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Goodreads Book Giveaway The Bell Tower Suiteby James Field

Giveaway ends May 29, 2025.

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Profanity in Fiction: What Works (and What the F* Doesn’t) by Genre

Hello, fiction writers! Let's talk about something that tends to split writers (and readers) down the middle: profanity in novels. Some folks think a well-placed curse word adds realism and punch. Others think it's lazy or off-putting. So who's right?

Spoiler: It depends.

Today, we'll break down when profanity works, when it doesn't, and how different genres handle swearing. I'll throw in some examples, a few personal oops moments, and tips to help you decide what fits your story.

🎯 First Things First – Why Use Profanity at All?
Profanity can:Add realism to dialogueShow emotion (anger, fear, frustration)Reveal character voiceCreate tension or humourPush boundaries (when needed) But overdo it, and you risk sounding repetitive, juvenile, or just plain annoying.

Personal Anecdote:
In my first attempt at writing a gritty crime thriller, I thought sprinkling in loads of F-bombs would make my detective seem "authentic." My beta readers said he came off more like a teenager trying too hard. Ouch. Lesson learned: swearing is like hot sauce—use it sparingly unless the dish really calls for it.

🧭 What Works (and What Doesn't) by Genre
Let's break it down by genre, because not all readers—or publishers—react the same way to four-letter words.

🔪 Thriller, Crime, and NoirWhat Works:
Lots of profanity, especially in dialogue, can work well here. These stories are intense and raw and often feature characters who live on the edge of society. Think detectives, criminals, survivors—they're not sipping tea and quoting Shakespeare.
Example:
"You think I give a damn about your badge?" he growled. "This ain't about justice—it's about survival."
Tip:
Make sure the profanity reflects character and mood. Don't add it just to sound "tough."

🚀 Science Fiction and FantasyWhat Works:
It depends on your world. Some authors invent their own curse words ("frell," "gorram," "smeg"), which can be fun and immersive. Others use real-world swearing if the tone is gritty or grounded.
Example (invented curse):
"By the gods, this is a load of shadowrot!"
Example (real-world curse):
"Hell of a time to run out of fuel," she muttered, slamming the console.
Tip:
Keep it consistent with your world's tone. Suppose your fantasy novel has elves and epic quests. In that case, sudden f-bombs might feel jarring unless you've established a darker, more grounded vibe.

👻 HorrorWhat Works:
When characters are terrified or unravelling, swearing can be totally appropriate. It adds realism and can even enhance pacing.
Example:
"What the hell is that thing?!" she screamed, backing into the wall.
Tip:
Use profanity to heighten the sense of panic or shock, not just for shock's sake.

💕 RomanceWhat Works:
In sweet or clean romance: little to none. In a steamy or contemporary romance? You've got more freedom, especially if the characters are modern, bold, or passionate.
Example (clean):
"You make me so unbelievably mad," she whispered, blinking back tears.
Example (spicy):
"I don't want to talk," he growled. "I want you."
Tip:
Match the heat level of your story. In closed-door or Hallmark-style stories, even a mild "damn" might feel out of place.

😂 Comedy and SatireWhat Works:
Swearing can work brilliantly here, as long as it's used with intention. Profanity can boost punchlines, highlight absurdity, or give your characters quirky charm.
Example:
"Well, that's just great," Bob said. "I'm stuck in traffic, covered in taco sauce, and now my GPS thinks I'm in Norway."
Tip:
Timing is everything. A well-placed swear in a funny moment can be gold. But if every other line is crude, the humour gets drowned out.

📚 Young Adult (YA)What Works:
Some profanity is okay—teens do swear—but there are limits. A few well-placed mild curses can feel authentic, but go too far and you risk turning off readers, parents, or gatekeepers.
Example:
"Crap," she hissed. "Mrs Andrews is right there—and I just hit 'send'."
Tip:
Stick to what feels real for the characters. Consider your audience (and the age rating you're aiming for).

🧒 Middle Grade & Children’s FictionWhat Works:
Basically, none. You can imply frustration or anger without actual swearing.
Example:
"Oh man," he groaned. "I'm so toast."
Tip:
Get creative with expression! Use clever substitutions ("fudge," "crud," "blast it") that feel age-appropriate.

🚦Tips for Using Profanity EffectivelyKnow your characters. Does this character really swear, or are you just trying to sound edgy?Read it aloud. If the curse sounds forced, it probably is.Avoid overuse. Repetition dulls the impact. One solid swear beats ten filler ones.Mind your audience. A military sci-fi reader may expect stronger language than a cosy mystery fan.
💬 Wrapping It Up
Profanity in fiction is all about intention and authenticity. If it fits the character, the moment, and the genre, go for it. But if it's just there to spice things up? Maybe rethink it.
Like everything else in writing, it's a tool. Use it wisely, and it'll sharpen your story's edge. Use it carelessly, and it may blunt your readers' enthusiasm.

Your turn! Do you include swearing in your fiction? What genres do you think pull it off best, or worst? Let me know in the comments—I'd love to hear your thoughts!

Meet the Characters of The Bell Tower Suite

🕰️ Meet the Characters of The Bell Tower Suite
Ghosts, gatekeepers, and a haunted judge’s chair—these are the people (and creatures) who make the Cloud Estate anything but quiet.

🧓 Colonel Mortimer – The Unshakable Guest
A retired military man with a cravat and a cane… and maybe a death wish.
He’s come to the Bell Tower Suite to face something terrible—and he’s not afraid.
But should he be?
Quote:
“The only thing that frightens me is an empty whisky glass.”

🧹 Sibyl – The Witch with a Mop
Housekeeper, herb-witch, and quietly terrifying. Sibyl knows every creak in the mansion.
Raised by a witch doctor in Africa, she’s not surprised when walls whisper. But she doesn’t like what’s whispering now.
Fun fact:
She carries a mace. And it’s not decorative.

🐾 Nyssa – Her Familiar
A sleek black cat with glowing eyes and the soul of someone much older.
Nyssa’s more than a pet. She listens. She warns. And she remembers.

🥊 Alf – The Tech-Headed Brawler
Part-time security guard, full-time joker, Alf has a titanium plate in his skull and a love for scaring guests.
But the Bell Tower Suite doesn’t laugh.
Quote:
“Just another nutter wanting to spend the night? We’ll have him legging it before dessert.”

🪵 Bert – The Sensitive Giant
He’s massive. He’s loyal. He talks like his voice never quite dropped.
And sometimes… he sees things no one else sees.
Fun fact:
Bert once saw a ghost dog. And he believes it came back to warn him.

🔔 Judge Mortimer – Long Dead, Still Watching
A hanging judge who once called the Bell Tower Suite home.
Murdered by a man he sentenced. Still sits in his chair. Still listening for the bell.
Warning:
Don’t pull the bell rope. Just… don’t.

👻 And You?
You’re invited to step into the suite and spend a night among the living… and not-so-living.
Just don’t forget to close the door behind you.

The Bell Tower Suite is available now on Kindle — and haunting quite a few readers already.
Read the novella »

How to Shift Point of View in Fiction: Techniques for Smooth and Effective Transitions

Hello, fellow fiction writers! Let's talk about something that can seriously up your storytelling game when done right—and send readers running for the hills when done wrong: shifting point of view.

Changing point of view (POV) within a story can be an excellent tool. It lets you explore different characters' thoughts, reveal new information, and add depth to your narrative. But here's the catch: if you don't handle POV shifts smoothly, you'll confuse your readers faster than you can say "head-
hopping."

So let's walk through how to shift POV effectively, with examples, some fun storytelling wisdom, and a few personal oops moments (because hey, we've all been there).

🎯 First, a Quick Refresher: What Is POV?Point of view is the lens through which your story is told. It could be:First person ("I walked into the room.")Third person limited ("She walked into the room, wondering if anyone would notice.")Third person omniscient ("She walked into the room, while across town, her brother made a terrible decision.")Second person (rare, but fun: "You walk into the room, pretending not to care.")
Now, some stories stick with one POV all the way through—and that's totally fine. But some stories need more than one perspective. The key is switching POV without jarring your reader.

🚨 The #1 Rule of POV Shifting:  Clarity Is Everything
No matter how brilliant your characters are, if your reader can't tell whose head they're in—or why they've suddenly teleported to another one—you've lost them. So always make your POV shifts obvious and purposeful.

🔁 Common Techniques for Effective POV Shifts

✅ 1. Use Chapter or Scene Breaks
This is the most common (and safest!) way to shift POV. If you're switching from one character to another, do it at a clean break—like the end of a chapter or a clearly marked scene change (*** or #).
Example:
Chapter 3 ends in Sasha's POV, feeling betrayed and alone.
Chapter 4 opens in Mark's POV, completely unaware of what Sasha knows.
Now your reader gets both sides of the drama—without confusion.
Pro Tip:
Start the new POV scene with a clear anchor: a thought, a name, or a description tied directly to the new POV character.

✅ 2. Keep It Consistent Within Scenes
Don't switch perspectives mid-scene if you're writing in third person limited. Readers need to settle into one character's experience without feeling like they're on a roller coaster of consciousness.
Bad Example (head-hopping):
Sarah looked at James, wondering if he'd say something.
James stared back, furious that she didn't understand.
🛑 We've jumped into James's head without warning. It's jarring.
Better Example:
Sarah looked at James, wondering what was going on behind his blank expression.
👍 We stay in Sarah's head but hint at James's emotion through body language.

✅ 3. Master the Omniscient POV (If You Dare)
Third-person omniscient storytelling lets you show multiple characters' thoughts in one scene, but it's a high-wire act. You still need to guide your reader gently from one mind to another—not bounce around like a game of emotional ping-pong.
Tip:
Use a strong narrator voice or transitions like:
"Meanwhile, across town…"
"What Sarah didn't know was…"
This keeps it feeling intentional, not chaotic.

✅ 4. Use Character Voice to Signal the Switch
Each character should sound distinct when you move between different POVs, especially in first person. Their internal monologue, word choices, and thought patterns should scream, "This is me!" without needing to label it every time.
Example:
I don't do drama. I don't do lies. But here I am again—knees shaking, phone buzzing, truth unravelling in my hands. —Lena
My sister thinks I don't notice. That I'm blind to the mess she's made. But I do. And I'm done cleaning it up. —Cal
Even without names, you'd feel the tone shift, right?

✅ 5. Make Sure the Shift Has a Purpose
Don't switch POV just because you can. Only do it if the new perspective adds something essential—a twist, a reveal, or a deeper emotional moment that your main character couldn't give us.
Ask yourself:Will this shift raise the stakes?Does it give insight no other character can offer?Will the story fall flat without it? If the answer is "meh," stick with your main POV.

😬 A Personal POV Slip (So You Don't Make the Same One)
In my early writing days, I had a scene where two characters were arguing, and I wanted readers to feel the emotional intensity from both sides. So, I gave them both inner monologues in the same paragraph. Yeah... my writing group was not impressed.
Lesson learned: even when emotions run high, keep your POV shifts clean and structured—or risk confusing your readers instead of connecting with them.

🧠 Wrapping It Up: POV Shifting Without the Whiplash
When done well, point of view shifts can elevate your storytelling, build tension, and show multiple layers of your narrative. But if they're done sloppily, they'll confuse your readers and pull them out of the story.

Remember:
✔ Shift at clear chapter or scene breaks
✔ Stay consistent within scenes
✔ Signal changes with character voice or narrative clues
✔ Avoid head-hopping like the plague
✔ Only shift POV when it truly adds value
Nail that, and your readers will thank you, with five-star reviews and binge-reading habits.

Have you ever read a book that handled POV shifts like a boss, or one that made your head spin? Or have you wrestled with managing multiple POVs in your writing? Drop your thoughts in the comments—I'd love to hear your take!

Why I Rewrote The Bell Tower Suite

When The Bell Tower Suite first appeared as a short story in What on Earth, I had no idea how many readers would reach out asking for more. The story struck a chord, but many felt it ended too soon. That’s why I went back, listened to those reviews, and gave the tale the expansion—and darkness—it deserved. The Bell Tower Suite – newly expanded and darker than ever This isn’t just a polish. I’ve added new scenes, deepened the characters, and finally revealed secrets that were only hinted at before. The haunting has grown stronger, the stakes higher, and the Bell Tower itself... stranger than ever.

Mortimer, Alf, Bert, and Sibyl now face horrors far beyond rats and creaking floors. They confront their pasts, the spirits of the mansion, and the ancient evil that has waited far too long.
If you've already read the original short story, I invite you back.

If you're new to the tale—well, brace yourself.
​
This version is for the readers who asked for more. Thank you for giving me a reason to return to the Bell Tower.
​
🔗 Buy the new edition here
🔗 Read more about the Cloud Estate in What on Earth

Point of View in Writing: Clear Definitions, Examples, and How to Choose the Right POV

Hello, fellow storytellers!
​
Let's chat about one of the most powerful (and sometimes confusing) tools in a fiction writer's arsenal: point of view, or POV for short.

Choosing the right point of view can seriously make or break your story. It's like picking the right camera lens—you'll either zoom right into your character's head or hover above like a storytelling drone. And yes, getting it right can feel a little overwhelming at first, but once you get the hang of it, you'll wonder how you ever wrote without thinking about it.

Today, I'll explain it in plain English, sprinkle in a little humour, and provide examples to make everything click. Let's dive in!

🚀 What Is Point of View (POV) in Writing?
In simple terms, point of view is the perspective from which your story is told. It's the lens through which readers experience your characters, setting, and plot.
Think of it like this:Who's telling the story?What do they know?How close are they to the action? Your choice of POV influences everything from how much your readers know to how emotionally connected they feel to your characters.

🎯 The Main Types of Point of View (With Examples)
1. First Person POV ("I" Voice)
Definition:
The story is narrated by one character at a time. You're inside their head, hearing their thoughts, feeling their emotions, and seeing their world.
Example:
I shuffled into the room, my heart hammering against my ribs. Today was the day everything would change.
Pros:
✅ Super personal and emotional
✅ Readers experience events firsthand
✅ Great for character-driven stories
Cons:
❌ You're stuck with only what the narrator knows
❌ Limited ability to show other perspectives
Personal Tip:
Writing in first person is like giving readers VIP backstage passes into your character's brain—just make sure it's a brain they'll want to spend 300 pages with!

2. Third Person Limited POV ("He/She" Voice)
Definition:
The story is told from the perspective of one character at a time, but using "he," "she," or "they" instead of "I."
Example:
Marcus shuffled into the room, his heart hammering against his ribs. Today was the day everything would change.
Pros:
✅ Emotional connection with the character
✅ A little more flexibility than first-person
✅ Easy to weave in internal thoughts and feelings
Cons:
❌ Still limited to one character's experiences unless you switch viewpoints (carefully!)

3. Third Person Omniscient POV (The "All-Knowing" Narrator)
Definition:
The narrator knows everything about everyone, including thoughts, feelings, backstory, and even what's happening in different places at once.
Example:
Marcus shuffled into the room, unaware that Claire, across town, was already putting the second phase of her plan into action.
Pros:
✅ Broader storytelling canvas
✅ Great for epic tales with many moving parts
Cons:
❌ Risk of confusing readers if you hop heads too often
❌ Can feel distant if not handled carefully
Fun Note:
Omniscient used to be the standard (hello, Charles Dickens!). Today, readers often prefer a deeper emotional dive with limited POV.

4. Second Person POV ("You" Voice)
Definition:
The story is told as if the reader is the protagonist.
Example:
You shuffle into the room, heart hammering. Today is the day everything changes.
Pros:
✅ Super immersive (feels like a video game or choose-your-own-adventure!)
✅ Can be really powerful for short fiction or experimental styles
Cons:
❌ Hard to maintain for an entire novel
❌ Some readers find it jarring or gimmicky

🧠 How to Choose the Right POV for Your Story
Ask yourself:How close do I want readers to feel to my main character?Do I need to show multiple perspectives?Do I want readers to know things my character doesn't?
Quick Guide:
✔ First Person = Deep character immersion
✔ Third Person Limited = Character-focused but slightly broader
✔ Third Person Omniscient = Big, sprawling storytelling
✔ Second Person = Intimate and experimental storytelling

Personal Anecdote:
When I wrote my first novel, I started in third person omniscient because I thought it sounded "literary." Spoiler alert: it was a hot mess. Once I switched to third-person limited, focusing on my heroine's point of view, the story immediately tightened up, and readers connected way better with her struggles.

⚡ Common POV Mistakes (and How to Avoid Them)Head-hopping: Jumping between characters' thoughts too quickly can confuse readers. Stick to one character's perspective per scene or chapter.Inconsistent POV: If you start with one POV, don't randomly switch halfway through unless there's a very good reason (and a clear transition).Telling too much: Especially in omniscient, don't drown readers in information they don't need yet.
🎉 Wrapping It Up
Choosing the right point of view is like picking the perfect pair of shoes for a long journey—you want it to fit your story's tone, character depth, and emotional impact. Whether you're whispering secrets in first person or weaving grand sagas through omniscient narration, make sure your POV serves your story, not vice versa.

Key Takeaways:
✅ Pick a POV that fits your story's needs
✅ Stick to your chosen perspective consistently
✅ Let your narrator's "voice" shine through

Now, over to you!
What's your favourite POV to write in? Ever struggled with choosing the right one for a story? Drop a comment below—I'd love to hear your thoughts and tips!

How Plot Holes Can Ruin Your Story and How to Avoid Them

Hey, fiction writers! Let's talk about something that makes readers groan, critics pounce, and editors sigh heavily into their coffee: plot holes. Yep, those sneaky little logic gaps that can turn a brilliant story into a hot mess faster than you can say continuity error.

Even the best writers slip up sometimes, but when plot holes go unchecked, they can absolutely wreck a good narrative. Don't worry—we'll unpack plot holes, explain why they matter, and show you how to spot (and fix!) them before your readers do.

💣 What's a Plot Hole, Anyway?
A plot hole is basically a gap or inconsistency in the storyline that breaks the internal logic of your world. It's the part where readers go, "Wait... what?" or "That doesn't make any sense."
There are different flavours of plot holes, but they all do one thing: pull readers out of the story. And once that magic's broken, it's hard to regain it.

🧨 How Plot Holes Can Wreck Your Story
1. They Break the Reader's Trust
Readers are happy to believe in magic, talking animals, or space pirates—as long as your story plays by its own rules. But the second a character defies logic or the world contradicts itself? Game over.
Example:
Your story says your vampire characters can't go out in daylight. Cool. But then, in chapter 12, your protagonist vamps out for a midday picnic... without explanation. Boom. Plot hole. Your readers are now thinking about sunscreen logistics instead of your actual plot.

2. They Undermine Character Credibility
If a character suddenly knows things they shouldn't, forgets important details, or makes decisions that go against everything you've told us about them—plot hole alert.
Example:
If your genius hacker forgets how to use a basic laptop because it's "convenient for the scene," readers will smell lazy writing a mile away.

3. They Break Tension and Ruin Payoffs
Imagine building up an epic mystery, only to solve it with a clue that wasn't mentioned until five pages from the end. That's not a twist—that's cheating.

Personal Anecdote:
I once beta-read a story in which a character who'd been dead for 300 years just... came back. There was no explanation, no buildup, just "surprise, I faked it!" It killed the emotional weight of the previous chapters. I stopped caring. Don't be that plot.

🚫 Common Plot Hole OffendersInconsistent timelines (e.g., travel time magically shortens when it's convenient)Characters forgetting past events (especially traumatic or plot-critical ones)Unexplained abilities or informationTechnology or magic that suddenly stops working for no reasonBig problems are solved too easily or with no logical lead-up
🛠️ How to Avoid Plot Holes in Your Fiction
✅ 1. Keep a Story Bible
A "story bible" is just a fancy term for keeping track of your world's rules, timelines, character histories, etc. It doesn't need to be pretty—just accurate. It'll save you from the classic "Wait, didn't she have green eyes last chapter?" moment.

✅ 2. Ask Yourself: Would This Really Happen?
Put yourself in your character's shoes. Dig deeper if their actions don't match their personality, skills, or emotional state.
Example:
Would your anxious, conflict-avoidant librarian really punch someone in the middle of a heated scene? Maybe. But you'd better build up to it properly if so!

✅ 3. Foreshadow Your Twists
Twists are great—surprises are fun—but if you want them to land, you must lay the groundwork. Readers should be able to look back and say, "Ahh, I see it now." Not, "Where the heck did that come from?"

✅ 4. Get Beta Readers (Bless Them)
Fresh eyes catch the stuff you've become blind to after draft 47. Ask your betas specifically: "Did anything not make sense?" or "Were there any moments where you were confused or pulled out of the story?"
Trust me, they'll tell you. And you'll be glad they did—before a reviewer does.

✅ 5. Revise Ruthlessly
Sometimes, you'll find a scene that only works because of a plot hole you hoped no one would notice. Don't let it slide. Fix it, rewrite it, or cut it. Your story will be stronger for it.

Pro Tip:
If you say, "Well, maybe the reader won't notice…"—they will.

✨ Wrapping It Up
Plot holes might seem small, but they can create big problems. Readers want to believe in your story, but they also want it to make sense. You can spot those sneaky inconsistencies with care and attention before they sabotage your narrative.

Quick Recap:
✅ Stay consistent with your world's rules
✅ Make sure characters act in believable ways
✅ Don't skip the setup for big reveals
✅ Keep track of your plot's logic
✅ Get second (and third!) opinions
Great storytelling isn't about being perfect—it's about being believable. Even in a world full of dragons, spaceships, or cursed mirrors, your readers want to feel like it all fits together. No holes required.

​Do you have a favourite plot hole that made you laugh, cry, or throw a book across the room? Or one you caught and fixed in your own writing? Drop it in the comments—I'd love to hear your story!

How to Time Plot Reveals in Fiction: Avoid Premature Story Twists

Hello, fiction writers! Let's talk about something easy to do but hard to undo—revealing plot elements too early. You know what I mean: that moment when you accidentally spill the beans about a big twist, secret, or turning point before the reader's ready. It's like revealing the killer on page ten of a murder mystery—oops, story ruined!
So, how do you avoid jumping the gun? How do you know when it's the right time to drop that juicy plot detail? Grab a coffee, and let's break it down—casual style, with examples, laughs, and tips to help keep your readers on the edge of their seats (and not snoozing through spoiled surprises).

Why Premature Plot Reveals Are a Problem
1. It Kills Tension
Tension is what keeps readers flipping pages. When you give away a big reveal too early, the tension evaporates like steam from a forgotten kettle. Readers lose that delicious sense of curiosity and start wondering, "Well... now what?"
Example:
If you reveal that the love interest is a vampire in chapter one, then what's left for chapter ten? The whole slow-burn, suspicious-glance, shadow-in-the-corner thing is gone. Poof.

2. It Robs Your Story of Momentum
​Great stories are like roller coasters—they build up, peak at the right moment, and give readers a wild, satisfying ride. If you reveal major plot elements too soon, it's like starting the roller coaster with the big drop. There's nowhere to go but flat.

3. It Makes Readers Feel Cheated
Readers want to work for the good stuff. They like the puzzle pieces, the clues, the gut feelings. When a major reveal is handed over too easily, it feels unearned.

Personal Anecdote:
I once wrote a short story in which I revealed the twist on page two. A friend read it and said, "Cool concept, but you basically gave away the punchline before the setup." Ouch—but fair. I rewrote it so the reveal hit at the climax, and it worked way better.

How to Time Plot Revelations Like a Pro
✅ 1. Build Suspense Before You Spill
The longer you can keep readers wondering (without dragging it out too long), the more satisfying the payoff will be. Drop hints, use foreshadowing, and let them suspect, but don't confirm until the time is right.
Example:
Instead of announcing, "The queen was the traitor," let us see her doing shady things: late-night meetings, cryptic messages, nervous glances. When the reveal comes, readers go, "I knew it!" (Which is way more satisfying.)

✅ 2. Use Breadcrumbs, Not BouldersWhen you foreshadow, be subtle. Let your readers pick up on tiny clues rather than hitting them over the head with the information.
Bad Example:
Chapter One: "She had no idea that in just three days, her world would change forever." (Okay, thanks for the heads-up?)
Better Example:
Chapter One: "The letter sat unopened, its seal unfamiliar and wax still warm." (Ooh, what's that about?)

✅ 3. Match the Reveal to the Emotional ArcThink about your character's emotional state. Big reveals should occur when your characters—and your readers—are ready to handle them.
Example:
Don't reveal the character's tragic past in a romance right after the meet-cute. Wait until the relationship deepens and the stakes are higher. That's when it'll have maximum impact.

✅ 4. Ask: What Would Keep Readers Reading?If you're tempted to reveal something early, pause and ask: "What am I giving away here—and what am I getting in return?" If the answer is "not much," it might be better to hold off.

Pro Tip:
Treat plot elements like poker hands. Don't show your aces right away; play your cards when it really counts.

Plot Reveal Timing Cheat Sheet
(Plot Element   -*-  Reveal Timing Tip)
Secret Identity   -*-  Midpoint or Climax – not Chapter One!
Betrayal   -*-  After trust is fully established
Big Twist   -*-  Near the climax – when it flips the narrative
Hidden Motivation   -*-  Gradually, through actions & decisions
Backstory Trauma   -*-  Sprinkle in pieces—don't info-dump

Wrapping It Up
Timing your plot reveals is part art, part craft, and part instinct. The key? Don't blow your best moments too early. Let your story unfold like a well-planned surprise party. Give readers a reason to stay curious, keep guessing, and lean in close for that "aha!" moment.

Remember: it's not just what you reveal—it makes all the difference when you reveal it.

So go ahead, be a little mysterious. Your readers will thank you for the ride.

Do you have a story about a premature reveal (your own or someone else's)? Or a plot twist that blew your mind at the right moment? Drop it in the comments—I'd love to hear all about it!

Ways to Expel Clichés – Keep Your Fiction Fresh and Original

Hello, fiction writers! If you've ever reread a scene and thought, "Ugh, this feels like I've read it a hundred times," you're probably dealing with a good old-fashioned cliché. And guess what? You're not alone. Clichés creep into our writing like uninvited guests—we don't always notice them at first, but once we do, they're everywhere.

So, let's discuss how to spot clichés, why they're a problem, and—most importantly—how to eliminate them and make room for fresh, original storytelling.

What Exactly Is a Cliché (and Why Should You Avoid It)?
A cliché is a phrase, plot point, character, or situation that has been used so often that it has lost its impact. It's the literary equivalent of microwave pizza—once delicious, now just meh.
Examples of typical fiction clichés:The "chosen one" who doesn't know they're unique (but everyone else does)The villain who monologues their entire evil planDescribing eyes as "windows to the soul."Love triangles that solve themselves when one love interest conveniently dies Now, don't panic. Some familiar ideas are wonderful if you give them a fresh spin. But if your story runs on autopilot, your readers might bail before chapter three.

How to Spot Clichés in Your Writing
1. Reread With Fresh Eyes
Step away from your draft for a bit. When you return, you'll be more likely to notice phrases or scenes that feel tired or predictable.
2. Ask Beta Readers for FeedbackA good critique partner will gently (or not-so-gently) tell you if your mysterious hooded figure or "fiery redhead with a temper" has been done to death.
3. Trust Your GutIf you cringe while reading a sentence—or think, "This feels lazy"—trust that instinct. That's your writer's brain waving a red flag.

Ways to Expel Clichés From Your Fiction
✅ 1. Twist the TropeInstead of avoiding a cliché altogether, try flipping it on its head. Readers love it when you take something familiar and surprise them.
Example:
Instead of "the chosen one," make your protagonist the one who isn't chosen—but they decide to fight anyway.
Or give your villain a tragic backstory that makes readers sympathize with them, even if they're doing terrible things.
Bonus Tip: Take a familiar trope and ask, "What if the opposite happened?"

✅ 2. Be Specific, Not GenericClichés often rely on vague, overused language. Replace them with concrete, sensory details that bring your story to life.
Cliché: "She was heartbroken."
Fresh Version: "She stared at his toothbrush still sitting in the cup by the sink as if he might walk in and need it any second."
Specific = powerful. It tells the reader exactly what your character is experiencing without relying on overused phrases.

✅ 3. Dig Deeper Into Character MotivationFlat, cliché characters often act out of convenience for the plot. Instead, explore why your characters do what they do. People are complex, messy, and full of contradictions—let your characters be the same.
Example:
Instead of the tough-as-nails female character who never shows emotion (hello, 2000s action flicks), let her have fears, regrets, or a soft side she's terrified to show.
The more human your characters are, the less likely they'll feel like recycled stereotypes.

✅ 4. Replace Idioms With Original Imagery"I was over the moon."
"He was cold as ice."
"She had butterflies in her stomach."
We've heard these so many times that they've lost their flavour. Try describing emotions or reactions in your own voice.
Example:
Instead of "butterflies in her stomach," try:
"Her insides felt like someone had shaken a can of soda and left it fizzing beneath her ribs."
Now, that's a feeling we can feel.

✅ 5. Read Widely—Outside Your GenreOne of the best ways to recognize and avoid clichés is to read everything, especially books outside your comfort zone.
Romance writers can learn pacing from thrillers. Fantasy writers can learn voice from literary fiction.
The more variety you feed your brain, the more original your ideas will become.

✅ 6. Make It Weird (In a Good Way)Sometimes, the best way to bust clichés is to let your weird, quirky voice shine through. Don't be afraid to write the unexpected—even if it feels risky. Those risks often lead to the best, most original writing.
Example:
Don't write: "He was handsome, with piercing blue eyes and a chiselled jaw."
Try: "He looked like a guy who took gym selfies and had opinions about protein powder—but also probably cried at Pixar movies."
See? Way more interesting.

A Personal "Oops, That Was a Cliché" Moment
I once wrote a scene where the protagonist looked into a "cracked mirror" and saw "how broken she really was."
Yikes.
I thought I was being deep, but my writing buddy pointed out how overused that metaphor was. So I rewrote it to show her feeling disconnected through her actions—avoiding eye contact, skipping meals, ignoring messages.
Much more real. Much less melodrama.

Wrapping It Up
Clichés happen to the best of us—they're sneaky, familiar, and easy to fall into. But with a little awareness, a lot of rewriting, and a healthy dose of creativity, you can expel clichés and replace them with storytelling that feels bold, fresh, and totally you.
So next time you catch yourself writing "her heart skipped a beat" or "he ran like the wind," pause and ask: Is there a better way to say this?
(Hint: There probably is.)
​
Do you have a favourite cliché you love to hate or one you flipped into something extraordinary? Share it in the comments. Let's swap ideas and banish the tired tropes together!

Plot Believability – Why It's Crucial for a Strong Narrative

Hello, fellow storytellers! Have you ever been completely immersed in a book, only to be yanked out by something that doesn't make sense? Maybe a character miraculously survives a plane crash without a scratch, or the villain conveniently forgets their evil plan for no reason. When a plot feels unbelievable, it can break the reader's connection with your story—and that's the last thing we want!

So, how do you ensure your plot stays believable, even if your story is filled with magic, sci-fi tech, or larger-than-life adventures? Let's dive in!

Why Plot Believability Matters
1. It Keeps Readers Engaged
Readers love being swept into a story, but they might stop caring if something feels too far-fetched. Your job is to create a world where everything feels plausible—even if it's fantasy or sci-fi.
Example:
🚀 In a sci-fi novel, readers will accept faster-than-light travel—but if a spaceship repairs itself instantly without explanation, they'll call foul.

2. It Helps Characters Feel Real
Believable plots lead to believable character reactions. If your protagonist faces danger, they should react in a way that makes sense for their personality and experience.
Example:
🔪 If a regular office worker suddenly fights off five trained assassins like a seasoned spy without prior training or struggle, your readers won't buy it. But suppose that same office worker clumsily fights back, using whatever objects they can grab. In that case, it feels much more realistic and engaging.

3. It Prevents Lazy Plot Devices
Ever read a book where the hero escapes a dire situation because of pure luck? That's called deus ex machina (a fancy way of saying "the author bailed them out"), and it's one of the biggest killers of plot believability.
Bad Example:
🪄 The villain is about to destroy the world, but—poof!—the hero suddenly discovers a hidden superpower they never knew they had, saving the day. (Convenient, right?)
Better Example:
Instead, foreshadow this power earlier in the story—maybe the hero almost discovers it but doesn't understand how to use it yet. That way, it feels earned, not forced, when it finally happens.

How to Keep Your Plot Believable
1. Establish Rules for Your World
Even fantasy and sci-fi stories need consistent internal logic. If magic exists, how does it work? If your dystopian world bans technology, why is a computer suddenly in chapter 15?
✔️ Good Example:
If your wizard can only use magic three times a day before getting exhausted, make sure they don't suddenly cast 20 spells during the final battle without consequence.

2. Give Characters Realistic Motivations
People don't act without reason, so your characters shouldn't either. If a character makes a drastic decision, explain why—even if it's irrational, it should still make sense based on their personality.
🚫 Bad Example:
A detective quits their job right before solving a case… just because. (Readers will be confused!)
✅ Better Example:
The detective struggles with self-doubt and fears making a mistake, leading them to consider quitting multiple times before the final case pushes them over the edge. Now, their actions feel real and emotional.

3. Avoid Coincidences That Feel Too Convenient
Sure, coincidences happen in real life, but it feels cheap if your entire plot depends on luck. Instead, let characters actively shape their fate.
🛑 Unbelievable Coincidence:
A detective just happens to find the villain's secret hideout by accident.
✔️ Believable Alternative:
The detective follows a trail of clues, leading them to the villain's hideout. This makes the discovery feel earned, not random.

4. Research, Research, Research!
If you're writing about something outside your experience—historical events, medical procedures, or police work—do research! Readers can tell when you're making things up.
📖 Example:
If your character gets shot in the leg but is running a marathon two days later, you might want to rethink that scene! (Unless they have superhuman healing—but even then, explain how it works!)

5. Test Your Plot With Beta Readers
Fresh eyes can spot believability issues you might miss. If multiple readers say, "Wait, why did this happen?" It's a sign that something needs tweaking.

✔️ Tip: Ask beta readers, "Did anything feel forced or unrealistic?" and "Were there moments where you didn't believe a character's decision?"

Balancing Believability With Creativity
Now, you might think, "But fiction isn't real—why does it need to be believable?" Great question!
Believability doesn't mean boring—it means making your story feel real within its own world. You can have talking dragons, time travel, or a murder-solving cat. Still, if you establish rules, logic, and character consistency, readers will believe in it.
📝 Example:
If your sci-fi story introduces a time machine, set clear rules for how time travel works—don't suddenly change them halfway through just to fix a plot hole.

Final Thoughts: Keep Readers Hooked With Realistic Fiction
Plot believability isn't about making everything realistic—it's about making sense within the world you've created. Readers will go along if they trust you to play fair and not pull lazy shortcuts.

Quick Recap:
✅ Establish consistent rules for your world
✅ Give characters realistic motivations
✅ Avoid plot-saving coincidences
✅ Research details to avoid inaccuracies
✅ Get feedback from beta readers

By keeping your plot believable and immersive, you'll create stories that captivate readers and keep them returning for more.

Now, over to you—have you ever encountered a plot hole that completely threw you off a book or movie? Or do you have any tricks for keeping your own plots realistic? Drop a comment below—I'd love to hear your thoughts!