed, short

straight lines angled against one another to make the impossible occur. Doing a lot with a little is

our goal.

Albers_quote

Josef Albers often spoke about “minimal means, maximum effect.” He realized that goal in his

paintings of nested squares of undiluted colors that achieve endless magic, and in well-placed, short

straight lines angled against one another to make the impossible occur. Doing a lot with a little is

our goal.

Josef Albers often spoke about “minimal means, maximum ef...

Josef Albers often spoke about “minimal means, maximum effect.” He realized that goal in his

paintings of nested squares of undiluted colors that achieve endless magic, and in well-placed, short

straight lines angled against one another to make the impossible occur. Doing a lot with a little is

our goal.

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