Elizabeth Spann Craig's Blog, page 136

April 20, 2014

Keeping Motivated By Focusing on Today

By Elizabeth S. Craig, @elizabethscraigfile000387773255


By now in North Carolina, we usually have average daily temperatures in the lower 70s and sunshine more often than not.


It’s been a very strange winter and spring in the US.


We did have a spate of spring-like weather last week for a short time.  Since I’ve been feeling a little daylight deprived, I decided to go outside and do some gardening.  Actually, it was more like “yard work” since “gardening” to me denotes doing something light and airy with flowers.  This was work where I somehow ended up getting filthy and had to mop and vacuum my floor later because I’d tracked in. 


It was wonderful to be outside, though.  I pulled weeds in two large beds, laid newspaper down in the beds for a weed barrier, then put some pine needles on top.  Filled my birdfeeders, then used my shovel on some spots where weeds were trying to invade the bushes.


I looked back on what I’d done and thought: “This looks amazing.  So much better than it did before I started working.”


Then I made the tremendous mistake of plopping down in a chair on my patio and studying the bushes on the far side of the yard.  There was some sort of mysterious vine that seemed intent on taking over the bushes—and the vine stretched from one end of the fence to the other.  Where on earth had it come from? Did it have something to do with the odd weather we’d been having?  It wasn’t honeysuckle, it wasn’t poison ivy (the two leafy offenders I usually see in my yard)—it was some sort of alien vine form.


Suddenly, the hour or so of work that I’d done in the yard was completely forgotten.  The success and accomplishment I’d felt in the yard was gone.  I  decided I’d just been kidding myself—there was so much more work to do. That I’d never be done.


And it occurred to me that I’d felt this way before.  Many times, actually.  It’s the way I feel when I allow myself to think too much beyond each day’s writing session.


I’ve  blogged on the danger of getting ahead of ourselves (hubris) when our writing is going really well.  But this is really a more pervasive problem for writers, I think—the danger of not resting on our laurels for just one day without worrying about all the pages and all the revisions to come.  That sense of total overwhelm that we get if we do think about it.


I’ve found, with my writing, that things go so much better for me and I stay much more motivated if I take my goals one day at a time.   It’s been a busy week here—my kids have been off for spring break (back at school today).  It’s been Easter and we’ve spent time with family and I cooked an Easter dinner.  I took my son over break to visit more colleges.  And I’ve met my goals…but I haven’t exceeded them as I’d liked to have done.


Every day, though, I start fresh.  I’m not trying to catch up…just like I don’t need to think I wipe out all the weeds in one fell swoop in my yard.  I just focus on that day’s goals.


And, when I’m done, I try hard not to think ahead to all the future days’ goals stretching ahead of me…all the planting and weeding still to be done.  I allow myself to feel as if I’ve done a good job for that day.  Who cares if I end up having to edit out that day’s work, later?  I’ve done the same for my garden when plants haven’t worked out the way I hoped.  My yard was the better for it, too.  No, for that day, all writing is good because I’ve done it—I’ve filled up my pages and set aside time for it.  I’ll worry about the revising later.


How do you stay focused on your writing task at hand and not get overwhelmed by the work to come?


Image: MorgueFile: Gracey


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Published on April 20, 2014 21:03

April 19, 2014

Twitterific Writing Links

by Elizabeth S. Craig, @elizabethscraigBlog


Twitterific links are fed into the Writer’s Knowledge Base search alengine(developed by writer and software engineer Mike Fleming) which has over 23,000 free articles on writing related topics. It’s the search engine for writers.


And a happy Easter to all who celebrate.


It’s Only A First Draft:  http://ow.ly/vHDHn @slynberg


For Soon To Be Published Authors: http://ow.ly/vHsIs @RLLaFevers @writerunboxed


Do Big Publishers Make Sense Anymore?  http://ow.ly/vHEdm @wherewriterswin    


Tips for avoiding Stupid Character Syndrome: http://ow.ly/vHECR @janice_hardy


5 Free Amazon Services That Will Help You Sell More Books:  http://ow.ly/vHEvR @pjrvs


5 Reasons Reporters Make Good Writers… Most of the Time ­ http://ow.ly/vISuc @write_practice


11 Stories You Can Start Telling By Dinnertime:  http://ow.ly/vISFh @SeanPlatt


A writer on reading her bad reviews: http://ow.ly/vISZY @sarahbessey


So You Need A Celebrity Book. Who Ya Gonna Call? Ghostwriters.  http://ow.ly/vISh6 @gabrieman @npr


ISBN: Every Novel Needs One:  http://ow.ly/vISrw @wvancamp


Can Your Small Press Book Get a New Life with a Big Publisher? | DearEditor.com http://ow.ly/vISo6


5 Bizarre Scenes You Wouldn’t Expect in Classic Books:  http://ow.ly/vIT9C @LaurenSarner


Query 101: Research, Research and More Research:  http://ow.ly/vITaH


Best Hashtags for Authors to Use:  http://ow.ly/vMpsy


How to choose & work with a cover illustrator of self-published books:  http://ow.ly/vMlrs @IndieAuthorALLi


6 Ways for Writers to Overcome Perfectionist Tendencies:  http://ow.ly/vMkPG @jeffgoins


Why “Balance” in Fiction Rarely Means a 50/50 Split: http://ow.ly/vMoiF @vgrefer


‘I’m in Love With a Writer’: A Survival Guide:  http://ow.ly/vMsxG @AKellyAnderson


Why You Want An Agent Who Reads:  http://ow.ly/vMsqu @carlywatters


The 10 Commandments of Social Media Etiquette for Writers:  http://ow.ly/vMl9x @annerallen


7 Suggestions for Crafting Sound Scenes: http://ow.ly/vMrjR @AuthorMaureen


15 Ways To Improve KDP – Progress Report:  http://ow.ly/vISQ0 @DavidGaughran


Word of Mouth and Blurbs for Indie Authors:  http://ow.ly/vHE56 @stapilus @BookWorksNYC


Publishers Are Warming to Fan Fiction, But Can It Go Mainstream? http://ow.ly/vHDcl @Wired @RaeBeta


Screenwriting: The Catch-22 Agent Problem:  http://ow.ly/vHDwO @scriptshadow


2 Ways To Revise Your Novel (And When To Use Them): http://ow.ly/vHssD @fictionnotes


When and why is violence necessary in a good piece of fiction? http://ow.ly/vHCTd @seanhtaylor


Writing picture books: Tips from the top:  http://ow.ly/vHCdA @childbkauthor


Will Printed Books Disappear? Stephen King Has His Say: http://ow.ly/vHD7a @jonathangunson


The Complete Guide to Query Letters:  http://ow.ly/vHCZ4 @Janefriedman


Writers, stand up for yourselves: http://ow.ly/vHzvH @kristinerusch


On Email and the New Age of Biography:  http://ow.ly/vHCxU @nnimhaoileoin


Can we make our own luck in publishing? http://ow.ly/vVMlS @Porter_Anderson @writerunboxed


A Brief History of Choose Your Own Adventure:  http://ow.ly/vHzqX @mental_floss


Creating Characters Readers Care About:  http://ow.ly/vDudq @JulieEshbaugh


Should Authors Have to “Market Themselves”?  http://ow.ly/vDu5t @kristenlambtx


Motivating Your Inner Writer:  http://ow.ly/vDu02 @mooderino


Creativity is about facing fears:  http://ow.ly/vDu7Z @tannerc


Quit Your Day Job—Become a Freelance Writer:  http://ow.ly/vDurj @livewritethrive


How Book Advances Work:  http://ow.ly/vDu2V @writersdigest


Post-Apocalyptic Clichés to Avoid:  http://ow.ly/vDuht


Resources for finding an agent:  http://ow.ly/vDtXW


It’s Not Just a Book; It’s a Business: Do You Need to Incorporate? http://ow.ly/vovWu @HelenSedwick


How Writing a Novel is Like Running a Marathon (and 1 example how it really isn’t): http://ow.ly/vovry @matthews_mark


Facebook for Writers:  http://ow.ly/vDlsL @rsquaredd


5 Dual-POV Writing Tips:  http://ow.ly/vos49 @ava_jae


Grammar expose–—using ‘they’ for third-person singular: http://ow.ly/vDm9L @victoriamixon


The difference between blogs and newsletters: http://ow.ly/vDm0T @jim_devitt


29 Networking Tips for Live Events:  http://ow.ly/vouBd @trainingauthors


Fail Up: On Creative Resilience:  http://ow.ly/vovGa @JordanRosenfeld


How to Buy a Top Spot on the New York Times Bestseller List: http://ow.ly/vDlO1 @pubperspectives


39 Synonyms for Run: http://ow.ly/vDl3O @writers_write


The Secret to Surviving Non-Writing Days:  http://ow.ly/vDljH @JessBaverstock


Does Facebook Marketing Work?  http://ow.ly/vosBz @SketchStone


Beat Sheets: For Plotters, Pantsers, and Technophobes: http://ow.ly/vB6M2 @jamigold


Is There Such A Thing As A Book That Belongs To Only One Genre? by Peter Higgins http://ow.ly/vDkZl


WordPress: Simple, but Effective Author Websites:  http://ow.ly/vB6JN @fictionnotes


Critical Plot Elements -The End of the Middle:  http://ow.ly/vB68P @Aimeelsalter


Tips for better plotting:  http://ow.ly/vB6qb @johnhornor


Are You Ignoring This Simple Platform-Building Tool? How to Comment on a Blog: http://ow.ly/vB4gl @annerallen


Plot: Five Key Moments:  http://ow.ly/vB31I @TheScriptLab


Kill or Cure: Medicine and Healing in SF/F:  http://ow.ly/vB395  @SteffHumm


Tips for Outlining Your Story:  http://ow.ly/vB42D @SHalvatzis


10 Ways To Up Your Word Count:  http://ow.ly/vB3XN @Figures


Tips on Recording Your Short Stories:  http://ow.ly/vB4cM @NathanielTower


Literary Agents are Still a Good Idea . . . Sometimes:  http://ow.ly/vB3wh @fictorians


First know how to write, before worrying what to write:  http://ow.ly/vB3HF @VeronicaSicoe


Top 10 Central Themes in Film:  http://ow.ly/vB34l @thescriptlab


The Writer’s 8 Tools of Pitching:  http://ow.ly/vB5xu @carlywatters


Why do we like hateful characters? http://ow.ly/vB5qJ @KenLevine


Live conversation on #EtherIssue: the current status of publisher-author relations (11 a.m. ET / 4 p.m. BST–)–Now.


5 writing tools:  http://ow.ly/vB4kG @dottotech


How to Use Foreign Languages (Real or Imaginary) in Your Novel:  http://ow.ly/vB5sU @JulietteWade


The Pit: Where Creatives Fall Into Despair:  http://ow.ly/vB4y8 @joulee


The Art of Lyrical Lying: http://ow.ly/vB3dE @billycoffey @SouthrnWritrMag


Author’s Earnings: Mid-list Print Sales: http://ow.ly/vB5hb @author_sullivan


5 fanfic writing techniques that will help make you a better storyteller: http://ow.ly/vzkJ2 @BothersomeWords


Ad Copy Writing Techniques:  http://ow.ly/vzm94 @StephenHise


Why Should Writers Work With Literary Journals? | Foreword Literary:  http://ow.ly/vzjv0 @BookaliciousPam


Weak Writing: http://ow.ly/vznxn @beccapuglisi


8 ways to know if you have a good agent:  http://ow.ly/vznry @nathanbransford @passivevoiceblg


Tips for writing historical fiction:  http://ow.ly/vzkkj @guardianbooks


Indie Author Facebook Tips: http://ow.ly/vzjgh @AuthorAngelaS


Are publishers and authors still miles apart? Or narrowing the gap? http://ow.ly/vPgJ0  @Porter_Anderson @ornaross


Does Your Cover Need a Reboot?  http://ow.ly/vzk7D @dvberkom @jenblood


5 Keys to Surviving A Successful Revision:  http://ow.ly/vzm46 @ALeighWilliams


Agent Interview with @brandibowles: What Makes Her Accept or Reject Manuscripts:  http://ow.ly/vzmoX @NataliaSylv


How to Write Fast:  http://ow.ly/vzkqM @seanplatt


Generating Suspense Through Conflict:  http://ow.ly/vzlSE @woodwardkaren


Use Zodiac signs to build stronger romantic characters:  http://ow.ly/vOnWc @DarlaGDenton


3 Areas That Suffer in Quantity-Driven Writing:  http://ow.ly/vzknS @jodyhedlund


Tips for character driven writing (and a link to the Proust questionnaire for char. development): http://ow.ly/vzl9Q @NicoleEvelina


5 Insights from Bestselling Authors:  http://ow.ly/vzjRi @jamigold


Epilogues and When to Use One in a Novel: http://ow.ly/vzlE8 @billybuc


Looking for an editor? Check them out very carefully: http://ow.ly/vzlpH @JodieRennerEd


What It Really Means to Be A Serious Woman Writer: http://ow.ly/vyfdB @nataliasylv


Screenwriting tips: 5 ways to write distinctive dialogue:  http://ow.ly/vyd6S @Sofluid


Agent Interview with Sharon Bowers:  http://ow.ly/vyfmy @LoriRaderDay


Screenwriting Tips: How to Approach Genre as You Begin Your Script:  http://ow.ly/vydwG @nofilmschool


A successful writer shares her top tips on self-publishing:  http://ow.ly/vydh4 @CathRyanHoward


Scriptwriting–Christopher Nolan on Memento:  http://ow.ly/vyeFB @LaFamiliaFilm


Freelance Writing–Using Social Media to Land New Writing Gigs: http://ow.ly/vMw1a @ShawndraRussell


5 things every historical romance novel should/shouldn’t have: http://ow.ly/vydKs @ViolettaRand


Editors: How Much (Or How Little) Should You “Rewrite”? http://ow.ly/vye4P @rsguthrie


How Long Should Your Nonfiction Manuscript Be? http://ow.ly/vydDt @nonfictionassoc


Dropping the F-Bomb in YA Lit:  http://ow.ly/vyefy @HeatherJacksonW  @tweetonsisters


The 10 best books about self publishing – a reading list http://ow.ly/vydS0 @standoutbooks


More Than Enough White Children’s Books? http://ow.ly/vyf7T @EBONYMag


Is character sympathy important?  http://ow.ly/vyemN @JordanMcCollum


The Author’s Promise – two things every writer should do:  http://ow.ly/vyf0p @Writers_Write


See Your Book Idea Through the Lens of a Publishing Professional: http://ow.ly/vydYM @ninaamir @thecreativepenn


Writing: How to get it done:  http://ow.ly/vyevg @rchazzchute


Choosing Writing:  http://ow.ly/vydr8


Literary genre: haven or prison? http://ow.ly/vwXnd @ScottTheWriter


10 Ways Pre-Published Writers Can Start Establishing Their Careers Now: http://ow.ly/vwXyf @SarahAllenBooks for @annerallen


Managing File Sizes for Ebooks:  http://ow.ly/vwUUq @JWManus


On ISBNs:  http://ow.ly/vwV2j @stevelaubeagent


The Elephant in the Room: Are You Ignoring Your Story Revision Instincts?  http://ow.ly/vx2Dy @AlythiaBrown


All the links I shared last week: http://ow.ly/vJYwr . All the links I’ve ever shared (searchable): writerskb.com .


The Great E-book Pricing Question:  http://ow.ly/vwWt2 @DavidGaughran


5 Tips for Running a Writers’ Circle:  http://ow.ly/vwUdk @standoutbooks


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Published on April 19, 2014 21:03

April 13, 2014

Freelance Writing–Using Social Media to Land New Writing Gigs

By Shawndra Russell,  @ ShawndraRussellBecome a Freelance Writer in 30 Days


Social media opens up a world of opportunity for us writers. You can create a private Notice-Me List on Twitter filled with publications you want to write for and editors you want to work with, so you can be sure to interact with them frequently. You can show off your work in numerous ways, like pinning published pieces to a dedicated Pinterest board and uploading samples to your Linkedin page. You can list your skills and experience on your Facebook About page.


These platforms give you a lot of means to reach new decision makers who are looking for solid writers. Being active on social media also makes others willing to hire you or accept a guest post because they will have more confidence that you will actively share the piece, which obviously promotes both you and the outlet.


Last year, I was contacted out of the blue by an editor of a new outlet called Society South, who had first discovered me on Pinterest. She liked what she read and my interests and offered me a steady gig writing travel pieces. One of the best aspects of Pinterest is that you can spend a few hours building it out even if you’re starting from scratch, and then you can just go back and pin new published pieces periodically. It’s not the time suck that Facebook and Twitter can be, but the full picture Pinterest gives of your personality along with a board dedicated to your portfolio can lead to unexpected opportunities. Plus, you can comment, like, and repin pins from outlets you want to write for to get on their radar.


This year, I was recommended to the folks behind the new Georgia CEO partially due to my active social media presence. Your goal should be to show editors that they can trust you’ll not just turn in a great piece of writing (that goes without saying, right?), but that you’re also an asset because you will help get the word out about your piece.


And having a robust Linkedin profile has led to numerous headhunters and businesses reaching out to offer me full-time jobs, editorial positions and other writing-related opportunities. Having people seek me out instead of always being the one hustling for new gigs—although I still do plenty of that!—has really helped boost my bottom line.


Another benefit of taking your social media presence seriously as a writer is that if you decide to one day tackle that book, share your advice, or create an online course, you’ll already have a solid network that can help you spread the word about your new venture or, better yet, become customers.


51 Ways to help your social media manager crush it Book CoverLastly, consider adding social media services to your list of writing services. You don’t need to have an MBA or marketing degree to provide content for businesses. Coming at social media from a writer’s perspective means you’ll provide useful, well-written content, which will lead to more engagement from their target audiences. Plus, tapping into providing social media services as another revenue source can be very lucrative, since so many small and medium businesses are overwhelmed by social media. While they might not be advertising that they are hiring a social media manager/content creator, a quick glance at their Facebook and Twitter profiles can tell you if they are in desperate need of your writing skills.


How can you up your social media game to attract new clients?


Shawndra is a writer and social media educator for businesses, professionals and Shawndra Profile Piccollege students with the intent of stopping outdated me! me! me! marketing. Her latest works are How to Become a Freelance Writer in 30 Days and 51 Ways to Help Your Social Media Manager Crush It! Read about her services and projects at shawndrarussell.com.


 


Note from Elizabeth:  Thanks for the post, Shawndra–I’ve had quite a few emails from writers asking  how to get started with freelancing…an area I  haven’t explored yet, myself.


In addition, wanted to let everyone know that my next post will be Sunday, since I’m taking a little time off this week for writing and spending time with my kids who have the week off.  See you on Sunday.


 


 


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Published on April 13, 2014 21:02

April 12, 2014

Twitterific Writing Tips

by Elizabeth S. Craig, @elizabethscraigBlog


Twitterific links are fed into the Writer’s Knowledge Base search alengine(developed by writer and software engineer Mike Fleming) which has over 23,000 free articles on writing related topics. It’s the search engine for writers.


3 Deadly Traps for a Writer:  http://ow.ly/vqpld @jonathangunson @RogerDColby


Writers: Fire Your Guru:  http://ow.ly/vqkxv @rchazzchute


How to Stop Procrastinating and Just Write: http://ow.ly/vqknz @screencrafting


5 Famous Authors and Their Strange Writing Rituals: http://ow.ly/vqptA @saostroff


10 Can’t Miss, Surefire Secrets Of Torturing Fictional People:  http://ow.ly/vqkik @io9


How to Fill a “Hole” on the Bookstore Shelf:  http://ow.ly/vqoEQ @ninaamir


The Ins and Outs of ISBNs:  http://ow.ly/vqop9 @MarcyKennedy


How To Free Up Brain Space And Be A Better Writer:  http://ow.ly/vqoJy @writersrelief


Dysfunctional fathers in crime fiction: http://ow.ly/vGlPN @mkinberg


5 Reasons Agents Don’t Explain their Rejections:  http://ow.ly/vqppT @rachellegardner


Tips for Avoiding Clichéd Characters: http://ow.ly/vqoWp @beccapuglisi


5 Ways to Grow Your Novel:  http://ow.ly/vqp4d @janice_hardy


The importance of writing retreats: http://ow.ly/vDlI1 @WriteToSell


10 Tips for Manuscript Preparation http://ow.ly/vospb @daveBricker


Psychology and Storycraft: Does Your Character Have a Borderline Personality Disorder? http://ow.ly/vDl6D @SkyeFairwin


Writing a Strong Book Description:  http://ow.ly/vos9b @sabsky


How to convert your book file into ePub format:  | Gordon Burgett’s Blog http://ow.ly/vDlRb


Humor and Critique: Don’t Go Bonkers Writing Funny Stuff: http://ow.ly/votAO @ConnieBDowell


The importance of likeable protagonists: http://ow.ly/votGO @CSLakin


The Author Monthly Planner: A Freebie to Organize Your Writing and Marketing Life:  http://ow.ly/votSZ @duolit


5 Ways To Sell More Books On Amazon.com:  http://ow.ly/vDlbC @writeonepub


Facebook for Writers: Gripes, Tips: http://ow.ly/voutH @rsquaredd


Scriptwriting: Straying From the Party Line: How I Met Your Mother http://ow.ly/vDleq @cockeyedcaravan


Stet: An Editor’Â’s Rant:  http://ow.ly/vos05 @pubsmartcon


6 Ways To Get More Book Reviews:  http://ow.ly/vouGr @bkmkting


10 Tips for Avoiding Defamation: http://ow.ly/vosSQ @HelenSedwick


Tips for Print Formatting–hyphenation: http://ow.ly/vDqVO @authorterryo


The Differences: Substantive Editing, Copy Editing & Proofreading:  http://ow.ly/vov8R @writeonepub


What Raiders of the Lost Ark Taught 1 Writer About Storytelling:  http://ow.ly/vnMzA @Savage_Woman


6 Ways You Can Know Your Characters Better: http://ow.ly/vnMJV @carlywatters


The Amateur’s Guide to a Professional Book Package: http://ow.ly/vnMFS @DIYMFA


A Kirkus editor works to clarify their policy on paid indie reviews: http://ow.ly/vnNBm @IndiesUnlimited @KSchechner


What If Literary Agents Don’Â’t Want Your Novel? http://ow.ly/vnMvZ @EmilyWenstrom


19 Things Women Writers Are Sick Of Hearing: http://ow.ly/vnMnD @theferocity @IsaacFitzgerald


The Author/Agent Conversations: Why the ‘Iceberg Theory’ Is Key to World-building http://ow.ly/vnLR8 @navahw @leeykelly


6 Tips for Promoting Books with an Excerpt:  http://ow.ly/vnO8p @AdriennedeWolfe


Drafting Your Novel: Expanding from Within: | Jack Smith:  http://ow.ly/vAWxC


8 Reasons Every Book Needs a Business Plan to Achieve Success: http://ow.ly/vnM9h @ninaamir


Publish or self-publish? Advice for the 2014 writer:  http://ow.ly/vnN8d @Roz_Morris


How To Complete Every Writing Project You Start: Become a Completion Addict: http://ow.ly/vnMf3 @JessBaverstock


Are publishers any closer to digital innovation?  Live chat: #EtherIssue with @Porter_Anderson  at 11 a.m. ET, 4 p.m. BST (Now)


Customize your own rules for revision:  http://ow.ly/vnMUr @TheWriterMag


Why Creative Geniuses Often Keep a Messy Desk:  http://ow.ly/vnN2x


Marketing for You, the Indie Writer:  http://ow.ly/vAVWW  @SeeleyJamesAuth


Cover Layout for Beginners:  http://ow.ly/vnMt9 @cedarlili


Increasing Visibility on Amazon:  http://ow.ly/vnNry


Social Media Book Promotion—–How much is too much? http://ow.ly/vnMR8 @kathyide


How to Handle Rejection: http://ow.ly/vhu6x @WritersEdit


Scrivener Cheat Sheet:  http://ow.ly/vkC2X @ckmacleodwriter


The Publishing Business Plan – 7 Essential Elements: http://ow.ly/vkBcp @ninaamir


Write, Yes. Publish? Maybe. | Richard Levesque: http://ow.ly/vkBKa


Why You Should Get Back to Basics in Your Writing’  http://ow.ly/vkI7T @Janice_Hardy


Marketing Your Self-Published Ebook: A Writer Shares Her Biggest Mistakes:  http://ow.ly/vkABs @HalonaBlack


Is Kindle Countdown the new Free? http://ow.ly/vkCvx @mlouisalocke


Hit the Ebook Bestseller Lists with Preorders – A Guide to Preorder Strategy: http://ow.ly/vkIH1 @markcoker


9 Ways to Grow in Writing Skills: http://ow.ly/vkIpV @jodyhedlund


4 Tips to Using Facebook Events to Their Maximum Potential:  http://ow.ly/vkAAW @trainingauthors


Killing the Top Ten Sacred Cows of Indie Publishing: Self Publishing is Easy : http://ow.ly/vkAAt @deanwesleysmith


Publishers need to think outside the box when it comes to digital:  http://ow.ly/vywEd @HughHowey @Porter_Anderson @DigitalDanHouse


Writing a Strong Book Description:  http://ow.ly/vkBsQ @sabsky


How to Market Your Books to a Worldwide Audience:  http://ow.ly/vkABF @CaballoFrances


The 10 Worst Things You Can Say to a Writer During a Book Launch: http://ow.ly/vkHXt @hollyrob1


Is e-publishing changing the length of a book?  http://ow.ly/vkBXo @IBMartyn


Not Selling Books? Did you do the Math? http://ow.ly/vkCnQ @daveBricker


Freewriting tips and benefits: http://ow.ly/vvwJ0 @mishy1727


Prepare your book for its KDP Select free promotion days:  http://ow.ly/vkCc4 @zackheim


The Bullies Win: Authors Abandoning Publishing Over Online Behaviors:  http://ow.ly/vzmWO @Goodereader


The Bullies Win: Authors Abandoning Publishing Over Online Behaviors:  http://ow.ly/vzmWO @Goodereader


The Bullies Win: Authors Abandoning Publishing Over Online Behaviors:  http://ow.ly/vzmWO @Goodereader


Clichés and Stereotypes to Avoid When Writing Transsexual Characters:  http://ow.ly/vhtpF @calpernia


Writing Process–Developing a Story Idea:  http://ow.ly/vvq9A


10 Commandments for Fiction Writers:  http://ow.ly/vhug4 @NathanielTower


The Creative Benefits of Taking a Break:  http://ow.ly/vht96 @CherylRWrites


The 10 best fictional evil children:  http://ow.ly/vdrcB @guardianbooks


Ask Not What Your Readers Can Do For YouÂ…  http://ow.ly/vhukO @jscottsavage @writersdigest


Different types of horror writing:  http://ow.ly/vdqHl @PubHub_blog


The Organized Pantser:  http://ow.ly/vht5r @joyafields


Tips for Print Formatting:  http://ow.ly/vvrLJ @authorterryo


10 Pinterest Tips for Writers:  http://ow.ly/vhtjt @CaballoFrances


5 Ways to Kill The Descriptions in Your Science Fiction Novel:  http://ow.ly/vhtYk


YAtopia: What to Look for in a Critique Partner:  http://ow.ly/vdr1B


Embracing Our Creative Abilities and Inspirations as Gifts: http://ow.ly/vhtUj @DouglasEby


The Dreaded Sagging Story Middle:  http://ow.ly/vhtnl @tinagabrielle


3 Free Apps for Making an Impressive Book Trailer:  http://ow.ly/vht1e @thewritelife


Different types of bestsellers: http://ow.ly/vdqih @cjlyonswriter  @pubsmartcon


MFA vs NYC vs DIY:  http://ow.ly/vhsTn @jaelmchenry @writerunboxed


Throwing a release celebration instead of a book launch party: http://ow.ly/vvqQt @jaxjacoby @jemifraser


Tightening Your Novel With a Preposition Patrol:  http://ow.ly/vdqNj @Janice_Hardy


The Science of Rejection: With Literary Agent Jeff Kleinman: http://ow.ly/vdq7l @pubsmartcon


All the links I shared last week: http://ow.ly/vvq3l . All the links I’ve ever shared (searchable): writerskb.com


Getting Started Again: Writers’ Tips for When You’re Stuck: http://ow.ly/vdqsY @writeabook


Tips for better blog commenting: http://ow.ly/vvwqp @SpunkOnAStick


Telephone records as clues in crime fiction: http://ow.ly/vvpzn @mkinberg


The importance of secondary characters:  http://ow.ly/vdr7i @PBRWriter


Character Type: Visionary:  http://ow.ly/vdozT @gointothestory


The Skill List Project: Rewriting:  http://ow.ly/vdnXc @jamesagard


4 Essential Tips for First-Time Con-Goers http://ow.ly/vdnG3 @VoiceoverJoe


Indie Publisher: The New Publishing Entrepreneur:  http://ow.ly/vdoZH @ninaamir


Why Writers Need Metrics, Too:  http://ow.ly/vdniP @GeorgeAnders


Prestigious Reviews and How to Get Them: http://ow.ly/vqozr @111publishing


What Is Your Definition Of Success? How Do You Measure It? http://ow.ly/vdoiM  @thecreativepenn


Understanding Character Wounds: A List Of Common Themes:  http://ow.ly/vdoxe  @angelaackerman


A Comic Book Writer On How To Power Up Your Creative Business: http://ow.ly/vqpdl @kellysue @EvieN


12 Inspirational Writing Tips From History’s Greatest Authors:  http://ow.ly/vqotf @hubspot


Presenting to School Students: Top Tips: http://ow.ly/vqoO3 @writerunboxed


9 Ways to Grow in Writing Skills:  http://ow.ly/vqkky @jodyhedlund


1 Writer’s Too-Pratical Maybe-Blunt Advice To Writers:  http://ow.ly/vqold @nataliewhipple


Juxtaposing characters: http://ow.ly/vGnIw @JL_Campbell


eBooks Should be More Expensive, and Other Ideas:  http://ow.ly/vsTzu @thDigitalReader


5 Ways To Improve A Perfect Story:  http://ow.ly/vsTxP @Yeomanis


21 Things 1 Writer Wishes She’d Known Before She Started Writing:  http://ow.ly/vsTit @robin_black


Six Mistakes New Authors Make When Dealing with Agents:  http://ow.ly/vsTQ9


The Arts and Crafts of Writing Fiction http://ow.ly/vsTFe @VaughnRoycroft @writerunboxed


5 Steps for Editing a Novel from the Inside Out: http://ow.ly/vsTsw @JFBookman


The Real Cost of Services: http://ow.ly/vsTmy @ilona_andrews


How not to ask Authors for Favors: http://ow.ly/vsTY3 @Jkagawa


Indie Author Challenge: Getting Books Into Stores: http://ow.ly/vsTTo @Brandilyn


Nonfiction: 10 Reasons to Create a Business Plan for Your Book Before You Write a Word http://ow.ly/vsTLa @ninaamir


Why some people make money writing and others never will:  http://ow.ly/vsTux @menwithpens


1 writer’s take on conventions:  http://ow.ly/vsCy9 @trpthroughmymnd


Why We Need Writing Buddies:  http://ow.ly/vsU59 @diymfa


Scrivener Review: Is it the best book writing software? http://ow.ly/vsTN2 @standoutbooks


Are We Entering a Golden Age of the Second Novel? http://ow.ly/vsU3p @The_Millions


Public Domain True or False: http://ow.ly/vGxOc @HelenSedwick


Writers You Want to Punch in the Face(book): http://tinyurl.com/qes2mck @rebeccamakkai @pshares


15 favorite books about libraries and librarians:  http://ow.ly/vwVhi @bookpage


How to Be a Publishing Authority in One Step: http://ow.ly/vwXsb @JanetKGrant


Nonfiction: 3 Things Successful Self-Pubs Do Well:  http://ow.ly/vwUxW @CarlaJDouglas


Getting Your Book Out There: Distribution Options for Indie Authors | Wise Ink’s Blog:  http://ow.ly/vx2rq


5 Plotting Mistakes New Writers Make (and How to Avoid Them):  http://ow.ly/vwVH7 @DonnaCookAuthor


An Editor’s List of Novel Shortcomings:  http://ow.ly/vwUKq @jamesscottbell


Getting Rejections? Tips for What To Fix:  http://ow.ly/vx2il @inkstainsclaire @writing_ie


5 Tips for Running a WritersÂ’ Circle:  http://ow.ly/vwUdk @standoutbooks


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Published on April 12, 2014 21:02

April 10, 2014

Reading

By Elizabeth S. Craig, @elizabethscraigP1010042


Reading and writing have always gone hand in hand with me.  I read early and read books I found around the house or at the library, whether they were intended for me or not.  I remember making up stories to fit the covers of adult books when I was in kindergarten.


I can’t imagine not fitting in reading now, no matter how crazy life gets.  It would be like not fitting in time for lunch or something.  I fit it into spare minutes during the day and a bit longer at night before falling asleep.


People who know I write usually ask me if I read the genre I write.  And I do—but not the subgenre I write.  Not often…these days probably only if I’m blurbing something for someone.  That may be because when I read my own subgenre, I go almost instantly into market research mode, which is not the same as getting lost in a book.  So I tend to read tons of mysteries, but mostly police procedurals or psychological mysteries, or traditional mysteries that are nothing at all like mine.


Although mysteries are probably always going to be my favorites, I read tons of other books, too. Discoverability is interesting for me.  I buy books that other readers and writers recommend and blog about, books that Kindle emails me as the daily deal, books that friends of mine write, books that my favorite authors release.  I try to read a little of everything—from poetry to nonfiction.  No matter the genre, it always serves to heighten my own creativity (even, somehow, the biographies I read).


It’s always a little embarrassing to me that I usually don’t remember titles or author names or—often—even the endings of books after reading them.  For this reason, I keep careful lists of books I’ve enjoyed and always have the list available on my phone.  People ask me all the time what I’m reading and it’s a relief to finally have an answer for them, even if I have to look it up.  But then, I’m someone who keeps cheat sheets of my own books so that I’m not caught off guard while speaking to a book club.  If I can forget books that I’ve labored over for months, I guess I shouldn’t feel bad about forgetting someone else’s.


I used to read a lot of books about writing, but I don’t so much anymore.  Or, if I do, I jot down notes in a separate document that I can reference during editing.  If I read too much about writing, I don’t write as much, or I write more cautiously (which doesn’t really work for me).


I think, of all the reactions I get when I tell new acquaintances that I’m a writer, the worst is when someone says, “I don’t read.” I’ve gotten very good at an impassive expression when I get that answer, although the first time someone said it, I’m sure I must have looked shocked.  But do also I like to get the message out to these folks that writers aren’t tied to books—because, we’re not.  We’re about so much more than that, moving into the future.  I’ll mention that if they listen to music or enjoy movies or television shows, or even enjoy complex video games…that writers are behind those forms of entertainment, too. We create content.


So…what have you been reading?  When do you fit it into your day?  How do you find new books to read?  And—how long is your TBR (to be read) list?


Image: MorgueFile: jjulian812


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Published on April 10, 2014 21:03

April 8, 2014

Drafting Your Novel: Expanding from Within

Guest Post by Jack SmithWrite and Revise for Publication


Robert Garner McBrearty, author of the Sherwood Anderson Foundation Fiction Prize for his collection Episode, recently shared a technique he’s been using to draft a novel.


Write the whole thing through, regardless of length, and then expand from within.


This is a great process idea.  Of course, prior to drafting, you do need a sense for your character and where you want to take this character.  But, assuming you have that, just shoot through the draft.  Don’t worry about all the scenes you might flesh out your novel with, all the secondary characters you might come up with, subplots, etc.  Just write through what appears to be the essential conflicts—the ones that tell your basic story. 


McBrearty has expanded his original version of 50 pages into a present version of close to 200.  He says: “The first writing, even though rough and skeletal, established a sense of voice and who the main characters were.  New scenes occurred to me and the skeletal scenes filled out with sensory detail and character interactions.  I know I have plenty of rewriting left to do, more development still to come, but I’ve got a good base to work from.  I’m confident I’ll finish; the novel won’t be abandoned.”


Keeping in mind McBrearty’s process idea, here’s another approach.  This one starts with a kernel idea: 


1. Write a one- two-sentence description of your proposed novel (the log line).


2. Expand this description to 300 words or so.


3. Write a novel from this, even if means 10 to 20 pages first draft.


4. Expand your novel from this short version.


5. Reread your novel.


6. Continue expanding.


7. You will probably need to rethink your initial description as you go.


Let’s say, though, that you’ve already written a full-length novel, or close to it, and you’re wondering whether you ought to keep everything—some material seems rather extraneous to your character’s overall arc.  It’s hard to cut!  But weed out what seems extraneous material.   Strip your novel down to its key developments—its basic structure.   Look again at the material you weeded out.  Can it fit somewhere?  Perhaps portions of it can.  Perhaps whole scenes you temporarily cut might, in fact, work after all—perhaps in a different place in the novel.  Or you might decide that some material you cut does, in fact, take the novel off course.  If so, eliminate the dross.  Finally, take your new, stripped-down draft and expand from within.  Seeing the bare bones of your work helps in creation but also in revision.


Jack Smith is author of the novel Hog to Hog, which won the George Garrett Fiction Jack-SmithPrize (Texas Review Press. 2008), and is also the author of Write and Revise for Publication: A 6-Month Plan for Crafting an Exceptional Novel and Other Works of Fiction, published earlier this year by Writer’s Digest


Over the years, Smith’s short stories have appeared in North American Review, Night Train, Texas Review, and Southern Review, to name a few. He has also written some 20 articles for Novel & Short Story Writer’s Market, as well as a dozen or so pieces for The Writer. He has published reviews in numerous literary journals, including Ploughshares, Georgia Review, Missouri Review, Prairie Schooner, American Review, Mid-American Review, and the Iowa Review.


Robert Garner McBrearty’s fiction has been widely published, including in The Pushcart mcbrearty_birds_web-193x300 (1)Prize, Missouri Review, Narrative Magazine, Mississippi Review, and New England Review.  He’s the author of three collections of short stories: A Night at the Y;  Episode, which was awarded the Sherwood Anderson Foundation Fiction Award; and most recently, Let the Birds Drink in Peace, published by Conundrum Press in 2011. He’s won fellowships to The MacDowell Colony and the Fine Arts Work Center in Provincetown, MA, and his short stories have frequently been performed at Stories on Stage in Denver and at the Texas Bound show at the Dallas Museum of Art.   


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Published on April 08, 2014 21:02

April 7, 2014

Writing Process–Developing a Story Idea

by Elizabeth S. Craig, @elizabethscraigfile000502489881


When I spoke to students recently,  they asked a lot of questions and some very good ones.  Naturally, though, one of the questions, which won’t surprise any writer who talks about his writing, was ‘where do you get your ideas?’  This question is practically mandatory any time you mention writing to anyone…whether you’re speaking at a conference or telling a stranger at the grocery store what you do.


But as I thought about it, the question has another angle too, one that was asked later on by another student.  How do you develop a story–a nearly three hundred page, finished book–out of a tiny spark of an idea?


Because I write genre/commercial fiction, the following will be heavily skewed toward anyone writing for a particular genre’s readers. 


The genre itself:  What do you enjoy reading? I read mysteries all the time and it’s what I’m most familiar with as a genre.  It makes the writing a lot simpler because I know the genre’s specifications inside out.  It’s also important to know, if you’re writing commercial fiction, what the readers of the genre enjoy.  What’s popular in your specific genre?  Amazon makes this type of research easy by ranking books by popularity by genre.


The spark:  This is whatever idea was the seed for the story.  For me, it’s always the murder victim, since I write mysteries.   I start with the seed of the story, fleshing it out by asking what about this person would make four of five people want to get rid of her. So, for me, it’s genre-specific.   What is happening in your story world to make everything change for the worse?


Characters:  If this is the first book in a series for me, I keep this part fairly basic early on, so I don’t get overwhelmed.  I brainstorm a protagonist, making the character as complex as possible.  What makes this protagonist special or different from other characters?  What skills does she have?  During this process, I’m also considering flaws, and what the main character desperately cares about and fears.  How could this character grow during the course of the novel as she navigates all her obstacles?


I brainstorm characters to create minor conflict for the protagonist, apart from the murderer  (maybe a relative who demands a lot of the protagonist’s time and attention or who the protagonist really cares for).   Or someone who  stands in the protagonist’s way or doesn’t believe in her.


I develop suspects who all stand to gain in some way from the victim’s death (in your story, this might be an antagonist).


Setting: Are you writing  a real setting or a fictional setting?  There are pros and cons to both.  If you’re writing an actual place, you’ll need to be very accurate and careful not to mention too many places that could date your book (businesses close, even successful ones).  If you make your setting up, you need to make it real by mapping it out somehow so that it stays consistent.  I do this by basing my made-up towns on real ones in two of my series. I just change the store names and the name of the town and get the best of both worlds.  And I make notes in a story bible.


Points to consider when evaluating an idea:


How much conflict can this idea engender on its own?  How could I increase that with internal conflict for the main character, antagonists, etc.?


Is this idea big enough to expound on for 75,000 words?


What sets this idea apart? What is different about it?  Is it too derivative…and if it is, how can I make it unique?


My process for the very start of a book, summed up:


I come up with a murder victim and the cause of death (you’d start with whatever your story spark is).  I ask who would want to murder the victim (suspects for me, characters for you).  I brainstorm complex protagonists (think flaws, strengths, what the protagonist desperately cares about and fears). I think of characters (not necessarily suspects or the story’s murderer) who might be able to provide conflict for my protagonist or put her in the position where she has to make uncomfortable choices.  I choose a setting.  I write back cover copy (which may never be used) to sum up the story premise.  Then I start my outline.


Everyone has different ways of developing an idea.  What works for you?


 


 


 


 


 


 


 


Image: MorgueFile: Kenn W. Kiser


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Published on April 07, 2014 04:08

April 5, 2014

Twitterific Writing Links

by Elizabeth S. Craig, @elizabethscraigBlog


Twitterific links are fed into the Writer’s Knowledge Base search alengine(developed by writer and software engineer Mike Fleming) which has over 23,000 free articles on writing related topics. It’s the search engine for writers.


Why You Should Walk Away From Your Writing:  http://ow.ly/vaqb0 @KMWeiland


How boxed sets can help self-published authors sell more books:  http://ow.ly/vaqgS @DianeCapri


Report from the Trenches: The Agent Panel:  http://ow.ly/vaqyx @querytracker


Crafting Interesting Characters:  http://ow.ly/vaqht @woodwardkaren               


Marketing & Advertising for the Indie Author:  http://ow.ly/vaqjA @heatherdgilbert


10 Famous Writers Who Hated Writing:  http://ow.ly/vaqnX @huffpost


How to Write a Book: http://ow.ly/vaqkM @katieaxelson


3 Steps to Honestly Disturbed Characters: http://ow.ly/vaq7Y @WyattGBessing


Continue to Create No Matter What Is Going On: http://ow.ly/vapWS @DianeMacKinnon


12 Inspirational Writing Tips from History’s Greatest Authors:  http://ow.ly/vaqej @hubspot


Selling Audio-Books and E-books to Libraries: http://ow.ly/vaqdH @111publishing


Query 101 Series: Body Copy – Character, Conflict and Cost:  http://ow.ly/vaq3s @atrueblood5 @mesummerbooks


5 Plotting Mistakes Aspiring Authors Make (and How to Avoid Them): http://ow.ly/vaqvQ @DonnaCookAuthor


Developing Contacts to Promote Your Book: http://ow.ly/vqjZe @SpunkOnAStick


Plugging Plot Holes:  http://ow.ly/vaqih @Michelle4Laughs


Examples of carefully calculated murders in crime fiction: http://ow.ly/vqjcV @mkinberg


Book keywords can help readers find new authors:  http://ow.ly/vaq9J @standoutbooks


How to Turn That Shiny New Idea Into a Novel:  http://ow.ly/vapZm @Janice_Hardy


28 Competitions and Fellowships for Screenwriters:  http://ow.ly/vaq11 @A_WritersStudio


More Tips for Digital Formatting:  http://ow.ly/vnOMe @authorterryo


How Not To Be Interviewed On The Radio: Reader POV: http://ow.ly/v6ZLS @DeniseAAgnew


How to Create an Audio Book:  http://ow.ly/v6Z09 @floridaHeather


How to Organize Writing Research & Notes:  http://ow.ly/v6ZFM @JennyHansenCA


How to choose and use an editor for your self-published book:  http://ow.ly/v6YzU @HelenHollick


Plotting a Novel in 3 Acts: The Closing Scene:  http://ow.ly/v6XK1 @JanalynVoigt


Why They Write: 23 Quotes from Famous Authors: http://ow.ly/v6Z5v @A_WritersStudio


Getting the Maximum Exposure from Your Free Book: http://ow.ly/v6YsB @morgankwyatt


Should We Ever Respond to a One-Star Review?  http://ow.ly/v6YTG @stevelaubeagent


11 Things You Learn When Your Book Is Turned Into A TV Show: http://ow.ly/v71BL @kassmorganbooks


The Future of Hybrid Authors + Who Influences Our Purchases?  [Smart Set] |  http://ow.ly/voAvi @Janefriedman


1 Writer’s Self-Publishing Journey:  http://ow.ly/v6Y5T @PCrutcher


The Unpublished Writer: Tools 1 Uses: http://ow.ly/v6YJW @writerlytweets


Yet Another Reason to Be an Indie: http://ow.ly/v6ZAp @ACFlory


Writer’s Block? Get Ideas Flowing With 3 Daily Rituals:  http://ow.ly/v6YD2 @makeuseof


Points to Remember when Formatting a Book:  http://ow.ly/vnOAD @authorterryo


How to Discover Your Book’s Tone:  http://ow.ly/v6XC6 @batwood


Should Novelists Blog About Writing? Here’s Why Not: http://ow.ly/v6XVp @mridukhullar


The Secret To Writing Good Dialogue: http://ow.ly/v6ZrE @Scriptshadow


How to become a writing machine:  http://ow.ly/v2NSn @AdriennedeWolfe


Public Speaking Toolkit For Authors:  http://ow.ly/vmmVz @theprexpert


Speaking to Students about Writing:  http://ow.ly/vmlLv


‘Poetry Is Like Pooping’ And Other Writing Tips From A TED Superstar:  http://ow.ly/v2Fjr @kaysarahsera @fastcompany


10 Bits of Advice for New Writers:  http://ow.ly/v2NJE


Should Science Fiction Writers Ignore Advice To ‘Write What You Know’? http://ow.ly/v2FFD @io9


Don’t Be Ashamed to be a Self-Publisher: http://ow.ly/v2HLZ @batwood


Should authors write books with listeners in mind?  http://ow.ly/v2Lnv @stephenwoodfin


Is ebook revolution really in decline?  http://ow.ly/vmkM4 @Porter_Anderson @Harkaway


Crowdfunding: The Newest Step In The Publishing Process:  http://ow.ly/v2L6N @pubslush


Writers: Please dare to be different:  http://ow.ly/v2HE0 @rchazzchute


The Spiraling Narrative:  http://ow.ly/v2H5B @litreactor


How short-story writing can improve your long fiction http://ow.ly/v2Gxc @karenschrav


7 Things 1 Writer Heard at the VA Festival of the Book:  http://ow.ly/v2Gf2 @charjojones


Life is Too Short to Read a Bad Book: A Conversation with an Editor: http://ow.ly/v2Hpw @SommerReading @EdanL


Your Amazon Author Page ~~ Is it Working for You? http://ow.ly/v2EyT @JackieWeger


Updike Used His Life to His Advantage in Fiction:  http://ow.ly/v2FSU @Adamcbegley @NYMag


Screenwriting: 15 Great Films With Extremely Simple Plots:  http://ow.ly/v2NzS @davidcinema


Manual Transmissions and Self-Publishing: Learning the Details:  http://ow.ly/v2GRT @andilit


3 Fiction Writing Tips: Romance Fiction Made Easy:  http://ow.ly/v2HaO @angee


When the Thrill is Gone: http://ow.ly/v2GEL @barbaraoneal @writerunboxed


8 Ways Oyster Books Can Rule the Ebook Subscription Market: http://ow.ly/v01qe @andrewpantoja


Wattpad, Kindle Direct Publishing and the Future of Fiction Writing: http://ow.ly/uZZsf


10 Questions to Help You Take Control of Your Writing Career:  http://ow.ly/v014d @AmyDenim


Stupid Answers To Common Writing Questions: http://ow.ly/v005d @ChuckWendig {lang}


Top Five Things Kindle Doesn’t Want Authors To Know:  http://ow.ly/v00KH


Book Promoting Sites:  http://ow.ly/v00eV @eBookFoundry


6 Ways to Enjoy the Editing Process (Seriously):  http://ow.ly/v01dl @Write_Tomorrow


What to avoid in query letters:  http://ow.ly/uZZ5B @ramonadef


Getting Unconventional Is Great for Business: http://ow.ly/v00nx @jchutchins @writerunboxed


Choosing Your Own Adventures http://ow.ly/uZZUp @ecmyers


Sometimes You Have to Write for the Love of It:  http://ow.ly/uZZD4 @jamesscottbell


How Do You Write a Novel? 6 Things that Stay the Same Every Time: http://ow.ly/v01gj @hollyrob1


How To Write Like Agatha Christie: http://ow.ly/uZZfD @woodwardkaren


What Changes in Your Scenes? http://ow.ly/v01xA @Janice_Hardy


Chapters: How Long is Too Long?  http://ow.ly/uZZJM @stevelaubeagent


The Holy Grail of Writing-—Finding the Right Word: http://ow.ly/uZZbt @ediemelson


Who Are Literary Agents and Editors Anyway? http://ow.ly/uWnRL @kcraftwriter


What is the Future of Bookstores? 25 Influential Authors Weigh In: http://ow.ly/uZZPz @CarmenConnects


7 Things 1 Writer Has Learned About Editing: http://ow.ly/ @JL_Campbell


18 Scripts Screenwriters Should Read:  http://ow.ly/uWo6G @whatculture


Why 1 writer isn’t interested in the Amtrack residency: http://ow.ly/uWokd @natalieburg_


Revising Your Novel : 10 Steps for Analyzing Plot:  http://ow.ly/uWfAC @LaurHarrington @BTMargins


How to Write Without Adverbs:  http://ow.ly/uWnt7 @TrishaNicholson


What Is Speculative Fiction?  http://ow.ly/uWfDq @AnnieNeugebauer


Report from the Trenches: The Agent Panel:  http://ow.ly/uWfl4 @querytracker


It’s Never Too Late to Set Writing Goals:  http://ow.ly/uWnFw @DeeWhiteAuthor


Is Polish Noir The Next Big Thing? http://ow.ly/uWcB4 @pubperspectives


Why Self-publishing Is So Good For Literary Culture: http://ow.ly/uWfJ7 @ornaross


Is Hybrid Publishing Just a Phase for Writers?  http://ow.ly/ve2tR @ThoughtCatalog @Porter_Anderson


Freelance Writing: Think Like an Editor, Sell Like a Pro:  http://ow.ly/vcNrq @jenpens2


7 Types of Writer That Don’t Play Well With Others:  http://ow.ly/uWcyj @AKellyAnderson


Should You Enter A Writing Contest? http://ow.ly/uWcJn @monicamclark


The Three Dimensions of Character http://ow.ly/uWnw3 @mooderino


The importance of self-discipline for crime fiction detectives:  http://ow.ly/vdczA @mkinberg


6 Ways to Keep Readers Up Past Their Bedtime http://ow.ly/uWnzc @jodyhedlund


4 Things 1 Writer Learned about the Writer-Agent Relationship: http://ow.ly/uWcsu @bethvogt


Tips for Digital Formatting:  http://ow.ly/vd1In @authorterryo


There’s an App for That – 22 Apps and Tools Every Writer Should Know About:  http://ow.ly/uWfSb @novelicious


How to Attend a Writing Conference (And Make it Worth Your Time):  http://ow.ly/uWg7t


Self-editing suggestions: http://ow.ly/uTA6v @stevelaubeagent


How 1 Writer Got Her 1st National Magazine Article Gig: Step-By-Step:  http://ow.ly/uTwS4 by Tracy Hume


An Editor’s Skillset, Part I: Research, Observation, and Brevity: http://ow.ly/uTyQ4 @ChangeItUpEdit


LIAOTP (leave it all on the table):  http://ow.ly/uTAQj @ann_swann


Overuse of adjectives: http://ow.ly/uTzxq @Dydywriter


5 Tips for Writing Quickly and Effectively http://ow.ly/uTB3L @workawesome


What to do after finishing your book:  http://ow.ly/uTzv3 @SLeesmithAuthor


A Synopsis Checklist:  http://ow.ly/uTuhI @ibelieveinstory


Cover copy tips:  http://ow.ly/uTzfx @eNovelAuthors


Which famous writer’s style is most like your own?  http://ow.ly/vaqcY @Writers_Write


How Writing is Like a Blind Date:  http://ow.ly/vaqm6 @ediemelson


Hybrid Model: Agents’ Changing Roles Add Value to #Indie Authors: http://ow.ly/vs9Hw @tobywneal @agentsavant


10 ways to get over the fear of failure:  http://ow.ly/vqpJ8 @ajackwriting


Query claims that an agent might double-check:  http://ow.ly/vbpx4 @Janet_Reid


What is Creative Nonfiction?  http://ow.ly/vbpPk @cnfonline


Writing Sex Scenes: Dos and Don’ts {explicit}:  http://ow.ly/vboPv @lotuswriter


Is Writing Success Like a Lottery System? http://ow.ly/vbp2D @jamesscottbell


8 Things You Should Know About BookBub Subscribers: http://ow.ly/vbp8O @bookbubpartners


How Writers Find Rhythm: Effective Habits of 7 Authors: http://ow.ly/vbp64 @KatRamsland @psychtoday


Building Grassroots Support for Authors: 10 Steps:  http://ow.ly/vbotE @wherewriterswin @authoradventure


The Rise of the Author Collective: http://ow.ly/vbprD @Writers_Artists


Sowing Seeds for a Sequel: http://ow.ly/vboJY @nancyjcohen


4 Benefits of NOT Writing Alone:  http://ow.ly/vbp13 @amshofner


Benefits of Beta Readers–and How to Find Them:  http://ow.ly/vboLM @111publishing


To DRM or not to DRM? Insights from the PWC report:  http://ow.ly/vboVK @Nicholas_Rossis


Ten of the world’s most beautiful bookshops:  http://ow.ly/vbotY  @BBC_Culture


On Writing Badly and Redefining Failure: http://ow.ly/vbpdj @beccapuglisi


9 Steps To Get Your Spec TV Pilot Written, Edited & Sent Out: http://ow.ly/vbpsZ @bang2write


Genre lines: Why literary writers won’t self-publish:  http://ow.ly/vbpBM @robotech_master


11 Steps to Check Off Before Self-Publishing:  http://ow.ly/vdoDr @miralsattar


A Writer’s Confession: http://ow.ly/vdo6D @ssvik @womenwriters


Reviewing 101:  http://ow.ly/vdpa9 @BooksAndPals


10 Tips On Being A Productive Writer http://ow.ly/vdnQb @bang2write


How many words do you write a day? Do you have to force yourself? How successful authors do it:  http://ow.ly/vdnj6 @Roz_Morris


The improvised word leaves space for you:  http://ow.ly/vdooQ @damiengwalter


A Writer’s Pink Slip to the Neverending Struggle:  http://ow.ly/vdocF @danasitar


Body language tips for writers: http://ow.ly/vdnUi @Writers_Write


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Published on April 05, 2014 21:02

April 3, 2014

Making Character Deaths Meaningful

by Elizabeth S. Craig, @elizabethscraig


P1020449I recently read an interesting novel—I won’t say which one, since I’d be spoiling the ending.  The most important character in the book was killed in an ending I didn’t see coming.  The death was a bit of a plot twist in itself because of what it said about a separate character in the story.


After finishing, I was curious to see what other readers had thought about the book.  I braved Goodreads—a site I hate as a writer, but sometimes enjoy as a reader—and found several discussions about the novel.  And…to my surprise, most readers slammed the ending.


The readers said they thought the death served as a “cop-out ending”.  One reader commented that the ending “felt like a cheap shot.”  I hadn’t felt that way at all.  In fact, it seemed like a very thoughtful ending to me…and a surprising one.


Around the time that I read the book, I got an email from my editor at Penguin about the outline I’d submitted to her for the next mystery in the series. She liked the outline in general, but had several reservations about the second victim in the story.  She wanted to make sure that the second victim’s death wasn’t gratuitous.  From a mystery standpoint, she also wanted to ensure that the sleuth wasn’t relying on the second murder to solve the case…that the second murder helped, instead, put the other pieces of the puzzle together.


Back in January, I wrote a post about why we might choose not to kill a character.  I mentioned that some characters have a certain star quality about them—something that resonates with readers.  And readers can get very protective of their favorite characters.  Now I was trying to justify killing a character to my editor.


My fix was to go back to the outline and change things up a little.  I added more clues and red herrings to the first murder and then changed the victim’s personality a bit.  In this version, she was a more complex and possibly irritating person…someone I didn’t think readers would really miss much.  And I changed the clue that the second murder provided the sleuth.  This time, the clue just helped the sleuth make sense of the other clues instead of allowing her solve the case immediately. And my editor signed on.


Here are my thoughts about when readers might accept character death easier:


When the death is vital to the plot and isn’t acting as a placeholder because we weren’t sure what other direction for the book to take.


When the death acts as a catalyst in some way for other characters’/our protagonist’s behavior.  The death resonates and provides real impact.


If this was a viable direction for the story to take.  If it doesn’t seem like a lazy approach.


Other questions I considered:


Does the placement of the death play a role?  I think it does.  It seemed like many readers of the book I’d read objected to the character’s death because it occurred at the end of the book.


Might genre make a difference in terms of reader acceptance of a character death?  Again—I think so.  In mysteries, we can usually get away with deaths…but what if we murdered a sidekick? Or the detective’s wife or child?  Would readers be as accepting of a death of a main character in a more upbeat romance, for instance?


As a reader, how accepting are you of character deaths?  Are there circumstances where you accept it easier than others?  As a writer, have you killed off main characters in any of your books?


Image: MorgueFile: FellowPacker


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Published on April 03, 2014 21:03

April 1, 2014

Speaking to Students about Writing

By Elizabeth S. Craig, @elizabethscraigCareer in Writing


When I was asked to speak to the 8th graders at the local middle school, my first thought was, “Oh cool…I can encourage young people to write.”  Then I thought, “Uh-oh.  But these are middle schoolers.  And middle schoolers are scary.”


Then there was a sense of relief that my daughter at that school is in 7th grade and wouldn’t be embarrassed by me, no matter what.


I have spoken at everything from elementary schools to retirement homes.  I don’t think anything intimidated me quite as much as speaking to this age group (middle schoolers are roughly ages 11-14…8th graders being at the upper end of the spectrum).  Let’s just say I made sure I prepared so that I looked like I knew what I was talking about. Middle schoolers aren’t known for suffering fools lightly.  It was career day and I was talking about a career in writing.  Once I focused on the writing, I got through whatever anxiety I had with speaking to this age group.


The amazing thing was how receptive the kids were.  I spoke to roughly 120 kids and found most of them very attentive.


I also heard that other people speaking at career day were a policeman, a fireman, a radio personality, and a banker.  I figured at least I could be more interesting than the banker, right?


As soon as I was asked to help out with career day, I asked my 12 year old daughter for tips in addressing the kids.  She raised her eyebrows and said, “You better use a lot of pictures, Mama.”


That’s when I put the power point together.  With pictures.  Actually, it was Prezi (I used the free version) and it worked really well.


Here’s what I learned from Friday’s presentation:


Get visual. As my daughter said, “Use lots of pictures.”  I also used physical props to illustrate points: a printed-out, marked up draft; an ARC; finished books; old notebooks I’d filled with poems and stories from when I was a kid.


Keep it relevant to them.  I talked about successful young writers, what a writer’s day is like, the future for writers and writing, and why I thought it was a great career. I touched on querying (mostly in the context of dealing with rejection), contracts, and promo, but kept that part brief.


Keep it upbeat and uncomplicated.  Obviously, some of the business aspect of writing or details of promo or even craft details aren’t going to be very interesting when you’re just generally outlining what you do.


Bring treats.  Especially on career day.  Because all those other parents had promo junk from their offices.  I brought candy. :)


Leave time for questions.  I was surprised at the number of questions and the scope of the questions.


Bring a handout/business card/bookmark/something with your email address on there.  Some kids were shy about asking questions in front of others.


Remind them there are many different types of jobs that writers can do.  We’re novelists, but there are also screenwriters, scriptwriters, songwriters, journalists, playwrights, copywriters, game writers…lots of opportunities for content creators.


Some of the questions they asked:


What about self-publishing?  Is that a good choice? (Yes, they did know about this topic!  I was amazed.)

How do you get your ideas?  (Of course.)

Do you make money when people buy books?  How much royalty do you get?

Why do you write under two names?

Is it hard to promote two different names? Do you wish you only had one?

Do you have a favorite book that you wrote?


Have you ever done a school visit?    Spoken to this age group?  What are your tips?


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Published on April 01, 2014 21:03