Martin Cid's Blog: Martin Cid Magazine, page 146
May 13, 2024
The Fernán Gómez Theater Unveils the 5th Edition of Música Antigua Madrid
The esteemed Fernán Gómez. Centro Cultural de la Villa is proud to announce the return of its celebrated festival, Música Antigua Madrid (MAM), now in its remarkable fifth year. Set to enchant audiences from June 11 to 16, this edition promises an exploration of European Baroque music, featuring a total of six unique concerts crafted to showcase the genre’s rich tapestry.
After four successful editions with a primary focus on Spain’s vast musical heritage, MAM shifts its lens toward European baroque, echoing the festival’s foundational commitment to historical accuracy and original instrumentation. This year’s lineup is distinguished by its dedication to showcasing specialized groups acclaimed for their historic performance practices.
The festival is a testament to MAM’s ambition to democratize repertoire that often escapes mainstream exposure, aiming to allure connoisseurs and neophytes of all ages with performances of unsurpassed quality. Whether it’s the intricate compositions of Johann Sebastian Bach, the engaging works of the Stamitz family, or the French composers like Lully and Rameau whose works were profoundly influenced by Spanish culture, MAM 2023 is a curator of exceptional musical narratives.
The curtain rises on June 11th with Ignacio Prego and Tiento Nuovo, bringing Charles Avison’s Concerti Grossi to life—a splendid reinterpretation of Doménico Scarlatti’s sonatas. The days following will see performances from Johanna Rose, a virtuoso viola da gamba player, and a showcase of JS Bach’s Sonatas for violin and harpsichord by Andoni Mercero and Alfonso Sebastián, among others.
The festival promises more than just concerts, with two enlightening talks scheduled to complement the musical program. “Hablemos de Bach, vida y música” by Professor Rodrigo Guerrero, and “Influencia de la cultura española en la música barroca francesa” by Miguel Jalôto, director of Ludovice Ensemble, promise to provide deeper insights into the enduring legacy of Baroque music and its intersections with Spanish culture.
Scheduled Performances:
June 11: Tiento Nuevo & Ignacio Prego present Charles Avison’s Concerti Grossi at Sala Guirau, 8 PM.June 12: Johanna Rose in 7 Movements at Sala Jardiel Poncela, 7 PM.June 13: Sonatas for violin and harpsichord by JS Bach performed by Andoni Mercero and Alfonso Sebastián at Sala Jardiel Poncela, 7 PM.June 14: L’Apothéose explores the Stamitz Family at Sala Guirau, 8 PM.June 15: Vivalma presents Danser, Ballare at Sala Jardiel Poncela, 7 PM.June 16: Ludovice Ensemble’s À l’Espagnole at Sala Guirau, 8 PM.These six concerts, coupled with insightful discussions, cement Música Antigua Madrid’s status as a beacon of cultural enrichment and musical excellence. The Fernán Gómez. Centro Cultural de la Villa invites aficionados and the curious alike to partake in this annual celebration of baroque splendor. RSVPs for exclusive VIP viewings are open, courtesy of The Rubenstein Group, for those eager to immerse themselves in the beauty and grandeur of classical music history.
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May 12, 2024
Drake Dominates the Global Charts Again with “Family Matters”
In an unsurprising but nonetheless thrilling development, Drake has once again conquered the music world. This time, he’s captured the number one spot on the global charts with his latest hit, “Family Matters.” Making a spectacular debut, the track has racked up nearly 15 million views on YouTube within its first week alone, asserting its success unequivocally. Known for his unique blend of provocation, rhythm, and a distinctive persona, Drake continues to solidify his standing in the music industry with “Family Matters.”
About DrakeAubrey Drake Graham, better known as Drake, is a multifaceted Canadian talent excelling as a singer, rapper, and actor. Born on October 24, 1986, in Toronto, Canada, Drake initially gained public attention with his acting role as Jimmy Brooks on the teen drama series “Degrassi: The Next Generation.” However, it was his foray into music that catapulted him into international stardom.
Drake burst onto the music scene with his mixtape “So Far Gone” in 2009, which spawned the hit single “Best I Ever Had” and peaked at number two on the Billboard Hot 100. His subsequent signing with Lil Wayne’s Young Money Entertainment paved the way for his debut album “Thank Me Later” in 2010. Drake’s musical career has only flourished from there, with albums such as “Take Care” (2011), “Nothing Was the Same” (2013), and “Views” (2016) receiving widespread acclaim.
His ability to meld hip-hop and R&B with emotional lyrics and catchy hooks has garnered him a plethora of awards, including three Grammy Awards. Drake’s influence extends beyond music; he’s also ventured into acting, with roles in “Anchorman 2: The Legend Continues” (2013) and “Ice Age: Continental Drift” (2012), and business, with his own record label OVO Sound and the clothing line October’s Very Own.
With over 150 million records sold worldwide, Drake is one of the best-selling music artists of all time. His humility and gratitude towards his career trajectory, coupled with a loyal fan base known as “The 6ix” – a nod to Toronto’s area code 416 – Drake continues to reign supreme on the charts while constantly evolving as an artist.
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Franglish Hits Number 1 on YouTube in France with “Oposite”
In a thrilling showcase of rhythm and catchy beats, rapper Franglish secures the top spot on France’s YouTube charts this week. His latest hit, “Position,” has mesmerized the nation, racking up an impressive 17 million views. According to official figures, this sensational track added over one and a half million views just this week, capturing the hearts and ears of listeners across the country.
This achievement is a testament to the growing influence of rap music in France, where it continues to enjoy wave after wave of success. With “Position,” Franglish not only proves his knack for creating addictive music but also affirms rap’s enduring presence in the French music scene.
About FranglishGédéon Mundele Ngolo, better known by his stage name Franglish, is a vibrant force in the French rap and music industry. Born on August 4, 1994, this Parisian artist, hailing from the 20th arrondissement and of Congolese descent, has always had a deep passion for hip hop, rap, and both French and American R&B.
Franglish’s unique style and bilingual freestyle skills earned him the nickname Mr. Franglish from the Brownie Dubz Gang collective early in his career. He has since collaborated extensively with the BFBC rap group from Montfermeil, marking the start of an illustrious musical venture.
In 2013, Franglish released his debut mixtape “Franglish Prototype,” followed by “Changement d’ambiance” in 2017, and “Signature,” laying the groundwork for his rapidly growing fame. His album “Monsieur” reached number 16 on the French Albums chart in 2019, solidifying his status in the music world. His collaboration with Tory Lanez on the hit single “My Salsa” stands as his most notable work to date, showcasing his ability to blend genres and create unforgettable music.
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A New Stamp Series Pays Tribute to Canada’s Iconic Graphic Novel Artists
Canada Post has proudly unveiled a new set of stamps dedicated to the illustrators of Canadian graphic novels. The series features the works of Chester Brown, Michel Rabagliati, Seth, and cousins Jillian Tamaki and Mariko Tamaki, artists who have significantly contributed to this genre and now join the esteemed ranks of individuals celebrated by Canada Post for their storytelling prowess.
Graphic novels, which may encompass anthologies, memoirs, and other works, have risen in popularity over the last fifty years as a form of narrative art combining illustrations and text similar to comic books. The five honored artists on the new stamps have pushed the boundaries and elevated the art form, inspiring readers worldwide.
The stamp issue spotlight five influential artists:
Chester Brown is best known for his graphic novel “Louis Riel: A Comic-Strip Biography,” for which he received the first-ever grant from the Canada Council for the Arts awarded to a comic book project.
Cousins Jillian Tamaki and Mariko Tamaki, co-creators of the popular graphic novel “Skim,” their second award-winning collaboration, which powerfully narrates the transition from childhood to adulthood.
Michel Rabagliati, the creative mind behind the award-winning semi-autobiographical series “Paul.” His graphic novel “Paul à Québec” was even adapted into a film.
Seth gained prominence with the comic book series “Palookaville,” part of which was published as the award-winning graphic novel “Clyde Fans,” depicting the story of two brothers grappling with the decline of their family business.
About the IssueFor this stamp issue, the artists worked alongside Canada Post to create original and exclusive designs featuring their protagonists immersed in reading their own stories. Printed by Colour Innovations, the issue includes a booklet of eight Permanent™ domestic rate stamps and an official First Day Cover postmarked in London, Ontario.
The stamps and collectible items are available for purchase at post offices starting today and can be ordered online at canadapost.ca/shop.
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HBO’s “Elizabeth Taylor: The Lost Tapes” Set to Debut on August 3
In an exclusive revelation that promises to shed new light on one of Hollywood’s most luminous stars, HBO announces the premiere of its original documentary, “Elizabeth Taylor: The Lost Tapes.” Directed by acclaimed filmmaker Nanette Burstein, known for her work on “Hillary” and “The Kid Stays in the Picture,” the documentary is scheduled to debut on HBO on Saturday, August 3, and will also be available for streaming on Max.
Before its anticipated television and streaming release, “Elizabeth Taylor: The Lost Tapes” will celebrate its world premiere at the 2024 Cannes Film Festival, setting the stage for a global reintroduction to Taylor’s storied legacy.
The documentary employs a unique narrative approach, allowing the voice of Elizabeth Taylor herself to take viewers through the twists and turns of her remarkable life. Through a combination of Taylor’s personal photos, intimate home movies, and carefully selected clips from her iconic film roles—many of which reflected her own real-life battles and successes—the film offers a compelling re-examination of Taylor’s extensive impact both on and off the silver screen.
Audiences are granted extraordinary insight into Taylor’s life through exclusive access to her personal archives and 40 hours of never-before-heard audio interviews conducted by journalist Richard Meryman. These candid recordings invite a deeper understanding of the trials and tribulations Taylor faced, much of which unfolded under the relentless scrutiny of the public eye.
“Elizabeth Taylor: The Lost Tapes” doesn’t just revisit the story of a Hollywood megastar; it reintroduces a complex individual who, from an early age, juggled fame, personal identity, and a level of public observation few can imagine. Through her own words, Taylor’s narrative uncovers a persona much more intricate than the glamorous image often portrayed, revealing her struggles for respect, autonomy, and understanding in a world that watched her every move.
The film is a collaborative effort between HBO Documentary Films, Zipper Bros Films, Gerber Pictures, Sutter Road Picture Company, and Bad Robot, produced in association with the House of Taylor. Alongside director Nanette Burstein, producers include J.J. Abrams, Sean Stuart, Glen Zipper, Bill Gerber, and Rachel Rusch Rich, with executive production credits attributed to Burstein, Barbara Berkowitz, Tim Mendelson, and Quinn Tivey. Representing HBO, Nancy Abraham, Lisa Heller, and Sara Rodriguez serve as executive producers.
“Elizabeth Taylor: The Lost Tapes” promises to deliver an intimate, unprecedented exploration of the life and legacy of one of cinema’s most enduring symbols, a woman of unmistakable strength and vulnerability. This documentary not only pays homage to Taylor’s indelible mark on the entertainment industry but also illuminates the often-hidden depths of her personal saga.
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May 11, 2024
A Delightfully Eccentric Vampire Movie: “Abigail”
“Abigail,” directed by Matt Bettinelli-Olpin and Tyler Gillett and starring Melissa Barrera, Dan Stevens, Kathryn Newton, and Alisha Weir in a career-defining role as Abigail, is a film that initially leaves viewers questioning whether it’s an elaborate jest or merely a cinematic misstep. At times, it ventures into the realm of the ridiculous, only to ultimately unveil its true intention: to deliver a rollicking vampire comedy that adeptly blends gore with hilariously chilling moments, centered around a girl who is part Terminator, part vampire, and part… mafia ballerina.
Our time was well spent, filled with hearty laughter, surrendering to a film that, beneath its seemingly nonsensical surface, offers a wildly entertaining experience.

The storyline revolves around a cadre of criminals who kidnap a girl under the assumption of demanding a ransom. However, the girl is far from the innocent captive they expected, soon revealing her true, ferocious instincts.
About the MovieSkillfully produced with impressive effects, “Abigail” cleverly masks its wit within a seemingly naive and classic thriller framework, later unfolding into a delightful mixture of horror and comedy. The downside? Having watched the trailer and seen the promotional images, the audience is drawn to the child’s character, already clued into the havoc she is destined to wreak from the outset. Ideally, the film aims to maintain a suspenseful ruse for its first half, stylistically misleading the audience, but swiftly morphs into a highly entertaining blend of action, comedy, and horror.
Boasting a modest budget of nearly $30 million, the film quickly emerged as a moderate success, recouping its investment promptly. With a straightforward narrative that doesn’t disappoint, it delivers exactly what audiences anticipate, proving to be yet another profitable venture for the production company. Without taking artistic risks, “Abigail” achieves economic success.
A Comedy Horror Movie That Dodges ParodyTypically, horror comedies face the challenge of teetering on the brink of parody, oftentimes succumbing to it and becoming forgettable. “Abigail,” however, evades becoming an outright parody. It manages to pull back and temper its comedic tone, enabling action sequences to shine through, and ultimately establishes itself as an entertaining, amusing, and moderately horrifying product.
Our Take“Abigail” ends up pleasing all involved parties: the production house profits; the actors enrich their portfolios with ease; the artistic team provides commendable work; and, most importantly, the audience leaves theaters feeling satisfied after an enjoyable afternoon in the company of a character who undoubtedly leaves a lasting impression.
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Movie Review: “The Ministry of Ungentlemanly Warfare” – A Guy Ritchie and Henry Cavill WWII Adventure with a Tarantino Twist
“The Ministry of Ungentlemanly Warfare” is a high-octane movie directed by the incomparable Guy Ritchie and starring Henry Cavill alongside Eiza González. It promises a thrilling ride through a World War II narrative equipped with all the hallmarks of a classic Ritchie production: meticulously crafted style, unapologetic irony, and cinematic excellence.
Much like Quentin Tarantino’s “Inglourious Basterds” (2009), “The Ministry of Ungentlemanly Warfare” delivers a delectable mix of entertainment and popcorn fun without leaving a lasting mark. Yet, it doesn’t intend to break new ground or redefine Ritchie’s well-established directorial approach. Instead, it confirms his unparalleled ability to balance pace and polish the rough edges of his ‘rogue’ characters with an undeniable elegance.
Though “The Ministry of Ungentlemanly Warfare” may fade from memory once the credits roll, it leaves an undeniably sweet aftertaste, making it a solid recommendation for a crowd-pleasing watch.
SynopsisSet amidst the turmoil of World War II, “The Ministry of Ungentlemanly Warfare” revolves around a group tasked with a covert operation to halt supply ships fuelling German U-boats, a mission that threatens to stifle the eagerly awaited American assistance.

Imagine a film where outlaws are enlisted by the government for a top-secret mission – sounds familiar? This time, however, the narrative is anchored in historical truth. “The Ministry of Ungentlemanly Warfare” steers clear from traditional war movie tropes, presenting itself as an action-comedy spectacle where James Bond wouldn’t be out of place. Crafted for pure entertainment, Guy Ritchie explores the action-comedy genre, showcasing a band of criminals working under government orders but remaining true to their hard-boiled, lawless essence. In classic Ritchie fashion, these anti-heroes effortlessly dismantle Nazi forces, delivering laughs along the way.
Cinematic ExecutionGuy Ritchie’s directorial prowess shines yet again, orchestrating a symphony of visuals, pacing, screenplay, performances, and style. The ensemble cast delivers without a single standout, proving that the movie’s strength lies in its collective charm rather than individual performances. Eiza González notably shines as the film’s sole female lead, adding a layer of brilliance in a predominantly male cast. Alan Ritchson’s comedic take as a Danish archer deserves a special mention, blending humor with action seamlessly.
Cast ReflectionsFeaturing a stellar ensemble, “The Ministry of Ungentlemanly Warfare” won’t be nabbing any Oscars but this isn’t the aim. With Henry Cavill at the helm, the movie stands out for its group dynamics over individual performances. Eiza González emerges as a bright spot, carving a memorable presence in a male-dominated storyline. The supporting cast, including a notably hilarious Alan Ritchson, embellishes the film with their comedic prowess, enriching its lively tone.
Our Verdict“The Ministry of Ungentlemanly Warfare” epitomizes fun and entertainment devoid of profound lessons or historical accuracy. It’s the perfect pick for viewers looking to indulge in a lighthearted cinematic experience. While it might not satisfy history buffs, it guarantees a good time, reinforcing Guy Ritchie’s position as a maestro of action-comedy.
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May 10, 2024
Bluepoch Games Rolls Out Exciting New Content for ‘Reverse: 1999’ with Phase 2 of ‘Revival! The Uluru Games’
Hong Kong, May 10, 2024 – Bluepoch Games is thrilled to unveil the latest update to its critically acclaimed turn-based tactical RPG, Reverse: 1999, with the launch of phase two of version 1.5, aptly titled ‘Revival! The Uluru Games’. Available now across iOS, Android, and PC platforms, this update promises an enriching gameplay experience filled with new adventures and formidable challenges.
Running through May 29, 2024, this eagerly anticipated update introduces a plethora of fresh content designed to enhance player engagement and expand the game’s universe. Among the highlights is the introduction of a new 6-star character, Ezra, a Melbourne-based student and mushroom researcher. In the new rate-up banner “The Spores of Peace”, players can summon Ezra alongside Satsuki and the latest 5-star character, Desert Flannel. Known for his rationality and reliability, Ezra is a character who epitomizes altruism and is poised to become a valuable ally in the gamers’ quest.
Alongside the opportunity to incorporate Ezra into their lineup, players are invited to participate in a Time-Limited Summoning Event. This special event grants players seven free pulls, increasing their chances to secure top-tier characters and elevate their gameplay.
Ezra also takes center stage in his own story event, “As the Driven Snow Falls,” which complements the update’s array of new events, including “The Epic of Runners” UTTU Flash Gathering. This content expansion not only aims to enrich the gaming experience but also to reward players’ loyalty. Exciting sign-in bonuses await, offering gamers even more reasons to immerse themselves in the world of Reverse: 1999 daily.
Additionally, players can unlock exclusive in-game apparel by collecting FAME Cards in this captivating reading spectacle, adding an extra layer of engagement to the game.
Art Director Guest Cat expressed his enthusiasm for the latest update, stating, “Reverse: 1999 continues to build on its success, and we are overjoyed with the positive reception from the community towards Revival! The Uluru Games’ first phase. Ezra is a testament to our commitment to evolving our character roster. His backstory, rooted in Australian mushroom research and reincarnators, makes him a unique addition that we believe players will love.”
Fans of Reverse: 1999 can download phase two of version 1.5 now by visiting the App Store, Google Play, or the official Reverse: 1999 website. Don’t miss the chance to explore all the new content that ‘Revival! The Uluru Games’ has to offer.
Stay tuned for more updates as Bluepoch Games continues to expand the Reverse: 1999 universe, providing players with captivating stories, challenging gameplay, and boundless opportunities to explore.

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Rediscovered Renaissance Masterpiece Debuts After Meticulous Restoration
In an astonishing revelation from the vaults of Venice’s Museo Correr, a late 15th-century painting has emerged, captivating scholars and art enthusiasts alike. Supported by the G.E. Ghirardi Foundation, this long-lost work has undergone an extensive and complex restoration, now returning to the public eye for admiration and study. For the first time, the painting, titled “Madonna with Child, St. John the Baptist, and Six Saints,” is on display at Villa Contarini, the birthplace of Andrea Mantegna in Piazzola sul Brenta, marking a significant achievement in Renaissance art rediscovery.
Surrounded by the mysteries of Italy’s great Renaissance courts, the artwork carries the unmistakable hallmark of the renowned Paduan painter, Andrea Mantegna. This small but precious panel had been obscured by time and subsequent overpaintings, making it nearly illegible and challenging to assess its true value. However, the museum’s curator spotted extraordinary compositional and painting qualities beneath the obscured surface, prompting a scientific study aided by advanced technology and leading to a meticulous restoration.
Intriguingly, the sacred scene portrayed in this artwork is nearly identical to another painting by Mantegna, housed in the Isabella Stewart Gardner Museum in Boston, USA, and once part of the famed Mantuan Gonzaga collections. Despite some scholars questioning the originality of Mantegna’s signature on the Boston painting, radiological and reflectographic investigations have revealed that both paintings likely originated from the same workshop, possibly created simultaneously or within a short period of each other, using the same preparatory drawing or “cartoon.”
Further analysis and restoration have unveiled that the Venetian painting remained unfinished, adding a layer of mystery around the motives behind its abandonment. Questions about the commissioner, likely an esteemed lady Gonzaga, her reasons for requesting two identical paintings, and the intended recipients deepen the enigma surrounding this artwork. The identity of the saints accompanying the Virgin Mary and Jesus, some identifiable and others dressed in contemporary court fashion, yet anonymous, contributes to the painting’s intrigue.
This enigmatic piece and its many unanswered questions are the focus of the exhibition “The Mark of Andrea Mantegna,” organized by the Fondazione Musei Civici di Venezia and the G.E. Ghirardi Foundation with support from the Venice Municipality and the Superintendent of Archaeology, Fine Arts, and Landscape. An extensive educational display, including panels and interactive multimedia touchscreens, accompanies the painting, offering insights from the investigations and restoration process. Visitors are invited to explore interpretative hypotheses about the multifaceted meanings behind the depictions.
The exhibition provides a compelling narrative centered around the Gonzaga court of Mantua, invoking several of the Renaissance’s most celebrated figures, including Isabella d’Este, who is among the likely commissioners of this unique “double painting.” This event encapsulates a pivotal moment at the close of the 15th century—a time of complex challenges and luminous achievements in Italian history.
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Netflix’s Animated Series “Blood of Zeus” Returns for an Action-Packed Second Season
Netflix has once again captivated audiences with the return of its groundbreaking animated series “Blood of Zeus” for a highly anticipated second season. Created by Charley and Vlas Parlapanides, the series plunges viewers into the heart of classical Greek mythology, reimagined with a modern twist that has redefined the genre for a younger audience.
A Modern Take on Classical Mythology“Blood of Zeus” stands out as a visual spectacle that merges the ancient world of Greek gods and myths with contemporary storytelling and animation styles. The series effortlessly transforms well-known mythological tales into a compelling action series infused with modern sensibilities. Its approach has not only won it critical acclaim but also made Greek mythology accessible and exceptionally entertaining for today’s viewers.
Building on the success of its debut season, Netflix has continued to explore the tumultuous world of Olympus, now fully engulfed in the throes of war. The second season escalates the action, emotion, and epic storytelling that fans have come to love, proving that the series is not just a retelling of mythological stories but a modern epic in its own right.
Beyond the ActionWhat sets “Blood of Zeus” apart is not just its action sequences but its sophisticated narrative that skillfully blends adventure with the complexity of its characters. The animation style is uniquely modern yet nostalgic, reminiscent of classic video games, which adds another layer of depth to the storytelling. This artistic choice complements the series’ intricate plot, creating a rich, immersive atmosphere that transports viewers directly into the action-packed world of ancient myths and heroes.
Critics and Viewers AgreeThe second season of “Blood of Zeus” has solidified the series’ status as a triumph for Netflix, echoing the quality, pace, and innovation that made the first season a hit. Critics and viewers alike have praised the series for its dynamic storytelling, striking animation, and its ability to breathe new life into the timeless tales of Greek mythology.
By making these ancient stories engaging and accessible, “Blood of Zeus” has accomplished what few series can – it has made mythology cool again, appealing to both young audiences and those familiar with the legendary tales. With its blend of mythological lore, epic battles, and deeply human stories, “Blood of Zeus” promises to be a series that continues to capture the imagination of viewers around the world.
Netflix’s venture into animated series for adults with “Blood of Zeus” demonstrates the platform’s commitment to diverse, quality content. As the series enters its second season, it’s clear that the saga of gods and mortals is far from over, with more thrilling adventures on the horizon.
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