Martin Cid's Blog: Martin Cid Magazine, page 74

Dreaming in Code: Kite’s Visionary Exploration at MIT List Visual Arts Center

The MIT List Visual Arts Center presents “List Projects 31: Kite,” a solo exhibition that promises to redefine the boundaries of new media art. This showcase of Oglála Lakȟóta artist Kite’s work invites viewers into a mesmerizing world where machine learning, artificial intelligence, and dream interpretation converge to express Indigenous ontology and epistemology.

For over a decade, Kite has been at the forefront of digital interface exploration in music and live performance. Her innovative approach, which she terms “Indigenous protocols for AI,” has resulted in a body of work that is as intellectually stimulating as it is visually captivating. The exhibition, curated by Selby Nimrod and Zach Ngin, celebrates Kite’s remarkable ability to transcend artistic, musical, and academic disciplines through her embrace of elasticity and invention.

At the heart of Kite’s recent work is a fascinating exploration of dreams as both an ancestral technology and a material for artmaking. Visitors to the exhibition will encounter a variety of media, from stone sculptures and embroidered deer hides to performances and interactive web projects. In each piece, Kite translates dreams into a Lakȟóta visual language, creating a semiotic vocabulary that serves as the foundation for abstract musical scores. This unique approach brings together the realms of the spiritual and the technological, offering a fresh perspective on how we can interpret and interact with the world around us.

The centerpiece of the exhibition is “Wičháȟpi Wóihaŋbleya (Dreamlike Star),” an immersive installation that transforms the Bakalar Gallery into a hallucinatory environment of doubles and reflections. This multifaceted work features a constellation of stones on a reflective floor, representing a score composed from Lakȟóta visual language translations of the artist’s dreams. Behind this, a large-scale projection displays a vast network of stars scattered across a purple night sky. The recurrence of imagery and objects in the projected video, its reflection in the mirrored floor, and the sculpture itself evokes a vast and interconnected universe where earth and sky are entangled in what Kite describes as an “ancient and future dance.”

Kite’s work stands out for its unique approach to advanced technology. Rather than using it as a tool for critique, she challenges creative and scientific fields to engineer machines that reinforce a respectful exchange between humans and the earth. This perspective is deeply rooted in the Lakȟóta philosophy of the Good Way, which emphasizes decision-making processes that consider the impact on seven generations ahead. By infusing technological, spiritual, and ecological vocabularies, Kite encourages us to imagine dreams as a viable research-creation methodology, suggesting the possibility of building systems that are sensitive and responsive to future generations.

The exhibition showcases the breadth of Kite’s performance and composition practice through four videos documenting both individual and collaborative performances, three instructional and illustrated scores reproduced as wall works, and audio of a musical composition performed by the Silkroad Ensemble. On April 17, 2025, visitors will have the unique opportunity to witness Kite activate the exhibition’s central work through a live solo performance in the gallery space, bringing together wearable technology and choreography by Muscogee artist Olivia Camfield.

“List Projects 31: Kite” runs from January 30 to May 18, 2025, at the MIT List Visual Arts Center. This exhibition is not just a display of art; it’s an invitation to reimagine our relationship with technology, dreams, and the natural world through the lens of Lakȟóta ontology. It offers a hopeful vision for the intersection of art, technology, and Indigenous wisdom, challenging us to consider how we can build a future that is both innovative and deeply respectful of ancestral knowledge. As visitors navigate through Kite’s dreamlike creations, they are encouraged to reflect on the potential of dreams as a powerful tool for understanding and shaping our world, bridging the gap between the ancient and the futuristic, the spiritual and the technological. This exhibition stands as a testament to the power of art to inspire, challenge, and transform our perception of reality, inviting us all to dream of a more interconnected and harmonious future.

Exhibition dates: January 30-May 18, 2025

‘Disaster Holiday’ on Netflix: A Family Vacation to Remember

“Disaster Holiday” is a Netflix comedy movie directed by Rethabile Ramaphakela starring Kenneth Nkosi, Lunathi Mampofu, and Kopano Mahlasi.

Netflix’s latest family comedy, “Disaster Holiday,” takes us on a familiar yet heartwarming journey through the ups and downs of a family vacation. Starring Kenneth Nkosi, this delightful film delivers exactly what it promises: a fractured family finding their way back to each other through a series of misadventures.

As the story unfolds, we’re introduced to a family struggling with the complexities of modern relationships. Divorced parents, children of various ages, and the challenges of blended families all come into play, creating a relatable backdrop for the ensuing chaos. The film doesn’t shy away from addressing these contemporary family dynamics, offering a refreshing take on the traditional family comedy genre.

While “Disaster Holiday” doesn’t reinvent the wheel, it certainly knows how to keep it spinning with charm. The movie is peppered with genuinely funny moments that will have viewers chuckling. One particularly memorable scene involves a turtle outpacing the family car – a perfect metaphor for the slow but steady pace at which family bonds are rebuilt.

Throughout its 90-minute runtime, the film maintains a lighthearted and endearing tone. It’s clear that “Disaster Holiday” is tailor-made for family viewing, offering something for every member of the household. The filmmakers have struck a balance between humor and heart, creating moments that are both amusing and touching.

However, it’s worth noting that “Disaster Holiday” follows the family comedy formula to a T. While this adherence to genre conventions ensures a comforting familiarity, it also means the film doesn’t offer many surprises. It’s the kind of movie that, while entertaining in the moment, may not leave a lasting impression once the credits roll.

In conclusion, “Disaster Holiday” is a pleasant addition to Netflix’s family-friendly lineup. It’s a film that understands its audience and delivers a warm, if somewhat forgettable, experience. For families looking for an easy watch that will bring them together for an evening of laughter and light-hearted fun, this vacation-gone-wrong comedy might just be the ticket.

Where to Watch “Disaster Holiday”

Netflix

‘1992’: Álex de la Iglesia’s new series hits Netflix

“1992” is a new Netflix series directed by Álex de la Iglesia. It stars Marián Álvarez and Fernando Valdivieso.

Álex de la Iglesia’s new series “1992” has arrived on Netflix, making its debut on a fitting Friday the 13th. This classic thriller, centered around a psychopath, murders, and police investigation, marks a departure from de la Iglesia’s usual supernatural horror fare.

The story unfolds with a man found murdered in a fire, alongside a figure of Curro, the mascot of Seville’s Expo’92. The discoverer, a security company manager and friend of the victim, begins investigating his friend’s death, leading him into a web of intrigue connected to the Universal Exhibition.

While de la Iglesia has typically been known for his surprising twists and unique blend of comedy and horror, “1992” takes a more conventional approach to the thriller genre. This adherence to classic tropes ultimately renders the series too generic for a filmmaker who has built his reputation on the unexpected. The result is a disappointment from the outset, lacking the director’s characteristic flair for the unconventional.

The cast delivers solid performances, with Fernando Valdivieso standing out in his portrayal of a former police officer, now an alcoholic traumatized by the loss of his family. However, the strength of the acting isn’t enough to elevate the series beyond its formulaic premise.

“1992” struggles to justify its six-episode format, quickly revealing its lack of innovation and over-reliance on traditional murder mystery clichés. For fans of Álex de la Iglesia, the absence of his signature humor is particularly noticeable. In this instance, the director seems to have missed the mark both in terms of plot and cinematic approach.

While de la Iglesia will undoubtedly have future opportunities to showcase his iconoclastic talent, this venture into conventional thriller territory fails to captivate. The somewhat bland murder story doesn’t provide the platform for surprise and originality that viewers have come to expect from his work.

“1992” represents a misstep for Álex de la Iglesia, trading his usual boundary-pushing style for a more by-the-numbers approach to the thriller genre. While it may find an audience among die-hard fans of police procedurals, those expecting the director’s trademark blend of horror and humor will likely be left wanting more.

Where to Watch “1992”

Netflix

The Cast

Marian ÁlvarezPaz VegaFernando ValdivielsoCarlos Santos

‘Carry-On’ on Netflix: A Hollywood-Style Thriller That Entertains

“Carry-On” is a Netflix thriller movie starring Taron Egerton with Sofia Carson and Danielle Deadwyler. It is directed by Jaume Collet-Serra.

Netflix’s latest offering, “Carry-On,” delivers a classic Hollywood thriller experience. This fast-paced, action-packed film aims to keep viewers on the edge of their seats with its dynamic sequences and plot twists. While it may not break new ground in the genre, it provides the kind of entertainment that appeals to a broad audience, even if it might not impress hardcore film critics.

Set against the backdrop of Los Angeles International Airport during the bustling holiday season, the movie follows an aspiring police officer who stumbles upon a mysterious suitcase. This chance encounter thrusts our protagonist into a dangerous cat-and-mouse game with criminals, setting the stage for a thrilling adventure.

“Carry-On” embraces the hallmarks of Hollywood blockbusters, prioritizing spectacle over sophistication. The film’s visual effects, editing, and sound design are impressive, reminiscent of big-budget theatrical releases – a quality that Netflix viewers have been craving. However, this emphasis on action and excitement sometimes comes at the expense of plot coherence and character development.

Taron Egerton leads the cast as the main character, bringing a charm reminiscent of Channing Tatum, albeit with a less muscular physique. Sofia Carson, known for her Disney Channel fame, plays the role of the girlfriend, while Jason Bateman takes an interesting turn as the villain, contributing solely through his voice performance. Bateman’s vocal presence adds an intriguing element to the film, becoming one of its more memorable aspects.

While “Carry-On” may not leave a lasting impression, it serves its purpose as a holiday season thriller. It offers the familiar comfort of a Hollywood spectacle, complete with family-threatening villains and high-stakes action. The movie doesn’t reinvent the wheel, but it provides a dose of essential entertainment that viewers have been missing.

In the end, “Carry-On” is a reminder of why simple, straightforward thrillers continue to draw audiences. It may not push any boundaries, but for those seeking an adrenaline-fueled escape during the festive period, this Netflix offering delivers the goods – even if it’s ultimately as forgettable as it is momentarily engaging.

Where to Watch “Carry-On”

Netflix

Lindsay Adams Debuts ‘Keep Your Wonder Moving’ at Sean Kelly, Los Angeles

In a striking departure from her earlier figurative work, Chicago-based artist Lindsay Adams presents her West Coast debut, “Keep Your Wonder Moving,” at Sean Kelly, Los Angeles. This exhibition, running from January 18 to March 8, 2025, marks Adams’ inaugural solo show with the gallery and showcases her evolution into abstract expressionism.

The exhibition’s title, borrowed from a note by poet Patricia Spears Jones to philosopher Audre Lorde, sets the tone for a collection that pushes the boundaries of imagination and personal narrative. Adams’ transition to abstraction is not merely a stylistic shift; it represents a deeper exploration of conceptual storytelling and cultural reflection.

Eleven abstract paintings occupy the third floor of Sean Kelly, each a testament to Adams’ alchemical approach to her craft. Her canvases are alive with movement, as layers of pigment are built up, washed away, and manipulated. This process results in complex surfaces that invite prolonged contemplation, challenging viewers to question the very nature of form and representation.

In works like “Rhythm With Blues,” electric yellows and soft lavenders dance against a backdrop of inky blue, evoking a field of abstracted flora that defies traditional constraints. Adams’ compositions become portals to imagined ecologies, where color and gesture engage in an ongoing dialogue with the viewer’s perception.

At its core, “Keep Your Wonder Moving” is an exploration of resilience, freedom, and the lived experiences of Black womanhood. Adams transforms her canvases into aspirational spaces, fostering intimate encounters with self-discovery and resistance against societal norms. Her work asserts its presence within the broader discourse of artistic and social transformation, positioning painting as both a reflective and generative act.

Adams’ artistic journey is as compelling as her work. Currently finalizing her MFA at the School of the Art Institute of Chicago, she has already garnered significant recognition, including the prestigious Helen Frankenthaler Award in 2024. Her rapid ascent in the art world is further evidenced by the inclusion of her work in collections such as the Baltimore Museum of Art and Northwestern Law School.

As viewers navigate “Keep Your Wonder Moving,” they are invited to engage with Adams’ complex abstract vernacular. The exhibition challenges us to embrace the unknown, to find meaning in ambiguity, and to keep our own wonder moving through the ever-evolving landscape of contemporary art.

Lindsay Adams Debuts “Keep Your Wonder Moving” at Sean Kelly, Los Angeles

In a striking departure from her earlier figurative work, Chicago-based artist Lindsay Adams presents her West Coast debut, “Keep Your Wonder Moving,” at Sean Kelly, Los Angeles. This exhibition, running from January 18 to March 8, 2025, marks Adams’ inaugural solo show with the gallery and showcases her evolution into abstract expressionism.

The exhibition’s title, borrowed from a note by poet Patricia Spears Jones to philosopher Audre Lorde, sets the tone for a collection that pushes the boundaries of imagination and personal narrative. Adams’ transition to abstraction is not merely a stylistic shift; it represents a deeper exploration of conceptual storytelling and cultural reflection.

Eleven abstract paintings occupy the third floor of Sean Kelly, each a testament to Adams’ alchemical approach to her craft. Her canvases are alive with movement, as layers of pigment are built up, washed away, and manipulated. This process results in complex surfaces that invite prolonged contemplation, challenging viewers to question the very nature of form and representation.

In works like “Rhythm With Blues,” electric yellows and soft lavenders dance against a backdrop of inky blue, evoking a field of abstracted flora that defies traditional constraints. Adams’ compositions become portals to imagined ecologies, where color and gesture engage in an ongoing dialogue with the viewer’s perception.

At its core, “Keep Your Wonder Moving” is an exploration of resilience, freedom, and the lived experiences of Black womanhood. Adams transforms her canvases into aspirational spaces, fostering intimate encounters with self-discovery and resistance against societal norms. Her work asserts its presence within the broader discourse of artistic and social transformation, positioning painting as both a reflective and generative act.

Adams’ artistic journey is as compelling as her work. Currently finalizing her MFA at the School of the Art Institute of Chicago, she has already garnered significant recognition, including the prestigious Helen Frankenthaler Award in 2024. Her rapid ascent in the art world is further evidenced by the inclusion of her work in collections such as the Baltimore Museum of Art and Northwestern Law School.

As viewers navigate “Keep Your Wonder Moving,” they are invited to engage with Adams’ complex abstract vernacular. The exhibition challenges us to embrace the unknown, to find meaning in ambiguity, and to keep our own wonder moving through the ever-evolving landscape of contemporary art.

Joel McHale Returns to Host Saturn Awards for Third Time

Joel McHale, known for his roles in “Community” and “The Bear,” is set to host the 52nd Annual Saturn Awards. This marks McHale’s third consecutive year as host, raising questions about the awards’ ability to attract fresh talent.

The event, organized by the Academy of Science Fiction, Fantasy & Horror Films, will take place at The Hilton Universal City Hotel. In an attempt to boost viewership, the ceremony will be live-streamed for free on ElectricNOW and The Roku Channel.

Academy President Robert Holguin and producers Bradley and Kevin Marcus praised McHale’s “clever, edgy humor,” though some critics argue his style may be growing stale. The Academy’s enthusiasm for McHale’s return suggests a reluctance to shake up the formula.

This year’s show is dedicated to the late Jon Landau, producer of blockbusters like “Avatar” and “Titanic.” While Landau’s contributions to cinema are undeniable, the dedication raises questions about the awards’ focus on mainstream commercial success over indie genre films.

The Saturn Awards, claiming to honor “the best in genre entertainment” since 1972, will also present Special Saturn Awards to past, present, and future winners. However, these honorees remain unannounced, leaving industry insiders to speculate about potential favoritism or last-minute decisions.

As the Saturn Awards struggle to maintain relevance in an increasingly crowded awards landscape, it remains to be seen whether McHale’s third outing as host will breathe new life into the ceremony or simply highlight its need for reinvention.

Harland Williams & Justin Levine Break Down the Madness Behind Wingman, Hollywood’s Next Outrageous Comedy

With the comedy world hungry for fresh laughs and no-holds-barred humor, New feature film Wingman is set to deliver exactly what audiences crave: gut-busting jokes and an unapologetic approach to storytelling. Written and produced by Justin L. Levine and directed and starring, Harland Williams, the film is one of the most anticipated comedies coming out in 2025. In this exclusive interview, we sit down with these two geniuses to get a glimpse into the making of a comedy that knows exactly what it’s here to do, entertain.

Justin – What was the initial spark that led to the creation of Wingman?

Well, I originally came up with the storyline about 15 years ago, back when Harland and I were filming in Toronto. We were working on a wacky spoof comedy called Child Wild that Harland wrote and starred in. During that time, I came up with the concept for Wingman, inspired by the throwback vibe of ’80s and ’90s dating comedies—something that hasn’t really been done in a while. The idea stuck with me, and all these years later, Harland and I finally decided to greenlight it and bring it to life.

2 Harland – For anyone that hasn’t seen the trailer yet, how would you best describe the film?

Wingman is a modern-day comedy that refuses to be woke or politically correct. It’s an outrageous film that does exactly what comedies are supposed to do: make people laugh! The edgy, silly humor is rooted in the real world of human relationships—dating, love, and the extremes people will go to in their quest to find love and make it work.

Turk, the professional Wingman, helps desperate people find love. His bizarre methods are unlike anything anyone has ever seen—whether it’s yanking nose hairs, using Rubik’s Cubes, or even enlisting the help of an albino koala to lure women. Turk is in a demented league of his own, but, believe it or not, his unorthodox methods actually work! In the end, he helps his clients find love while grappling with a dark secret of his own—one that might just fuel his quest to be the world’s best Wingman.

3.     Justin – were any of the scenes based on real life events?

The original story was loosely based on it back in the day some of my dating escapades. But this newly written script from Harland was entirely his genius & ideas.

4) Harland – How long did it take to write the script? Did you write any characters for specific actors?

The Wingman script took about six months to write, but it took 16 years to finally get made. During that time, I was able to fine-tune and update it. Originally, I wrote the lead Wingman role for one of my best friends, actor Michael Rosenbaum (Smallville’s Lex Luthor). He ultimately passed on it, so I floated the role to a ton of big names I had relationships with—Jim Carrey, Will Ferrell, Jason Bateman, Ryan Gosling—but they all passed.

In the end, I realized it was up to me to step in and bring the Wingman to life. Honestly, I think everything happens for a reason because I had the time of my life playing the role.

I also wrote the character of Kazzim specifically with fellow Canadian comedian Russell Peters in mind. I knew he’d be perfect for the role, and man, did he deliver. He’s simply hilarious and so lovable in this outrageous part.

5.     Justin – As a producer, what were the most difficult challenges you encountered while making Wingman?

As the producer, we had a solid budget for the film, but shooting in a smaller city presented its own set of challenges. One of the hurdles was finding and bringing in skilled crews, which we ultimately solved. We also ran into some funny issues at the U.S.-Canada border, but those were resolved quickly.

The shoot itself was tight, and as the weather grew cooler, managing 27 different locations became another challenge. However, we were able to capture all the great footage needed to bring Harland’s vision to life.

We also got incredibly lucky with the timing of our lead castings. Kayla Wallace had just landed a role in the hit U.S. TV series Landman, starring opposite Billy Bob Thornton and Demi Moore. Evan Marsh had just wrapped a major network TV series in the U.S., and Harland himself has had a strong resurgence on the comedy scene with the ongoing popularity of the Scream franchise, comic-con appearances, and fan expos.

Jamie Kennedy is an old friend of mine, and I was eager to include him in the film. His wacky yet sharp comedic timing brought incredible energy and attention to our production. Russell Peters, who’s constantly on tour selling out arenas, has been friends with Harland for over 30 years and was thrilled to be part of Harland’s directorial debut.

Lastly, Shiva Negar was the perfect choice for her over-the-top comedic role. She and Harland worked together seamlessly, and her performance truly elevated the film.

6)  – Do you have a favorite scene?

Wow, I love the whole film, but there are definitely a few scenes that stand out. One of my favorites is when the lead character, Bob—who hires the Wingman—is making out with a girl in the Wingman’s car, and Butterbuns, the albino koala, makes a surprise appearance in the middle of their groping session. It’s absolutely hilarious.

Another standout for me is a much more subtle scene where Bob, while trying to pick up women, gets completely schooled by a very sophisticated woman. She shows him that women aren’t easily fooled and can outsmart a man if they want to. In a movie filled with lots of outrageous and sophomoric pick-up scenes, I love this one because it feels so real. It’s humbling for Bob, and we see him confronted by a woman who is much smarter and more self-assured than he is.

7) Justin – Why has Hollywood made fewer comedies in the last five years?

Funny enough, this was a topic of conversation among the entire cast and crew while filming Wingman. We all agreed that, over the last five years, Hollywood seems to have been too cautious or worried to produce flat-out, laugh-out-loud dating comedies—the kind that used to be the foundation of so many huge comedy stars. These were also the films that often created some of the funniest moments during awards shows like the Golden Globes and Oscars.

Hopefully, with the current lack of comedies, the industry will come full circle and embrace this genre again. For me personally, slapstick comedies are my absolute favorite genre, and I’ll continue striving to produce more of them.

8) Harland – Will there be a sequel?

YES! We had such an incredible time making this film—both the cast and crew—that I’ve already started writing the sequel. The Wingman character is so unique, blunt, and completely over the top that it feels like a sequel is not just a possibility but a necessity.

To me, this is what movies are all about: bringing to life characters that people would likely never meet in real life. In the vein of Austin Powers and Ace Ventura, I absolutely believe we need to see and hear MORE of the Wingman’s story.

‘The Williams Brothers’, a documentary on Netflix about Iñaki and Nico Williams beyond soccer

“The Williams Brothers” is a Netflix sports documentary about the brothers Iñaki and Nico Williams. It is directed by Raúl de la Fuente.

“The Williams Brothers,” delves into the extraordinary lives of football stars Iñaki and Nico Williams, revealing a story that transcends the boundaries of sport. While the Williams brothers’ prowess on the pitch for Athletic Bilbao is undeniable, it’s their family’s remarkable journey that takes center stage in this intimate portrayal.

The documentary paints a vivid picture of the brothers’ African heritage, juxtaposed against their distinctly Basque upbringing. At its heart, “The Williams Brothers” is a family narrative, with the brothers’ mother playing a pivotal role. Her recounting of the arduous journey from Ghana to Spain forms the emotional core of the film, providing context to the brothers’ success and the challenges they’ve overcome.

The Williams Brothers – Netflix

Athletic Bilbao, the Williams’ club, adds another layer of intrigue to their story. The team’s unique policy of fielding only players with Basque roots makes Iñaki and Nico’s presence in the squad all the more significant. This policy, unparalleled in world football, highlights the brothers’ integration into Basque culture while honoring their Ghanaian roots.

Perhaps the most fascinating aspect of the Williams brothers’ story is their divergent paths in international football. In an unprecedented turn of events, Iñaki represents Ghana on the international stage, while Nico dons the colors of Spain. This split allegiance within a single family underscores the complex nature of identity in modern football.

While “The Williams Brothers” features footage from the brothers’ matches, the documentary’s strength lies in its exploration of life beyond the pitch. It captures the essence of their African heritage, their distinct Basque accents, and their early forays into football, all under the watchful eye of their ever-present mother.

The film offers a deeply personal and sentimental journey, focusing more on the human aspect than on sporting achievements. It paints a poignant picture of immigration, showcasing not only the Williams family’s struggles but also the warmth of those who welcomed them into their new home.

“The Williams Brothers” serves as a testament to the power of family, the complexity of cultural identity, and the universal language of football. It’s a story that resonates far beyond the confines of the sport, offering viewers a touching glimpse into a family’s extraordinary journey from Ghana to football stardom in Spain.

Where to Watch “The Williams Brothers”

Netflix

“The Williams Brothers”, a documentary on Netflix about Iñaki and Nico Williams beyond soccer

“The Williams Brothers” is a Netflix sports documentary about the brothers Iñaki and Nico Williams. It is directed by Raúl de la Fuente.

“The Williams Brothers,” delves into the extraordinary lives of football stars Iñaki and Nico Williams, revealing a story that transcends the boundaries of sport. While the Williams brothers’ prowess on the pitch for Athletic Bilbao is undeniable, it’s their family’s remarkable journey that takes center stage in this intimate portrayal.

The documentary paints a vivid picture of the brothers’ African heritage, juxtaposed against their distinctly Basque upbringing. At its heart, “The Williams Brothers” is a family narrative, with the brothers’ mother playing a pivotal role. Her recounting of the arduous journey from Ghana to Spain forms the emotional core of the film, providing context to the brothers’ success and the challenges they’ve overcome.

The Williams Brothers – Netflix

Athletic Bilbao, the Williams’ club, adds another layer of intrigue to their story. The team’s unique policy of fielding only players with Basque roots makes Iñaki and Nico’s presence in the squad all the more significant. This policy, unparalleled in world football, highlights the brothers’ integration into Basque culture while honoring their Ghanaian roots.

Perhaps the most fascinating aspect of the Williams brothers’ story is their divergent paths in international football. In an unprecedented turn of events, Iñaki represents Ghana on the international stage, while Nico dons the colors of Spain. This split allegiance within a single family underscores the complex nature of identity in modern football.

While “The Williams Brothers” features footage from the brothers’ matches, the documentary’s strength lies in its exploration of life beyond the pitch. It captures the essence of their African heritage, their distinct Basque accents, and their early forays into football, all under the watchful eye of their ever-present mother.

The film offers a deeply personal and sentimental journey, focusing more on the human aspect than on sporting achievements. It paints a poignant picture of immigration, showcasing not only the Williams family’s struggles but also the warmth of those who welcomed them into their new home.

“The Williams Brothers” serves as a testament to the power of family, the complexity of cultural identity, and the universal language of football. It’s a story that resonates far beyond the confines of the sport, offering viewers a touching glimpse into a family’s extraordinary journey from Ghana to football stardom in Spain.

Where to Watch “The Williams Brothers”

Netflix