Sbr Martin's Blog, page 2
July 9, 2012
In the "Featured New Book" Spotlight on West of Mars
Check out my virtual stop at Susan Gottfried's website, "West of Mars":
http://westofmars.com/featured-new-bo...
Susan is a talented writer and editor, who epitomizes the Rock Fiction genre. She's a super cool chick who loves music and has found clever ways to incorporate it into her life. Her "Featured New Book" section asks selected authors to name the one song that makes them think of their book - click below to see what song I selected.
When you're on Susan's site, make sure to explore her books and meet Trevor - you'll be hooked!
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Repost:
Featured New Book: Pig by sbr martin
What song makes you think of your book?:
“Piggy” by Nine Inch Nails – and it’s not just because of the similarity in title! If “pig” were ever made into a movie, I’d want “Piggy” to be on the soundtrack, as the series of dark, disturbing, and sensual sounds that opened the flick.
“Pig” is about domestic abuse, sexuality, reflection, and loss – and so too seem to be Trent Reznor’s unassuming lyrics.
The book’s main character, Lily, has been called a lot of things in her life – Lilith, Mom, Flower, and Pig, for example. Pig is one of the clever, thoughtful nicknames her husband gave her, and when Reznor bellows “Hey Pig,” it reminds me of the ill-intentioned, mocking way Lily’s husband might greet her, “Yeahhh you.”
“Black and blue and broken bones | You left me here, I’m all alone,” Reznor sings, though these words could very well have come out of Lily’s lips. Yep, Lily’s husband, Bender, liked to hit her sometimes; and, Lily sometimes hurt herself, in drunken accidents and the like. Too many times she wound up black and blue, with broken bones. And, too many times Bender left her there all alone – including the last time he left her, the night of his own unfortunate “accident.”
Lily was an accomplished lady when it came to enjoying the company of men. She settled for her husband, thinking he might be the one to tame her. But, instead, he caged her in a volatile relationship from which Lily could not, or did not want to, escape, and about which she could have borrowed Reznor’s lyrics: “Nothing’s turning out the way I planned… What am I supposed to do? | I lost my shit because of you.”
And as per Reznor’s refrain, “Nothing can stop me now | I don’t care anymore | Nothing can stop me now | I just don’t care” – well, that too has much to do with “pig.” But I ain’t gonna tell you about that. You’ll have to read my book to figure it out.
Read it. Live it. Love it. sbr martin. pig.
~~~~~ ~~~~~ ~~~~~
http://westofmars.com/featured-new-bo...
Susan is a talented writer and editor, who epitomizes the Rock Fiction genre. She's a super cool chick who loves music and has found clever ways to incorporate it into her life. Her "Featured New Book" section asks selected authors to name the one song that makes them think of their book - click below to see what song I selected.
When you're on Susan's site, make sure to explore her books and meet Trevor - you'll be hooked!
~~~~~ ~~~~~ ~~~~~
Repost:
Featured New Book: Pig by sbr martin
What song makes you think of your book?:
“Piggy” by Nine Inch Nails – and it’s not just because of the similarity in title! If “pig” were ever made into a movie, I’d want “Piggy” to be on the soundtrack, as the series of dark, disturbing, and sensual sounds that opened the flick.
“Pig” is about domestic abuse, sexuality, reflection, and loss – and so too seem to be Trent Reznor’s unassuming lyrics.
The book’s main character, Lily, has been called a lot of things in her life – Lilith, Mom, Flower, and Pig, for example. Pig is one of the clever, thoughtful nicknames her husband gave her, and when Reznor bellows “Hey Pig,” it reminds me of the ill-intentioned, mocking way Lily’s husband might greet her, “Yeahhh you.”
“Black and blue and broken bones | You left me here, I’m all alone,” Reznor sings, though these words could very well have come out of Lily’s lips. Yep, Lily’s husband, Bender, liked to hit her sometimes; and, Lily sometimes hurt herself, in drunken accidents and the like. Too many times she wound up black and blue, with broken bones. And, too many times Bender left her there all alone – including the last time he left her, the night of his own unfortunate “accident.”
Lily was an accomplished lady when it came to enjoying the company of men. She settled for her husband, thinking he might be the one to tame her. But, instead, he caged her in a volatile relationship from which Lily could not, or did not want to, escape, and about which she could have borrowed Reznor’s lyrics: “Nothing’s turning out the way I planned… What am I supposed to do? | I lost my shit because of you.”
And as per Reznor’s refrain, “Nothing can stop me now | I don’t care anymore | Nothing can stop me now | I just don’t care” – well, that too has much to do with “pig.” But I ain’t gonna tell you about that. You’ll have to read my book to figure it out.
Read it. Live it. Love it. sbr martin. pig.
~~~~~ ~~~~~ ~~~~~
July 2, 2012
"Pittsburgh Poise & Presence: A Peek at the Particulars of 'pig'” - Guest Post on the dzsreview Blog
Read on to see some of the ways Pittsburgh has influenced yours truly.
http://dzsreviews.wordpress.com/2012/...
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Repost:
Pittsburgh Poise & Presence: A Peek at the Particulars of “pig”
One Yinzer’s Exploration of the Power of Pittsburgh—Beyond Alliteration
by sbr martin
There’s a song I remember learning in elementary school, the refrain of which went something like this: “Pittsburgh is a jolly old town. … Pittsburgh. … Three rivers meet at the Point downtown. … Pittsburgh.” This tune is still caught in my head some 20 years after I first heard it; and, while the lyrics have not changed, they’ve taken on an additional, very personal meaning.
I was bred, born, and raised in Pittsburgh, where I continue to live and work. Every time I end up at the Point, or hear comment of the Three Rivers meeting, I am reminded of that little ditty from grade school.
But it seems to me that this song has a newfound importance in my life these days. I celebrate Pittsburgh not only as a place of the convergence of three distinct rivers, but also as the place of the convergence of three distinct talents, of which I am one.
My most recent novel, “pig,” features cover art by Jenn Wertz, a Pittsburgh musician/artist best known for being an original member of multi-platinum recording artists Rusted Root, also based out of Pittsburgh. Though Wertz’s cover piece, “Catwoman,” was in her portfolio long before we made any cover art arrangements, the work is so perfectly fitted to my novel. It seems as if the two were created for each other, though neither was predicated upon the existence of the other.
“Pig” was published by The Artists’ Orchard, LLC, a Pittsburgh-based indie microhouse in its toddler years. Behind The Artists’ Orchard is head honcho Sherry Linger Kaier, whose hard work and skill brought “pig” to its current commercial format.
Like the Three Rivers, Wertz, Kaier, and I are the Three Talents, who joined forces to generate something unique and memorable, something that flowed together in a natural, seamless manner.
And the Pittsburgh presence doesn’t stop there!
Author photography for “pig” was provided by PicChick Photography by Lizzy Bittner, a Pittsburgh gal who I’ve known for the majority of my life. Bittner also provided cover and author photography for my first book, “in wake of water.”
Without the talent of these Pittsburgh geniuses, “pig” would not be all that it is. True, the story would be the same, but the phenomenal final product would be fundamentally different. It wouldn’t have such cutting edge art, such meticulous publishing, and such vivid photography. It would not have the legacy of Pittsburgh talent permeating its full body; nor would it stand as a symbol of my integrity as a Pittsburgh artist supporting other Pittsburgh artists.
There’s also a little bit of Pittsburgh in the pages of “pig.” The story itself is set in Pittsburgh, though I so set it mostly out of convenience. I wanted the story to focus on the story—on the unnerving, yet inspiring, fictional account of domestic abuse, sexuality, reflection, and loss that unravels—and not so much on the location that serves as the backdrop. I, therefore, did not want to exhaust effort and page space making up a fictitious city. Pittsburgh was familiar. I didn’t have to think about what the streets looked like, or with what they were paved. It came to me as a matter of instinct. Use of the city name was more easily typed, more fully embraced, than any other city name I could have ever come up with.
Since I selected Pittsburgh as the setting, I tossed the word “yinzer” in there for good measure. Also, I reference a jitney in my tome—which many locals may be shocked to learn is actually a regional term.
And, hey, while we’re at it, let’s not overlook another way Pittsburgh has influenced my work. Allow me to reiterate: I was bred, born, and raised in Pittsburgh, where I continue to live and work. For me, one of the benefits of being raised in Pittsburgh was taking advantage of a few of the outstanding academic institutions the ‘burgh has to offer.
I was awarded the Marjorie A. Tilley Scholarship to The Ellis School, where I received an excellent high school education that would well prepare me for my college studies at the University of Pittsburgh and, later, for my juris doctorate studies at the University of Pittsburgh School of Law. From each of these fabulous, globally-recognized schools, I gleaned countless skills, facts, opinions, experiences, and other gifts which indubitably shaped my writing style and contributed to my creativity basin. It should come as no surprise that my Pittsburgh job history could likewise be credited with nurturing my evolution as a wordsmith.
So how’s all that for the presence of Pittsburgh in my writing!
Now if only I could’ve found a way to incorporate the Steelers into my fiction… Oh well, there’s always next time, right?
~~~~~ ~~~~~ ~~~~~
http://dzsreviews.wordpress.com/2012/...
~~~~~ ~~~~~ ~~~~~
Repost:
Pittsburgh Poise & Presence: A Peek at the Particulars of “pig”
One Yinzer’s Exploration of the Power of Pittsburgh—Beyond Alliteration
by sbr martin
There’s a song I remember learning in elementary school, the refrain of which went something like this: “Pittsburgh is a jolly old town. … Pittsburgh. … Three rivers meet at the Point downtown. … Pittsburgh.” This tune is still caught in my head some 20 years after I first heard it; and, while the lyrics have not changed, they’ve taken on an additional, very personal meaning.
I was bred, born, and raised in Pittsburgh, where I continue to live and work. Every time I end up at the Point, or hear comment of the Three Rivers meeting, I am reminded of that little ditty from grade school.
But it seems to me that this song has a newfound importance in my life these days. I celebrate Pittsburgh not only as a place of the convergence of three distinct rivers, but also as the place of the convergence of three distinct talents, of which I am one.
My most recent novel, “pig,” features cover art by Jenn Wertz, a Pittsburgh musician/artist best known for being an original member of multi-platinum recording artists Rusted Root, also based out of Pittsburgh. Though Wertz’s cover piece, “Catwoman,” was in her portfolio long before we made any cover art arrangements, the work is so perfectly fitted to my novel. It seems as if the two were created for each other, though neither was predicated upon the existence of the other.
“Pig” was published by The Artists’ Orchard, LLC, a Pittsburgh-based indie microhouse in its toddler years. Behind The Artists’ Orchard is head honcho Sherry Linger Kaier, whose hard work and skill brought “pig” to its current commercial format.
Like the Three Rivers, Wertz, Kaier, and I are the Three Talents, who joined forces to generate something unique and memorable, something that flowed together in a natural, seamless manner.
And the Pittsburgh presence doesn’t stop there!
Author photography for “pig” was provided by PicChick Photography by Lizzy Bittner, a Pittsburgh gal who I’ve known for the majority of my life. Bittner also provided cover and author photography for my first book, “in wake of water.”
Without the talent of these Pittsburgh geniuses, “pig” would not be all that it is. True, the story would be the same, but the phenomenal final product would be fundamentally different. It wouldn’t have such cutting edge art, such meticulous publishing, and such vivid photography. It would not have the legacy of Pittsburgh talent permeating its full body; nor would it stand as a symbol of my integrity as a Pittsburgh artist supporting other Pittsburgh artists.
There’s also a little bit of Pittsburgh in the pages of “pig.” The story itself is set in Pittsburgh, though I so set it mostly out of convenience. I wanted the story to focus on the story—on the unnerving, yet inspiring, fictional account of domestic abuse, sexuality, reflection, and loss that unravels—and not so much on the location that serves as the backdrop. I, therefore, did not want to exhaust effort and page space making up a fictitious city. Pittsburgh was familiar. I didn’t have to think about what the streets looked like, or with what they were paved. It came to me as a matter of instinct. Use of the city name was more easily typed, more fully embraced, than any other city name I could have ever come up with.
Since I selected Pittsburgh as the setting, I tossed the word “yinzer” in there for good measure. Also, I reference a jitney in my tome—which many locals may be shocked to learn is actually a regional term.
And, hey, while we’re at it, let’s not overlook another way Pittsburgh has influenced my work. Allow me to reiterate: I was bred, born, and raised in Pittsburgh, where I continue to live and work. For me, one of the benefits of being raised in Pittsburgh was taking advantage of a few of the outstanding academic institutions the ‘burgh has to offer.
I was awarded the Marjorie A. Tilley Scholarship to The Ellis School, where I received an excellent high school education that would well prepare me for my college studies at the University of Pittsburgh and, later, for my juris doctorate studies at the University of Pittsburgh School of Law. From each of these fabulous, globally-recognized schools, I gleaned countless skills, facts, opinions, experiences, and other gifts which indubitably shaped my writing style and contributed to my creativity basin. It should come as no surprise that my Pittsburgh job history could likewise be credited with nurturing my evolution as a wordsmith.
So how’s all that for the presence of Pittsburgh in my writing!
Now if only I could’ve found a way to incorporate the Steelers into my fiction… Oh well, there’s always next time, right?
~~~~~ ~~~~~ ~~~~~
June 30, 2012
"Using the 'F' Word in Fiction" - Guest Post on Author Wodke Hawkinson's Blog
As an author, it is a great compliment to be asked to write a guest post on another author's blog. Check out my recent post on author Wodke Hawkinson's blog. And be sure to explore the other guest posts - fresh talent awaits!
http://findagoodbooktoread.com/wodke-...
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Repost:
Using the "F" Word in Fiction
Oh, behave! I’m not being nearly as scandalous as the title of this guest post would suggest. The “F” word to which I’m referring is “Fact,” and its use in fiction can be just as challenging, just as brow-raising, as the dirty word you likely thought I meant.
My fiction has been described as “psychological and thoughtful” by Midwest Book Review, my characters as “flawed and believable, yet familiar” by Publishers Weekly. One book review blogger recently wrote: “Martin has created characters so real, so rich in character that you know in your heart that these character(s) must be real.”
And these are just the comments of strangers, of persons who do not personally know me or who know nothing of my past, present, or future. The comments and questions that roll in from those in the know are even more loaded.
“Wow, I never knew you felt that way,” said one friend.
“I’m glad you finally got it all out,” said a distant family relation.
“I have to ask,” posed my publisher, “is this based on your own life?”
To date, I’ve published two titles of contemporary fiction—“in wake of water,” released Nov. 2011; and, “pig,” released June 2012. In addition to the rich character development noted by various sources, both books have in common the fact that they touch on touchy topics, very real and very disturbing possibilities in the human condition.
“In wake of water” centers on a female lead who contemplates suicide following the losses of her immediate family members. Her tendencies are counterbalanced by a male lead who greatly fears death, life, and living. As the story unfolds, small-town secrets are revealed in a thought-provoking tome of sex, deception, ignorance, and guilt.
Honored as a Second Prize Quarterfinalist in the 2012 Amazon Breakthrough Novel Award Contest, my second novel, “pig” also discusses death and loss, among other ostensible themes. “Pig” is the story of Lily, a troubled woman seated at her husband’s funeral, whose life is recalled in a tensely tense-shifting narrative of domestic abuse, adultery, alcoholism, motherhood, and redemption.
As my fiction focuses on humans (rather than otherworldly creatures such as vampires, werewolves, or cyborgs) and explores very real human scenarios (as opposed to things such as time travel, mind control, and immortality), it instantly raises questions among readers. And, when those readers take a look at my extended bio, the questions keep coming.
My mother passed away in 1999. My sister, my only sibling, died in 2001. My father keeled over in 2003. All one has to do is read the first page of “in wake of water” to see these facts mirrored in my fiction. The question then becomes, “Does it stop there?”
Yes and No. Quite simply, these facts were brought into my fiction because they are compelling. They are the stuff that makes for a good read, the stuff that makes a work not only readable but also relatable.
Indeed, we write what we know, but we also write what we don’t know, what we want to know, and what we can never know. My true story, alone, without fabrication or exaggeration, is not exceptional. What makes it exceptional is the way that my fact is intertwined with the purely fictitious, or supplemented by fact found elsewhere in this world.
Carrying over into “pig,” one then wonders if the next chapter of my reality was laden with abuse, alcoholism, adultery, and other “A” words. Sure. A little here. A little there. But nothing in “pig” is fact in its entirety. Again, it’s the compelling stuff that makes for a good story. A curly hair of truth beneath a fake wig that’s tidy.
I am reminded of the disclaimer that accompanies most works of fiction these days—that little blurb on the copyright page that mentions how any resemblance of the forthcoming story to persons, places, or things, whether of fact or of fiction, is purely unintentional. And as I am reminded of this, I remind my reader of this, too.
Something may sound familiar, but that doesn’t mean it is. Something may sound factual, but that doesn’t mean it is. Something may sound unbelievable, but it may be that very thing which is most true.
Were I to write a work of fiction about an African American President of the United States of America, that would not mean that the novel was about President Obama. Were I to write about a disease that killed people indiscriminate of any identifiable factor or predisposition, that would not mean that the novel was about Cancer. So too when I write about a gal who lost her entire family, or a lady who liked to booze it up, that does not mean these works are about me, though they may seem to imitate my intimate.
My biggest goal in writing is to have my words invoke thoughts and feelings in my reader, and, for that reason, I often write of those things that invoke thought and feeling in my own mind. If it works on me, it’s my hope that it’ll work on my readers.
I don’t think, by the way, that this is something one could escape entirely just by writing in other subgenres of fiction, or by creating more ethereal characters. Who among us has not been ensnarled by the beautiful eyes of a vampire, or haunted by the isolationist tendencies of any other nonhuman? Who hasn’t been perplexed by the twin paradox? These things too invoke in us something that their authors surely intended to stir. They just aren’t subjected to the same level of “fact v. fiction” scrutiny because of their very premises.
The novel I’m currently writing has much to do with murder. I’m hoping that my friends, family, and followers don’t soon question whether I am, in fact, a murderer. But, then again, would this query be any more absurd than the ones asked following my first two novels? Are we not each of us, at one point or another, cast into a spot of murderous inclination, just as we are cast into moments of despair and desperation?
“Pig” and “in wake of water” are available for purchase and lending on Amazon, accessible through my author profile at http://amazon.com/author/sbrmartin.
Follow my writing on Facebook at http://facebook.com/sbrmartin.pig and http://facebook.com/inwakeofwater.
Rate/review me on goodreads at http://goodreads.com/sbrmartin.
Media inquiries and/or general queries can be sent directly to sbrmartin@sbrmartin.com.
~~~~~ ~~~~~ ~~~~~
http://findagoodbooktoread.com/wodke-...
~~~~~ ~~~~~ ~~~~~
Repost:
Using the "F" Word in Fiction
Oh, behave! I’m not being nearly as scandalous as the title of this guest post would suggest. The “F” word to which I’m referring is “Fact,” and its use in fiction can be just as challenging, just as brow-raising, as the dirty word you likely thought I meant.
My fiction has been described as “psychological and thoughtful” by Midwest Book Review, my characters as “flawed and believable, yet familiar” by Publishers Weekly. One book review blogger recently wrote: “Martin has created characters so real, so rich in character that you know in your heart that these character(s) must be real.”
And these are just the comments of strangers, of persons who do not personally know me or who know nothing of my past, present, or future. The comments and questions that roll in from those in the know are even more loaded.
“Wow, I never knew you felt that way,” said one friend.
“I’m glad you finally got it all out,” said a distant family relation.
“I have to ask,” posed my publisher, “is this based on your own life?”
To date, I’ve published two titles of contemporary fiction—“in wake of water,” released Nov. 2011; and, “pig,” released June 2012. In addition to the rich character development noted by various sources, both books have in common the fact that they touch on touchy topics, very real and very disturbing possibilities in the human condition.
“In wake of water” centers on a female lead who contemplates suicide following the losses of her immediate family members. Her tendencies are counterbalanced by a male lead who greatly fears death, life, and living. As the story unfolds, small-town secrets are revealed in a thought-provoking tome of sex, deception, ignorance, and guilt.
Honored as a Second Prize Quarterfinalist in the 2012 Amazon Breakthrough Novel Award Contest, my second novel, “pig” also discusses death and loss, among other ostensible themes. “Pig” is the story of Lily, a troubled woman seated at her husband’s funeral, whose life is recalled in a tensely tense-shifting narrative of domestic abuse, adultery, alcoholism, motherhood, and redemption.
As my fiction focuses on humans (rather than otherworldly creatures such as vampires, werewolves, or cyborgs) and explores very real human scenarios (as opposed to things such as time travel, mind control, and immortality), it instantly raises questions among readers. And, when those readers take a look at my extended bio, the questions keep coming.
My mother passed away in 1999. My sister, my only sibling, died in 2001. My father keeled over in 2003. All one has to do is read the first page of “in wake of water” to see these facts mirrored in my fiction. The question then becomes, “Does it stop there?”
Yes and No. Quite simply, these facts were brought into my fiction because they are compelling. They are the stuff that makes for a good read, the stuff that makes a work not only readable but also relatable.
Indeed, we write what we know, but we also write what we don’t know, what we want to know, and what we can never know. My true story, alone, without fabrication or exaggeration, is not exceptional. What makes it exceptional is the way that my fact is intertwined with the purely fictitious, or supplemented by fact found elsewhere in this world.
Carrying over into “pig,” one then wonders if the next chapter of my reality was laden with abuse, alcoholism, adultery, and other “A” words. Sure. A little here. A little there. But nothing in “pig” is fact in its entirety. Again, it’s the compelling stuff that makes for a good story. A curly hair of truth beneath a fake wig that’s tidy.
I am reminded of the disclaimer that accompanies most works of fiction these days—that little blurb on the copyright page that mentions how any resemblance of the forthcoming story to persons, places, or things, whether of fact or of fiction, is purely unintentional. And as I am reminded of this, I remind my reader of this, too.
Something may sound familiar, but that doesn’t mean it is. Something may sound factual, but that doesn’t mean it is. Something may sound unbelievable, but it may be that very thing which is most true.
Were I to write a work of fiction about an African American President of the United States of America, that would not mean that the novel was about President Obama. Were I to write about a disease that killed people indiscriminate of any identifiable factor or predisposition, that would not mean that the novel was about Cancer. So too when I write about a gal who lost her entire family, or a lady who liked to booze it up, that does not mean these works are about me, though they may seem to imitate my intimate.
My biggest goal in writing is to have my words invoke thoughts and feelings in my reader, and, for that reason, I often write of those things that invoke thought and feeling in my own mind. If it works on me, it’s my hope that it’ll work on my readers.
I don’t think, by the way, that this is something one could escape entirely just by writing in other subgenres of fiction, or by creating more ethereal characters. Who among us has not been ensnarled by the beautiful eyes of a vampire, or haunted by the isolationist tendencies of any other nonhuman? Who hasn’t been perplexed by the twin paradox? These things too invoke in us something that their authors surely intended to stir. They just aren’t subjected to the same level of “fact v. fiction” scrutiny because of their very premises.
The novel I’m currently writing has much to do with murder. I’m hoping that my friends, family, and followers don’t soon question whether I am, in fact, a murderer. But, then again, would this query be any more absurd than the ones asked following my first two novels? Are we not each of us, at one point or another, cast into a spot of murderous inclination, just as we are cast into moments of despair and desperation?
“Pig” and “in wake of water” are available for purchase and lending on Amazon, accessible through my author profile at http://amazon.com/author/sbrmartin.
Follow my writing on Facebook at http://facebook.com/sbrmartin.pig and http://facebook.com/inwakeofwater.
Rate/review me on goodreads at http://goodreads.com/sbrmartin.
Media inquiries and/or general queries can be sent directly to sbrmartin@sbrmartin.com.
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June 26, 2012
"Powerful Read" - A Review by Vicki, of dzsreviews
Check of this awesome review of "pig" from the dzsreviews blog - http://dzsreviews.wordpress.com/2012/...
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Repost (Review by dzsreviews):
I have just had the privilege to read this amazing novel by Pittsburgh author, sbr martin. The book is called pig, and it is a story you will not forget. Martin has created characters so real, so rich in character that you know in your heart that these character must be real. The story centers around Lily and Bender….a tragically flawed couple whose lives have led them on a path filled with alcohol, domestic abuse, abandonment, guilt, drugs, marriage, parenthood….and ultimately to the setting of the novel…a funeral. We find Lily sitting on a couch in a funeral home clutching a piece of paper so tightly in her hands…she is not about to let go nor reveal what is in her hands. The reader joins Lily as she mourns not only death, but as she reflects on her life and how she came to find herself sitting on this couch at her husband’s funeral.
I sat down to read this book for an hour or so, but I soon realized I was not getting up until I had the book finished. At the end of each chapter, I would say…”OK…just one more chapter and then I will do some laundry or wash those dishes that have been in the sink since breakfast.” Yet, one more chapter became one more until I was at the end of the book…which brings me to the end. WOW! What an ending! That is all I am going to say….
Her story is original….really unlike anything I have read before. The characters are so bitterly-real…so flawed and yet understood…redeeming. I have already placed Sarah’s first book in my amazon shopping cart to purchase…..
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Repost (Review by dzsreviews):
I have just had the privilege to read this amazing novel by Pittsburgh author, sbr martin. The book is called pig, and it is a story you will not forget. Martin has created characters so real, so rich in character that you know in your heart that these character must be real. The story centers around Lily and Bender….a tragically flawed couple whose lives have led them on a path filled with alcohol, domestic abuse, abandonment, guilt, drugs, marriage, parenthood….and ultimately to the setting of the novel…a funeral. We find Lily sitting on a couch in a funeral home clutching a piece of paper so tightly in her hands…she is not about to let go nor reveal what is in her hands. The reader joins Lily as she mourns not only death, but as she reflects on her life and how she came to find herself sitting on this couch at her husband’s funeral.
I sat down to read this book for an hour or so, but I soon realized I was not getting up until I had the book finished. At the end of each chapter, I would say…”OK…just one more chapter and then I will do some laundry or wash those dishes that have been in the sink since breakfast.” Yet, one more chapter became one more until I was at the end of the book…which brings me to the end. WOW! What an ending! That is all I am going to say….
Her story is original….really unlike anything I have read before. The characters are so bitterly-real…so flawed and yet understood…redeeming. I have already placed Sarah’s first book in my amazon shopping cart to purchase…..
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June 23, 2012
"Pig Blooms from Pittsburgh Orchard, Parented by Pittsburgh Artists" - Guest Post on Pittsburgh is the Center of the Universe
I'm a proud Pittsburgher, and have been honored to work with other Pittsburgh talent.
Is Pittsburgh the center of the universe? Read this post and let me know what you think.
http://pghisthecenteroftheuniverse.tu...
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Repost:
Pig Blooms from Pittsburgh Orchard, Parented by Pittsburgh Artists
Question: What do you get when you combine a Pittsburgh author with a Pittsburgh visual artist, a Pittsburgh photographer, and a self-started Pittsburgh business?
Answer: “Pig.” - http://facebook.com/sbrmartin.pig
Pittsburgh native and resident Sarah Beth (Rem) Martin, pen name sbr martin, is an author of contemporary psychological fiction. Her second novel, “pig,” was honored as a Second Prize Quarterfinalist in the 2012 Amazon Breakthrough Novel Awards.
Of Martin’s submission, Publishers Weekly wrote: “The ultimate resolution ofthe story makes for quite a surprise… (Martin) is able to build good characters, flawed and believable, yet familiar; so that at the end one is saddened, butalso, in a strange way, enriched.”
Set in Pittsburgh, “pig” is the story of Lily, a woman holding on to too much pain and too many secrets, including a big secret she’s keeping from herself. The entire noveltakes place at her husband’s funeral, where she sits alone on a couch in the corner, desperately clinging to a scrap of paper she refuses to reveal.
The narrative comes from Lily’s memories, as stirred by the familiar faces of funeral home patrons. Physical abuse, graphic sex, and devastating loss arebut a few of the past events reawakened by Lily’s reflections - as are love, mothering, and redemption.
What does it take for a troubled woman to finally let go? How did her husband get in that box? And what is she holding in her hand? Step into Lily’s past toanswer the present questions. But don’t expect to be pleased with everything you learn. Some stories just aren’t meant to have happy endings.
When “pig” exited the 2012 ABNA, it was swiftly picked up by The Artists’ Orchard, LLC, a self-started Pittsburgh house in its toddler years. The Aritsts’ Orchard also published Martin’s first book, “in wake of water” (http://facebook.com/inwakeofwater).
Upon reward of pending publication, Martin sought tirelessly to acquire appropriate cover art to electronically cloak her writing. And, lo and behold, the perfect piece was right in her own backyard!
“Catwoman” was selected and acquired from the impressive portfolio of Jenn Wertz (http://tiny.cc/jennwertzma),an accomplished Pittsburgh musician and visual artist best know for being an original member of multi-platinum recording artists Rusted Root, who are also based out of Pittsburgh.
The Pittsburgh partnership persists!
Author photography for both “pig” and “in wake of water” was generously contribued by PicChick Photography by Lizzy Bittner (http://picchickphotography.smugmug.com). The talented Mrs. Bittner also provided cover photography for Martin’s first novel.
With all its Pittsburgh glory, “pig” was released as a Kindle edition eBook on 11 June 2012, and is available for purchase and lending on amazon at http://tiny.cc/sbrmartin-pig.
More information can be found at http://facebook.com/sbrmartin.pig.
A digital review copy and/or press packet is available upon request sent to pr@theartistsorchard.com. Interview/comment queries can be sent directly to Martin at sbrmartin@sbrmartin.com.
** So… Is Pittsburgh the center of the universe? Hell yeah! Just take a gander at all these stars shining in it. **
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Is Pittsburgh the center of the universe? Read this post and let me know what you think.
http://pghisthecenteroftheuniverse.tu...
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Repost:
Pig Blooms from Pittsburgh Orchard, Parented by Pittsburgh Artists
Question: What do you get when you combine a Pittsburgh author with a Pittsburgh visual artist, a Pittsburgh photographer, and a self-started Pittsburgh business?
Answer: “Pig.” - http://facebook.com/sbrmartin.pig
Pittsburgh native and resident Sarah Beth (Rem) Martin, pen name sbr martin, is an author of contemporary psychological fiction. Her second novel, “pig,” was honored as a Second Prize Quarterfinalist in the 2012 Amazon Breakthrough Novel Awards.
Of Martin’s submission, Publishers Weekly wrote: “The ultimate resolution ofthe story makes for quite a surprise… (Martin) is able to build good characters, flawed and believable, yet familiar; so that at the end one is saddened, butalso, in a strange way, enriched.”
Set in Pittsburgh, “pig” is the story of Lily, a woman holding on to too much pain and too many secrets, including a big secret she’s keeping from herself. The entire noveltakes place at her husband’s funeral, where she sits alone on a couch in the corner, desperately clinging to a scrap of paper she refuses to reveal.
The narrative comes from Lily’s memories, as stirred by the familiar faces of funeral home patrons. Physical abuse, graphic sex, and devastating loss arebut a few of the past events reawakened by Lily’s reflections - as are love, mothering, and redemption.
What does it take for a troubled woman to finally let go? How did her husband get in that box? And what is she holding in her hand? Step into Lily’s past toanswer the present questions. But don’t expect to be pleased with everything you learn. Some stories just aren’t meant to have happy endings.
When “pig” exited the 2012 ABNA, it was swiftly picked up by The Artists’ Orchard, LLC, a self-started Pittsburgh house in its toddler years. The Aritsts’ Orchard also published Martin’s first book, “in wake of water” (http://facebook.com/inwakeofwater).
Upon reward of pending publication, Martin sought tirelessly to acquire appropriate cover art to electronically cloak her writing. And, lo and behold, the perfect piece was right in her own backyard!
“Catwoman” was selected and acquired from the impressive portfolio of Jenn Wertz (http://tiny.cc/jennwertzma),an accomplished Pittsburgh musician and visual artist best know for being an original member of multi-platinum recording artists Rusted Root, who are also based out of Pittsburgh.
The Pittsburgh partnership persists!
Author photography for both “pig” and “in wake of water” was generously contribued by PicChick Photography by Lizzy Bittner (http://picchickphotography.smugmug.com). The talented Mrs. Bittner also provided cover photography for Martin’s first novel.
With all its Pittsburgh glory, “pig” was released as a Kindle edition eBook on 11 June 2012, and is available for purchase and lending on amazon at http://tiny.cc/sbrmartin-pig.
More information can be found at http://facebook.com/sbrmartin.pig.
A digital review copy and/or press packet is available upon request sent to pr@theartistsorchard.com. Interview/comment queries can be sent directly to Martin at sbrmartin@sbrmartin.com.
** So… Is Pittsburgh the center of the universe? Hell yeah! Just take a gander at all these stars shining in it. **
~~~~~ ~~~~~ ~~~~~
