Jonathan Rosenbaum's Blog: jonathanrosenbaum.com, page 23
April 2, 2013
Thinking Inside the Box [EL VALLEY CENTRO]
From the Chicago Reader (December 3, 1999). — J.R.
El Valley Centro
Rating ** Worth seeing
Directed by James Benning.
El Valley Centro, James Benning’s latest feature, is a fairly minimalist effort consisting of 35 shots, each of them two and a half minutes long, filmed in direct sound with a stationary camera in California’s Central Valley. About [...]
El Valley Centro
Rating ** Worth seeing
Directed by James Benning.
El Valley Centro, James Benning’s latest feature, is a fairly minimalist effort consisting of 35 shots, each of them two and a half minutes long, filmed in direct sound with a stationary camera in California’s Central Valley. About [...]
Published on April 02, 2013 22:00
April 1, 2013
Made in Hoboken
I am reprinting the entirety of my first and most ambitious book (Moving Places: A Life at the Movies, New York: Harper & Row, 1980) in its second edition (Berkeley: University of California Press, 1995) on this site in eleven installments. [...]
Published on April 01, 2013 22:00
March 31, 2013
My Love, My Bride
From the Chicago Reader (September 1, 1992). — J.R.
Lee Myung-sei’s delightful Korean comedy about the trials and tribulations of a young married couple (Park Joong-hoon and Choi Jin-sii, both charming and resourceful actors) offers eloquent testimony to the stylistic importance of Frank Tashlin (The Girl Can’t Help It, Artists and Models, Will [...]
Lee Myung-sei’s delightful Korean comedy about the trials and tribulations of a young married couple (Park Joong-hoon and Choi Jin-sii, both charming and resourceful actors) offers eloquent testimony to the stylistic importance of Frank Tashlin (The Girl Can’t Help It, Artists and Models, Will [...]
Published on March 31, 2013 22:07
March 30, 2013
Station Identification II
I am reprinting the entirety of my first and most ambitious book (Moving Places: A Life at the Movies, New York: Harper & Row, 1980) in its second edition (Berkeley: University of California Press, 1995) on this site in eleven installments. [...]
Published on March 30, 2013 22:00
March 29, 2013
Fly High Run Far
From the Chicago Reader (July 1, 1994). — J.R.
A beautiful and powerful spiritual epic from South Korea (1991), directed by Im Kwon-taek — Korea’s most famous and popular film director, whose filmography runs to 80-odd titles — from an ambitious script by Kim Yong-ok. Covering roughly four decades from the 1860s [...]
A beautiful and powerful spiritual epic from South Korea (1991), directed by Im Kwon-taek — Korea’s most famous and popular film director, whose filmography runs to 80-odd titles — from an ambitious script by Kim Yong-ok. Covering roughly four decades from the 1860s [...]
Published on March 29, 2013 22:00
March 28, 2013
Rocky Horror Playtime Vs. Shopping Mall Home
I am reprinting the entirety of my first and most ambitious book (Moving Places: A Life at the Movies, New York: Harper & Row, 1980) in its second edition (Berkeley: University of California Press, 1995) on this site in eleven installments. This is the [...]
Published on March 28, 2013 22:00
March 27, 2013
1991 in Movies
From the Chicago Reader (January 3, 1992). — J.R.
Looking at the big-time U.S. studio releases of 1991 — most of which enjoyed free supplements to their hefty advertising budgets from every branch of the media — we’d have to conclude that this was a year without enduring masterpieces. The best are intelligent entertainments, most of [...]
Looking at the big-time U.S. studio releases of 1991 — most of which enjoyed free supplements to their hefty advertising budgets from every branch of the media — we’d have to conclude that this was a year without enduring masterpieces. The best are intelligent entertainments, most of [...]
Published on March 27, 2013 22:00
March 26, 2013
If Looks Could Kill (II)
I am reprinting the entirety of my first and most ambitious book (Moving Places: A Life at the Movies, New York: Harper & Row, 1980) in its second edition (Berkeley: University of California Press, 1995) on this site in eleven installments. This is the [...]
Published on March 26, 2013 22:00
Providence
From the Chicago Reader (October 27, 2000). — J.R.
Alain Resnais’ first feature in English (1977, 110 min.) focuses on the imagination, dreams, and memories of an aging British novelist (John Gielgud) over one night as he mentally composes and recomposes his last book, using members of his immediate family — Dirk Bogarde, Ellen Burstyn, David [...]
Alain Resnais’ first feature in English (1977, 110 min.) focuses on the imagination, dreams, and memories of an aging British novelist (John Gielgud) over one night as he mentally composes and recomposes his last book, using members of his immediate family — Dirk Bogarde, Ellen Burstyn, David [...]
Published on March 26, 2013 19:50
March 25, 2013
Bear Essentials [THE BEAR]
From the November 10, 1989 Chicago Reader. — J.R.
THE BEAR
** (Worth seeing)
Directed by Jean-Jacques Annaud
Written by Gerard Brach
With Douce, Bart, Jack Wallace, Tcheky Karyo, and Andre Lacombe.
Much of the immediate appeal of Jean-Jacques Annaud’s new feature, apart from its impressiveness as a technical feat, is the attraction of seeing animals more than people, which [...]
THE BEAR
** (Worth seeing)
Directed by Jean-Jacques Annaud
Written by Gerard Brach
With Douce, Bart, Jack Wallace, Tcheky Karyo, and Andre Lacombe.
Much of the immediate appeal of Jean-Jacques Annaud’s new feature, apart from its impressiveness as a technical feat, is the attraction of seeing animals more than people, which [...]
Published on March 25, 2013 22:00
jonathanrosenbaum.com
Not quite a complete compendium of my published writing, but a very comprehensive one, including all of my writing for the Chicago Reader and most of my writing for other publications (including Film
Not quite a complete compendium of my published writing, but a very comprehensive one, including all of my writing for the Chicago Reader and most of my writing for other publications (including Film Comment, Film Quarterly, Monthly Film Bulletin, Sight and Sound, Soho News, and the Village Voice), as well as periodic blog postings and regularly updated accounts of recent and upcoming events and publications.
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