Jennifer K. Lafferty's Blog: Authors' Musings, page 7
January 17, 2013
Interview with author of "The Chronicles of Good & Evil - Dracula's Lair/the Darkest Tower"
Built on a firm foundation of Christianity, the fantasy read “The Chronicles of Good & Evil - Dracula's Lair / the Darkest Tower”? by C. David Murphy is an apocalyptic adventure traveling from one imaginative world to another. The novel centers on an a hero who is part angel part warrior, attempting to defeat Satan before it's too late. In my interview with Murphy he describes the "The Chronicles of Good & Evil" and what went into its making.
Q: What was the most challenging thing about writing “The Chronicles of Good and Evil - Dracula's Lair / the Darkest Tower”?
A: First of all the book (both volumes) was written in 14 weeks - from initial idea to final script. For this duration the book consumed nearly every waking hour, six days a week, sometimes 12-14 hour days. Unlike my first two novels (A Diary’s House / In Winter’s Moment) I felt propelled forward by this engrossing idea and notion. The entire process was extraordinarily fluid. No writer’s block or times where I didn’t foresee how the story would go. I am a passionate writer; all-consuming. That’s how I write. I write as much for the transient drifter traveling the streets of a major city as I would for the elite executive running the most powerful corporation in the world. We are human, and I write from a humanistic standpoint. This streams out within my characters, the scenarios they are faced with, and the eventual outcome the novel plays to. A writer has to be honest with themselves and the reader. If you don’t, the intuitive reader will quickly pick up on this. You also have to trust your instincts as a writer. The story is the most important factor, not you as the writer. The challenges are the same with every work I perform – you make it the very best it can be. And in the end, you hope that you can affect change in the lives of those who read your work – and perhaps, in some small way, you can affect change in our general and specific communities. Words are a timeless performance of communication – and novels, stories are a timeless antidote to the world we live in and the lives we live.
Q: If you were going to recommend “The Chronicles of Good & Evil - Dracula's Lair / the Darkest Tower” to the fans of any other novel what novel would it be?
A: Certainly it goes without saying – the traditional manuscripts for which many formats of ‘The Chronicles of Good and Evil’ holds a slight foundation with. From the biblical storyboard element – Milton’s ‘Paradise Lost’; thematic backdrops – Tolkien’s ‘Lord of the Rings’; prose and language inscription (since this is a period piece from the 1400’s) - a montage of Shakespeare’s more popular plays; character development and abridged writing styles – Charles Dickens ‘Great Expectations’. And of course C.S. Lewis’ series ‘The Chronicles of Narnia’. All these interwoven into a collective hue for the reader to enjoy…In the end I would have to say those who read traditional works such as Tolkien’s, Dickens, Lewis, and even Milton’s would find enjoyment with this novel.
Q: Obviously, you have a very vivid imagination. Did you ever struggle in the creation of the fanciful world depicted in this novel, or did it come to you easily?
A: There are a myriad of worlds within this novel & series. Obviously the historical world in Eastern Europe during the time of Dracula plays out the central stage to the book, but also the lands and world of Heaven. We often perceive Heaven as an ethereal, other world, perhaps mundane place/cities of gold and mirth. Yet I have envisioned a much more complex, unbelievable place that defies the rules of our own imagination. A place of labyrinth halls and avenues that extends far beyond what we could ever know. Much more is to be revealed as we go forward in this series. A much more complex realm of Heaven is in sketch now for the third book as well as the darkest tombs of hell itself.
Q: Which character from “The Chronicles of Good & Evil - Dracula's Lair / the Darkest Tower” do you identify with the most?
A: Oh with out a doubt – the main character – Daniel. He is truly the lifeblood of this series. I have secret elements which very few people know of built into this series. There are many hidden meanings in this novel series – some, most intimate; others embroider the whole ‘quilt’ to this story. Daniel is a mirror; a complex, mysterious element of ‘things that could have been’, ‘things that are’, and ‘things that will be’. Where time is more of an illusion, and what may be considered fantasy, perhaps, in the end, will be proven most real. ‘Time’ does not tell all - it doesn’t speak, but it evolves the world of ‘The Chronicles of Good and Evil’ into the very special series that it will become. Daniel is the centerboard. He becomes the eyes, the visual imagination, and the vicarious emotions for the readers. The journey is yours as much as it is his. In another one of my books I begin a chapter “Time has its own memory, and they call it history…” But history, as in the ‘The Lord of the Rings’, becomes legend; legend becomes myth – things that were not to be forgotten, are lost… this storyline will hold to this aspect throughout, but it creates the cataclysmic diversity of two very paradox worlds – Heaven and hell…with the world always sitting on the edge and stuck in the middle… at last, the allure of that mystery will keep your attention…
Q: What is your main source of inspiration as a writer?
A: My personal beliefs put aside, I would have to say my mother. She lived her life without heirs, self-promotion, & grievances against others. Her father was a very strong influence in her life – he being a man who commanded many in business, but held steadfast to his Christian faith. She emulated him, reading the Bible everyday, studying the word, living by example, never promoting herself. At the end of her life when her understanding was great, her faith led her through the most incredible, most challenging physical journey I’ve ever witnessed. She was a testament to her faith, her beliefs never wavered; she never flinched, even in her greatest trials. To this day I am still in awe of what she went through (as I wrote the novel ‘In Winter’s Moment’ about her journey). In the end she still proclaimed ‘God is great’. Such an experience has propelled me to influence how I write, what I write. That in someway I honor her by doing this, and the things she taught me still live on beyond her life…
Q: What can you tell us about the next installment in the series?
A: The second book is actually the second half to part one of the series - this is complete. I am relatively deep into the sketching stage for book three. It will infuse more elements which were not exposed in book one or two. There will be further intrigue, further staging on the characters in book one and two, and more characters brought into the fray, so to speak going forward. There will be a richer context to Heaven, an introduction to the depths of hell - but delving too deep into the subject matters will only give away the plotlines… I suspect there will be a minimum of 10 -12 books all together…
Q: What was the most challenging thing about writing “The Chronicles of Good and Evil - Dracula's Lair / the Darkest Tower”?
A: First of all the book (both volumes) was written in 14 weeks - from initial idea to final script. For this duration the book consumed nearly every waking hour, six days a week, sometimes 12-14 hour days. Unlike my first two novels (A Diary’s House / In Winter’s Moment) I felt propelled forward by this engrossing idea and notion. The entire process was extraordinarily fluid. No writer’s block or times where I didn’t foresee how the story would go. I am a passionate writer; all-consuming. That’s how I write. I write as much for the transient drifter traveling the streets of a major city as I would for the elite executive running the most powerful corporation in the world. We are human, and I write from a humanistic standpoint. This streams out within my characters, the scenarios they are faced with, and the eventual outcome the novel plays to. A writer has to be honest with themselves and the reader. If you don’t, the intuitive reader will quickly pick up on this. You also have to trust your instincts as a writer. The story is the most important factor, not you as the writer. The challenges are the same with every work I perform – you make it the very best it can be. And in the end, you hope that you can affect change in the lives of those who read your work – and perhaps, in some small way, you can affect change in our general and specific communities. Words are a timeless performance of communication – and novels, stories are a timeless antidote to the world we live in and the lives we live.
Q: If you were going to recommend “The Chronicles of Good & Evil - Dracula's Lair / the Darkest Tower” to the fans of any other novel what novel would it be?
A: Certainly it goes without saying – the traditional manuscripts for which many formats of ‘The Chronicles of Good and Evil’ holds a slight foundation with. From the biblical storyboard element – Milton’s ‘Paradise Lost’; thematic backdrops – Tolkien’s ‘Lord of the Rings’; prose and language inscription (since this is a period piece from the 1400’s) - a montage of Shakespeare’s more popular plays; character development and abridged writing styles – Charles Dickens ‘Great Expectations’. And of course C.S. Lewis’ series ‘The Chronicles of Narnia’. All these interwoven into a collective hue for the reader to enjoy…In the end I would have to say those who read traditional works such as Tolkien’s, Dickens, Lewis, and even Milton’s would find enjoyment with this novel.
Q: Obviously, you have a very vivid imagination. Did you ever struggle in the creation of the fanciful world depicted in this novel, or did it come to you easily?
A: There are a myriad of worlds within this novel & series. Obviously the historical world in Eastern Europe during the time of Dracula plays out the central stage to the book, but also the lands and world of Heaven. We often perceive Heaven as an ethereal, other world, perhaps mundane place/cities of gold and mirth. Yet I have envisioned a much more complex, unbelievable place that defies the rules of our own imagination. A place of labyrinth halls and avenues that extends far beyond what we could ever know. Much more is to be revealed as we go forward in this series. A much more complex realm of Heaven is in sketch now for the third book as well as the darkest tombs of hell itself.
Q: Which character from “The Chronicles of Good & Evil - Dracula's Lair / the Darkest Tower” do you identify with the most?
A: Oh with out a doubt – the main character – Daniel. He is truly the lifeblood of this series. I have secret elements which very few people know of built into this series. There are many hidden meanings in this novel series – some, most intimate; others embroider the whole ‘quilt’ to this story. Daniel is a mirror; a complex, mysterious element of ‘things that could have been’, ‘things that are’, and ‘things that will be’. Where time is more of an illusion, and what may be considered fantasy, perhaps, in the end, will be proven most real. ‘Time’ does not tell all - it doesn’t speak, but it evolves the world of ‘The Chronicles of Good and Evil’ into the very special series that it will become. Daniel is the centerboard. He becomes the eyes, the visual imagination, and the vicarious emotions for the readers. The journey is yours as much as it is his. In another one of my books I begin a chapter “Time has its own memory, and they call it history…” But history, as in the ‘The Lord of the Rings’, becomes legend; legend becomes myth – things that were not to be forgotten, are lost… this storyline will hold to this aspect throughout, but it creates the cataclysmic diversity of two very paradox worlds – Heaven and hell…with the world always sitting on the edge and stuck in the middle… at last, the allure of that mystery will keep your attention…
Q: What is your main source of inspiration as a writer?
A: My personal beliefs put aside, I would have to say my mother. She lived her life without heirs, self-promotion, & grievances against others. Her father was a very strong influence in her life – he being a man who commanded many in business, but held steadfast to his Christian faith. She emulated him, reading the Bible everyday, studying the word, living by example, never promoting herself. At the end of her life when her understanding was great, her faith led her through the most incredible, most challenging physical journey I’ve ever witnessed. She was a testament to her faith, her beliefs never wavered; she never flinched, even in her greatest trials. To this day I am still in awe of what she went through (as I wrote the novel ‘In Winter’s Moment’ about her journey). In the end she still proclaimed ‘God is great’. Such an experience has propelled me to influence how I write, what I write. That in someway I honor her by doing this, and the things she taught me still live on beyond her life…
Q: What can you tell us about the next installment in the series?
A: The second book is actually the second half to part one of the series - this is complete. I am relatively deep into the sketching stage for book three. It will infuse more elements which were not exposed in book one or two. There will be further intrigue, further staging on the characters in book one and two, and more characters brought into the fray, so to speak going forward. There will be a richer context to Heaven, an introduction to the depths of hell - but delving too deep into the subject matters will only give away the plotlines… I suspect there will be a minimum of 10 -12 books all together…
January 12, 2013
Interview with 'Antioch' author William Harlan
Are you ready for the end of the world? Well, the subject makes for some very entertaining and imaginative reading in William Harlan's science fiction/fantasy novel "Antioch (The Circle #1)". In the book, the fate of humanity rests on the shoulders of an ancient order of mystics who must decide if they are willing to divulge their secrets to save man kind.
William Harlan discussed "Antioch" and the writing process in our recent interview.
Q: What inspired you to write “Antioch”?
A: Since playing Dungeons and Dragons as a boy, I have loved the idea of paladins, warrior-priests who wade into the center of battle striking down their foes and healing their friends. They're like Jesus with a sword and a bad attitude. I started writing Antioch so I could write about paladins.
Q: Do you prefer writing character driven or plot driven stories?
A: I'm going to guess character driven, but i could be wrong. It's definitely one or the other, maybe a mix. Is there a third option?
Q: Do you prefer writing science fiction and fantasy to others genres, if so, why?
A: I like low fantasy, medieval swordplay plus a small amount of sensible magic. There's just something special about a sword.
Q: Who are some of your biggest influences as a writer?
A: I love song lyrics. Robert Plant (Led Zeppelin) and Eminem have had a huge influence over me. I try to add a lyrical quality to my sentence structure if I can. My favorite book is probably "Jurassic Park" by Michael Crichton. My favorite author is Stephen King, not because of his novels but because of his attitude toward writing. His "On Writing" is inspirational.
Q: You compare “Antioch” to “Star Wars” in the description. Do you think fans of “Star Wars” would appreciate this book, if so, why?
A: I think so. I'm a big "Star Wars" fan, so I wrote "Antioch" chasing a lot of the feelings I got watching "Star Wars" as a kid thirty years ago. The connections are plain.
Q: What do you hope to accomplish with “Antioch”?
A: I want to write for a living. Instead of working long hours in a restaurant, I want to work long hours on a series of cool novels. I'd be happy to do it for the equivalent of minimum wage. My wife can pick up the slack!
Be on the lookout for Harlan's next installment in the series "The Circle, Part Two is "Golgotha."
William Harlan discussed "Antioch" and the writing process in our recent interview.
Q: What inspired you to write “Antioch”?
A: Since playing Dungeons and Dragons as a boy, I have loved the idea of paladins, warrior-priests who wade into the center of battle striking down their foes and healing their friends. They're like Jesus with a sword and a bad attitude. I started writing Antioch so I could write about paladins.
Q: Do you prefer writing character driven or plot driven stories?
A: I'm going to guess character driven, but i could be wrong. It's definitely one or the other, maybe a mix. Is there a third option?
Q: Do you prefer writing science fiction and fantasy to others genres, if so, why?
A: I like low fantasy, medieval swordplay plus a small amount of sensible magic. There's just something special about a sword.
Q: Who are some of your biggest influences as a writer?
A: I love song lyrics. Robert Plant (Led Zeppelin) and Eminem have had a huge influence over me. I try to add a lyrical quality to my sentence structure if I can. My favorite book is probably "Jurassic Park" by Michael Crichton. My favorite author is Stephen King, not because of his novels but because of his attitude toward writing. His "On Writing" is inspirational.
Q: You compare “Antioch” to “Star Wars” in the description. Do you think fans of “Star Wars” would appreciate this book, if so, why?
A: I think so. I'm a big "Star Wars" fan, so I wrote "Antioch" chasing a lot of the feelings I got watching "Star Wars" as a kid thirty years ago. The connections are plain.
Q: What do you hope to accomplish with “Antioch”?
A: I want to write for a living. Instead of working long hours in a restaurant, I want to work long hours on a series of cool novels. I'd be happy to do it for the equivalent of minimum wage. My wife can pick up the slack!
Be on the lookout for Harlan's next installment in the series "The Circle, Part Two is "Golgotha."
January 9, 2013
Interview with 'Salem in Seance' author Susana H. Case
"Salem in Seance" by Susana H. Case uniquely captures the drama and inhumanity of the legendary Salem Witch trials in 17th century Massachusetts, through a collection of poems. In my interview with Case she discusses the material and the writing process.
Q: What do you hope to accomplish with “Salem in Séance”?
A: I would hope first off that the poems be appreciated for their aesthetics. But I would also hope that it would lead readers to think about the way in which hysteria and oppression come about. Salem was not the first nor last of these sorts of incidents.
Q: Was it your intention to use this poetry to education readers about the Salem witch trials, in addition to moving them emotionally?
A: Yes, though it’s a story that many people know, through movies, or through Arthur Miller, for example. For me, as the major characters became vivid in my head, I found that I could hear them speaking to me and that I had things I wanted to say to them. This is the reason I sometimes interjected myself into the poems. It was also the reason for the title. I didn’t mean a séance in the mystical sense. Many of the poems, though not all, are persona poems, that is, they are written in the voice of the historical person—from that point of view. I felt compelled at times to respond, to insert myself into the poem as part of the story, and so I began to see the words as part of a séance in the traditional sense of the term, i.e., as the result of a sitting, a session among us.
Q: Do you think fear was the primary motive behind the atrocities committed against these individuals convicted of witchcraft?
A: I think there were a lot of motives. The accusations played to people’s fears about a world that was believed to exist, but couldn’t be seen. There were also issues of property and other forms of wealth. The area was split between the poorer and more rural Salem Village and the more prosperous (because of the harbors) Salem Town. The Salem Villagers were jealous and there wasn’t as much wealth in the land. Sex was also an issue.
Q: How long did it take you to write “Salem in Séance”?
A: About a year, including the time taken to refine it.
Q: What was the most challenging aspect of writing “Salem in Séance”?
A: I needed to resolve the differing perspectives in the literature as to why the events in Salem unfolded as they did and also to resolve for myself what it meant to be a female during that time. The accusers were also often female, but they were often children—and they were used by adults. There were few words then for adolescent disturbances. And even the lives of less disturbed children were bleak and boring by today’s standards. The adult accusers who were women were also victims of those struggling to obtain more power, or aligned with their families.
Q: Does an emotionally evocative book like this necessitate a certain mood when you’re writing, or were you able to work on it any time you wanted?
A: I’m good at compartmentalization, so I just do the writing and get into the story as I’m doing it. While I’m writing, I don’t really think about my own moods, but try to put myself into the characters and/or settings I’m writing about.
Q: What do you hope to accomplish with “Salem in Séance”?
A: I would hope first off that the poems be appreciated for their aesthetics. But I would also hope that it would lead readers to think about the way in which hysteria and oppression come about. Salem was not the first nor last of these sorts of incidents.
Q: Was it your intention to use this poetry to education readers about the Salem witch trials, in addition to moving them emotionally?
A: Yes, though it’s a story that many people know, through movies, or through Arthur Miller, for example. For me, as the major characters became vivid in my head, I found that I could hear them speaking to me and that I had things I wanted to say to them. This is the reason I sometimes interjected myself into the poems. It was also the reason for the title. I didn’t mean a séance in the mystical sense. Many of the poems, though not all, are persona poems, that is, they are written in the voice of the historical person—from that point of view. I felt compelled at times to respond, to insert myself into the poem as part of the story, and so I began to see the words as part of a séance in the traditional sense of the term, i.e., as the result of a sitting, a session among us.
Q: Do you think fear was the primary motive behind the atrocities committed against these individuals convicted of witchcraft?
A: I think there were a lot of motives. The accusations played to people’s fears about a world that was believed to exist, but couldn’t be seen. There were also issues of property and other forms of wealth. The area was split between the poorer and more rural Salem Village and the more prosperous (because of the harbors) Salem Town. The Salem Villagers were jealous and there wasn’t as much wealth in the land. Sex was also an issue.
Q: How long did it take you to write “Salem in Séance”?
A: About a year, including the time taken to refine it.
Q: What was the most challenging aspect of writing “Salem in Séance”?
A: I needed to resolve the differing perspectives in the literature as to why the events in Salem unfolded as they did and also to resolve for myself what it meant to be a female during that time. The accusers were also often female, but they were often children—and they were used by adults. There were few words then for adolescent disturbances. And even the lives of less disturbed children were bleak and boring by today’s standards. The adult accusers who were women were also victims of those struggling to obtain more power, or aligned with their families.
Q: Does an emotionally evocative book like this necessitate a certain mood when you’re writing, or were you able to work on it any time you wanted?
A: I’m good at compartmentalization, so I just do the writing and get into the story as I’m doing it. While I’m writing, I don’t really think about my own moods, but try to put myself into the characters and/or settings I’m writing about.
December 1, 2012
Interview With Author Melissa Groeling
Melissa Groeling's intriguing novel "Traffic Jam" follows the experiences of the teenaged Val Delton, whose family is going through a difficult time as a result of her father losing his job. Things really get crazy when Val discovers her sister has a mysterious new source of income and a dangerous secret that goes along with it. In my interview with Melissa Groeling she talked about "Traffic Jam" and shared her thoughts on the writing process.
Q: In “Traffic Jam” Val is trying to unravel her sister’s dangerous secret. With a mystery like this, is it a challenge to give the readers clues without giving too much away too soon?
A: Oh my God, yes! There was so much editing and re-editing and trying to be as subtle as I could which is, in no way, part of my personality so that made it twice as hard. You should’ve seen me at a book signing in Easton, Pennsylvania a few months ago, trying to explain the book without giving anything away---it was a lot harder than the writing part!
Q: Do you prefer to write character driven or plot driven stories?
A: As much as I love a good plot, character-driven stories are so much more fun. It’s extraordinarily entertaining to put someone in unpredictable situations to see how they react.
Q: Do you think the hardships Val’s family endures when her father loses his job and her mother has to work fourteen hours a day, forces Val to grow up quickly?
A: I don’t think so. I think it makes her strive to be better, to not add to her parents’ difficulties like Sam does. Val recognizes the hardships that they’re going through and she tries not be a burden. And her parents try to make sure that she’s focusing on things that she should be focusing on like her school work. Her parents don’t want to burden Val anymore than Val wants to burden them.
Q: You say you’ve been influenced by every author you’ve read. Is there one author in particular that stands out as a big inspiration?
A: Dean Koontz, without a doubt. I’ve been reading his books since I was a kid. His writing is so lyrical. He constantly amazes me the way he can describe an entire scene with only a few short sentence and you feel as if you’re standing right smack in the middle of it. It’s sensory overload. His books never get old, that’s for sure.
Q: What is your favorite genre as a writer?
A: Oh, definitely suspense! Whether it’s young adult or adult, I love suspense! It gets the blood flowing, the heart pounding. There’s that prickly feeling on the back of your neck—I love it! It’s so much fun to write and half the time my head’s going a mile a minute and my pen can’t keep up!
Q: What are your future writing plans?
A: Keep on writing! I’m working on a suspense story even as we speak so hopefully we’ll get it out in print soon!
Q: In “Traffic Jam” Val is trying to unravel her sister’s dangerous secret. With a mystery like this, is it a challenge to give the readers clues without giving too much away too soon?
A: Oh my God, yes! There was so much editing and re-editing and trying to be as subtle as I could which is, in no way, part of my personality so that made it twice as hard. You should’ve seen me at a book signing in Easton, Pennsylvania a few months ago, trying to explain the book without giving anything away---it was a lot harder than the writing part!
Q: Do you prefer to write character driven or plot driven stories?
A: As much as I love a good plot, character-driven stories are so much more fun. It’s extraordinarily entertaining to put someone in unpredictable situations to see how they react.
Q: Do you think the hardships Val’s family endures when her father loses his job and her mother has to work fourteen hours a day, forces Val to grow up quickly?
A: I don’t think so. I think it makes her strive to be better, to not add to her parents’ difficulties like Sam does. Val recognizes the hardships that they’re going through and she tries not be a burden. And her parents try to make sure that she’s focusing on things that she should be focusing on like her school work. Her parents don’t want to burden Val anymore than Val wants to burden them.
Q: You say you’ve been influenced by every author you’ve read. Is there one author in particular that stands out as a big inspiration?
A: Dean Koontz, without a doubt. I’ve been reading his books since I was a kid. His writing is so lyrical. He constantly amazes me the way he can describe an entire scene with only a few short sentence and you feel as if you’re standing right smack in the middle of it. It’s sensory overload. His books never get old, that’s for sure.
Q: What is your favorite genre as a writer?
A: Oh, definitely suspense! Whether it’s young adult or adult, I love suspense! It gets the blood flowing, the heart pounding. There’s that prickly feeling on the back of your neck—I love it! It’s so much fun to write and half the time my head’s going a mile a minute and my pen can’t keep up!
Q: What are your future writing plans?
A: Keep on writing! I’m working on a suspense story even as we speak so hopefully we’ll get it out in print soon!
November 29, 2012
Interview With Author Lynn Hubbard
In my interview with historical fiction author Lynn Hubbard we discussed her wide variety of work, including the poignant 1950's coming of age tale, "Return to Love" and the eventful historic romance, "Chase the Moon" and what goes into creating these novels.
Q: What sets your book “Return to Love” apart from other coming of age stories?
A: No Vampires. :-) RTL is very dear to me. Joanie has been in my head since I was a teen. It would be considered "Historical" since it's set in 1959. It was a different time back then, no cell phones, computers, etc. Life was a bit slower, and I like sharing that aspect with today's teens.
Q: Which of your books was the most challenging to write?
A: Chase the moon, hands down! Writing a sequel is so much more difficult than the first. You constantly have to fact check and weigh what information you want to share with new readers who haven't read the first title, without boring the ones whom did.
Q: What is your preferred genre, as a writer?
A: Historical Romance, I love reading about history and rebuilding a world my readers can enjoy. And a few hot steamy nights doesn't hurt.
Q: Describe what you think your typical fan is like?
A: I love my fans. I have met a few in person and it is the best feeling in the whole world. Most of my readers are about 40, and they really connect with my characters. They have laughed and cried with them, as I did as I wrote.
Q: Who are some of your biggest influences as an author?
A: I grew up reading Johanna Lindsey, I love how she intermingled humor into her books and I try to do the same. I call it woman humor, it is subtle and you won't get it unless you're a woman.
Q: What are your future writing plans?
A: I am working on a follow up to my Christmas Story "A Christmas Crossing." It is set during the Revolutionary War so is taking a long time to research it. The title is War of Hearts and I'm sure my fans will love it.
Q: What sets your book “Return to Love” apart from other coming of age stories?
A: No Vampires. :-) RTL is very dear to me. Joanie has been in my head since I was a teen. It would be considered "Historical" since it's set in 1959. It was a different time back then, no cell phones, computers, etc. Life was a bit slower, and I like sharing that aspect with today's teens.
Q: Which of your books was the most challenging to write?
A: Chase the moon, hands down! Writing a sequel is so much more difficult than the first. You constantly have to fact check and weigh what information you want to share with new readers who haven't read the first title, without boring the ones whom did.
Q: What is your preferred genre, as a writer?
A: Historical Romance, I love reading about history and rebuilding a world my readers can enjoy. And a few hot steamy nights doesn't hurt.
Q: Describe what you think your typical fan is like?
A: I love my fans. I have met a few in person and it is the best feeling in the whole world. Most of my readers are about 40, and they really connect with my characters. They have laughed and cried with them, as I did as I wrote.
Q: Who are some of your biggest influences as an author?
A: I grew up reading Johanna Lindsey, I love how she intermingled humor into her books and I try to do the same. I call it woman humor, it is subtle and you won't get it unless you're a woman.
Q: What are your future writing plans?
A: I am working on a follow up to my Christmas Story "A Christmas Crossing." It is set during the Revolutionary War so is taking a long time to research it. The title is War of Hearts and I'm sure my fans will love it.
November 26, 2012
Interview With the author 'Floats the Dark Shadow', Yves Fey
A murder mystery set in late nineteenth century Paris, what could be more intriguing? In my interview with author Yves Fey she sheds light on her thriller, "Floats the Dark Shadow", centering on young American Artist Theodora Faraday, who helps investigate a series of child murders leading to a killer who believes he's the reincarnation of Gilles de Rais, the most notorious murder in the history of Paris.
Q: Much of “Floats the Dark Shadow” is based on history. Did you enjoy the research involved or did you find it tedious?
A: I love historical research. I never find it tedious unless something eludes me, and then it can be extremely frustrating. Originally, I had a chapter set at the Paris grand art Salon (it’s been cut but will become an extra on my website). First I found out that by 1897 there was not just one official Salon, but two. I picked the one that had the best timing, which was held in the Palais de l’Industrie, near the Champs Elysees. Then, after the catastrophic historical fire happens, I was moving bodies to the Palais de l’Industrie, and realized that there should be thousands of paintings hung on its walls as the salon was not supposed to be over yet. Hunting, hunting, hunting…. Books yield nothing. Googling… Finally, ten pages into my Google search, I find a letter from an American woman to a relative saying that this year, 1897, the Salon is being held a month earlier. Ten pages! Absolute miracle that I ever found the answer. I had a similar long hunt for information about the architect Julia Morgan, who has a cameo appearance. She was the first woman ever admitted to the Academie des Beaux Arts architectural school, but that didn’t happen for another year. However, she was working at an architect’s atelier in Paris. She warns my heroine of the police coming to stop the student riots when the Beaux Arts does admit a couple of women to the Painting division for the first time. The male students protest. Probably the most difficult part of the series is the police research. My French isn’t good, so some sources aren’t available to me. I have found several excellent books, including a charming one from the period about the law courts with engravings. But often the particular fact that’s needed is very difficult to find. It may not even be of great importance to the novel, but once you wonder it’s difficult to give up the hunt.
Q: How long did it take you to write “Floats the Dark Shadow”?
A: Years. About six with all the revising I did as well. My normal writing speed is probably about two years. I’m not a two book a year person! But this was the most ambitious book I’d tried and it intimidated me. I spent a long time with the wrong characters and plot that remained nothing more than a slide show in my mind. Then I found my story, had the plot, but Michel absolutely refused to talk to me for months. He was incredibly private, and didn’t want me to tell his story. If you’re not a writer, this sounds nuts, no doubt, since I knew his story perfectly well. But he wouldn’t speak, so I couldn’t get it the words onto the page. But I finally had a couple of breakthrough moments and wrote more in six months as I had in the previous two years.
Q: Who are some of your biggest influences as an author?
A: I have many many writers I love, though I don’t know who would have most influenced me. Perhaps Mary Renault and Dorothy Dunnett, in that they both did such a glorious job of bringing history to life. I know that I’ve studied Dunnett’s fabulous action scenes avidly. I even understand how she accomplishes what she does, but it doesn’t help me to write mine. I have to get the movie rolling in my head, and that happens of its own accord. Other amazing world builders are Tolkien, Thomas Hardy, and Tanith Lee. Dostoyevsky has a sort of helpless courage in being swept away into the darkness of the psyche that both fascinates and frightens me, and I consider him a major influence, though not one that shows particularly. Character is the most important facet of a book for me, and I definitely prefer writers who have vivid descriptions and a poetic bent. It’s what I like to read, and to write. I work hard on plot and pacing, because they can sabotage a book if they are weak, but I don’t read books for clever plots or breakneck pace.
Q: “Floats the Dark Shadow” is a fascinating but very dark mystery. Is it difficult to write about characters and actions that are so unspeakably evil?
A: I used to enjoy reading and writing horror more than I do now. It was good catharsis. In Floats the Dark Shadow, I was able to write the more suggestive of Gilles’ scenes without too much difficultly, but I postponed the worst one for quite a while. But if you have a horrific serial killer, you can’t chicken out of doing a horrific scene. Plus, Gilles de Rais was real and many details of his crimes are known. I finally took the plunge and did a really ugly, graphic scene. But my editor felt it was darker than was needed so we cut the latter half. I think she was right. The scene has enough awful details that I don’t feel I avoided what was needed, and it’s followed up with some nasty graphic bits in the cemetery chapter. Actually, what I found the most chilling about the first Gilles’ crimes was his delight in pretending to rescue the children.
Q: Did you have a specific audience in mind when you were writing “Floats the Dark Shadow”?
A: It’s a book for people who love historical mysteries, and I hope for people who just like historicals. It’s not lean and spare. It’s a rich, complex world, so it’s not for someone who wants a quick, dash through it sort of entertainment. I do also warn readers that it’s dark, with violence against children. Violence against people of any sort is not something that I have difficultly reading – I’m the reader who freaks out if you kill the cat.
Q: What are your future writing plans?
A: I’m working on a sequel to Floats the Dark Shadow. One of the surviving Revenants will narrate along with Michel and Theo. It’s played out against the backdrop of the Dreyfus Affair, but dealing with prejudice on many levels. At the moment, it’s a total snarl! It’s dark, but more the murky dark of twisted motives than the black occult brew of Shadow.
Q: Much of “Floats the Dark Shadow” is based on history. Did you enjoy the research involved or did you find it tedious?
A: I love historical research. I never find it tedious unless something eludes me, and then it can be extremely frustrating. Originally, I had a chapter set at the Paris grand art Salon (it’s been cut but will become an extra on my website). First I found out that by 1897 there was not just one official Salon, but two. I picked the one that had the best timing, which was held in the Palais de l’Industrie, near the Champs Elysees. Then, after the catastrophic historical fire happens, I was moving bodies to the Palais de l’Industrie, and realized that there should be thousands of paintings hung on its walls as the salon was not supposed to be over yet. Hunting, hunting, hunting…. Books yield nothing. Googling… Finally, ten pages into my Google search, I find a letter from an American woman to a relative saying that this year, 1897, the Salon is being held a month earlier. Ten pages! Absolute miracle that I ever found the answer. I had a similar long hunt for information about the architect Julia Morgan, who has a cameo appearance. She was the first woman ever admitted to the Academie des Beaux Arts architectural school, but that didn’t happen for another year. However, she was working at an architect’s atelier in Paris. She warns my heroine of the police coming to stop the student riots when the Beaux Arts does admit a couple of women to the Painting division for the first time. The male students protest. Probably the most difficult part of the series is the police research. My French isn’t good, so some sources aren’t available to me. I have found several excellent books, including a charming one from the period about the law courts with engravings. But often the particular fact that’s needed is very difficult to find. It may not even be of great importance to the novel, but once you wonder it’s difficult to give up the hunt.
Q: How long did it take you to write “Floats the Dark Shadow”?
A: Years. About six with all the revising I did as well. My normal writing speed is probably about two years. I’m not a two book a year person! But this was the most ambitious book I’d tried and it intimidated me. I spent a long time with the wrong characters and plot that remained nothing more than a slide show in my mind. Then I found my story, had the plot, but Michel absolutely refused to talk to me for months. He was incredibly private, and didn’t want me to tell his story. If you’re not a writer, this sounds nuts, no doubt, since I knew his story perfectly well. But he wouldn’t speak, so I couldn’t get it the words onto the page. But I finally had a couple of breakthrough moments and wrote more in six months as I had in the previous two years.
Q: Who are some of your biggest influences as an author?
A: I have many many writers I love, though I don’t know who would have most influenced me. Perhaps Mary Renault and Dorothy Dunnett, in that they both did such a glorious job of bringing history to life. I know that I’ve studied Dunnett’s fabulous action scenes avidly. I even understand how she accomplishes what she does, but it doesn’t help me to write mine. I have to get the movie rolling in my head, and that happens of its own accord. Other amazing world builders are Tolkien, Thomas Hardy, and Tanith Lee. Dostoyevsky has a sort of helpless courage in being swept away into the darkness of the psyche that both fascinates and frightens me, and I consider him a major influence, though not one that shows particularly. Character is the most important facet of a book for me, and I definitely prefer writers who have vivid descriptions and a poetic bent. It’s what I like to read, and to write. I work hard on plot and pacing, because they can sabotage a book if they are weak, but I don’t read books for clever plots or breakneck pace.
Q: “Floats the Dark Shadow” is a fascinating but very dark mystery. Is it difficult to write about characters and actions that are so unspeakably evil?
A: I used to enjoy reading and writing horror more than I do now. It was good catharsis. In Floats the Dark Shadow, I was able to write the more suggestive of Gilles’ scenes without too much difficultly, but I postponed the worst one for quite a while. But if you have a horrific serial killer, you can’t chicken out of doing a horrific scene. Plus, Gilles de Rais was real and many details of his crimes are known. I finally took the plunge and did a really ugly, graphic scene. But my editor felt it was darker than was needed so we cut the latter half. I think she was right. The scene has enough awful details that I don’t feel I avoided what was needed, and it’s followed up with some nasty graphic bits in the cemetery chapter. Actually, what I found the most chilling about the first Gilles’ crimes was his delight in pretending to rescue the children.
Q: Did you have a specific audience in mind when you were writing “Floats the Dark Shadow”?
A: It’s a book for people who love historical mysteries, and I hope for people who just like historicals. It’s not lean and spare. It’s a rich, complex world, so it’s not for someone who wants a quick, dash through it sort of entertainment. I do also warn readers that it’s dark, with violence against children. Violence against people of any sort is not something that I have difficultly reading – I’m the reader who freaks out if you kill the cat.
Q: What are your future writing plans?
A: I’m working on a sequel to Floats the Dark Shadow. One of the surviving Revenants will narrate along with Michel and Theo. It’s played out against the backdrop of the Dreyfus Affair, but dealing with prejudice on many levels. At the moment, it’s a total snarl! It’s dark, but more the murky dark of twisted motives than the black occult brew of Shadow.
November 13, 2012
Excerpt from Offbeat Love Stories and More
This excerpt is from the story "Unlikely Friends"
Donnie knew when he saw that gang of hoodlums pull into town that there was going to be trouble; and what happened that night in the sleepy little town of Lark Nest Mississippi proved him right.
The gang, which included four guys and three girls, had robbed his neighbor Chuck Emmet’s house that night while Chuck and his wife Julie were out. But the really shocking thing was that one of the culprits who had just helped rob his friend’s house was now a guest in Donnie’s home; sitting across the kitchen table from him this very moment.
“How’s the coffee?” asked Donnie, with a drawl that emphasized his naturally languid, easygoing personality. The young woman scowled at him.
“It might be okay if I didn’t have to drink it here,” answered the redheaded little spitfire named Issy (short for Isabel), who Donnie had managed to smuggle out of Chuck’s basement in an old trunk, after she had been left behind by her cohorts. The softhearted and naïve for his thirty-two years, Donnie had taken pity on this wayward girl, originally from the south side of Chicago, whose plucky attitude was clearly a front to protect herself against the sordid world she inhabited.
Donnie felt guilty about helping one of the burglars, who had robbed Chuck, to escape, but somehow he couldn’t bring himself to turn her over to the police. He convinced himself that her involvement in the robbery was minimal at the most.
“How long do I have to stay in this dump?" asked Issy.
“Why are you so mad at me?” asked Donnie, as he straightened his lean, tall frame in the old wooden kitchen chair. “I helped you escape, you know."
“Yeah,” she laughed. “You almost got us both killed—‘Billy Bob’; smuggling me out through the living room in that old trunk. I could hear you talking; your friend’s wife was still sitting on the couch, holding that shotgun when she saw you carrying the trunk out of her house. She thought she was being ripped off twice in the same night.”
“Yeah, but you have to admit I covered pretty good. Did you hear what I said? I told her I wanted to sell it at my stall at the town flea market and split the profits with her. It’s not easy to come up with something like that just off the top of your head,” he said.
“Very impressive, I wonder what you would’ve come up with if you had a long time to think about it.”
“Donnie knew this girl had him pegged as a simple country bumpkin but he was accustomed to being misunderstood by those around him. His friends were always baffled by his behavior; such as when he graduated from college with a teaching degree only to quit his first teaching job after two weeks to go back to waiting tables at Maggie Sue’s Steak House. He didn’t tell anyone he couldn’t take the pressure and responsibility of a serious job. Donnie needed to be free and spontaneous but he knew no one would understand.
“Listen, why did you help me anyway? So you could bring me here to be your love slave? Because I would gladly choose prison over that. In fact, I’ll call the cops myself, right now, if you have a phone.
“Don’t worry,” said Donnie. “If I was that kind of pervert, they would have kicked me out of town a long time ago.”
“Oh, good,” replied Issy. “I’m glad to know you’re not that kind of pervert. So, what kind of pervert are you? No wait; don’t answer that. With all the animals you’ve got wandering around this house, I don’t think I want to know.”
“Oh, no,” he laughed. “These are just my pets,” he said, gesturing toward the chicken that was strolling past them.
“Well, there are inside pets and outside pets,” explained Issy. “You’ve got chickens, ducks, rabbits, and whatever’s liable to jump out of those cupboards. It just doesn’t seem like a combination that would live together in harmony,” she said.
“You think too much," replied Donnie. “Sometimes things just happen. Like with Flopsy, Mopsy and Cotton-Ball," he started.
“No, you mean Cotton-Tail,”
“No, Cotton-Ball, Cotton-Tail would be too predictable. Anyway, I found ‘em abandoned in the woods when they were babies. There were six of ‘em. “You know what happened to three of ‘em?” he asked.
“Your other pets ate them," she said.
“No, they died because they were too small. And the last three would’ve died if I hadn’t spent hours every day feeding them with an eyedropper for two weeks. When I find an animal wandering around who’s hurt or in trouble, I want to help ‘em out. It’s – I don’t know. It’s just who I am.”
”So what am I? Your next charity case? You helped me because you felt sorry for me. You thought I couldn’t handle being in jail. Is that what you think?” she ranted. “Because I can, I know how to take care of myself. If somebody tried to bully me, I would cut them in a second!” she exclaimed, vehemently.
Suddenly there was a knock at the door.
“Are you expecting someone --- or something?” she asked.
“No,” he shrugged. “But you better get in that closet over there. If somebody sees a strange girl in here they’re liable to put two and two together.”
Donnie went to the door when Issy stepped inside the closet, but the wood that the door was made from was so warped she couldn’t close it all the way.
“Hey, Chuck, how are you doin’?” she
heard Donnie say, his voice sounding just a little nervous.
“How am I doin’?” asked Chuck. “Well, about as good as can be expected considering I just got robbed. Listen, Julie decided she wants that trunk back. It’s an antique and she doesn’t trust you to get a good enough price at the flea market.”
“Oh, sure, I’ll get it,” said Donnie.
“I’ll help you,” said Chuck.
Issy pulled the swollen door closer as she heard their footsteps nearing. Then she heard a squealing noise. Every muscle in her body tensed as she realized there was some kind of animal in the closet with her but it was too dark to see what it was.......
Donnie knew when he saw that gang of hoodlums pull into town that there was going to be trouble; and what happened that night in the sleepy little town of Lark Nest Mississippi proved him right.
The gang, which included four guys and three girls, had robbed his neighbor Chuck Emmet’s house that night while Chuck and his wife Julie were out. But the really shocking thing was that one of the culprits who had just helped rob his friend’s house was now a guest in Donnie’s home; sitting across the kitchen table from him this very moment.
“How’s the coffee?” asked Donnie, with a drawl that emphasized his naturally languid, easygoing personality. The young woman scowled at him.
“It might be okay if I didn’t have to drink it here,” answered the redheaded little spitfire named Issy (short for Isabel), who Donnie had managed to smuggle out of Chuck’s basement in an old trunk, after she had been left behind by her cohorts. The softhearted and naïve for his thirty-two years, Donnie had taken pity on this wayward girl, originally from the south side of Chicago, whose plucky attitude was clearly a front to protect herself against the sordid world she inhabited.
Donnie felt guilty about helping one of the burglars, who had robbed Chuck, to escape, but somehow he couldn’t bring himself to turn her over to the police. He convinced himself that her involvement in the robbery was minimal at the most.
“How long do I have to stay in this dump?" asked Issy.
“Why are you so mad at me?” asked Donnie, as he straightened his lean, tall frame in the old wooden kitchen chair. “I helped you escape, you know."
“Yeah,” she laughed. “You almost got us both killed—‘Billy Bob’; smuggling me out through the living room in that old trunk. I could hear you talking; your friend’s wife was still sitting on the couch, holding that shotgun when she saw you carrying the trunk out of her house. She thought she was being ripped off twice in the same night.”
“Yeah, but you have to admit I covered pretty good. Did you hear what I said? I told her I wanted to sell it at my stall at the town flea market and split the profits with her. It’s not easy to come up with something like that just off the top of your head,” he said.
“Very impressive, I wonder what you would’ve come up with if you had a long time to think about it.”
“Donnie knew this girl had him pegged as a simple country bumpkin but he was accustomed to being misunderstood by those around him. His friends were always baffled by his behavior; such as when he graduated from college with a teaching degree only to quit his first teaching job after two weeks to go back to waiting tables at Maggie Sue’s Steak House. He didn’t tell anyone he couldn’t take the pressure and responsibility of a serious job. Donnie needed to be free and spontaneous but he knew no one would understand.
“Listen, why did you help me anyway? So you could bring me here to be your love slave? Because I would gladly choose prison over that. In fact, I’ll call the cops myself, right now, if you have a phone.
“Don’t worry,” said Donnie. “If I was that kind of pervert, they would have kicked me out of town a long time ago.”
“Oh, good,” replied Issy. “I’m glad to know you’re not that kind of pervert. So, what kind of pervert are you? No wait; don’t answer that. With all the animals you’ve got wandering around this house, I don’t think I want to know.”
“Oh, no,” he laughed. “These are just my pets,” he said, gesturing toward the chicken that was strolling past them.
“Well, there are inside pets and outside pets,” explained Issy. “You’ve got chickens, ducks, rabbits, and whatever’s liable to jump out of those cupboards. It just doesn’t seem like a combination that would live together in harmony,” she said.
“You think too much," replied Donnie. “Sometimes things just happen. Like with Flopsy, Mopsy and Cotton-Ball," he started.
“No, you mean Cotton-Tail,”
“No, Cotton-Ball, Cotton-Tail would be too predictable. Anyway, I found ‘em abandoned in the woods when they were babies. There were six of ‘em. “You know what happened to three of ‘em?” he asked.
“Your other pets ate them," she said.
“No, they died because they were too small. And the last three would’ve died if I hadn’t spent hours every day feeding them with an eyedropper for two weeks. When I find an animal wandering around who’s hurt or in trouble, I want to help ‘em out. It’s – I don’t know. It’s just who I am.”
”So what am I? Your next charity case? You helped me because you felt sorry for me. You thought I couldn’t handle being in jail. Is that what you think?” she ranted. “Because I can, I know how to take care of myself. If somebody tried to bully me, I would cut them in a second!” she exclaimed, vehemently.
Suddenly there was a knock at the door.
“Are you expecting someone --- or something?” she asked.
“No,” he shrugged. “But you better get in that closet over there. If somebody sees a strange girl in here they’re liable to put two and two together.”
Donnie went to the door when Issy stepped inside the closet, but the wood that the door was made from was so warped she couldn’t close it all the way.
“Hey, Chuck, how are you doin’?” she
heard Donnie say, his voice sounding just a little nervous.
“How am I doin’?” asked Chuck. “Well, about as good as can be expected considering I just got robbed. Listen, Julie decided she wants that trunk back. It’s an antique and she doesn’t trust you to get a good enough price at the flea market.”
“Oh, sure, I’ll get it,” said Donnie.
“I’ll help you,” said Chuck.
Issy pulled the swollen door closer as she heard their footsteps nearing. Then she heard a squealing noise. Every muscle in her body tensed as she realized there was some kind of animal in the closet with her but it was too dark to see what it was.......
November 8, 2012
Interview With Author Pam Funke
In my interview with author Pam Funke she talked about the how her apocalyptic novel "Operation Dark Angel" was inspired by Bible scripture and the challenges involved in writing this action-packed drama, in which one man comes to control the entire world.
Q: Nicolaitanes Balac gains so much power before anyone really knows anything about him. Did you intend for this to symbolize the way many politicians come to power, becoming popular before voters have a chance to get to know them or what they stand for?
A: Actually no, I just wanted to show how something like this is possible especially if the people of the world have blinders on and do not know what to watch for. I just wanted to give people something to think about.
Unfortunately many politicians do come to power in exactly this way before the people know anything about them.
Q: What inspired you to write “Operation Dark Angel”?
A: My inspiration behind it was The Left Behind Series by Jerry Jenkins and Tim LaHaye. While I enjoyed reading their series very much, I don’t believe that they realized that many non-Christians would be reading the series and enjoying it as well. So I decided to write a series that is just as exciting as theirs but I also include Biblical scripture to back up what I have to say so that my readers can check it out for themselves if they so choose.
Q: What was the biggest challenge you faced in writing “Operation Dark Angel”.
A: The biggest challenge that I faced was in making sure that I had the correct scripture at the correct time in my book. As there were also several scriptures that I could have used in various places, I had to ensure that I chose the correct ones. This involved excessive reading of the Bible and research as well as prayer.
Q: Is there one particular character from “Operation Dark Angel” who you personally identify with, if so which one?
A: The character that I can mostly identify with is Katie Farnsworth. Katy is a sweet, elderly Christian woman who would do everything in her power to help someone. She has a heart pleasing to God. She tries to do things that pleases God in everything that she does, but she is quite human and makes mistakes just like everyone else. She is a lot like myself.
Q: What do you hope to accomplish with “Operation Dark Angel”?
A: As with every author's dream, I would like to make the New York Times' Best Sellers list. But on a more realistic level I just want to reach as many people that I can and give them a series that they can enjoy.
Q: “Operation Dark Angel” is the first installment in “The Four Horseman Series”. What can you tell us about the second installment?
A: The second installment of "The Four Horsemen Series" is entitled "The World at War." It picks up where "Operation Dark Angel" leaves off with the world at war with one another with World War III looming around the corner. General Alexander Ludlow continues on his mission to save the world, at least he hopes that he can. He completely believes the lies and deception that he is being fed by The Group and by Nicolaitanes Balac.
"The World at War" is just as exciting if not more so than it's counterpart "Operation Dark Angel."
Q: Nicolaitanes Balac gains so much power before anyone really knows anything about him. Did you intend for this to symbolize the way many politicians come to power, becoming popular before voters have a chance to get to know them or what they stand for?
A: Actually no, I just wanted to show how something like this is possible especially if the people of the world have blinders on and do not know what to watch for. I just wanted to give people something to think about.
Unfortunately many politicians do come to power in exactly this way before the people know anything about them.
Q: What inspired you to write “Operation Dark Angel”?
A: My inspiration behind it was The Left Behind Series by Jerry Jenkins and Tim LaHaye. While I enjoyed reading their series very much, I don’t believe that they realized that many non-Christians would be reading the series and enjoying it as well. So I decided to write a series that is just as exciting as theirs but I also include Biblical scripture to back up what I have to say so that my readers can check it out for themselves if they so choose.
Q: What was the biggest challenge you faced in writing “Operation Dark Angel”.
A: The biggest challenge that I faced was in making sure that I had the correct scripture at the correct time in my book. As there were also several scriptures that I could have used in various places, I had to ensure that I chose the correct ones. This involved excessive reading of the Bible and research as well as prayer.
Q: Is there one particular character from “Operation Dark Angel” who you personally identify with, if so which one?
A: The character that I can mostly identify with is Katie Farnsworth. Katy is a sweet, elderly Christian woman who would do everything in her power to help someone. She has a heart pleasing to God. She tries to do things that pleases God in everything that she does, but she is quite human and makes mistakes just like everyone else. She is a lot like myself.
Q: What do you hope to accomplish with “Operation Dark Angel”?
A: As with every author's dream, I would like to make the New York Times' Best Sellers list. But on a more realistic level I just want to reach as many people that I can and give them a series that they can enjoy.
Q: “Operation Dark Angel” is the first installment in “The Four Horseman Series”. What can you tell us about the second installment?
A: The second installment of "The Four Horsemen Series" is entitled "The World at War." It picks up where "Operation Dark Angel" leaves off with the world at war with one another with World War III looming around the corner. General Alexander Ludlow continues on his mission to save the world, at least he hopes that he can. He completely believes the lies and deception that he is being fed by The Group and by Nicolaitanes Balac.
"The World at War" is just as exciting if not more so than it's counterpart "Operation Dark Angel."
November 2, 2012
Interview With Author Rustin Petrae
In my interview with Paranormal/fantasy author and graphic designer Rustin Petrae he discusses "Dragon", book one of his imaginative series "Histories of Purga", as well as his views on writing.
Q: Do you have a main source of inspiration?
A: Inspiration, for me, comes from many different sources. For Cat's Paw, it was a calico cat that showed up on my back porch and stayed for awhile. I had the idea that she might be there for a reason, and the story was born out of that.
Q: When you’re working on a story do you feel like you’re in charge or like the characters are taking you on a journey?
A: Only sometimes. Most of the time it's the character taking me for a ride. I'll ask myself, over and over again, how they would react to a given situation. I think that helps give them more definition as characters.
Q: Describe what you think your typical fan is like?
A: I think my typical fan would be a lot like me. A book junkie that loves to read and get involved in the characters.
Q: Who are some of your biggest influences as an author?
A: My biggest influences in the fantasy realm would have to be Terry Brooks. His Shannara books were the very start of my reading addiction. I also draw a lot of inspiration from writers like Stephen King, Jim Butcher, and even J.K. Rowling. She did an outstanding job creating the world of Harry Potter.
Q: One of your favorite authors is Terry Brooks. In his book, “The Measure of Magic (Legends of Shannara #2)” one of the major themes is the battle between good and evil. Why do you think this theme is so popular in literature? Do you think readers relate to this struggle on a personal level?
A: Terry Brooks is a great writer and I think he's mastered that topic beautifully. His books always keep you on suspense but in the end, good always prevails. I think that is one reason why it is such a popular topic. People like to see good come out on top. They like to know that the evils in the world will always be reigned in. That they will always be checked by a greater force.
Q: What are your future writing plans?
A: Right now I just finished my first full length novel, Book One: Dragon. It's the first book in a four book series titled the Histories of Purga. In it, two races that have hated and fought with each other for centuries find chaos suddenly threatening their world. When the Crown Prince of the Rooks is nearly killed and left for dead near enemy lands, he doesn't think he'll survive. A Terraqouis girl finds him, but instead of leaving him their to die, she decides to save his life. Despite centuries of hate and violence. Despite the anger from her own people. She couldn't know how much that one act would change her life. Or the lives of everyone else on Purga.
Q: Do you have a main source of inspiration?
A: Inspiration, for me, comes from many different sources. For Cat's Paw, it was a calico cat that showed up on my back porch and stayed for awhile. I had the idea that she might be there for a reason, and the story was born out of that.
Q: When you’re working on a story do you feel like you’re in charge or like the characters are taking you on a journey?
A: Only sometimes. Most of the time it's the character taking me for a ride. I'll ask myself, over and over again, how they would react to a given situation. I think that helps give them more definition as characters.
Q: Describe what you think your typical fan is like?
A: I think my typical fan would be a lot like me. A book junkie that loves to read and get involved in the characters.
Q: Who are some of your biggest influences as an author?
A: My biggest influences in the fantasy realm would have to be Terry Brooks. His Shannara books were the very start of my reading addiction. I also draw a lot of inspiration from writers like Stephen King, Jim Butcher, and even J.K. Rowling. She did an outstanding job creating the world of Harry Potter.
Q: One of your favorite authors is Terry Brooks. In his book, “The Measure of Magic (Legends of Shannara #2)” one of the major themes is the battle between good and evil. Why do you think this theme is so popular in literature? Do you think readers relate to this struggle on a personal level?
A: Terry Brooks is a great writer and I think he's mastered that topic beautifully. His books always keep you on suspense but in the end, good always prevails. I think that is one reason why it is such a popular topic. People like to see good come out on top. They like to know that the evils in the world will always be reigned in. That they will always be checked by a greater force.
Q: What are your future writing plans?
A: Right now I just finished my first full length novel, Book One: Dragon. It's the first book in a four book series titled the Histories of Purga. In it, two races that have hated and fought with each other for centuries find chaos suddenly threatening their world. When the Crown Prince of the Rooks is nearly killed and left for dead near enemy lands, he doesn't think he'll survive. A Terraqouis girl finds him, but instead of leaving him their to die, she decides to save his life. Despite centuries of hate and violence. Despite the anger from her own people. She couldn't know how much that one act would change her life. Or the lives of everyone else on Purga.
November 1, 2012
Interview With Author Michelle Muckley
In my interview with author Michelle Muckley we discussed her dark psychological thriller " The Loss of Deference". The book revolves around a conspiracy in a small town and betrayal among the closest of friends.
Q: “The Loss of Deference” revolves around a frightening conspiracy. How challenging was it to write such a complex psychological thriller?
A: It was challenging in the fact that it was hard for me to keep on track. Whilst I was writing The Loss of Deference I was often working a sixty hour week. When the story line is complex, finding the time to write so that the story is constantly fresh in your mind is so important, and often I would not be able to write for whole weeks at a time. I needed a serious dose of editing by the time I finished.
Q: “The Loss of Deference” features some very flawed characters. Is it more fun to write about characters who are seriously flawed as opposed to characters who appear healthy and well adjusted?
A: Everytime. It's my personal beleif that you don't learn anything when life is just easy and simple. The best life lessons are those you learn when you come out from the otherside of something tough. This is what gives us strength and makes us cherish the good times. Flawed characters have lived.
Q: Do you identify with any of the characters from “The Loss of Deference”? If so, which one do you identify with the most?
A: There is no one character that I identify with, but I read once that authors put a bit of themselves in all of their characters. My favourite charcter in The Loss of Deference is Dan. I know he is in many ways unlikeable, but there is a thread running through him from an early age, when if life had just been a bit different, a little bit kinder, he could have been a very different person. He is the character that I care about the most from The Loss of Deference.
Q: Do you have any ideas on actors you would like to see cast in “The Loss of Deference” if it was made into a movie?
A: Yes! I am somebody that has a mental picture of my characters when I write about them. I wrote this up as a blog post recently. http://michellemuckley.blogspot.com/2...
You can see my full answer here, but just to give you a taster, I would cast Christian Bale as Dan. He is for me near flawless in any movie I have seen him in.
Q: What do you hope to accomplish with “The Loss of Deference”?
A: My aim has changed constantly throughout the process. At first it was just to write it. To say I had tried. Then at 40,000 words in and half way through it became to finish it and finish it well. It was only really afterwards that I gave publishing any serious thought. Now my aim for The Loss of Deference is to use it as my first book, for it to be cheap enough for people to 'give it a chance', and for it always to be the worst thing that I ever write. That way I will always be getting better.
Q: What are your future writing plans?
A: Currently to get Escaping Life out in December as per my schedule. The third book should be out within the next five months. I am not looking past that point, because if my ideas get too lofty, I will loose track on what I am currently doing. We writers are daydreamers after all, so I have to conciously keep my feet on the ground to get things done. But, to indulge the idea, I would love to have a library of books that make people care enough to read them, and that once they have done so it makes them question what they just read. I want people to close the book and sit there for a moment to contemplate it, and to feel it. And then to go to my website and see what else they can read by me!
You can catch the second part of the interview on Examiner http://www.examiner.com/article/inter...
Q: “The Loss of Deference” revolves around a frightening conspiracy. How challenging was it to write such a complex psychological thriller?
A: It was challenging in the fact that it was hard for me to keep on track. Whilst I was writing The Loss of Deference I was often working a sixty hour week. When the story line is complex, finding the time to write so that the story is constantly fresh in your mind is so important, and often I would not be able to write for whole weeks at a time. I needed a serious dose of editing by the time I finished.
Q: “The Loss of Deference” features some very flawed characters. Is it more fun to write about characters who are seriously flawed as opposed to characters who appear healthy and well adjusted?
A: Everytime. It's my personal beleif that you don't learn anything when life is just easy and simple. The best life lessons are those you learn when you come out from the otherside of something tough. This is what gives us strength and makes us cherish the good times. Flawed characters have lived.
Q: Do you identify with any of the characters from “The Loss of Deference”? If so, which one do you identify with the most?
A: There is no one character that I identify with, but I read once that authors put a bit of themselves in all of their characters. My favourite charcter in The Loss of Deference is Dan. I know he is in many ways unlikeable, but there is a thread running through him from an early age, when if life had just been a bit different, a little bit kinder, he could have been a very different person. He is the character that I care about the most from The Loss of Deference.
Q: Do you have any ideas on actors you would like to see cast in “The Loss of Deference” if it was made into a movie?
A: Yes! I am somebody that has a mental picture of my characters when I write about them. I wrote this up as a blog post recently. http://michellemuckley.blogspot.com/2...
You can see my full answer here, but just to give you a taster, I would cast Christian Bale as Dan. He is for me near flawless in any movie I have seen him in.
Q: What do you hope to accomplish with “The Loss of Deference”?
A: My aim has changed constantly throughout the process. At first it was just to write it. To say I had tried. Then at 40,000 words in and half way through it became to finish it and finish it well. It was only really afterwards that I gave publishing any serious thought. Now my aim for The Loss of Deference is to use it as my first book, for it to be cheap enough for people to 'give it a chance', and for it always to be the worst thing that I ever write. That way I will always be getting better.
Q: What are your future writing plans?
A: Currently to get Escaping Life out in December as per my schedule. The third book should be out within the next five months. I am not looking past that point, because if my ideas get too lofty, I will loose track on what I am currently doing. We writers are daydreamers after all, so I have to conciously keep my feet on the ground to get things done. But, to indulge the idea, I would love to have a library of books that make people care enough to read them, and that once they have done so it makes them question what they just read. I want people to close the book and sit there for a moment to contemplate it, and to feel it. And then to go to my website and see what else they can read by me!
You can catch the second part of the interview on Examiner http://www.examiner.com/article/inter...
Authors' Musings
Jennifer K. Lafferty, author of Movie Dynasty Princesses, reviews a wide range of books and discusses various aspects of contemporary and classic literature.
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