Kathleen Jones's Blog, page 68
May 28, 2012
Book-lovers in the Piazza


If we'd known about it in advance, we might have been able to rustle up a few volunteers for books in other languages, since there's such a large population of expats here. But it was a lovely experience, though we didn't find anyone reading from a Kindle.

Published on May 28, 2012 07:42
May 26, 2012
Sharing a rock with a snake....


Rest and recuperation was essential before going anywhere, so we made our way up to a rocky shrine with spectacular views over the valley and the mountain range in front of us, spread a rug on the rocks and lay down to have a much needed nap. I opened my eyes about half an hour later and found myself eye to eye with a large yellow and black snake beside me on the rock, rearing up to have a good look at me, tongue flickering. I stayed very still, only nudging my friend with a free hand and whispering 'Snake!' I felt oddly calm, just fascinated to be so close to it. As my friend sat up the snake slithered off the rock and down the slope.

When we eventually got home Neil began to look around on Google to identify the snake. There are lots of grass snakes here - but this didn't look like any grass snake I'd ever seen. Vipers are also quite common in Italy and are usually brownish, to blend in with the vegetation. This snake was bright yellow and black in a distinctive diamond pattern - the skin quite shiny, the head wedge-shaped. It certainly wasn't afraid of humans. I had a lucky escape, I think, because, if we've got it right, it turns out to have been a type of viper - sometimes called Orsini's Viper - and they're very poisonous. But it's also quite rare to catch sight of one, so I feel privileged to have been eye-ball to eye-ball with such a beautiful creature.
I'll be a bit more wary where I put my feet in the mountains now though - and I might think twice about having a nap on a rock!
Published on May 26, 2012 03:15
May 21, 2012
Tuesday Poem - Casa Guidi: Elizabeth Barrett Browning’s home in Florence

I heard last night a little child go singing
‘Neath Casa Guidi windows, by the church,
O bella liberta, O bella! Stringing
The same words still on notes he went in search
So high for, you concluded the upspringing
Of such a nimble bird to sky from perch
Must leave the whole bush in a tremble green,
And that the heart of Italy must beat,
While such a voice had leave to rise serene
‘Twixt church and palace of a Florence street!
A little child, too, who not long had been
By mother’s finger steadied on his feet,
And still O bella liberta he sang.

From the windows of her Casa Guidi apartment, Elizabeth Barrett Browning observed the Italian popular uprising taking place in 1848 - initially successful, but then ruthlessly crushed. Shortly afterwards Elizabeth saw the troops of the Austro Hungarian empire marching through the Pitti Palace square where she had watched and applauded the rebels. ‘We beheld the armament of Austria flow/into the drowning heart of Tuscany’, she wrote in her long, political poem ‘Casa Guidi Windows’. It’s not much read now, but there are some lovely sections. She was scathing about the Catholic Church:
‘Best unbar the doors,
Which Peter’s heirs keep locked so overclose
They only let the mice across the floors,
While every churchman dangles, as he goes,
The great key at his girdle.’
And there’s a warning. ‘Those whom she-wolves suckle/Will bite as wolves do’.

Casa Guidi stands in a tiny piazza ‘San Felice’ at the southern corner of the Pitti Palace. It’s a big palazzo created from two houses built in the 15th century and then owned by the ambitious Guidi family who worked for the Medici. Elizabeth and her husband Robert Browning rented an 8 room apartment on the first floor after their marriage and it was here that their son ‘Pen’ was born, and where Elizabeth wrote some of her most famous poetry, including her long, ardently feminist, verse novel ‘Aurora Leigh’. After the Brownings’ deaths it was used by their son Pen until his death in 1912.


On the other side of the dining room is a small dressing room used by Robert as a study until they acquired the large bedroom beyond it, which was converted into a study and library for him.

Elizabeth wrote in the drawing room on a reclining chair with the bustle of the house going on around her.


It’s a lovely museum, where you can sit on the furniture, peer out of the windows and take the books down from the shelves and read. Casa Guidi is owned by the Landmark Trust and you can also book to stay there - the thought of sleeping in EBB’s bed and having breakfast in her kitchen is very, very tempting. I might just try it next time I have to stay in Florence, but it’s difficult to find an excuse to do that when it’s only a short train ride away from where I live!
Published on May 21, 2012 06:25
May 19, 2012
Elizabeth Barrett Browning's grave in Florence


It's quite small - created to accommodate non-Catholic visitors - and it contains the tombs of other nationalities too - Americans, Russians, Swiss, German, French - as well as a cluster of Jewish graves. The cemetery has been closed to burials for a long time - Elizabeth's son Pen was buried in the new cemetery outside the city - though it's still possible to get permission to have your ashes interred there if you are famous enough!

The graveyard is quite wild and beautiful - cared for by a custodian, Julia Bolton Holloway, who employs homeless Roma to do the gardening and maintenance in return for shelter, food and education. It's a fantastic project. You can read more about it on Julia's blog. In this picture, the women are working on the garden and some of the men are restoring a marble tomb.

This is Elizabeth Barrett Browning's tomb with its simple inscription, commissioned by her husband Robert.

Just behind it is the grave of Fanny Holman Hunt, who died in childbirth in Florence less than a year after her marriage. Holman Hunt himself sculpted her tomb.


Walter Savage Landor is here.

And so is Frances Trollope - mother of Anthony - and herself a very successful novelist.

The most recent tombstone I could find was of the Russian dancer, choreographer and Maitre de Ballet, Evgeny Polyakov, whose ashes are interred here among his compatriots in 1996.

After the graveyard we wandered off into the backstreets of Florence to find our favourite restaurant - La Nella - well away from the tourist track and then to spend the afternoon at Elizabeth Barrett Browning's house. - More pics tomorrow.
Published on May 19, 2012 04:28
May 17, 2012
My Wild Garden in the Olive Grove


These strange fellows with the punk blue tuft, (as prolific as bluebells under the trees), are apparently Tasselled Hyacinths.

These orchids are everywhere.

And so are these bulbs with a big head of white flowers.

This is something we can identify - wild dianthus! And these rock roses that open in the sun are probably my favourites!

Tomorrow I'm off to Florence to visit the Browning museum and Elizabeth Barrett Browning's grave - a real treat.
Avril Joy over at Writing Junkie is doing a series on book blogs and today she's very kindly featuring mine - it was a lovely surprise.
Published on May 17, 2012 11:32
May 15, 2012
Tuesday Poem/Flash Fiction: W.A.G.S.
It's Flash Fiction day in the UK tomorrow, so today I'm posting a short observation piece, overheard in a cafe. I don't write Flash very often, but it's a form I want to explore. To see what can really be done with prose poetry/flash fiction Robert Hass writes with absolute mastery about another couple and another baby in 'Museum' over on my book blog.
W.A.G.S
She doesn’t look old enough to leave school; his cheeks are smooth. But they have this baby between them, which he’s struggling to feed, tilting the bottle the wrong way. ‘No, not like that,’ she says and he looks stressed, letting the baby’s head loll from his wrist, swallowing air. A sharp cry. The girl reaches across the table, more expert, holding the infant like a doll, its small face contorted with rage.
He has one eye on the exit, one on the Sky screen. She reminds him they need nappies, a baby seat. He isn’t listening. ‘Look at that,’ he says. ‘Magic. Rooney’s bloody magic. Could be good as Messi, what d’you think?’ She has no opinion. ‘Can’t wait to take him to a match,’ he says, nodding to the future sports fan cradled against the fake tan of her arm. ‘Look at those feet,’ he says, fingering the long digits, curling and uncurling from the cuffs of the giant shorts as he sucks formula. The Man-U shirt three sizes too big. ‘When d’you think we can buy the boots?’
For more Tuesday Poems please visit the Tuesday Poets and check out what they're sharing on the hub .
W.A.G.S
She doesn’t look old enough to leave school; his cheeks are smooth. But they have this baby between them, which he’s struggling to feed, tilting the bottle the wrong way. ‘No, not like that,’ she says and he looks stressed, letting the baby’s head loll from his wrist, swallowing air. A sharp cry. The girl reaches across the table, more expert, holding the infant like a doll, its small face contorted with rage.
He has one eye on the exit, one on the Sky screen. She reminds him they need nappies, a baby seat. He isn’t listening. ‘Look at that,’ he says. ‘Magic. Rooney’s bloody magic. Could be good as Messi, what d’you think?’ She has no opinion. ‘Can’t wait to take him to a match,’ he says, nodding to the future sports fan cradled against the fake tan of her arm. ‘Look at those feet,’ he says, fingering the long digits, curling and uncurling from the cuffs of the giant shorts as he sucks formula. The Man-U shirt three sizes too big. ‘When d’you think we can buy the boots?’
For more Tuesday Poems please visit the Tuesday Poets and check out what they're sharing on the hub .
Published on May 15, 2012 05:02
May 11, 2012
Three kittens in a laundry bowl

The bat-kittens are two and a half weeks old now and growing rapidly. They have their eyes open and when we go into the shed they peer over the edge of the shelf and squeak. Their ferocious mother has taken to going on walk-about for some R and R every afternoon and only then do we get the opportunity to take them down and have a cuddle. They are just beginning to realise they have legs, so their shelf-life is obviously limited! Their ears are also beginning to unfold properly - the photos underneath were taken two days ago and there's a real difference between these and the one taken today.

This is our attempt to put them on a flat surface for photographic purposes. There are two big bat-cat look-alikes, one definitely male (on the left) the other possibly. The tiny tabby in the middle is a female and she's much smaller than the others. Our attempts at photography ended in failure - they always end up in a heap!

Published on May 11, 2012 12:57
May 7, 2012
Tuesday Poem: Lavinia Greenlaw - Audio Obscura
Lavinia Greenlaw is this year's winner of the Ted Hughes Award for new work in poetry. Audio Obscura is a soundscape - the background recorded in a railway station, the words in the foreground 'the inner voices of imagined passengers'. It's a clever piece that shows the possibilities of working with words as sound, rather than text, taking us back to an older, oral tradition.
Lavinia Greenlaw is a poet (she's also a novelist and non-fiction writer) that I haven't read before - definitely a name to go in search of. For more Tuesday Poems please visit the hub site at http://www.tuesdaypoem.blogspot.com The Hub Poem today is a wonderful poem by Brian Turner
Lavinia Greenlaw is a poet (she's also a novelist and non-fiction writer) that I haven't read before - definitely a name to go in search of. For more Tuesday Poems please visit the hub site at http://www.tuesdaypoem.blogspot.com The Hub Poem today is a wonderful poem by Brian Turner
Published on May 07, 2012 13:30
May 6, 2012
All the flowers of the field - and a lemon tree!

No Italian home is complete without a lemon tree. Our little 'casina' in the olive grove didn't have one and it was too late in the year to plant one when we moved in last July, so the lemon tree remained a spring promise. Yesterday we headed down onto the coastal plain to find a small tree for the terrace and a terracotta pot to put it in. Because it's a rented house, anything we grow has to stay portable.
Early summer is in full bloom here, flourishing in the warm temperatures and the rain showers. In another month 'il gran caldo' will be upon us and everything will be burnt brown in the drought. But for now the olive groves are knee high in wild flowers and herbs. They don't use herbicides here and it shows. There are probably at least a hundred species, if I knew how to name them - orchids and bluebells, ornamental grasses, chervil and clover, wild garlic, daisies and dandelions, small red poppies (corn cockles?) and dozens of plants I'd have to buy at the garden centre in England - pink and white oxalis, canterbury bells, hellebore and irises.



Afterwards I managed to buy my lemon tree and it's now carefully installed in its pot on the terrace. If it looks a bit lopsided, that's because we had a bit of a struggle getting it into the car, then out of the car and down our steep track. Some pruning was required by the time we got to the front door!
Published on May 06, 2012 07:54
May 5, 2012
25 Things you can't do with a Kindle!

Published on May 05, 2012 01:25