Jonathan Rosenbaum's Blog: jonathanrosenbaum.com, page 24
March 24, 2013
If Looks Could Kill (I)
I am reprinting the entirety of my first and most ambitious book (Moving Places: A Life at the Movies, New York: Harper & Row, 1980) in its second edition (Berkeley: University of California Press, 1995) on this site in eleven installments. This is the [...]
Published on March 24, 2013 22:00
March 23, 2013
A Funny Kind of Tribute [I’M NOT THERE]
From the Chicago Reader, November 22, 2007. –J.R.
I’m Not There
Directed by Todd Haynes
I’ve owned copies of Don’t Look Back and Nashville Skyline for decades, but I’d never describe myself as a hard-core Bob Dylan fan. Obvious as his talent may be, he often mixes metaphors and combines images in a way that skirts [...]
I’m Not There
Directed by Todd Haynes
I’ve owned copies of Don’t Look Back and Nashville Skyline for decades, but I’d never describe myself as a hard-core Bob Dylan fan. Obvious as his talent may be, he often mixes metaphors and combines images in a way that skirts [...]
Published on March 23, 2013 22:00
March 22, 2013
ON MOONLIGHT BAY as Time Machine
I am reprinting the entirety of my first and most ambitious book (Moving Places: A Life at the Movies, New York: Harper & Row, 1980) in its second edition (Berkeley: University of California Press, 1995) on this site in eleven installments. This is the fifth.
Note: The [...]
Note: The [...]
Published on March 22, 2013 22:00
March 21, 2013
Looking for America [UNCOMMON SENSES]
From the Chicago Reader (August 26, 1988). — J.R.
UNCOMMON SENSES
Directed and written by Jon Jost.
The film essay, as opposed to the documentary, remains in some respects the most neglected of contemporary film genres, by filmmakers and audiences alike, perhaps because it is seldom acknowledged as a film form at all. The only [...]
UNCOMMON SENSES
Directed and written by Jon Jost.
The film essay, as opposed to the documentary, remains in some respects the most neglected of contemporary film genres, by filmmakers and audiences alike, perhaps because it is seldom acknowledged as a film form at all. The only [...]
Published on March 21, 2013 22:00
March 20, 2013
Station Identification I
I am reprinting the entirety of my first and most ambitious book (Moving Places: A Life at the Movies, New York: Harper & Row, 1980) in its second edition (Berkeley: University of California Press, 1995) on this site in eleven installments. This is the fourth.
Note: The [...]
Note: The [...]
Published on March 20, 2013 22:00
March 19, 2013
The Sexpot Spectrum [THE NOTORIOUS BETTIE PAGE & BASIC INSTINCT 2]
From the Chicago Reader (April 21, 2006). — J.R.
The Notorious Bettie Page
*** (A must see)
Directed by Mary Harron
Written by Harron and Guinevere Turner
With Gretchen Mol, Chris Bauer, Jared Harris, Sarah Paulson, Cara Seymour, David Strathairn, Lili Taylor, and John Cullum
Basic Instinct 2
** (Worth seeing)
Directed by Michael Caton-Jones
Written by Leora Barish and Henry Bean
With Sharon Stone, [...]
The Notorious Bettie Page
*** (A must see)
Directed by Mary Harron
Written by Harron and Guinevere Turner
With Gretchen Mol, Chris Bauer, Jared Harris, Sarah Paulson, Cara Seymour, David Strathairn, Lili Taylor, and John Cullum
Basic Instinct 2
** (Worth seeing)
Directed by Michael Caton-Jones
Written by Leora Barish and Henry Bean
With Sharon Stone, [...]
Published on March 19, 2013 22:00
March 18, 2013
The Plucking of Three Birds of Paradise
I am reprinting the entirety of my first and most ambitious book (Moving Places: A Life at the Movies, New York: Harper & Row, 1980) in its second edition (Berkeley: University of California Press, 1995) on this site in eleven installments. This is the third.
Note: The book can be [...]
Note: The book can be [...]
Published on March 18, 2013 22:00
March 17, 2013
Young Adam
From the Chicago Reader (some time in 2004). — J.R.
David Mackenzie’s compelling and authoritative adaptation of Alexander Trocchi’s 1953 novel revolves around a nihilistic bargeman (perfectly embodied by Ewan McGregor) who works the canals between Edinburgh and Glasgow and spends all his free time reading and screwing (often adulterously). This emotional detachment is often treated [...]
David Mackenzie’s compelling and authoritative adaptation of Alexander Trocchi’s 1953 novel revolves around a nihilistic bargeman (perfectly embodied by Ewan McGregor) who works the canals between Edinburgh and Glasgow and spends all his free time reading and screwing (often adulterously). This emotional detachment is often treated [...]
Published on March 17, 2013 22:00
March 16, 2013
Prelude — What I Did on My Summer Vacation (September 1977)
The second part of my reprinting of Moving Places: A Life at the Movies (1980); this part appeared originally in Film Comment, and for this appearance I’ve added several illustrations.
Note: The book can be purchased on Amazon here, and accessed online in its entirety here. – J.R.
Prelude—
What I Did on My Summer Vacation (September [...]
Note: The book can be purchased on Amazon here, and accessed online in its entirety here. – J.R.
Prelude—
What I Did on My Summer Vacation (September [...]
Published on March 16, 2013 22:00
March 15, 2013
Van Gogh
From the Chicago Reader (March 1, 1993). — J.R.
A revisionist look at the last 67 days of Vincent van Gogh’s life by the highly talented writer-director Maurice Pialat (The Mouth Agape, A nos amours, Under Satan’s Sun), with singer-songwriter-actor Jacques Dutronc — the Bob Dylan of Paris and the lead in Godard’s Every Man for [...]
A revisionist look at the last 67 days of Vincent van Gogh’s life by the highly talented writer-director Maurice Pialat (The Mouth Agape, A nos amours, Under Satan’s Sun), with singer-songwriter-actor Jacques Dutronc — the Bob Dylan of Paris and the lead in Godard’s Every Man for [...]
Published on March 15, 2013 22:00
jonathanrosenbaum.com
Not quite a complete compendium of my published writing, but a very comprehensive one, including all of my writing for the Chicago Reader and most of my writing for other publications (including Film
Not quite a complete compendium of my published writing, but a very comprehensive one, including all of my writing for the Chicago Reader and most of my writing for other publications (including Film Comment, Film Quarterly, Monthly Film Bulletin, Sight and Sound, Soho News, and the Village Voice), as well as periodic blog postings and regularly updated accounts of recent and upcoming events and publications.
...more
- Jonathan Rosenbaum's profile
- 127 followers

