Elizabeth Spann Craig's Blog, page 220
November 27, 2010
Twitterific
![Terry3_thumb[1]](https://i.gr-assets.com/images/S/compressed.photo.goodreads.com/hostedimages/1380444857i/1479270.png)
Here are writing links that I've posted to Twitter for the past week.
There are fewer this week because I went on tweetcation for the Thanksgiving holiday. :)
How to Build a Real Network (Not a List of Strangers): http://dld.bz/7R6J
Finding the theme of your book: http://dld.bz/7HVq
How to Get Unstuck: Mind Shifts for the Freelance Writer: http://dld.bz/7HUV
Formatting for E-Readers: http://dld.bz/7HUN
A crime writer's top 10 crime locations (Guardian): http://dld.bz/7HTS
Agent pitching technique: http://dld.bz/7HTu
Subtexting in Dialogue: http://dld.bz/7HTj
Why so many people want a Kindle for Christmas (Telegraph): http://dld.bz/7HST
Myst. Lov. Kitchen: Some Cranberries—for Drinking! http://bit.ly/eelF3U
How to Nurture Your Creativity as a blogger: http://dld.bz/7HS5
The Most Dangerous Moment for an Author: http://dld.bz/7HSe
Christian Fiction and the Awkward Bookstore Dance: http://dld.bz/7HRN
Motivation to Write – How Writers Get and Stay Motivated: http://dld.bz/7FQe
Tips for writers to stay focused on writing while not abandoning other responsibilities: http://dld.bz/7FPn @swkehoe
NaNoWriMo Week 4 – Beginning of the End: http://dld.bz/7FNF
What Can Trade Book Publishers Learn from Comic Books about Branding? http://dld.bz/7FN5
The Knotty Problem of Quantum Gravity: http://dld.bz/7FMZ
7 Common Causes and Proven Cures for Procrastination: http://dld.bz/7FMJ
Letting Action Define Your Characters: http://dld.bz/7FMv
4 Types of Tweets: Don't Yell Into the Wind-- http://dld.bz/7FMs
Becoming An Indie Author: Is Success Based On Luck? http://dld.bz/7F62
Practical Tips For The Nighttime Novelist: http://dld.bz/7CNx
List of dialogue tags: http://dld.bz/7CNu
7 Tips for Editing Your Way to the Best Story on the Planet: http://dld.bz/7CNs
Call me Ishmael… When to reveal your MC's name if writing in first person: http://dld.bz/7CNc
10 Tips for Attending Writers Conferences: http://dld.bz/7CMW
Myst. Lov. Kitchen: Sweet Potato Casserole with Brown Sugar and Pecans from Cleo Coyle http://bit.ly/fVSllG @CleoCoyle
The Making of a Novel: What Support Means to a Writer (Huff Post) : http://dld.bz/7BCu
A Behind-the-Scenes Look at Published-Author Life: http://dld.bz/7BAF
How to write when you've got nothing to say: http://dld.bz/7BA5
Use Facebook and Twitter to Drive Crowds to Your Blog: http://dld.bz/7BA3
4 Reasons Why Best Sellers Get to Suck & You Don't: http://dld.bz/7BAx
Writers--do you have impostor syndrome? http://dld.bz/7BDP @rebeccabehrens
How to build a character: http://dld.bz/7BAe
An agent on what *not* to do during the query process: http://dld.bz/7xUm @RedSofaLiterary
6 Ways to Cope With Writing Fears: http://dld.bz/7xVS
Acceptance and rejection--balance in the creative life: http://dld.bz/7xVJ
Author Intrusion: How To Stay Invisible: http://dld.bz/7xV6
Your Query Submission Checklist: http://dld.bz/7xTU @RedSofaLiterary
3 ways to get the distance you need for rewriting: http://dld.bz/7xTC
Revising A Manuscript That's Already Making the Rounds: http://dld.bz/7xTv
At the Core: The Premise and How it Ties it all Together: http://dld.bz/7xTa
Writing 'high concept': http://dld.bz/7xST
23 Websites that Make Your Writing Stronger: http://dld.bz/7xSy
Six Tips for Getting the Most Out of Conferences: http://dld.bz/7xSt
Myst. Lov. Kitchen: RAGGEDY ANNE COOKIES http://bit.ly/cTTzjA @CleoCoyle
Authors, Social Media and the Allure of Magical Thinking: http://dld.bz/7xSd
Reference help--the reverse dictionary: http://dld.bz/7xRS
When Errors Are Found In Royalty Statements: http://dld.bz/7xPT
How high are the stakes? Building better conflict and dilemma into your book: http://dld.bz/7xRs
10 Ways to Find Inspiration for Your Next Post: http://dld.bz/7xPJ
Inspiration: Even When You Don't Want to Write: http://dld.bz/7umP
Top Five Mistakes Authors Make in Proposals: http://dld.bz/7umA
Preparing for hibernation--building a winter writing rhythm: http://dld.bz/7xQt
Handgun Tips for Writers: http://dld.bz/7um5
Tips for introverts at writing conferences: http://dld.bz/7umx
6 Ways to Shoot Yourself in the Foot: http://dld.bz/7umk @victoriamixon
Why Creative Writers Need To Reveal Themselves In Their Work: http://dld.bz/7umf
A plot twist too far – was Rick Deckard a replicant? http://dld.bz/7ukW
When Spell-check Fails: Proofreading and Your Manuscript: http://dld.bz/7ukT
Voice: Authenticity and Heart: http://dld.bz/7ukE
If you're serious about becoming a better writer--just sit down and write: http://dld.bz/7ujU
Facebook Messaging: Why Text and Email Aren't Equal (Wall St. Journal) : http://dld.bz/7uj7
How to write 'hot': http://dld.bz/7rp2
Best Articles This Week for Writers 11/19/2010: http://dld.bz/7u9t @4kidlit
Supporting characters--recipes for conflict: http://dld.bz/7rm6
For crime writers--handling lengthy investigations in our fiction: http://dld.bz/7usF @mkinberg
Support—It Comes in Different Forms
The writing life is a tough one for many reasons…and it doesn't help that friends and family don't completely get what we're doing.
But still, most of us get some support from the people around us. We might have a first reader among our friends and family.
We might have a spouse who gives us the time and space to stare out the window and write for a while.
And then, when our books come out, we have friends who are excited for us and rush out to buy our books.
Right?
Last week, I tweeted a post by mystery publisher Agatho (he's anonymous) entitled For God's Sake, Buy Your Friends' Books. It was one of the most retweeted tweets that I made.
I got many direct messages from writers on Twitter saying that all of their family and friends expected them to provide them with a free copy.
This is, actually, pretty shocking to me. I usually have one person who might angle for a free copy, but everyone else I know is at the bookstore soon after release day—supporting me. My latest release was $6.99 at full retail…but even if it had been a lot more, they'd be trying to help me out.
Because we wrote a book. It took us many hours of relative isolation, writing and rewriting, and work to get that book in a bookstore.
As Agatho put it:
Please tell me why you choose to ignore this remarkable accomplishment by a family member or someone you call a "friend." This person has labored, most likely for years, not only in writing a manuscript, but also in jumping through an endless series of hoops to get an agent and/or publisher. S/he has then had to exercise the utmost patience in rewriting several times to please an editor. Then, of course, comes the proofreading, which is even more work. At the end of the process, s/he holds an extremely affordable, compact, 300-page book that is the culmination of years of hard work and determination. And you - who will spend $4 for a cup of coffee at Starbucks, drop $100 for dinner for two at a trendy restaurant, or waste your money on cheap plastic crap at Walmart - cannot find it in your heart to buy a copy of this book?
Truthfully, though, some of the responsibility for this problem goes to the writer—who is giving these friends or family members free copies of the book.
I know it's tough because writers can be reticent and don't want to address the problem—it's easier to just hand out the freebies.
But honestly, this is the best response (and it's true…this is what we're supposed to be doing with our author copies): "I'm sorry, but all of my author copies are spoken for. My publisher specifically requested that I send them to book bloggers and other reviewers to drive up sales. But I see that my book is available at ____________ for just $_____. I hope you'll pick up a copy because I really think you'll enjoy it."
We can't force them to buy our book…but we can educate them about the purpose of author copies.
Have you got good support on your book launch days?
November 26, 2010
Giving Thanks—for Writing
On this day after Thanksgiving, I thought I'd take a minute to celebrate some of the facets of writing that I'm really thankful for. Lots of times my writing challenges get center stage as I wrangle with the craft side of writing…or I work through the promotional side of it all.
So here, in now particular order are some of the things I love about writing:
The moment a character comes to life
When the beginning or end of the book falls into place
Feeling completely comfortable with the protagonist and knowing what she'd do in any situation
When the perfect chapter break happens
Writing on a rainy day
Writing outside on a pretty day
Seeing the book's cover for the first time
Author copies
Getting good feedback
Getting struck by a great idea and scrambling for paper
The support of the writing community
What are some of the things you love about writing? What keeps you going through writing frustrations and challenges?
November 24, 2010
Happy Thanksgiving!
Best wishes for a Happy Thanksgiving to my American friends. I'm going to be celebrating the day here at home with my family and parents.
I've lots to be thankful for today—and I'm adding my writing friends and the online writing community to my long list today. Thanks so much to all of you for your support and encouragement. :)
Getting Some Distance from Our Words
We're having some painting done inside our house. Years of children with sticky hands have taken their toll on our walls. :)
While the painters were here, the owner said to me, "Would you like us to do your front door and shutters, too?"
I frowned. "Why? Do you think they should be painted?"
He hesitated. "Well, what color do you think they are?"
"I think the shutters and door are black."
"Could you step outside with me for a minute?" he asked.
As he pointed out, and as I was surprised to see, the shutters and door had faded quite a bit in the sun. They used to be black—but now were varying shades of grayish-black.
He painted them yesterday and the house looks brand-new. But I never would have noticed that they needed to be done because I drive up to my house every single day. I don't even see it anymore.
You see this analogy coming. :) It's true, though—we get just as close to our manuscript. It can be really tough to see its problems when we've been reading the book every day.
First readers or an independent editor are obvious solutions to this problem. They will read our work with fresh eyes and the problems will pop out at them easier.
Unfortunately, some of us may not have first readers to help us out. I've had a couple of writers volunteer to read for me, but because I have more than one project going on at once, I tend to get right up on top of my deadline. I just don't feel comfortable asking anyone to drop everything in their life to read 280 pages in a few days' time. Oh—except I do ask it of my mother. :)
So what's the solution if we need to get some distance from our work to thoroughly edit it?
Time: You can put your manuscript down for as much time as possible, then return to it. This method does work, although I don't have the time to do it anymore. When you pick up your manuscript again, it's almost as if someone else wrote it.
Reading aloud: This is a method that I use and it does help. There are only so many pages I can read without going hoarse, but the reading does put a bit of distance between us and the work.
Change of scenery: I really don't know why this works, but it does. If I've written the majority of the book at home, then I'll go to the coffeehouse to edit it. Different setting, different task at hand? Whatever it is, it seems to work for me…I think my brain is easily tricked. :)
Different font: I've heard this trick before, but haven't used it. Some swear by putting your manuscript in a completely different font for editing.
How do you get distance from your words?
November 23, 2010
Watermelon and Seed
I was volunteering in my daughter's classroom on Friday for a Thanksgiving party for 4th grade.
While I was in there (supposedly setting out snack supplies so the kids could make their own teepees out of ice cream cones, chocolate, and hard candy), I couldn't help but look at all the writing-related posters on the wall.
Fourth grade is a big writing year in elementary school. There were posters covering punctuation mechanics, grammar rules, commonly misspelled words, etc.
There was one poster though, that was a little more interesting to me. "Is your story idea a watermelon or a seed?"
Kids, naturally, sometimes come up with big ideas for stories—that don't really work for a short writing assignment. "My Summer Vacation" instead of "The Worst Amusement Park Visit Ever!" The teacher's point was that they needed to narrow their focus to get a better story.
But novelists are working with more pages to fill. We can afford a bigger picture.
Sometimes, though, that big picture doesn't always work. I've definitely read books where I felt lost in the imaginary world the author had created. What was the primary plot? What character am I supposed to care about…and who is the protagonist? These books felt unfocused and rambling. What was the point? Was it a murder mystery or a family saga or lit fic with an agenda? What was the seed?
With genre fiction, the seed is pretty easy to find. The underlying thread of my books is a murder. And I don't need to get too far away from it or else I'm off-target.
I've definitely edited down books before to get to the seed. Maybe there's a subplot that's fun, but doesn't really tie in enough with the main story—maybe it's an idea that needs its own book instead of being squeezed into a subplot. Or maybe there's a secondary character that's stealing the show and needs his own book.
Have you read books that don't have a sharp enough focus? How do you winnow your plot down to the seed when you write?
November 21, 2010
Why We Write
My 8th grade son has really enjoyed his Language Arts class (what the schools are calling English these days) the last couple of years. His teacher actually moved up from 7th grade to 8th grade and he's having her for a second year.
I've been impressed with the way the teacher has taught topics like mood and tone and the quality of the assignments she sends home for projects. I feel like he's getting a really solid background in a subject that's important to me.
He does have a new assignment, though, that's got me puzzled. To be fair, it hasn't actually come from the Language Arts teacher that he and I like so much—it's a school-wide, quarterly book project and is supposed to supplement his other curriculum.
For the assignment, he's to take the books he's reading for pleasure and do a comprehensive project on them. So, not the books that he's reading for class---books he's reading for fun.
Commercial fiction. Genre fiction. For him, this is Sci-fi, fantasy, dystopian literature, etc…and do a project.
Fine. But one of the questions on the assignment is "what was the author's purpose in writing this book?"
My immediate reaction was to snort. For commercial fiction? That purpose is personal to the author. It could be because they can't NOT write. It could be that they've studied the market and studied the craft and written a book that they thought could sell…to break into a difficult and crowded market. It could be for money. It could be that they dreamed up a character that demanded to have a story written around them.
But almost always? It's to entertain. It's probably not to inform or educate. It's to provide a reader a few hours of escape. It's been carefully thought-out and designed and revised and sweated over to seem seamless and to be riveting.
Why do you write?
November 20, 2010
Twitterific
Here are writing links that I've posted to Twitter for the past week.
If you're looking for a particular topic, just plug in your keyword into the search box at the top left-hand corner of the blog (on the black header right above my blog name…next to the Blogger symbol…the small search window is next to the magnifying glass) and the roundup with your subject will come up. To narrow your search down on the page, do a CTRL+F, type your subject, and hit enter.
For crime writers--handling lengthy investigations in our fiction: http://dld.bz/7usF @mkinberg
Why fairy tales are immortal (Globe and Mail) : http://dld.bz/7ugZ
Making Sense of a Rejection Letter: http://dld.bz/7rmj
5 Tips For Choosing The Perfect Book Interior Designer: http://dld.bz/7rmd @thecreativepenn
Understanding Advances And Royalties: http://dld.bz/7rk7
Things that have surprised me about the writing life: http://dld.bz/7tgH
Publishing -- The Synopsis: http://dld.bz/7rk5
Thanksgiving Mysteries: 2010 List: http://tinyurl.com/2g96waz @JanetRudolph
How to Make Your Website Mobile Friendly (And Keep Your Readers Happy): http://dld.bz/7rk2
Writing Cannot Be Strictly An Independent Activity: http://dld.bz/7rkb
A tale of a successful query: http://dld.bz/7rjS
For God's Sake, Buy Your Friends' Books: http://dld.bz/7rxY
When Writing Doesn't Pay (And It Feels Great): http://dld.bz/7rhb
Myst. Lov. Kitchen: Hot Seafood Dip http://bit.ly/aFeFNI @CleoCoyle
Bloggers: How to Slash your Writing Time in Half: http://dld.bz/7gmx
3 Steps to Fan Page Awesomeness: http://dld.bz/7gkX
Tips on Writing Action Scenes: http://dld.bz/7gkU
Agent Donald Maass On: Your Tools for Character Building: http://dld.bz/7gdc
How to Use WordPress as an Online Notebook: http://dld.bz/7gcH
Keep the Passion to Write: http://dld.bz/7dnM
"Should I Quit My Job to Work as a Writer for Hire?" http://dld.bz/7dns
6 Tips for Writing for Young Adults: http://dld.bz/7dnd
13 Tips for Beginning Bloggers (Which One Blogger Learned the Hard Way): http://dld.bz/7dmP
Writing Should Be Treated as a Business: http://dld.bz/7dmJ
How to write a Q&A: http://dld.bz/7dmD
Get Past a Motivational Brick Wall: http://dld.bz/7dmh
Writing the synopsis before the book: http://dld.bz/7dkR
Should You Include Illustration Notes in Your Picture Book? http://dld.bz/7dkM
Writing Devices: Transitions: http://dld.bz/7dkB
Stop and Go Sentences: http://dld.bz/7dkx
Can An Online Presence Help Make a Best Seller? http://dld.bz/7dkf
Working as a Copywriter Abroad: http://dld.bz/7dkb
Six Ways to Trick Yourself into Working Harder: http://dld.bz/7fRJ
Nicolas Gary: France's Digital Man of Letters: http://dld.bz/7dj5
Myst. Lov. Kitchen: Pumpkin Pie! http://bit.ly/d53M1Z @CleoCoyle
The Most Sympathetic Villain Ever: http://dld.bz/7djx
Literary rejections on display: http://dld.bz/7aXg
The Dark Side Of Your Novel's Hero: http://dld.bz/7aWV
Negotiating your own contract: http://dld.bz/7dnS
How to Connect and Network With Writers – 5 Social Media Tips: http://dld.bz/7aWK
Steampunk Abstractions: The Inevitability of Imperialism: http://dld.bz/7aW5
4 Agent Pet Peeves: http://dld.bz/7aWr
The Cons of Procrastination: http://dld.bz/7aWk
Writing Through the Doubt: http://dld.bz/7aVF
Starting a Scene with Dialogue: http://dld.bz/7aVv
Should You Grant an Exclusive Read to an Agent? http://dld.bz/7aVj
7 tips for improving your writing (especially for bloggers and freelancers): http://dld.bz/69N8
Seven Tips to Start Your Travel Blogging Journey: http://dld.bz/69Nv
Novels – Sagging Middle Fixes: http://dld.bz/69MA
How to Gain Twitter Influence: http://dld.bz/69Mz
Lock up the darn writer: http://dld.bz/69K2
12 Dozen Places To Self-Educate Yourself Online: http://dld.bz/69Ky
Top 5 Query Mistakes Freelance Writers Make: http://dld.bz/69Kp
How to speak publisher - A is for Acquisitions: http://dld.bz/69Kc
Myst. Lov. Kitchen: Thanksgiving Treats http://bit.ly/c4Q2Zb @CleoCoyle
How to Write for Translation: http://dld.bz/69JM
17 ways for writers to publish their content: http://dld.bz/69J7
The importance of first impressions: http://dld.bz/6SZR @joanswan
How to Write Safely in a Publishing Universe: http://dld.bz/69Jh
How to Salvage a Scene: http://dld.bz/69Hp
Thanks to the Writing Masquerade blog for interviewing me: http://dld.bz/6USZ ! I shared my recipe for corn pudding, too. :) @eveningfades
6 Articles for a Stronger, Faster, Better First Draft: http://dld.bz/6UCE @Writeitsideways
How To Write Three Blog Posts A Day: http://dld.bz/69Hg
9 tips for writing back cover copy: http://dld.bz/6UAT @TheCreativePenn
How to Unblock Your Writing and Create Effortless Words: http://dld.bz/69Hd
Building an Author Platform from Scratch: http://dld.bz/69GV @pubperspectives
This Is Your Brain on Metaphors (NY Times): http://dld.bz/69G4
Developing contacts to promote your book: http://dld.bz/6Tfg @spunkonastick
How to write a profile article: http://dld.bz/69F4
6 Vital Signs of A Healthy Plot: http://bit.ly/dgD3PK
The value of pre-publication blurbs: http://dld.bz/69Fr
iPhone Apps for NaNoWriMo: http://dld.bz/69Fd
Tips for having a blog tour: http://dld.bz/69Fa
Things one writer didn't expect about writing full-time: http://dld.bz/69EF
Book rejection bingo: http://dld.bz/69EB
Cultivating your Imagination: http://dld.bz/69Er @jammer0501
Five Steps to a Strong Main Character: http://dld.bz/69Ed
Checking for plot holes: http://dld.bz/69Ea
Inspiring the uninspired: http://dld.bz/69DR
3 blogging blunders: http://dld.bz/69DM
A reader asks:is Our Attention Span Getting Shorter? http://dld.bz/6z9M
Do You Even NEED an Agent?: http://dld.bz/69DB
Myst. Lov. Kitchen: Thanksgiving With a Little South on the Side http://bit.ly/bEcpv9 @CleoCoyle
Using flow for writing productivity: http://dld.bz/69Dw
How to Make Down Days Work for You: http://dld.bz/6zAp
Is Our Attention Span Getting Shorter? http://dld.bz/6z9M
Anatomy of a Scene Cut: http://dld.bz/6z9D
A Hidden Market for Freelance Writers: http://dld.bz/6z93
Writers: Be Bold! http://dld.bz/6z9f
How to Set Up Your First Blog the Right Way the First Time: http://dld.bz/6z9d
For freelancers: Ten Good Reasons the Editor Said "No": http://dld.bz/6z8M
Want to Be a Professional Writer? Act Like One. http://dld.bz/6z8C
Why modern books are all too long (Guardian): http://dld.bz/6z85
Writing the flip side of our characters: http://dld.bz/6GHx
The 7 Rules Part III: Rejection: http://dld.bz/6z82
The 3 types of negative book reviews: http://dld.bz/6z8u
5 Steps for Crafting the Perfect Book Review Pitch: http://dld.bz/6z8m
The Writer's Bucket List: http://dld.bz/6z8f
How to Keep the Conversations on Your Blog Civil: http://dld.bz/6z8a
Researching believability: http://dld.bz/6z7Q
5 Tips for Writing Scenes: http://dld.bz/56B2
One easy way to improve your writing--be specific: http://dld.bz/6DgJ @Paize_Fiddler
An agent with some Twitter tips: http://dld.bz/6z7A
The power of perspective: http://dld.bz/6z7y
Take the Fantasy Novelist's Exam: http://dld.bz/6z6P
Myst. Lov. Kitchen: COMMENT TO WIN TODAY! What is Your Must-Have Thanksgiving Side Dish? http://bit.ly/9jR5pW @CleoCoyle
Character Traits vs Author Traits - Reaching for the Brass Ring: http://dld.bz/6z6B
Why are you writing this story? http://dld.bz/6z6c
Why good guys need to win in detective novels (Boston Globe): http://dld.bz/6z5Z
Biographers fear that publishers have lost their appetite for serious subjects (Guardian): http://dld.bz/6z5M
5 Ways To Tell Your WIP Is Progressing: http://dld.bz/6t47
9 Ways To Elevate Your Speaking To Black Belt Level: http://dld.bz/6t45
Don't Prejudge Editorial Taste When Submitting to Magazines: http://dld.bz/6t42
Best Tweets for Writers (week ending 11/12/10): http://dld.bz/69NK
Things that authors get wrong: http://dld.bz/6t4f
Modifiers to avoid: http://dld.bz/6t3Q
Pleasing Ourselves or Pleasing the Reader? http://dld.bz/6t3K
Avoid 5 Plotting Mistakes by Using Scenes: http://dld.bz/6t34
Multiple Points of View: http://dld.bz/6t2t
Bad Boy Heroes: Three Types: http://dld.bz/6t2q
Top Five Mistakes that New Freelance Writers Make: http://dld.bz/6tzT
An Agent on Addressing Your Query: http://dld.bz/6tzv
5 Reasons Writers Get Stuck with Tips How to Unstick: http://dld.bz/6tzn
Ethnicity in writing--should you worry about including it? http://dld.bz/6475
A look at ending our scenes: http://dld.bz/6tzg
Archetypes, not Stereotypes: http://dld.bz/6tyy
Finding the Writing Groove: http://dld.bz/6tyr
5 Causes and Solutions to Writer's Block: http://dld.bz/6tyd
Myst. Lov. Kitchen: First Murder Bourbon Pecan Pie http://bit.ly/bblVwk @CleoCoyle
Ten of the best angels in literature (Guardian): http://dld.bz/6txX
An editor on backstory: http://dld.bz/6txM
Character Emotional Development: http://dld.bz/6txE
Definitive list of cliched dialogue: http://dld.bz/6txB
An agent on whether a writer should resubmit a manuscript, even if only one chapter is changed: http://dld.bz/6tx6
The online graphical dictionary: http://dld.bz/6sTQ
Twitterific--the week in tweets: http://bit.ly/cwFKYM
Business Writing Jobs and Rates – How Much Do Writers Make? http://dld.bz/6sTH
Taking history: top writers select their photographs of the decade: http://dld.bz/6sT9
An agent answers whether it's all right to scream or squeal when you get 'the call': http://dld.bz/6s6F
The New Girls' Network: How a debut author got a little help (PW): http://dld.bz/6s64
Feed your writing soul: http://dld.bz/6s6x
Events not worthy of a full screen: http://dld.bz/6s6u
5 More Ways to Jump Start a Writing Career - Part 2: http://dld.bz/6s6k
Did all these fantasy stories really rip off Harry Potter? http://dld.bz/6s6j
Myst. Lov. Kitchen: Welcome Guest Blogger, Barb Goffman! http://bit.ly/9DKDMd @CleoCoyle
One writer's 10 ground rules for writing about her kids online: http://dld.bz/6s6f
The Life of a Furtive Writer: http://dld.bz/6s5Q
15 Secrets For the Perfect Business Portrait (or Author Photo): http://dld.bz/6mbw
The debate on prologues: http://dld.bz/6mbm
An agent with a thoughtful post on the necessity of author platforms: http://dld.bz/6t2G @pubperspectives
How to Use StumbleUpon: Your Comprehensive Guide: http://dld.bz/6maZ
10 Guest Blogging Tips: http://dld.bz/6maU
The More We Write
There was an article that ran this week on the Genreality blog by urban fantasy author Carrie Vaughn entitled "Things I Didn't Expect About Writing Full-Time."
I thought it was really interesting because I have noticed things that surprised me about spending my day as a writer. But I hadn't actually sat down to articulate them.
Carrie Vaughn mentions things like the number of emails she gets, and the endless waiting for different things on the publisher's end to happen.
Those things wouldn't have made my list, but I've definitely noticed other things that have surprised me about being a writer. One thing that is that I spend most of my day writing. It's not just work on my novel, of course—it's also answering emails, writing blog posts, creating short tweets, writing status updates, commenting on blogs…I'm actually writing most of the day.
I'm writing to people who also spend most of their day writing. Other writers, my agent, my editors.
These people all have excellent communication skills. Way above average communication skills.
So lately—I've also noticed that I've had some frustration (well-hidden. I hope…) with regular people who aren't writers and don't write clearly. That's something I never would have expected as a byproduct of spending my day writing.
I'm not picking out typos or being picky about grammar or anything like that—I'm just trying to figure out the point of the school-related email or the Scout-related email or the church-related email. Because the emails frequently ramble and aren't clear. And I'm always in such a hurry to get to the crux of the missive.
And I'm used to corresponding with writers.
Which is ridiculous, of course. These non-writers aren't practicing their writing skills like we are. I'm just learning to reread emails a few times to figure out what some of them are trying to say. And saving the emails and using my highlighting feature. :)
My husband has wonderful writing skills for a non-writer. But it takes him a long time to write an email. He wants to get the word choice exactly right.
So that's what's surprised me the most—the fact that I apparently think everyone writes well, or that writing is just a basic skill like reading is, because of the amount of time I spend interacting and corresponding with writers. :)
What surprises you, as you spend more time writing?
November 18, 2010
Setting the Mood
After so many years of setting the clock back, you'd think I'd expect the changes.
But each fall I'm surprised how dark it is in the late afternoon. Every morning I'm surprised how light it is so early.
The darkness puts our whole family in a different mood. We light candles at suppertime. We feel sleepier at bedtime. And when I take my daughter to her scout meeting at 6 p.m., she gets the delicious sensation that she's up really late at night and out on the town.
I've noticed lately, though, an aggressive attempt by stores to put me in a very particular mood.
The Christmas shopping mood.
It was November 3 and I walked into a store that was playing Christmas music. Whoa! There's no way I'm ready for that stuff yet, y'all. I picked up some things for the kids last summer and that is it. The Christmas season starts after Thanksgiving. It does! But I kept running into stores that were selling the season awfully early.
These stores' determination to put me in a money-spending mood was a slap in the face. It was not subtle. It felt very pushy to me.
I've read some books where I felt the writer abruptly and clumsily tried to force me into a mood: a tense mood, a frightened mood, a maudlin mood. It jumped off the page at me and I don't think it's because I'm a writer.
It's like watching a poorly-done horror movie. You know the bad guy is going to leap out at you because of the scary music, heavy on strings, that's loudly playing.
Subtle ways to create a mood:
Skillful (and, to my liking, brief) description of the scene's setting: an abandoned, deteriorating house (unease). A crowded train with body to body people (stress).
Setting tone through dialogue. Obviously this would be two or more characters sharing more than just chit-chat with each other. There could be an urgent tone set, a joyful tone, somber tone…
Syntax: We convey our feelings about a person via word choice—choosing words with negative connotations instead of positive ones. Someone's face has pity, not sympathy. Someone is smug, not content. A person is cloying, not sweet. The character contributes toward establishment of the mood—the reader feels suffocated by the closeness of the cloying character, e.g.
Weather: I've seen this overdone. But it can be used very effectively in unusual ways. We all remember what a beautiful day it was in New York city on 9-11. It just illuminated the horror that played out.
Light: The daylight savings time shifts play havoc with my moods. You could do the same with blackouts, houses with uncertain electrical wiring, uncovered ceiling lightbulbs creating sinister shadows, etc.
I appreciate subtlety in creating moods instead of having a writer lay it on too thick. Are you the same way? As a writer, how do you invoke mood?