Martin Cid's Blog: Martin Cid Magazine, page 71

Metal and Meaning: KIM Byoungho’s “Lost in Garden” at ARARIO GALLERY SEOUL

Step into ARARIO GALLERY SEOUL, and you’ll find yourself immersed in a world where metal comes alive. KIM Byoungho’s solo exhibition, “Lost in Garden,” transforms the gallery’s three floors into a playground of sculptural marvels that challenge our perceptions of form, space, and civilization itself.

As you navigate the exhibition, you’re struck by the meticulous craftsmanship evident in each piece. KIM’s sculptures, primarily crafted from metal, are not mere static objects but intricate systems that seem to pulse with an inner life. The basement level greets visitors with “Horizontal Garden” (2018), a massive form suspended in mid-air by thin wires. Its presence is both imposing and ethereal, casting ever-changing shadows that dance across the floor, extending the sculpture’s reach beyond its physical boundaries.

KIM Byoungho), Horizontal Garden, 2018, Brass, 160x680x160. ⓒ KIM Byoungho. Courtesy of the Artist and ARARIO GALLERY

Ascending to the ground floor, you encounter “Two Collisions” (2024), a kinetic sculpture that demands attention. Two contrasting forms—one gleaming silver, the other a matte graphite black—rotate in opposite directions, creating a hypnotic display of motion and reflection. Nearby, “57 Vertical Gardens” (2024) stands as a testament to KIM’s fascination with what he calls “civilization’s excrescences.” These rounded metal ellipsoids, densely clustered on linear structures, evoke images of strange fruit or alien growths, challenging viewers to reconsider their relationship with the manufactured world.

The third floor of the exhibition offers a stark contrast to the rounded forms below. Here, KIM explores planar and linear elements in works like the “A Section of the Garden” (2024) series. These sculptures, with their matte black finishes and polished aluminum edges, create striking silhouettes against the white gallery walls. The artist’s decision to emphasize the cross-sections of these pieces invites contemplation on the nature of perception and the human desire to dissect and understand.

Perhaps the most visually arresting piece on this floor is “323 Thorns” (2024), a sculpture that seems to defy gravity with its intricate network of linear elements. It’s a three-dimensional drawing in space, each “thorn” carefully positioned to create a complex whole that shifts and changes as you move around it.

KIM Byoungho’s approach to sculpture is as much about process as it is about the final product. His works begin life as detailed blueprints, meticulously planned and executed within a rigorous production framework. This systematic approach mirrors the very societal structures that KIM seeks to explore through his art. By merging mechanical precision with artistic expression, he creates pieces that are at once familiar and alien, inviting viewers to question the nature of creativity in an age of mass production.

As you leave “Lost in Garden,” you can’t help but feel that you’ve experienced something more than just an art exhibition. KIM Byoungho has created a space where the boundaries between nature and artifice, between the organic and the manufactured, blur and dissolve. It’s a thought-provoking journey through a landscape of metal and meaning, one that lingers in the mind long after you’ve left the gallery.

With upcoming solo exhibitions planned for Hong Kong and Shenzhen in 2025, KIM Byoungho’s exploration of form, material, and societal reflection is set to reach an even wider audience. For now, “Lost in Garden” at ARARIO GALLERY SEOUL offers a unique opportunity to engage with the work of an artist who is pushing the boundaries of contemporary sculpture.

KIM Byoungho, A Section of the Garden-4SMB1,2024, Anodizing on aluminum. ⓒ KIM Byoungho. Courtesy of the Artist and ARARIO GALLERY

About the Artist

KIM Byoungho graduated from Hongik University’s College of Fine Arts in 2000 and began exploring art engineering in 2002. He earned a Master’s degree in Technology Art from Chung-Ang University’s Graduate School of Advanced Imaging Science, Multimedia & Film in 2004. His solo exhibitions have been held at the Cheongnamdae Hosuyeong Art Museum (Cheongju, Korea, 2024), K11 Art Center (Shenyang, China, 2022; Wuhan, China, 2023), WWNN (Seoul, Korea, 2023), ARARIO GALLERY (Seoul, Korea, 2011; Cheonan, 2013; Shanghai, China, 2018), Soma Museum of Art (Seoul, Korea, 2010), and Gastatelier der Stadt Frankfurt am Main (Frankfurt, Germany, 2009). He has participated in numerous notable group exhibitions, including The 3rd Jinan International Biennale (2024), Jeonnam International Sumuk Biennale (2023), Yeongsan River Art Festival (2023), Pohang Steel Art Festival (2021), Taehwa River Eco Art Festival (2014), and the Jing’an International Sculpture Project (2012). Additionally, his work has been featured in group exhibitions held at institutions such as Pohang Museum of Steel Art, Ewha Womans University Museum, Can Foundation, Gyeongju Solgeo Art Museum, Amorepacific Museum of Art, Seoul National University Museum of Art, POSCO Art Museum, and the Saatchi Gallery (London, UK). The artist’s works are included in the collections of prestigious institutions such as the National Museum of Modern and Contemporary Art (Korea), Amorepacific Museum of Art (Korea), KulturPortal Frankfurt (Germany), Seoul National University Museum of Art (Korea), ARARIO MUSEUM (Korea), Government Complex (Korea), Shanghai Panlong Tiandi (China), New World Development (Hong Kong), and Hyundai Motor Company (Korea).

Exhibition Dates: From 26 December 2024 (Thurs) to 8 February 2025 (Sat)

KIM Byoungho, Two Collisions, 2024, Stainless steel, vacuum plating, 334.5x242x105(h)cm. ⓒ KIM Byoungho. Courtesy of the Artist and ARARIO GALLERY

“Squid Game”: Netflix’s Korean Sensation Returns for Round Two

“Squid Game” is a Netflix series directed by Hwang Dong-hyuk with Lee Jung-jae, Lee Byung-hun, Ha Jung-woo, and Gong Yoo among others.

The streaming giant’s most talked-about Korean series is back for its sophomore season, promising to captivate audiences once again with its high-stakes drama and moral quandaries. Two years after the groundbreaking first season, viewers are thrust back into a world where childhood games take on deadly consequences.

Set against the backdrop of a mysterious island, the new season picks up the threads left dangling by its predecessor. The once-secret game has now become public knowledge, sparking a hunt for those responsible. Meanwhile, a lone survivor continues his relentless search for the island where it all began. The enigmatic recruiter resurfaces, setting the stage for a new round of perilous challenges.

This time around, the creators faced a crucial decision: continue with familiar faces or start afresh. They opted for a hybrid approach, blending returning characters with a new iteration of the game. By the third episode, viewers will find themselves reunited with the iconic giant doll, signaling the commencement of another life-or-death contest.

Squid Game 2 – Netflix

While the show undeniably retains its entertainment value, it treads a fine line between innovation and familiarity. The writers have clearly made efforts to maintain the intrigue without betraying the original premise. However, the element of surprise that made the first season so compelling has inevitably diminished. The decision to adhere closely to the established formula may leave some viewers yearning for more substantial reinvention.

Nevertheless, the new season does bring fresh elements to the table, particularly in its game design. Recognizing the need to compensate for the lost shock factor, the challenges are more diverse and, surprisingly, more playful. This shift results in a less somber tone compared to its predecessor, potentially broadening its appeal to a wider audience. The infusion of humor adds a new dimension to the viewing experience, making it more accessible without completely abandoning its dark roots.

As the seven-episode arc unfolds, it becomes clear that while the show may not replicate the unprecedented success of its first outing, it still offers a compelling narrative. The creators have prioritized maintaining the established storytelling approach over radical reinvention, a choice that may divide opinion among the fanbase.

Ultimately, this new chapter of Netflix’s Korean phenomenon guarantees entertainment, even if it doesn’t quite reach the dizzying heights of its debut. As viewers settle in for another round of intense gameplay and moral dilemmas, only time will tell if this safer approach will satisfy the appetite of a global audience hungry for the next big twist.

Where to Watch “Squid Game”

Netflix

Yissendy Trinidad Shares Her Vision for “One Guy, Too Many Dates”?

Versatile actor and director Yissendy Trinidad, best known for her work in Damien Chazelle’s Babylon, has started filming the anticipated on new romantic comedy, One Guy, Too Many Dates? The film follows Emily, a tech-savvy engineer, creates an app for women to share dating tips. When she learns her users are all pursuing the same charming guy, she must navigate chaos and competition while finding her own path to love.

The film boasts a star-studded cast, including Jenny Tran (Interior Chinatown), Robert Palmer Watkins (General Hospital), Johnny Rey Diaz (Primo), Moriah Brown (The Six Triple Eight), and Orel de la Mota (The Baxters).

Additional cast members include James Pratt (Malibu Crush), Jessica Marie Garcia (On My Block), Vivian Lamolli (All the Queen’s Men), Julissa Calderon (Gentefied), Gloria Laino (American Horror Story), Norma Maldonado (Jane the Virgin), Alycia Pascual-Peña (Saved by the Bell), and herself.

Filming is underway in Los Angeles, and we were lucky enough to have an exclusive one-on-one interview with Yissendy about her inspiration for directing the film and what audiences can expect from this exciting new project and how her other projects shaped her decision to direct this film.

Yissendy Trinidad

What inspired you to create One Guy, Too Many Dates? and how did the concept come about? The inspiration came from observing the struggles women face in modern dating, including trust issues and the lack of transparency. I wanted to create a story that reflects the challenges while empowering women to reclaim their voices and build solidarity. The idea of the app came about as a tool for women to share their experiences, turning a difficult situation into a positive, community-driven movement.

How does the film address the impact of technology on modern relationships?

Technology plays a dual role in the film it connects people while also exposing vulnerabilities. The app in the story highlights how technology can foster transparency and accountability but also demonstrates the risks it poses to privacy and personal boundaries. It’s a reflection of how our reliance on technology influences our ability to build trust and maintain relationships in today’s world.

Can you provide more details about the character Emily and her journey in the film?

Emily is a passionate and ambitious software engineer who channels her personal heartbreak into creating a sisterhood app designed to empower women. Throughout the film, she faces professional challenges and personal betrayals, including a rival app created by someone close to her. Her journey is one of resilience, where she learns to balance her ambition with her emotional growth, ultimately emerging stronger and more self-assured.

Which part of Los Angeles are you filming in, and why did you choose this area?

We’re filming in various iconic neighbourhoods of Los Angeles, such as Sherman Oaks, Downtown LA, and West Hollywood. These locations reflect the diversity and vibrancy of the city, which mirrors the diverse cast and themes of the film. LA’s dynamic backdrop also adds an authentic and relatable feel to Emily’s journey as a tech entrepreneur.

When can we expect to see the completed film?

We’re aiming for a release in 2025. Currently, the production schedule is tight, but we’re committed to delivering a high-quality film that resonates with audiences worldwide.

Can you share more about your other projects and how One Guy, Too Many Dates? fits into your overall creative vision? My projects, including Doumi Girls and commercials like El Cristiano Tequila, emphasize diversity, inclusion, and storytelling that inspires. One Guy, Too Many Dates? continues this trend by showcasing complex female characters and tackling issues like sisterhood, technology, and self-discovery. It’s a step forward in my goal of creating meaningful, entertaining stories that leave a lasting impact.

What do you hope audiences take away from the film, particularly regarding sisterhood and solidarity? I hope audiences recognize the power of collective action and how women can uplift each other. Sisterhood is the film’s heartbeat, reminding us that solidarity can lead to positive change, not just in relationships but in every aspect of life.

What role does the app play in shaping the characters’ personal growth and relationships throughout the film? The app acts as a catalyst, bringing truths to light and challenging the characters to confront their fears, insecurities, and desires. For Emily, it becomes a symbol of her resilience and determination. For others, it serves as a mirror to their actions and relationships, pushing them to grow.

Are you excited to be doing more directing or acting in the future

Absolutely! I find joy in both acting and directing, as each allows me to express creativity differently. Directing gives me the opportunity to shape stories from a broader perspective, while acting lets me immerse myself in a character’s world. I’m excited to continue exploring both avenues and creating impactful, diverse stories.

Yissendy Trinidad Shares Her Vision for “Are We Dating the Same Guy”?

Versatile actor and director Yissendy Trinidad, best known for her work in Damien Chazelle’s Babylon, has started filming the anticipated on new romantic comedy, Are We Dating the Same Guy? The film follows Emily, a software engineer who creates a sisterhood app that allows women to review men they’ve dated. The app exposes a serial cheater and launches a movement, while threatening Emily’s career and relationships.

The film boasts a star-studded cast, including Jenny Tran (Interior Chinatown), Robert Palmer Watkins (General Hospital), Johnny Rey Diaz (Primo), Moriah Brown (The Six Triple Eight), and Orel de la Mota (The Baxters).

Additional cast members include James Pratt (Malibu Crush), Jessica Marie Garcia (On My Block), Vivian Lamolli (All the Queen’s Men), Julissa Calderon (Gentefied), Gloria Laino (American Horror Story), Norma Maldonado (Jane the Virgin), Alycia Pascual-Peña (Saved by the Bell), and herself.

Filming is underway in Los Angeles, and we were lucky enough to have an exclusive one-on-one interview with Yissendy about her inspiration for directing the film and what audiences can expect from this exciting new project and how her other projects shaped her decision to direct this film.

Yissendy Trinidad

What inspired you to create Are We Dating the Same Guy? and how did the concept come about? The inspiration came from observing the struggles women face in modern dating, including trust issues and the lack of transparency. I wanted to create a story that reflects the challenges while empowering women to reclaim their voices and build solidarity. The idea of the app came about as a tool for women to share their experiences, turning a difficult situation into a positive, community-driven movement.

How does the film address the impact of technology on modern relationships?

Technology plays a dual role in the film it connects people while also exposing vulnerabilities. The app in the story highlights how technology can foster transparency and accountability but also demonstrates the risks it poses to privacy and personal boundaries. It’s a reflection of how our reliance on technology influences our ability to build trust and maintain relationships in today’s world.

Can you provide more details about the character Emily and her journey in the film?

Emily is a passionate and ambitious software engineer who channels her personal heartbreak into creating a sisterhood app designed to empower women. Throughout the film, she faces professional challenges and personal betrayals, including a rival app created by someone close to her. Her journey is one of resilience, where she learns to balance her ambition with her emotional growth, ultimately emerging stronger and more self-assured.

Which part of Los Angeles are you filming in, and why did you choose this area?

We’re filming in various iconic neighbourhoods of Los Angeles, such as Sherman Oaks, Downtown LA, and West Hollywood. These locations reflect the diversity and vibrancy of the city, which mirrors the diverse cast and themes of the film. LA’s dynamic backdrop also adds an authentic and relatable feel to Emily’s journey as a tech entrepreneur.

When can we expect to see the completed film?

We’re aiming for a release in 2025. Currently, the production schedule is tight, but we’re committed to delivering a high-quality film that resonates with audiences worldwide.

Can you share more about your other projects and how Are We Dating the Same Guy? fits into your overall creative vision? My projects, including Doumi Girls and commercials like El Cristiano Tequila, emphasize diversity, inclusion, and storytelling that inspires. Are We Dating the Same Guy? continues this trend by showcasing complex female characters and tackling issues like sisterhood, technology, and self-discovery. It’s a step forward in my goal of creating meaningful, entertaining stories that leave a lasting impact.

What do you hope audiences take away from the film, particularly regarding sisterhood and solidarity? I hope audiences recognize the power of collective action and how women can uplift each other. Sisterhood is the film’s heartbeat, reminding us that solidarity can lead to positive change, not just in relationships but in every aspect of life.

What role does the app play in shaping the characters’ personal growth and relationships throughout the film? The app acts as a catalyst, bringing truths to light and challenging the characters to confront their fears, insecurities, and desires. For Emily, it becomes a symbol of her resilience and determination. For others, it serves as a mirror to their actions and relationships, pushing them to grow.

Are you excited to be doing more directing or acting in the future

Absolutely! I find joy in both acting and directing, as each allows me to express creativity differently. Directing gives me the opportunity to shape stories from a broader perspective, while acting lets me immerse myself in a character’s world. I’m excited to continue exploring both avenues and creating impactful, diverse stories.

Yissendy Trinidad Shares Her Vision for Are We Dating the Same Guy? (EXCLUSIVE)

Versatile actor and director Yissendy Trinidad, best known for her work in Damien Chazelle’s Babylon, has started filming the anticipated on new romantic comedy, Are We Dating the Same Guy? The film follows Emily, a software engineer who creates a sisterhood app that allows women to review men they’ve dated. The app exposes a serial cheater and launches a movement, while threatening Emily’s career and relationships.

The film boasts a star-studded cast, including Jenny Tran (Interior Chinatown), Robert Palmer Watkins (General Hospital), Johnny Rey Diaz (Primo), Moriah Brown (The Six Triple Eight), and Orel de la Mota (The Baxters).

Additional cast members include James Pratt (Malibu Crush), Jessica Marie Garcia (On My Block), Vivian Lamolli (All the Queen’s Men), Julissa Calderon (Gentefied), Gloria Laino (American Horror Story), Norma Maldonado (Jane the Virgin), Alycia Pascual-Peña (Saved by the Bell), and herself.

Filming is underway in Los Angeles, and we were lucky enough to have an exclusive one-on-one interview with Yissendy about her inspiration for directing the film and what audiences can expect from this exciting new project and how her other projects shaped her decision to direct this film.

Yissendy Trinidad

What inspired you to create Are We Dating the Same Guy? and how did the concept come about? The inspiration came from observing the struggles women face in modern dating, including trust issues and the lack of transparency. I wanted to create a story that reflects the challenges while empowering women to reclaim their voices and build solidarity. The idea of the app came about as a tool for women to share their experiences, turning a difficult situation into a positive, community-driven movement.

How does the film address the impact of technology on modern relationships?

Technology plays a dual role in the film it connects people while also exposing vulnerabilities. The app in the story highlights how technology can foster transparency and accountability but also demonstrates the risks it poses to privacy and personal boundaries. It’s a reflection of how our reliance on technology influences our ability to build trust and maintain relationships in today’s world.

Can you provide more details about the character Emily and her journey in the film?

Emily is a passionate and ambitious software engineer who channels her personal heartbreak into creating a sisterhood app designed to empower women. Throughout the film, she faces professional challenges and personal betrayals, including a rival app created by someone close to her. Her journey is one of resilience, where she learns to balance her ambition with her emotional growth, ultimately emerging stronger and more self-assured.

Which part of Los Angeles are you filming in, and why did you choose this area?

We’re filming in various iconic neighbourhoods of Los Angeles, such as Sherman Oaks, Downtown LA, and West Hollywood. These locations reflect the diversity and vibrancy of the city, which mirrors the diverse cast and themes of the film. LA’s dynamic backdrop also adds an authentic and relatable feel to Emily’s journey as a tech entrepreneur.

When can we expect to see the completed film?

We’re aiming for a release in 2025. Currently, the production schedule is tight, but we’re committed to delivering a high-quality film that resonates with audiences worldwide.

Can you share more about your other projects and how Are We Dating the Same Guy? fits into your overall creative vision? My projects, including Doumi Girls and commercials like El Cristiano Tequila, emphasize diversity, inclusion, and storytelling that inspires. Are We Dating the Same Guy? continues this trend by showcasing complex female characters and tackling issues like sisterhood, technology, and self-discovery. It’s a step forward in my goal of creating meaningful, entertaining stories that leave a lasting impact.

What do you hope audiences take away from the film, particularly regarding sisterhood and solidarity? I hope audiences recognize the power of collective action and how women can uplift each other. Sisterhood is the film’s heartbeat, reminding us that solidarity can lead to positive change, not just in relationships but in every aspect of life.

What role does the app play in shaping the characters’ personal growth and relationships throughout the film? The app acts as a catalyst, bringing truths to light and challenging the characters to confront their fears, insecurities, and desires. For Emily, it becomes a symbol of her resilience and determination. For others, it serves as a mirror to their actions and relationships, pushing them to grow.

Are you excited to be doing more directing or acting in the future

Absolutely! I find joy in both acting and directing, as each allows me to express creativity differently. Directing gives me the opportunity to shape stories from a broader perspective, while acting lets me immerse myself in a character’s world. I’m excited to continue exploring both avenues and creating impactful, diverse stories.

“The Order”: A Gripping Dive into America’s Dark Underbelly

“The Order” is a thriller movie starring Jude Law, Nicholas Hoult, and Tye Sheridan. It is written by Zach Baylin, and directed by Justin Kurzel.

This cinematic tour de force, set against the backdrop of 1980s Pacific Northwest, plunges viewers into a harrowing world of violent bank heists and armored car robberies that sent shockwaves through the region.

At the heart of this gripping narrative lies a chilling truth: these aren’t your run-of-the-mill criminals, but a group of Aryan supremacists led by the charismatic and dangerous Bob Mathews, brilliantly portrayed by Nicholas Hoult. Their audacious goal? To finance an armed uprising against the U.S. government, a premise that sends shivers down the spine and keeps viewers on the edge of their seats.

Enter FBI agent Terry Husk, brought to life by the ever-versatile Jude Law. As Husk delves deeper into the treacherous world of white supremacists, the film ratchets up the tension, leading to a blood-soaked confrontation that marks a pivotal moment in American history. Law’s performance is nothing short of mesmerizing, showcasing his evolution as a serious actor capable of infusing gravitas and charisma into complex characters.

The stellar cast is rounded out by Tye Sheridan as Jamie Bowen, Alison Oliver as Debbie Mathews, and Jurnee Smollett as Joanne Carney, each bringing depth and nuance to their roles. Marc Maron’s portrayal of Alan Berg adds another layer of intrigue to this already rich tapestry of characters.

What sets “The Order” apart is its unwavering commitment to the thriller genre. Kurzel’s direction, coupled with Baylin’s taut screenplay, delivers a relentless pace that never lets up. The film doesn’t attempt to moralize or preach, instead focusing on presenting the facts with cinematic flair while remaining surprisingly faithful to the true events that inspired it.

The movie excels in its character development, presenting individuals pushed to their limits, each grappling with dark pasts and complex motivations. This character-driven approach, combined with the historical backdrop of white supremacist groups, adds layers of depth to what could have been a standard cops-and-robbers tale.

Visually, “The Order” is a feast for the eyes, with stylish direction that complements the intensity of the narrative. The $20 million budget has been put to good use, creating a visceral and immersive experience that transports viewers to the gritty landscape of 1980s America.

While “The Order” may not reinvent the wheel when it comes to the thriller genre, it stands as a testament to how effective and powerful a well-crafted genre piece can be. It’s a masterclass in building tension, developing compelling characters, and delivering a story that resonates long after the credits roll.

In an era where big-budget spectacles often dominate the box office, “The Order” reminds us of the power of a well-told story. Despite its modest box office performance of $1.97 million, this film is bound to find its audience and leave a lasting impact on those who appreciate nuanced storytelling and top-tier performances.

For fans of intense, character-driven thrillers or those interested in dramatizations of significant historical events, “The Order” is a must-see. It’s a film that doesn’t just entertain but also provokes thought, offering a glimpse into a dark chapter of American history while delivering edge-of-your-seat excitement. This is cinema at its most potent – a perfect blend of style, substance, and raw, unflinching intensity.

The Cast

Jude LawTye SheridanNicholas HoultAlison Oliver

“Anora”: A Dazzling Subversion of Rom-Com Tropes Wins Cannes

Sean Baker’s latest cinematic offering, “Anora,” has taken the film world by storm, clinching the coveted Palma d’Or at the Cannes Film Festival – and for good reason. This audacious feature turns the classic Pretty Woman narrative on its head, delivering a refreshingly original and uproariously funny take on the romantic comedy genre.

At the heart of this unconventional tale is Anora, a strip club dancer whose life takes an unexpected turn when she meets the son of a Russian billionaire. What begins as a week-long arrangement blossoms into a marriage proposal, setting the stage for a familial uproar that defies all expectations.

Baker, known for his distinctive directorial style, masterfully crafts a film that seems to revel in breaking every rule in the cinematic playbook. “Anora” gleefully disregards traditional script structures, creating scenes that feel almost accidentally brilliant in their naturalism. Yet, despite – or perhaps because of – this apparent randomness, the film soars as both a comedy and a poignant love story.

Anora

The genius of “Anora” lies in its ability to subvert rom-com conventions while still delivering on the genre’s promises. The supposed leading man turns out to be a complete jerk, while the seemingly refined heroine ends up in physical altercations with unexpectedly sympathetic thugs. Baker’s script deftly navigates these twists, peppering the dialogue with humor even as characters speak with their mouths full or engage in surprisingly frequent intimate scenes.

At the center of this whirlwind is Mikey Madison, delivering a tour-de-force performance as Anora. Madison’s range is on full display as she effortlessly transitions from comedic moments to heart-wrenching drama, all while maintaining a palpable vulnerability. Her portrayal of Anora as both tough and fragile is nothing short of mesmerizing, marking this as a career-defining role that’s sure to catapult her into the spotlight.

The supporting cast shines equally bright, with each actor hitting the perfect comedic notes. A standout among them is Yuriy Borisov, who transforms the stereotypical thug character into an unlikely romantic lead with charm and nuance.

Technically, “Anora” is a feast for the senses. Baker’s direction is meticulous, creating a visual language that complements the story’s unconventional nature. The cinematography captures both the gritty reality of Anora’s world and the glossy veneer of high society, creating a vivid contrast that underscores the film’s themes.

In essence, “Anora” is a cinematic rebel with a cause. It dares to challenge our expectations, not just of romantic comedies, but of storytelling itself. By blending genres, upending tropes, and delivering genuine emotional resonance, Baker has created a film that is as thought-provoking as it is entertaining.

For those seeking a fresh, exciting voice in cinema, “Anora” is an absolute must-see. It’s a testament to the power of innovative filmmaking and a reminder that sometimes, the most captivating stories are those that color outside the lines. This Palme d’Or winner isn’t just a movie – it’s a joyous celebration of cinema’s boundless potential.

The Cast

Mikey MadisonYura BorisovMark EydelshteynKarren Karagulian

Nate Bargatze Brings Family-Friendly Laughs to Netflix in “Your Friend, Nate Bargatze”

Netflix’s latest comedy offering, “Your Friend, Nate Bargatze”, starring Nate Bargatze, is a heartwarming journey into the world of everyday family life, served with a generous side of laughter. This stand-up special showcases Bargatze at his most relatable, as he dives into the humorous intricacies of married life, parenting, and the delightful absurdities of domestic existence.

From the moment the curtain rises, “Your Friend, Nate Bargatze” sets itself apart with a truly spectacular opening. Picture this: a packed auditorium, a sea of smartphones held aloft, all capturing the moment as Bargatze’s daughter takes center stage to introduce her father. It’s a touching start that perfectly encapsulates the family-centric theme of the show.

As Bargatze takes the mic, he invites us into his world of 17 years of marriage, a world filled with washing machines, ketchup bottles, and hilariously petty arguments. Who knew that debates about turning off lights or the merits of adopting a second dog could be so entertaining? Bargatze’s gentle, self-deprecating humor turns these mundane domestic squabbles into comedy gold.

But it’s not just about the laughs. There’s a warmth to Bargatze’s performance that makes you feel like you’re listening to a friend share stories over coffee. His anecdotes about his wife and daughter are delivered with such affection that you can’t help but smile, even as you’re chuckling at their predicaments.

What truly sets “Your Friend, Nate Bargatze” apart is its ability to find humor in the everyday without resorting to cynicism or snark. Bargatze’s comedy is a refreshing reminder that sometimes the funniest moments in life are the ones we all experience but rarely stop to appreciate.

As the special draws to a close, you’re left with a sense of having spent time with a genuinely likable guy who just happens to be really funny. “Your Friend, Nate Bargatze” is more than just a comedy show; it’s a celebration of family life in all its messy, argumentative, loving glory.

So, as we head into the holiday season, why not gather your loved ones and tune into this delightful special? Nate Bargatze’s “Your Friend, Nate Bargatze” is the perfect way to kick off the festivities with laughter and warmth. Happy holidays, indeed!

Max Renews “Creature Commandos” for Second Season

DC Studios’ adult animated series “Creature Commandos” has secured a second season on Max. The show, penned and executive produced by DC Studios Co-Chair James Gunn, will continue its weekly Thursday release schedule, with the first season finale set to air on January 9.

“Creature Commandos” follows a covert team of imprisoned monsters tasked with undertaking perilous missions deemed too dangerous for human operatives. The series has garnered positive reviews, with critics praising its blend of humor, emotion, and memorable characters.

Amy Gravitt, Executive Vice President of HBO & Max Comedy Programming, expressed enthusiasm for the renewal, highlighting Gunn’s unique ability to create compelling misfit characters. James Gunn and Peter Safran, Co-Chairs of DC Studios, acknowledged Max’s consistent support and the show’s successful launch.

The voice cast for the first season includes Steve Agee, Maria Bakalova, Anya Chalotra, and Viola Davis as Amanda Waller. The series is a collaborative effort between DC Studios and Warner Bros. Animation, with additional executive producers Peter Safran, Dean Lorey, and Sam Register.

As “Creature Commandos” prepares for its sophomore season, it joins other DC properties like “Peacemaker” and “The Penguin” in expanding the DC universe on Max, signaling the streaming platform’s continued investment in comic book adaptations.

Where Art Meets Math: Nelson Saiers’ Mind-Bending Exhibition at The Canvas 3.0

The worlds of art, mathematics, and history collide in a fascinating new exhibition by Nelson Saiers, opening at The Canvas 3.0 in New York City. This former hedge fund manager turned artist, armed with a Ph.D. in mathematics, brings a unique perspective to the art world with his latest collection of 15 thought-provoking paintings.

Saiers’ work, created over the past four years, tackles an eclectic range of subjects from military history to pop culture phenomena like Game of Thrones and Wall Street. At the heart of each piece lies a complex interplay of mathematical concepts, often explicitly displayed, serving as metaphors or playful word associations that challenge viewers to see beyond the surface.

Nelson Saiers, “What is Left 3,” 2024, Metal, paint, ink.

One of the exhibition’s standout pieces, “Stack,” exemplifies Saiers’ innovative approach. This installation cleverly references the works of abstract art pioneers Wassily Kandinsky and Donald Judd while simultaneously pushing the boundaries of representation. By filling Judd-inspired blue plexiglass boxes with hay, Saiers creates a literal “haystack,” nodding to Monet’s famous paintings. The addition of mathematical symbols further transforms the piece, blurring the lines between representational and abstract art.

History buffs and math enthusiasts alike will be drawn to Saiers’ series on the Hundred Years’ War and the War of the Roses. These works, including “What is Left 3” and “Check,” weave together historical narratives with complex mathematical concepts like sheaf cohomology and Cech cohomology. The result is a visually striking and intellectually stimulating exploration of tumultuous periods in English history.

Don’t miss this extraordinary fusion of art and mathematics. The exhibition opens with a reception on January 9th from 6-8 pm at The Canvas 3.0, located at 185 Greenwich Street inside the Oculus at the World Trade Center. Prepare to have your perceptions challenged and your mind expanded as you step into Nelson Saiers’ captivating world of visual equations and historical reflections.

Nelson Saiers, Check, 2024, Metal paint, ink.