Jennifer K. Lafferty's Blog: Authors' Musings, page 8
October 31, 2012
Interview With Author Kate Campbell
Author Kate Campbell discusses her new book "Adrift in the Sound" as well as the companion nonfiction read "Between the Sheets: An Intimate Exchange on Writing, Editing and Publishing".
"Adrift in the Sound", which takes place in 1973 Seattle and Orcas Island, tells the story of the exceptionally gifted and emotionally vulnerable artist, Lizette Karlson and her struggle to overcome mental illness while seeking love and acceptance. A full review of the book can be found on my October 29th Examiner column http://www.examiner.com/review/adrift...
Q: I was a little surprised by the way Lizette’s mother initially reacted to Lizette’s odd behavior, throwing her out and not wanting to see her. I expected her to be more understanding since she herself was an artist, and artists tend to be somewhat unusual. Did she push Lizette away because her own mental health was in question and it frightened her to see abnormalities in her daughter as well?
A: I’m not sure Lizette’s mother was a real artist. I think her mother was a pretender, which her husband sees and chides her for. Her mental health was ignored because it was convenient for her father and his career. But, I think Lizette’s mother recognized the authentic genius in her daughter’s work, envied it, coveted it, and killed herself over it. In the late 60s, early 70s, millions of kids were rebelling and running away from home—smoking marijuana, getting drunk, having casual sex. There literally were millions of young people living and getting high on the streets in America at that time. I think Lizette’s mother wanted perfection from her daughter and rejected her for embracing the hippie lifestyle, as well as disregarding her talent, which Lizette’s mother desperately wanted for herself.
Q: Did “Adrift in the Sound” require a lot of research?
A: Yes. I spent hours researching online and reading, particularly the history of the Lummi Nation and the Coastal Salish, but also orcas that live around the island and in Puget Sound. I took a research trip to Seattle and spent as much time as I could in the Seattle Art Museum, the Burke Museum of Natural History and Culture at the University of Washington. I spent tons of hours viewing and exploring the University of Washington’s online photo archive. I also read Seattle newspapers from the time and dipped into the city and state archives.
And, I read books on the 60s and the problems of homelessness. I have worked as a volunteer at Loaves & Fishes in Sacramento, which serves the homeless, but I delved deeper. I love exploring new subjects and guess I caught a bad case of “research rapture.”
In addition, I read several works of fiction that helped inform the writing, including John Steinbeck’s “Cannery Row,” T.C. Boyle’s “Drop City,” Michael Chabon’s “Wonder Boys,” and Toni Morrison’s “Paradise.” I had already written the snake chapter when I read “Wonder Boys” and felt like Michael Chabon was a kindred spirit, exploring some of the same creative ground as me. I read extensively about mental illness and how it was treated in the era, the impact of rape and the practice of midwifery. I read about how to cook heroin and shoot up, and I also spent time on the docks talking with inland boatmen and hung out in some very sketchy bars.
Q: Can you envision “Adrift in the Sound” on the big screen? If so, who would you want to see in the roles of Lizette and Rocket?
A: That’s such a funny question. They say every writer wants to see their story on the big screen, but I’m not so sure. I think Lindsay Lohan would make a good Lizette, if she could find the discipline to do the work, and Leonardo DiCaprio would make a good Rocket, if he could muster the humility. As the creator of the characters, it would be interesting to see how skilled actors interpret them.
Q: What do you hope to accomplish with “Adrift in the Sound”?
A: That’s a good question, one I haven’t been asked before. My hope is readers will see themselves or something familiar in the characters and, in that recognition, understand the era and its importance to all of us. In some ways, Adrift is a morality play and a history lesson.
Q: You’ve written a very unique companion book to “Adrift in the Sound” titled “Between the Sheets: An Intimate Exchange on Writing, Editing and Publishing”. What can you tell us about this book?
A: I’ve known co-author Tom Thomas for nearly 30 years. He was my editor when I was doing corporate editorial work in the 80s and early 90s and I appreciated his quick mind. He went on to write more than a dozen books in a variety of fiction genres. I have great respect for him.
Tom took on the final editing and shaping of Adrift as a favor and during a three month period—chapter by chapter, line by line—he challenged me on points of fact, intention, language and style. His emails to me were filled with advice and valuable information about the craft and business of writing. I feel sincerely that it would have been a shame to bury the exchange in my computer and act as if this extraordinary and dynamic discussion had not taken place. I believe that beginning writers, teachers of writing and those who love words will gain a lot from peeking behind the curtain to see a writer and editor at work. I’m grateful Tom agreed to publish our exchange.
Q: What are your future writing plans?
A: Launching a book has been time-consuming. I was warned that would be the case and it’s true. But, I’m working on a book set in the Sacramento-San Joaquin Delta. I’m about a third of the way into the first draft. The main character is focused on her career, getting to the top, but a serious misstep lands her in the delta where she’s given the task of turning a crumbling estate into a five-star destination hotel. She drinks too much, hates what has happened to her and wants out of the boonies. At the moment she’s stuck on a beautiful yacht in a mucky slough off the Sacramento River. The estate’s dock is falling apart and floating away. The mansion has no electricity or running water. I urgently need to get back to the story and figure out how to get my main character back on dry land.
I have a collection of stories, “Songs from the Caldera,” I’ve been working on for a while and want to publish it next year and I’m beginning research for a memoir. A number of readers have asked about a sequel to “Adrift in the Sound,” and I’m considering it. These projects will take me a number of years to complete. I’d also like to shoehorn in a couple of other books just for fun. I hate that there are only 24 hours in a day!
The second part of this interview can be found on Examiner http://www.examiner.com/article/inter...
"Adrift in the Sound", which takes place in 1973 Seattle and Orcas Island, tells the story of the exceptionally gifted and emotionally vulnerable artist, Lizette Karlson and her struggle to overcome mental illness while seeking love and acceptance. A full review of the book can be found on my October 29th Examiner column http://www.examiner.com/review/adrift...
Q: I was a little surprised by the way Lizette’s mother initially reacted to Lizette’s odd behavior, throwing her out and not wanting to see her. I expected her to be more understanding since she herself was an artist, and artists tend to be somewhat unusual. Did she push Lizette away because her own mental health was in question and it frightened her to see abnormalities in her daughter as well?
A: I’m not sure Lizette’s mother was a real artist. I think her mother was a pretender, which her husband sees and chides her for. Her mental health was ignored because it was convenient for her father and his career. But, I think Lizette’s mother recognized the authentic genius in her daughter’s work, envied it, coveted it, and killed herself over it. In the late 60s, early 70s, millions of kids were rebelling and running away from home—smoking marijuana, getting drunk, having casual sex. There literally were millions of young people living and getting high on the streets in America at that time. I think Lizette’s mother wanted perfection from her daughter and rejected her for embracing the hippie lifestyle, as well as disregarding her talent, which Lizette’s mother desperately wanted for herself.
Q: Did “Adrift in the Sound” require a lot of research?
A: Yes. I spent hours researching online and reading, particularly the history of the Lummi Nation and the Coastal Salish, but also orcas that live around the island and in Puget Sound. I took a research trip to Seattle and spent as much time as I could in the Seattle Art Museum, the Burke Museum of Natural History and Culture at the University of Washington. I spent tons of hours viewing and exploring the University of Washington’s online photo archive. I also read Seattle newspapers from the time and dipped into the city and state archives.
And, I read books on the 60s and the problems of homelessness. I have worked as a volunteer at Loaves & Fishes in Sacramento, which serves the homeless, but I delved deeper. I love exploring new subjects and guess I caught a bad case of “research rapture.”
In addition, I read several works of fiction that helped inform the writing, including John Steinbeck’s “Cannery Row,” T.C. Boyle’s “Drop City,” Michael Chabon’s “Wonder Boys,” and Toni Morrison’s “Paradise.” I had already written the snake chapter when I read “Wonder Boys” and felt like Michael Chabon was a kindred spirit, exploring some of the same creative ground as me. I read extensively about mental illness and how it was treated in the era, the impact of rape and the practice of midwifery. I read about how to cook heroin and shoot up, and I also spent time on the docks talking with inland boatmen and hung out in some very sketchy bars.
Q: Can you envision “Adrift in the Sound” on the big screen? If so, who would you want to see in the roles of Lizette and Rocket?
A: That’s such a funny question. They say every writer wants to see their story on the big screen, but I’m not so sure. I think Lindsay Lohan would make a good Lizette, if she could find the discipline to do the work, and Leonardo DiCaprio would make a good Rocket, if he could muster the humility. As the creator of the characters, it would be interesting to see how skilled actors interpret them.
Q: What do you hope to accomplish with “Adrift in the Sound”?
A: That’s a good question, one I haven’t been asked before. My hope is readers will see themselves or something familiar in the characters and, in that recognition, understand the era and its importance to all of us. In some ways, Adrift is a morality play and a history lesson.
Q: You’ve written a very unique companion book to “Adrift in the Sound” titled “Between the Sheets: An Intimate Exchange on Writing, Editing and Publishing”. What can you tell us about this book?
A: I’ve known co-author Tom Thomas for nearly 30 years. He was my editor when I was doing corporate editorial work in the 80s and early 90s and I appreciated his quick mind. He went on to write more than a dozen books in a variety of fiction genres. I have great respect for him.
Tom took on the final editing and shaping of Adrift as a favor and during a three month period—chapter by chapter, line by line—he challenged me on points of fact, intention, language and style. His emails to me were filled with advice and valuable information about the craft and business of writing. I feel sincerely that it would have been a shame to bury the exchange in my computer and act as if this extraordinary and dynamic discussion had not taken place. I believe that beginning writers, teachers of writing and those who love words will gain a lot from peeking behind the curtain to see a writer and editor at work. I’m grateful Tom agreed to publish our exchange.
Q: What are your future writing plans?
A: Launching a book has been time-consuming. I was warned that would be the case and it’s true. But, I’m working on a book set in the Sacramento-San Joaquin Delta. I’m about a third of the way into the first draft. The main character is focused on her career, getting to the top, but a serious misstep lands her in the delta where she’s given the task of turning a crumbling estate into a five-star destination hotel. She drinks too much, hates what has happened to her and wants out of the boonies. At the moment she’s stuck on a beautiful yacht in a mucky slough off the Sacramento River. The estate’s dock is falling apart and floating away. The mansion has no electricity or running water. I urgently need to get back to the story and figure out how to get my main character back on dry land.
I have a collection of stories, “Songs from the Caldera,” I’ve been working on for a while and want to publish it next year and I’m beginning research for a memoir. A number of readers have asked about a sequel to “Adrift in the Sound,” and I’m considering it. These projects will take me a number of years to complete. I’d also like to shoehorn in a couple of other books just for fun. I hate that there are only 24 hours in a day!
The second part of this interview can be found on Examiner http://www.examiner.com/article/inter...
October 24, 2012
Interview With Author Ella Dominguez
“The Art of Submission (Book 1)” by Ella Dominguez is an erotic novel which centers on the relationship between the shy and vulnerable artist, Isabel, whose only outlet for her sexual desires is her craft, and the wealthy alpha male Dylan, who draws her into the world of BDSM. Is wild sex the only thing these two will share, or is love also in the cards?
Let’s find out what author Ella Dominguez has to say about “The Art of Submission (Book 1)”.
Q: At the beginning of “The Art of Submission (Book 1)” Isabel’s artwork is a very important outlet for her erotic desires. What do you think would’ve happened to Isabel if she hadn’t had her artwork? How would these feelings have manifested themselves?
A: Probably in a self-destructive way. She already had a poor self-image. If she didn't have some way to release her inner desires, I'd imagine she would either become a complete recluse or the opposite, and just give herself away to whoever would satisfy her physical needs.
Q: How much planning went into “The Art of Submission” before you actually began the writing process?
A: I had the idea of the book in my head for about three months. I finally wrote out a very loose outline with the things I wanted to include the story before taking on the task of actually writing it.
Q: In the beginning, Dylan is only interested in a physical relationship. But as the story progresses his feelings for Isabel deepen. Is this just because she’s special or does he subconsciously yearn for someone to love all along?
A: I think he did want to be loved, but he denied it to himself. Initially he was only attracted to Isabel's talent and her submissive nature, but as he got to know her better, I think then it turned into his wanting to love her and to be loved by her.
Q: Art is what initially brings Isabel and Dylan together. Isabel is an artist and Dylan is an art collector. Do you think that artists and art enthusiasts are naturally more inclined to be adventurous in the bedroom?
A: I'm not sure about being more inclined to be adventurous, but I think maybe they have a more vivid imagination and are able to convey their needs better than most.
Q: What was the most challenging thing about writing “The Art of Submission”?
A: The sex scenes. I actually had to read books on how to write a hot sex scene in order to convey my thoughts accurately. I must've rewritten them a dozen times before I was finally satisfied with them.
Q: “The Art of Submission” is the first in a series. What can you tell us about the second installment?
A: I anticipate Book 2 to be out before Christmas (hopefully).
Erika makes her presence and refuses to let Dylan go. Dylan’s past is finally revealed and his dark secrets threaten his engagement to Isabel. Isabel’s father tries to force his way back into Isabel’s life, but only to make her life miserable and not to make amends for his atrocious behavior.
Let’s find out what author Ella Dominguez has to say about “The Art of Submission (Book 1)”.
Q: At the beginning of “The Art of Submission (Book 1)” Isabel’s artwork is a very important outlet for her erotic desires. What do you think would’ve happened to Isabel if she hadn’t had her artwork? How would these feelings have manifested themselves?
A: Probably in a self-destructive way. She already had a poor self-image. If she didn't have some way to release her inner desires, I'd imagine she would either become a complete recluse or the opposite, and just give herself away to whoever would satisfy her physical needs.
Q: How much planning went into “The Art of Submission” before you actually began the writing process?
A: I had the idea of the book in my head for about three months. I finally wrote out a very loose outline with the things I wanted to include the story before taking on the task of actually writing it.
Q: In the beginning, Dylan is only interested in a physical relationship. But as the story progresses his feelings for Isabel deepen. Is this just because she’s special or does he subconsciously yearn for someone to love all along?
A: I think he did want to be loved, but he denied it to himself. Initially he was only attracted to Isabel's talent and her submissive nature, but as he got to know her better, I think then it turned into his wanting to love her and to be loved by her.
Q: Art is what initially brings Isabel and Dylan together. Isabel is an artist and Dylan is an art collector. Do you think that artists and art enthusiasts are naturally more inclined to be adventurous in the bedroom?
A: I'm not sure about being more inclined to be adventurous, but I think maybe they have a more vivid imagination and are able to convey their needs better than most.
Q: What was the most challenging thing about writing “The Art of Submission”?
A: The sex scenes. I actually had to read books on how to write a hot sex scene in order to convey my thoughts accurately. I must've rewritten them a dozen times before I was finally satisfied with them.
Q: “The Art of Submission” is the first in a series. What can you tell us about the second installment?
A: I anticipate Book 2 to be out before Christmas (hopefully).
Erika makes her presence and refuses to let Dylan go. Dylan’s past is finally revealed and his dark secrets threaten his engagement to Isabel. Isabel’s father tries to force his way back into Isabel’s life, but only to make her life miserable and not to make amends for his atrocious behavior.
October 22, 2012
Interview with author Anna Karina Birkenstock
"Freda the Little Plump Fairy" by Anna Karina Birkenstock focuses on teaching children many positive lessons, not the least of which is the importance of finding and developing their own special talents.
Freda is a fairy who lives on a farm. One day there is an unexpected problem and she is compelled to save the farm. It is an overwhelming task but with a little help from her friends it is amazing what Freda can accomplish.
In my interview with author/illustrator Anna Karina Birkenstock, for my Examiner column,she shared insights about this confidence inspiring book, as well as what went into writing and illustrating it. This is part two of the interview.
Q: How did you get the idea for “Freda the Little Plump Fairy”?
A: As a child I often lacked self-confidence myself. I often thought about what others expected of me. That inhibited me from finding out, what my strengths and talents were.
I actually have a good friend who inspired the Freda character; she is very capable and cheerful, and very good and passionate at cooking.
Q: Is there another genre you would like to explore but haven’t yet?
A: People told me they were inspired by “Freda” and that gave me the idea to explore young adult or adult fiction. However I think my talent lies more in the field of illustration.
Freda is a fairy who lives on a farm. One day there is an unexpected problem and she is compelled to save the farm. It is an overwhelming task but with a little help from her friends it is amazing what Freda can accomplish.
In my interview with author/illustrator Anna Karina Birkenstock, for my Examiner column,she shared insights about this confidence inspiring book, as well as what went into writing and illustrating it. This is part two of the interview.
Q: How did you get the idea for “Freda the Little Plump Fairy”?
A: As a child I often lacked self-confidence myself. I often thought about what others expected of me. That inhibited me from finding out, what my strengths and talents were.
I actually have a good friend who inspired the Freda character; she is very capable and cheerful, and very good and passionate at cooking.
Q: Is there another genre you would like to explore but haven’t yet?
A: People told me they were inspired by “Freda” and that gave me the idea to explore young adult or adult fiction. However I think my talent lies more in the field of illustration.
October 18, 2012
Interview With Author Kathryn Vercillo
In "Crochet Saved My Life: The Mental and Physical Health Benefits of Crochet" author Kathryn Vercillo speaks in depth about how therapeutic crochet can be with both mental and physical health. She shares her own story and those of others who have derived great benefits from the craft.
It should be noted that Kathryn Vercillo is not a doctor or mental health professional but says that she has an educational and work background in social work and has worked with mental health professionals.
So, let's hear what Kathryn Vercillo has to say about "Crochet Saved My Life: The Mental and Physical Health Benefits of Crochet.
Q: What type of audience are you trying to reach? Does crochet get better results with certain emotional and physical issues than others?
A: When I put out the call for stories for researching this book I intentionally kept it very open, allowing anyone who felt that crochet had helped them heal to share their tales with me. I am so glad that I did this because it really exposed me to the fact that crochet can help people in so many different situations from postpartum depression to schizophrenia, from labor pains in the delivery room to the chronic pain of fibromyalgia and more. From what I learned, I would not say that crochet helps people more with one issue than another.
I want to add, though, that my own mental health experience has been with long-term depression so that is a definite focus of the book. Depression is a side-effect or complicating factor of almost all other mental illness and often of physical illness as well. It often comes up in the stories that other people shared with me. Anyone who has ever dealt with depression will find that the book especially resonates with them because of this.
The book was originally aimed at the crochet audience. I run a very popular crochet blog, Crochet Concupiscence, and had my readers of the blog in mind as I wrote the book. Since it has come out, though, I have had many readers come forward to say that they don’t crochet but found that the book was something that really touched them because of their own experiences trying to survive and thrive through a serious health issue or life tragedy.
Q: Have you found that certain kinds of crochet projects are more beneficial than others?
A: I think this depends entirely on the individual and what they are going through at the time. I recently wrote about this on my crochet blog and will share with you here a portion of the answer I gave there as I think it best illuminates my personal experience about the best projects.
I think simple projects are most healing for me when:
▪ I am in a relatively calm state and want to use crafting to reach an even more meditative place.
▪ I have a problem I want to mull over. I can physically do the stitching while my mind wanders. There are times when this is a good thing (and times when it’s exactly what I don’t want, so I have to be careful!)
▪ I’m seeking a serotonin boost. The repetitive nature of the craft releases serotonin, a natural anti-depressant and natural painkiller.
▪ I’m crafting with others. Crocheting in a group setting can be super healing because it’s a terrific social thing. It’s easier to do if the project your working on doesn’t require too much attention.
I think complex projects are most healing for me when:
▪ I am in a hyped up or anxious emotional state and need a focused project to take my mind off of itself and bring me to a calmer space.
▪ I need a self-esteem boost. Learning a new crochet technique or stitch or project type makes me feel good about myself in a way that making one more granny square just doesn’t.
Q: What do you enjoy more, writing or sharing your work with others?
A: I think the answer to that question depends upon the phase I’m in. I think writers go through ebbs and flows with writing, periods of time when the writing is the focus and periods of time when the writing is less the focus … at least that is how it has been for me.
I can say for certain that although I get great joy in sharing my work with others I would write even if no one ever read my writing. I have been a lifelong journal writer. I have written for as long as I can remember and written many things without ever intending for others to see them. I write because I am compelled to write. Writing is how I understand the world and how I express myself. Writing is me.
But writing is also how I connect with others and so sharing my work is definitely an important thing for me. I believe in the power of words and the power of stories. I hope that the things I write will occasionally fall into the right hands of a reader who needs to hear those things at just that time, as I know has happened to me occasionally as a reader. When I find out that has happened, it gives me an immense and unique type of joy that is very different from any type of joy I get from actually writing.
Q: If someone is having difficulty with crochet and think they just don’t have the knack for it, what advice would you give them?
A: Crochet is a fairly easy craft for many people to learn but of course not everyone is going to take to it quickly. First I’d say to make sure that you are cutting yourself some slack and not seeking perfection from yourself in the beginning. I promise you that the first thing any of us crochet is ugly but also beautiful because it’s a new craft emerging. Accept that! Second I’d say that if you’re really having a tough time learning then you may not be learning in the way that’s right for you so it’s worth trying another way – a class, a lesson from a friend, a self-taught YouTube session, just a different way from what you’re already trying. Finally, if you really are struggling and it doesn’t feel like it’s going to work then it may not be the right craft for you for right now and that’s okay. Keep looking for the craft that is right because it is out there for you.
Q: In addition to “Crochet Saved My Life” you’ve written several other nonfiction books. Would you ever be interested in doing a novel?
A: I have dabbled with all sorts of writing over the years and have found my personal preferred niche to be in non-fiction writing with an emphasis on sharing personal, relatable true stories. I’m a voracious reader of all types of writing but also tend to drift towards this same style as a reader, (I love memoirs and niche non-fiction) so I suppose it makes sense that it is also what works for me as a writer.
I do, however, have the workings of a novel in the back of my mind and would consider it a huge personal accomplishment if that ever came to fruition. When I was in my early twenties I worked at a group home for abused children with severe behavioral problems. It was an intense experienced that marked me in so many ways. When I left there, I wrote an entire draft of my non-fiction account of the experience. I shopped it around and even had an agent for awhile but nothing came of it. I think that was a good thing; the writing is immature and I really wasn’t ready to share that story. I’ve always had it in the back of my mind that I’d like to complete that project, though, and I think it actually might work better as a fictionalized account inspired by the experience than it does as a non-fiction account of what happened there. I don’t have any specific plans for making this a reality but I think it’s a project I’ll move on eventually, when the time feels right for me.
Q: What are your future writing plans?
A: I am currently at work on a book of creativity exercises for crocheters. It is designed to offer inspiration, ideas and concrete exercises that people who crochet can use to add more art into their days and improve their quality of life. I’d really like to make this both a print workbook and an ebook with interactive audio and video features and hope to release it in 2013.
I have several other projects in the works, both large and small. In the meantime, I also continue daily writing on my three blogs: Crochet Concupiscence (all about crochet), the blog on my author website (about writing, blogging, etc.) and Diary of a Smart Chick (my personal blog about all types of random interesting things).
Here’s where people can find me:
My website: www.kathrynvercillo.com
My crochet blog: www.crochetconcupiscence.com
The book’s site: www.crochetsavedmylife.com
My personal blog: www.diaryofasmartchick.com
On Twitter: @KathrynVercillo and @CrochetBlogger
On Facebook: https://www.facebook.com/kvercillo
I am also on many other social networking sites; links can be found on my main websites.
It should be noted that Kathryn Vercillo is not a doctor or mental health professional but says that she has an educational and work background in social work and has worked with mental health professionals.
So, let's hear what Kathryn Vercillo has to say about "Crochet Saved My Life: The Mental and Physical Health Benefits of Crochet.
Q: What type of audience are you trying to reach? Does crochet get better results with certain emotional and physical issues than others?
A: When I put out the call for stories for researching this book I intentionally kept it very open, allowing anyone who felt that crochet had helped them heal to share their tales with me. I am so glad that I did this because it really exposed me to the fact that crochet can help people in so many different situations from postpartum depression to schizophrenia, from labor pains in the delivery room to the chronic pain of fibromyalgia and more. From what I learned, I would not say that crochet helps people more with one issue than another.
I want to add, though, that my own mental health experience has been with long-term depression so that is a definite focus of the book. Depression is a side-effect or complicating factor of almost all other mental illness and often of physical illness as well. It often comes up in the stories that other people shared with me. Anyone who has ever dealt with depression will find that the book especially resonates with them because of this.
The book was originally aimed at the crochet audience. I run a very popular crochet blog, Crochet Concupiscence, and had my readers of the blog in mind as I wrote the book. Since it has come out, though, I have had many readers come forward to say that they don’t crochet but found that the book was something that really touched them because of their own experiences trying to survive and thrive through a serious health issue or life tragedy.
Q: Have you found that certain kinds of crochet projects are more beneficial than others?
A: I think this depends entirely on the individual and what they are going through at the time. I recently wrote about this on my crochet blog and will share with you here a portion of the answer I gave there as I think it best illuminates my personal experience about the best projects.
I think simple projects are most healing for me when:
▪ I am in a relatively calm state and want to use crafting to reach an even more meditative place.
▪ I have a problem I want to mull over. I can physically do the stitching while my mind wanders. There are times when this is a good thing (and times when it’s exactly what I don’t want, so I have to be careful!)
▪ I’m seeking a serotonin boost. The repetitive nature of the craft releases serotonin, a natural anti-depressant and natural painkiller.
▪ I’m crafting with others. Crocheting in a group setting can be super healing because it’s a terrific social thing. It’s easier to do if the project your working on doesn’t require too much attention.
I think complex projects are most healing for me when:
▪ I am in a hyped up or anxious emotional state and need a focused project to take my mind off of itself and bring me to a calmer space.
▪ I need a self-esteem boost. Learning a new crochet technique or stitch or project type makes me feel good about myself in a way that making one more granny square just doesn’t.
Q: What do you enjoy more, writing or sharing your work with others?
A: I think the answer to that question depends upon the phase I’m in. I think writers go through ebbs and flows with writing, periods of time when the writing is the focus and periods of time when the writing is less the focus … at least that is how it has been for me.
I can say for certain that although I get great joy in sharing my work with others I would write even if no one ever read my writing. I have been a lifelong journal writer. I have written for as long as I can remember and written many things without ever intending for others to see them. I write because I am compelled to write. Writing is how I understand the world and how I express myself. Writing is me.
But writing is also how I connect with others and so sharing my work is definitely an important thing for me. I believe in the power of words and the power of stories. I hope that the things I write will occasionally fall into the right hands of a reader who needs to hear those things at just that time, as I know has happened to me occasionally as a reader. When I find out that has happened, it gives me an immense and unique type of joy that is very different from any type of joy I get from actually writing.
Q: If someone is having difficulty with crochet and think they just don’t have the knack for it, what advice would you give them?
A: Crochet is a fairly easy craft for many people to learn but of course not everyone is going to take to it quickly. First I’d say to make sure that you are cutting yourself some slack and not seeking perfection from yourself in the beginning. I promise you that the first thing any of us crochet is ugly but also beautiful because it’s a new craft emerging. Accept that! Second I’d say that if you’re really having a tough time learning then you may not be learning in the way that’s right for you so it’s worth trying another way – a class, a lesson from a friend, a self-taught YouTube session, just a different way from what you’re already trying. Finally, if you really are struggling and it doesn’t feel like it’s going to work then it may not be the right craft for you for right now and that’s okay. Keep looking for the craft that is right because it is out there for you.
Q: In addition to “Crochet Saved My Life” you’ve written several other nonfiction books. Would you ever be interested in doing a novel?
A: I have dabbled with all sorts of writing over the years and have found my personal preferred niche to be in non-fiction writing with an emphasis on sharing personal, relatable true stories. I’m a voracious reader of all types of writing but also tend to drift towards this same style as a reader, (I love memoirs and niche non-fiction) so I suppose it makes sense that it is also what works for me as a writer.
I do, however, have the workings of a novel in the back of my mind and would consider it a huge personal accomplishment if that ever came to fruition. When I was in my early twenties I worked at a group home for abused children with severe behavioral problems. It was an intense experienced that marked me in so many ways. When I left there, I wrote an entire draft of my non-fiction account of the experience. I shopped it around and even had an agent for awhile but nothing came of it. I think that was a good thing; the writing is immature and I really wasn’t ready to share that story. I’ve always had it in the back of my mind that I’d like to complete that project, though, and I think it actually might work better as a fictionalized account inspired by the experience than it does as a non-fiction account of what happened there. I don’t have any specific plans for making this a reality but I think it’s a project I’ll move on eventually, when the time feels right for me.
Q: What are your future writing plans?
A: I am currently at work on a book of creativity exercises for crocheters. It is designed to offer inspiration, ideas and concrete exercises that people who crochet can use to add more art into their days and improve their quality of life. I’d really like to make this both a print workbook and an ebook with interactive audio and video features and hope to release it in 2013.
I have several other projects in the works, both large and small. In the meantime, I also continue daily writing on my three blogs: Crochet Concupiscence (all about crochet), the blog on my author website (about writing, blogging, etc.) and Diary of a Smart Chick (my personal blog about all types of random interesting things).
Here’s where people can find me:
My website: www.kathrynvercillo.com
My crochet blog: www.crochetconcupiscence.com
The book’s site: www.crochetsavedmylife.com
My personal blog: www.diaryofasmartchick.com
On Twitter: @KathrynVercillo and @CrochetBlogger
On Facebook: https://www.facebook.com/kvercillo
I am also on many other social networking sites; links can be found on my main websites.
October 16, 2012
Interview With Author Elaine D. Walsh
Elaine D. Walsh's novel "Atomic Summer" takes readers back to the early 1950's, during the height of the Cold War. We see this complex time through the eyes of three very different teenaged girls. The three friends talk about what they would do if they knew the world was about to come to an end. They get the idea to pull a practical joke. But what starts out as an innocent prank has serious results.
Let's find out what Elaine D. Walsh has to say about "Atomic Summer"
Q: Would you describe “Atomic Summer” as a coming of age book? If so, what do you think sets it apart from other books in the genre?
A: It is a coming of age story. There are three teenage girls and two teenage boys and the events of the summer of 1953 that change the course of their lives. This includes friendships, betrayal, love, sexuality, loss of innocence and a myriad of emotions adolescents contend with as they balance their present day with their hopes and dreams for the future. Although it is set in 1953, there is a lot relevance to our lives today, from the struggles adolescents face, to the role parents play in our lives, and the wounded warriors returning from a war overseas who carry emotional wounds no one can see but cause great pain and suffering. It makes an impact on the reader. When the last page is read, the story and characters stay with the reader.
Q: When you’re writing a story do you feel like you’re in charge or like the characters are taking you on a journey?
A: My characters are the bosses! They steer the story and take me on a journey with them when I write. I know what the destination is but the characters choose the path. They take me down roads that I don't see when I first start writing. Situations unfold because my characters present them to me based on who they are and what motivates them. I enjoy getting to know my characters and developing their relationships and traveling with them.
Q: The character Octavia in “Atomic Summer” spends a lot of her time taking care of her disabled brother. Do you think this robs her of part of her own childhood?
A: It certainly does. She took on adult responsibilities far beyond what she should have. Her parents didn’t shield her or protect her from it but demanded it from her, and I think any time a child does that, their childhood is compromised.
Q: Which of the characters from “Atomic Summer” do you think the majority of readers will relate to most?
A: Readers tell me that they recognize the characters as people they know or have known in their lives. I love that reaction to the story because it makes the story more authentic. They journey through the story with the exasperating self-centered friend, the faithful one, the ugly duckling, the out of reach love interest, and the class clown, all the while surrounded by a memorable supporting cast which are the people of their small town. I think most readers find themselves relating to Faith and Octavia though. Faith mirrors her name. She’s faithful and forgiving. She’s the friend that always sees the best in others, sometimes to her detriment. She is convicted in her belief that a pure soul is her passport to heaven. Octavia moves people. Octavia is stoically agnostic. She can’t reconcile a good and great God amid the pain and injustice she sees in the world and experiences in her own life caring for her disabled brother. Then there is Bernadette, conceited, obnoxious and manipulative. Readers don’t relate to her as much as she creates an emotional reaction in them where they want to reach into the pages and slap her.
Q: What do you hope readers will take away from “Atomic Summer”?
A: First and foremost I want them to entertained. I want them to feel that the time they invested wasn’t just about words but taking a journey with character they found interesting and worth getting to know. Time is precious and if readers can sit back and feel satisfied that the time spent on my book was worthwhile, than I’ve done my job as a writer.
Q: What are your future writing plans?
A: I expect to publish my next book, Restoration, in the summer of 2013. This story came about after hearing a story about a woman who left her husband and three children to marry a man on death row. All I could think about was her daughters. It is so unnatural for a mother to abandon her children. I wondered what it must be like for them and what their lives would be like as they grew into adults. Restoration is a fictional account told from the point of view of a woman whose mother did this to her family. There is a lot more work that goes into the publication of book for an Indie author than just the writing and editing. The promotional and marketing plan has to be developed, the book sent to reviewers at least six months in advance, all of the things a traditional publishing house does for a writer. One has to be both writer and marketer. Interviews like this are a great opportunity for Indie Authors such as myself to get in front of the public, so I really appreciate the time you took to learn more about me and about my novel Atomic Summer.
Let's find out what Elaine D. Walsh has to say about "Atomic Summer"
Q: Would you describe “Atomic Summer” as a coming of age book? If so, what do you think sets it apart from other books in the genre?
A: It is a coming of age story. There are three teenage girls and two teenage boys and the events of the summer of 1953 that change the course of their lives. This includes friendships, betrayal, love, sexuality, loss of innocence and a myriad of emotions adolescents contend with as they balance their present day with their hopes and dreams for the future. Although it is set in 1953, there is a lot relevance to our lives today, from the struggles adolescents face, to the role parents play in our lives, and the wounded warriors returning from a war overseas who carry emotional wounds no one can see but cause great pain and suffering. It makes an impact on the reader. When the last page is read, the story and characters stay with the reader.
Q: When you’re writing a story do you feel like you’re in charge or like the characters are taking you on a journey?
A: My characters are the bosses! They steer the story and take me on a journey with them when I write. I know what the destination is but the characters choose the path. They take me down roads that I don't see when I first start writing. Situations unfold because my characters present them to me based on who they are and what motivates them. I enjoy getting to know my characters and developing their relationships and traveling with them.
Q: The character Octavia in “Atomic Summer” spends a lot of her time taking care of her disabled brother. Do you think this robs her of part of her own childhood?
A: It certainly does. She took on adult responsibilities far beyond what she should have. Her parents didn’t shield her or protect her from it but demanded it from her, and I think any time a child does that, their childhood is compromised.
Q: Which of the characters from “Atomic Summer” do you think the majority of readers will relate to most?
A: Readers tell me that they recognize the characters as people they know or have known in their lives. I love that reaction to the story because it makes the story more authentic. They journey through the story with the exasperating self-centered friend, the faithful one, the ugly duckling, the out of reach love interest, and the class clown, all the while surrounded by a memorable supporting cast which are the people of their small town. I think most readers find themselves relating to Faith and Octavia though. Faith mirrors her name. She’s faithful and forgiving. She’s the friend that always sees the best in others, sometimes to her detriment. She is convicted in her belief that a pure soul is her passport to heaven. Octavia moves people. Octavia is stoically agnostic. She can’t reconcile a good and great God amid the pain and injustice she sees in the world and experiences in her own life caring for her disabled brother. Then there is Bernadette, conceited, obnoxious and manipulative. Readers don’t relate to her as much as she creates an emotional reaction in them where they want to reach into the pages and slap her.
Q: What do you hope readers will take away from “Atomic Summer”?
A: First and foremost I want them to entertained. I want them to feel that the time they invested wasn’t just about words but taking a journey with character they found interesting and worth getting to know. Time is precious and if readers can sit back and feel satisfied that the time spent on my book was worthwhile, than I’ve done my job as a writer.
Q: What are your future writing plans?
A: I expect to publish my next book, Restoration, in the summer of 2013. This story came about after hearing a story about a woman who left her husband and three children to marry a man on death row. All I could think about was her daughters. It is so unnatural for a mother to abandon her children. I wondered what it must be like for them and what their lives would be like as they grew into adults. Restoration is a fictional account told from the point of view of a woman whose mother did this to her family. There is a lot more work that goes into the publication of book for an Indie author than just the writing and editing. The promotional and marketing plan has to be developed, the book sent to reviewers at least six months in advance, all of the things a traditional publishing house does for a writer. One has to be both writer and marketer. Interviews like this are a great opportunity for Indie Authors such as myself to get in front of the public, so I really appreciate the time you took to learn more about me and about my novel Atomic Summer.
October 13, 2012
Interview With Author Wayne Cain
Author Wayne Cain explores war and love in his novel, "On Guard for Thee (War and Strife in 1812)". After rescuing Sarah Macintyre and her father Josiah from the Indians on his journey from Mexico to Upper Canada, Nicademus Kane must go off to fight in the War of 1812. He promises to return to Sarah, who he has quickly fallen in love with; but first he will see more than his fair share battles.
Let's hear what Wayne Cain has to say about "On Guard for Thee (War and Strife in 1812)".
Q: Although the early nineteenth century was a very interesting time, there seems to be a disproportionately small number of historical novels set during this period, particularly ones that take place in North America. Why do you think this is?
A: It's possible that the time is not as interesting to everyone as to some of us. I think most of the fiction about that time concentrates on Europe because of what was going on over there. Napoleon and all.
Q: The general public doesn’t know as much about the War of 1812 as many other wars. What is the most fascinating or surprising thing that you discovered about this war while working on this book?
A: The outcome of the war just astounds me. The Americans and British pretty well called it a tie and went back to the status quo. There were a lot of lives lost for nothing. The Natives however, lost everything.
Q: How much did you plan “On Guard for Thee” before you actually began the writing process?
A: It was about 2005/2006 when I came up with the idea. Right then I realized that I had to have it done for 2012, the 200th anniversary of the war. So it was just "get going now, plan as you go".
Q: Who are some of your favorite historical fiction authors?
A: Douglas Reeman (pseudo Alexander Kent), Bernard Cornwell, C.S. Forester.
Q: The love that Nicademus and Sarah feel for each other is very deep. What makes their relationship so special?
A: They are both alone in the world, running from their pasts.
Q: What are your future writing plans?
A: I'm working on the second book right now tenatively called "Broad Stripes and Bright Stars (War and Strife in 1813)".
Let's hear what Wayne Cain has to say about "On Guard for Thee (War and Strife in 1812)".
Q: Although the early nineteenth century was a very interesting time, there seems to be a disproportionately small number of historical novels set during this period, particularly ones that take place in North America. Why do you think this is?
A: It's possible that the time is not as interesting to everyone as to some of us. I think most of the fiction about that time concentrates on Europe because of what was going on over there. Napoleon and all.
Q: The general public doesn’t know as much about the War of 1812 as many other wars. What is the most fascinating or surprising thing that you discovered about this war while working on this book?
A: The outcome of the war just astounds me. The Americans and British pretty well called it a tie and went back to the status quo. There were a lot of lives lost for nothing. The Natives however, lost everything.
Q: How much did you plan “On Guard for Thee” before you actually began the writing process?
A: It was about 2005/2006 when I came up with the idea. Right then I realized that I had to have it done for 2012, the 200th anniversary of the war. So it was just "get going now, plan as you go".
Q: Who are some of your favorite historical fiction authors?
A: Douglas Reeman (pseudo Alexander Kent), Bernard Cornwell, C.S. Forester.
Q: The love that Nicademus and Sarah feel for each other is very deep. What makes their relationship so special?
A: They are both alone in the world, running from their pasts.
Q: What are your future writing plans?
A: I'm working on the second book right now tenatively called "Broad Stripes and Bright Stars (War and Strife in 1813)".
October 11, 2012
Interview With Author Dexter Morgenstern
Felix Faust is one very gifted nineteen-year-old. Not only is he a semi-genus but he also has a talent for telekinesis. After Felix meets Randy whose psychic ability surpasses his own, Felix is soon caught up in a world full of danger, and there's no turning back. Felix's very life depends on continuing to grow and fight the malevolent forces that threaten him.
So, what does author Dexter Morgenstern have to say about his psychic thriller, "Felix Faust"?
Q: Felix appears to be something of a misfit. Was one of your intentions in writing the book to inspire people who don’t quite fit in, to find their niche?
A: Felix didn’t have to be a misfit. He‘s introverted to the point of being called anti-social. He loyal to himself and his family, and doesn’t leave much room for others. With that in mind I say, although not directly intended, Felix can inspire those that don’t fit in well, because it’s not about fitting in with the group that matters. It’s about recognizing those select few who deserve your opinion and your loyalty.
Q: The word psychic is thrown around so much. What do you think is the biggest misconception about psychic ability?
A: When some people hear the word psychic, they generally think about telekinesis, mind-reading, séances, and future-sight; they’re psychic because they can do these things, but I hear very few people asking how. A lot of people think a psychic just does it because they’re “psychic,” but to me that word is becoming a little more abstract because I like to theorize how someone can lift an object with their mind. I believe a person is psychic because of their mental perception, skill, and focus that enables them to use their abilities, not simply because they have their abilities.
Q: “Felix Faust” is a very imaginative story. What inspired you to write it?
A: I’ve been very fascinated by the concept of telekinesis and mind-reading ever since I was little. Road Dahl’s Matilda and its film adaptation were always a favorite. I began writing science-fiction a few years ago, and in 2011 I developed a plot idea which I proceeded to write and publish as Felix Faust.
Q: What did you enjoy more in the writing of this book, developing the characters or developing the storyline?
A: Well I had most of my characters figured out before I started writing, and my plot outline changed on me every other day. Not only that, but the plot helped my characters almost on their own, and occurrences I didn’t know were going happen did. So I definitely think I got more out of writing the storyline for this book.
Q: Is there a genre you would like to work in but haven’t yet?
A: Yes, I’ve actually got an outline planned out for a contemporary war-fiction. It’s still fiction, but it’s not science-fiction or paranormal in any way. I think that will be a new challenge for me.
Q: What can you tell us about the second book in the series?
A: The second book, Byron Bishop, is undergoing editing and I hope to publish it before 2013. The story takes place along the same time as Felix Faust but from the perspective and narration of a different character, Byron. He has an entirely different perspective and background than Felix does and explores different abilities with a different mindset. It’ll also answer the questions to some events that took place in book one. It explains more of the enemy’s powers and introduces new ones. In Felix Faust you’re introduced to telekinesis, pyro-kinesis, and illusions, but in Byron Bishop you learn about alchemy and astral projection. I think if people appreciate book one, they’ll really enjoy book two.
So, what does author Dexter Morgenstern have to say about his psychic thriller, "Felix Faust"?
Q: Felix appears to be something of a misfit. Was one of your intentions in writing the book to inspire people who don’t quite fit in, to find their niche?
A: Felix didn’t have to be a misfit. He‘s introverted to the point of being called anti-social. He loyal to himself and his family, and doesn’t leave much room for others. With that in mind I say, although not directly intended, Felix can inspire those that don’t fit in well, because it’s not about fitting in with the group that matters. It’s about recognizing those select few who deserve your opinion and your loyalty.
Q: The word psychic is thrown around so much. What do you think is the biggest misconception about psychic ability?
A: When some people hear the word psychic, they generally think about telekinesis, mind-reading, séances, and future-sight; they’re psychic because they can do these things, but I hear very few people asking how. A lot of people think a psychic just does it because they’re “psychic,” but to me that word is becoming a little more abstract because I like to theorize how someone can lift an object with their mind. I believe a person is psychic because of their mental perception, skill, and focus that enables them to use their abilities, not simply because they have their abilities.
Q: “Felix Faust” is a very imaginative story. What inspired you to write it?
A: I’ve been very fascinated by the concept of telekinesis and mind-reading ever since I was little. Road Dahl’s Matilda and its film adaptation were always a favorite. I began writing science-fiction a few years ago, and in 2011 I developed a plot idea which I proceeded to write and publish as Felix Faust.
Q: What did you enjoy more in the writing of this book, developing the characters or developing the storyline?
A: Well I had most of my characters figured out before I started writing, and my plot outline changed on me every other day. Not only that, but the plot helped my characters almost on their own, and occurrences I didn’t know were going happen did. So I definitely think I got more out of writing the storyline for this book.
Q: Is there a genre you would like to work in but haven’t yet?
A: Yes, I’ve actually got an outline planned out for a contemporary war-fiction. It’s still fiction, but it’s not science-fiction or paranormal in any way. I think that will be a new challenge for me.
Q: What can you tell us about the second book in the series?
A: The second book, Byron Bishop, is undergoing editing and I hope to publish it before 2013. The story takes place along the same time as Felix Faust but from the perspective and narration of a different character, Byron. He has an entirely different perspective and background than Felix does and explores different abilities with a different mindset. It’ll also answer the questions to some events that took place in book one. It explains more of the enemy’s powers and introduces new ones. In Felix Faust you’re introduced to telekinesis, pyro-kinesis, and illusions, but in Byron Bishop you learn about alchemy and astral projection. I think if people appreciate book one, they’ll really enjoy book two.
October 8, 2012
Interview With Author Harrison Davies
In "The Aduramis Chonicle: Destiny of the Wulf (Er'ath #1) brothers Coinin and Marrok must fulfill a destiny that has surrounded them since before they were born; to prevent Death, which seeks to rule as king of gods, to consume all life on Er'ath.
What does author Harrison Davies have to say about "Destiny of the Wulf"?
Q: The difficult circumstances that Coinin and Marrok face together put a strain on their relationship. Do you think most sibling relationships would survive the storms these two have to weather; or is there something special about Coinin and Marrok?
A: Coinin and Marrok are strong as they are united by a unique magical bond. They despise their uncle and this only strengthens their belief that they have only each other. If it weren’t for their unique bond, I believe they would have parted company long ago. Their relationship is strained on several occasions, but common sense prevails and they realise that they need each other.
Q: Is there a character in “Destiny of the Wulf” that you particularly identify with?
A: I identify will all characters, as there is an element of my own personality in each. Although, I do identify mostly with Coinin. My childhood was fraught with a degree of suffering and trials no child should encounter, and his emotions are similar to those I experienced.
Q: If “Destiny of the Wulf” were made into a film who would you want to direct it?
A: That is the most difficult question ever! Actually destiny is being written as a screenplay as I speak by a very talented scriptwriter. Christopher Nolan would be my ideal Director.
Q: Describe what you think your typical fan is like?
A: Does my mother count ha-ha? Seriously though, my fans, although few in number, range from 15 to 66 years of age from a variety of backgrounds so I haven’t been able to pin a typical fan down to a category just yet.
Q: Do your books often turn out differently than they way you originally planned?
A: Almost always, Destiny of the Wulf is slightly shorter than I envisioned, but I can use what I left out in future books. I do have a plan, but I prefer to be fluid in my writing, you write better that way. Being rigid, I think, will stifle the creativity.
Q: What do you hope to accomplish with “The Aduramis Chronicles”
A: My ideal would be to entertain, but to finish the whole 16 books planned is my ultimate goal. A film wouldn’t be too shabby either. I want people to look back and think, ‘I really enjoyed that, and came away satisfied that I’ve read a good story’.
What does author Harrison Davies have to say about "Destiny of the Wulf"?
Q: The difficult circumstances that Coinin and Marrok face together put a strain on their relationship. Do you think most sibling relationships would survive the storms these two have to weather; or is there something special about Coinin and Marrok?
A: Coinin and Marrok are strong as they are united by a unique magical bond. They despise their uncle and this only strengthens their belief that they have only each other. If it weren’t for their unique bond, I believe they would have parted company long ago. Their relationship is strained on several occasions, but common sense prevails and they realise that they need each other.
Q: Is there a character in “Destiny of the Wulf” that you particularly identify with?
A: I identify will all characters, as there is an element of my own personality in each. Although, I do identify mostly with Coinin. My childhood was fraught with a degree of suffering and trials no child should encounter, and his emotions are similar to those I experienced.
Q: If “Destiny of the Wulf” were made into a film who would you want to direct it?
A: That is the most difficult question ever! Actually destiny is being written as a screenplay as I speak by a very talented scriptwriter. Christopher Nolan would be my ideal Director.
Q: Describe what you think your typical fan is like?
A: Does my mother count ha-ha? Seriously though, my fans, although few in number, range from 15 to 66 years of age from a variety of backgrounds so I haven’t been able to pin a typical fan down to a category just yet.
Q: Do your books often turn out differently than they way you originally planned?
A: Almost always, Destiny of the Wulf is slightly shorter than I envisioned, but I can use what I left out in future books. I do have a plan, but I prefer to be fluid in my writing, you write better that way. Being rigid, I think, will stifle the creativity.
Q: What do you hope to accomplish with “The Aduramis Chronicles”
A: My ideal would be to entertain, but to finish the whole 16 books planned is my ultimate goal. A film wouldn’t be too shabby either. I want people to look back and think, ‘I really enjoyed that, and came away satisfied that I’ve read a good story’.
October 4, 2012
Interview With Author Nicole Ochart
In the romantic, paranormal thriller "Immoral Love", a college student, Amanda, is dealing with devlocks, angels, love and a premonition of her own premature death. Ironically, it is Dominic, the man who makes her forget her fears and breathes new life into her, who may be the biggest threat to her life.
Let's find out what Nicole Ochart has to say about her novel, "Immoral Love".
Q: How long did it take you to write “Immoral Love”?
A: It took me a little under a year to write the book. I read the book about a thousand times since then, and I kept making corrections or changes to make it a better book.
Q: What do you enjoy more, the process of developing a story or sharing the story with readers?
A: I honestly love both parts. I love getting lost in my story, and I love the way the characters take over and create a different world for me to disappear into. People reading it all is just a plus.
Q: Who are some of your biggest influences as a writer?
A: I can honestly say that my mom is probably the one of the biggest influences. She is not a writer, but she has been supportive through the entire writing process. She has read the book a number of times, and even saved me from so horrible ideas. If it wasn't for my mom, the book probably never would have been finished. My daughter Tamina is also a big influence. She was the reason I pushed forward and fought to publish. I want a great life for my daughter. Why not give her that great life, while doing something I love?
Q: In “Immoral Love” Amanda finally feels safe enough to let her guard down when she meets Dominic, who turns out to be her biggest threat. Is this part of the story symbolic of the habit so many women have of trusting the wrong men?
A: Boy is it! I think we have all been "that woman", and it's true in a lot of cases. We are cautious, paranoid even, just like Amanda. One day someone comes along and just jumbles up our brains. The next thing you know we are head over heals, the only problem is...it's not always a happy ending. I am a glass full kind of girl, but reality strikes and you realize that not everything ends the way we want, but the moments in between are something we will always carry with us.
Q: How much, if at all, do you identify with Amanda in “Immoral Love”?
A: I think I identify with Amanda quite a bit. Obviously I am not dating a Devlock, and my best friends girl isn't an angel, but I relate to her story. I never fit in, I was always an outsider. Always the one to watch, and never do. The funny thing is, as Amanda grew, so did I. She became the woman I wanted to be, before I even made it there myself. I think writing this book, having Amanda as my main character, helped me realize that just because I'm a bit different, doesn't mean that I will never fit in. I just won't fit in with the 'normal' crowd.
Q: What are your future writing plans?
A: I am currently working on book two of the Immoral Love series. I have a couple other writing things that I am working on as well. I plan to have three books in the series. I look forward to where my crazy characters are going to take me next.
Let's find out what Nicole Ochart has to say about her novel, "Immoral Love".
Q: How long did it take you to write “Immoral Love”?
A: It took me a little under a year to write the book. I read the book about a thousand times since then, and I kept making corrections or changes to make it a better book.
Q: What do you enjoy more, the process of developing a story or sharing the story with readers?
A: I honestly love both parts. I love getting lost in my story, and I love the way the characters take over and create a different world for me to disappear into. People reading it all is just a plus.
Q: Who are some of your biggest influences as a writer?
A: I can honestly say that my mom is probably the one of the biggest influences. She is not a writer, but she has been supportive through the entire writing process. She has read the book a number of times, and even saved me from so horrible ideas. If it wasn't for my mom, the book probably never would have been finished. My daughter Tamina is also a big influence. She was the reason I pushed forward and fought to publish. I want a great life for my daughter. Why not give her that great life, while doing something I love?
Q: In “Immoral Love” Amanda finally feels safe enough to let her guard down when she meets Dominic, who turns out to be her biggest threat. Is this part of the story symbolic of the habit so many women have of trusting the wrong men?
A: Boy is it! I think we have all been "that woman", and it's true in a lot of cases. We are cautious, paranoid even, just like Amanda. One day someone comes along and just jumbles up our brains. The next thing you know we are head over heals, the only problem is...it's not always a happy ending. I am a glass full kind of girl, but reality strikes and you realize that not everything ends the way we want, but the moments in between are something we will always carry with us.
Q: How much, if at all, do you identify with Amanda in “Immoral Love”?
A: I think I identify with Amanda quite a bit. Obviously I am not dating a Devlock, and my best friends girl isn't an angel, but I relate to her story. I never fit in, I was always an outsider. Always the one to watch, and never do. The funny thing is, as Amanda grew, so did I. She became the woman I wanted to be, before I even made it there myself. I think writing this book, having Amanda as my main character, helped me realize that just because I'm a bit different, doesn't mean that I will never fit in. I just won't fit in with the 'normal' crowd.
Q: What are your future writing plans?
A: I am currently working on book two of the Immoral Love series. I have a couple other writing things that I am working on as well. I plan to have three books in the series. I look forward to where my crazy characters are going to take me next.
October 3, 2012
Interview With Author Deborah Armstrong
It may be a popular fantasy for mature women, but the successful bestselling author/farmer, Davina Stuart has the chance to find out what it's like to have a fling with a hot,sensitive and significantly younger man. What Davina isn't prepared for is Quinn's desire for a serious lasting relationship.
So, what does author Deborah Armstrong have to say about "Forever Love"?
Q: An aspect of “Forever Love” that is particularly unique is how Quinn Thomas comes across as being much deeper than the typical man. He’s tired of shallow relationships and wants something more meaningful. What are some other elements of “Forever Love” that set it apart from most contemporary romances?
A: Forever Love differs from most contemporary romances in that the couple meets, falls in love and starts a family within the first few chapters of the book. What follows - their developing relationship, their dealing with the emotional baggage that they both brought with them, and their learning to cope with the different worlds they are trying to unite, also sets the story apart from the norm. The story does not end with a happily ever after once the wedding vows are said.
There’s more drama, even life threatening drama, that ensues.
The characters also make Forever Love different from contemporary romances. The female lead, Davina, is fifteen years older than Quinn. She's independent, a successful businesswoman and she isn't looking for romance. She believes she’s passed that stage in her life. Quinn is the one who is looking for a life partner. Quinn believes in destiny. He is the romantic. He follows his heart while Davina is more the realist. She waits for her heart and head to agree with each other before she commits.
Q: What kind of character is the most fun for you to write about?
A: It’s fun to write about the romantic leads. I like to make them intelligent and witty. I like them to be flirtatious and sexy, but not take themselves too seriously. They may be gorgeous and sex personified, but they know that they are as imperfect as everyone else. My characters have to have a sense of humor. I like to put them in embarrassing situations where they have to use their intelligence and sense of humor to escape with their pride still somewhat intact.
In Forever Love,I had fun with Quinn and Davina and their attempts to have phone sex. Quinn always seemed to be left hanging (no pun intended).
Q: At the beginning of “Forever Love” Davina is only interested in a little tryst. Do you think it is more common for women to seek out casual physical relationships than one would assume?
A: Whether it is more common now for women to enter into a casual physical relationship, I couldn't say. Casual sex is glamorized in books and the movies, but I don't know how accurate a reflection it is of today's women. Women and men are busy juggling school or careers, that it can become difficult to find romance. Casual physical relationships may be the only type available to them. However, the young women I know are more interested in finding a lasting romantic relationship than having a little bit of fun on the side.
Q: Who are some of the authors who have influenced you the most?
A: Over one summer I read countless romance and paranormal books. I am a fan of Christopher Moore for his dark but hilarious sense of humor. I like Johanna Lindsey for her historical romance novels. I like her simple plot lines and tasteful sex scenes. Lora Leigh’s Breed Series were very helpful on how to write about steamy sex and gorgeous men. Right now, I am enjoying Sylvia Day and her writing style. I appreciate any author who can write well. When I come across bad grammar, I cringe and then dock a star from their ratings.
Q: Is there a genre you haven’t yet explored but would like to?
A: Paranormal Romance. It seems to have a growing market.
Q: What are your future writing plans?
A: I hope to have the sequel to Forever Love published in 2013, providing I can stay on top of my farm work. I also have three other manuscripts in various stages of development and my goal is to publish each one of them. I plan to keep on writing as long as time and my fingers allow.
So, what does author Deborah Armstrong have to say about "Forever Love"?
Q: An aspect of “Forever Love” that is particularly unique is how Quinn Thomas comes across as being much deeper than the typical man. He’s tired of shallow relationships and wants something more meaningful. What are some other elements of “Forever Love” that set it apart from most contemporary romances?
A: Forever Love differs from most contemporary romances in that the couple meets, falls in love and starts a family within the first few chapters of the book. What follows - their developing relationship, their dealing with the emotional baggage that they both brought with them, and their learning to cope with the different worlds they are trying to unite, also sets the story apart from the norm. The story does not end with a happily ever after once the wedding vows are said.
There’s more drama, even life threatening drama, that ensues.
The characters also make Forever Love different from contemporary romances. The female lead, Davina, is fifteen years older than Quinn. She's independent, a successful businesswoman and she isn't looking for romance. She believes she’s passed that stage in her life. Quinn is the one who is looking for a life partner. Quinn believes in destiny. He is the romantic. He follows his heart while Davina is more the realist. She waits for her heart and head to agree with each other before she commits.
Q: What kind of character is the most fun for you to write about?
A: It’s fun to write about the romantic leads. I like to make them intelligent and witty. I like them to be flirtatious and sexy, but not take themselves too seriously. They may be gorgeous and sex personified, but they know that they are as imperfect as everyone else. My characters have to have a sense of humor. I like to put them in embarrassing situations where they have to use their intelligence and sense of humor to escape with their pride still somewhat intact.
In Forever Love,I had fun with Quinn and Davina and their attempts to have phone sex. Quinn always seemed to be left hanging (no pun intended).
Q: At the beginning of “Forever Love” Davina is only interested in a little tryst. Do you think it is more common for women to seek out casual physical relationships than one would assume?
A: Whether it is more common now for women to enter into a casual physical relationship, I couldn't say. Casual sex is glamorized in books and the movies, but I don't know how accurate a reflection it is of today's women. Women and men are busy juggling school or careers, that it can become difficult to find romance. Casual physical relationships may be the only type available to them. However, the young women I know are more interested in finding a lasting romantic relationship than having a little bit of fun on the side.
Q: Who are some of the authors who have influenced you the most?
A: Over one summer I read countless romance and paranormal books. I am a fan of Christopher Moore for his dark but hilarious sense of humor. I like Johanna Lindsey for her historical romance novels. I like her simple plot lines and tasteful sex scenes. Lora Leigh’s Breed Series were very helpful on how to write about steamy sex and gorgeous men. Right now, I am enjoying Sylvia Day and her writing style. I appreciate any author who can write well. When I come across bad grammar, I cringe and then dock a star from their ratings.
Q: Is there a genre you haven’t yet explored but would like to?
A: Paranormal Romance. It seems to have a growing market.
Q: What are your future writing plans?
A: I hope to have the sequel to Forever Love published in 2013, providing I can stay on top of my farm work. I also have three other manuscripts in various stages of development and my goal is to publish each one of them. I plan to keep on writing as long as time and my fingers allow.
Authors' Musings
Jennifer K. Lafferty, author of Movie Dynasty Princesses, reviews a wide range of books and discusses various aspects of contemporary and classic literature.
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