Jonathan Rosenbaum's Blog: jonathanrosenbaum.com, page 60

March 12, 2008

In the City of Sylvia/Some Photos in the City of Sylvia

Two hypnotic and haunting 2007 features by Spanish experimental filmmaker Jose Luis Guerin, about the same romantic obsession. (The reference points are W.G. Sebald’s novel Vertigo and Alfred Hitchcock’s film of the same title.) The silent Some Photos in the City of Sylvia (65 min.) uses black-and-white stills with English intertitles to recount an unseen [...]
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Published on March 12, 2008 20:37

March 1, 2008

Big Bad Love

Arliss Howard, making his directorial debut, takes on the self-pity of 60s burnout with decidedly mixed and often sloppy results. Adapted from Larry Brown’s short story collection, the film focuses on a divorced Vietnam vet in Mississippi (Howard) who collects piles of rejection slips for his fiction, gets occasional house-painting jobs from an old war [...]
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Published on March 01, 2008 22:00

February 27, 2008

The Other Boleyn Girl

This drama about Anne Boleyn (Natalie Portman) and her sister Mary (Scarlett Johansson) being groomed essentially as prostitutes to service Henry VIII (Eric Bana) might have qualified as some sort of bodice ripper/history lesson. But despite a certain amount of moral outrage and good performances from the lead actresses, it’s neither sexy enough to qualify [...]
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Published on February 27, 2008 22:00

The Counterfeiters

Adapted from Adolf Burger’s memoir The Devil’s Workshop, this skillful, absorbing, Oscar-winning Austrian feature involves a Russian-Jewish counterfeiter (expertly played by Karl Markovics) who gets arrested in Berlin, winds up in a German concentration camp in 1944, and is put in charge of a secret forgery unit. Staffed by prisoners who’ve been granted special privileges, [...]
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Published on February 27, 2008 22:00

February 21, 2008

February 20, 2008

The Pornographers

The visual brilliance of Shohei Imamura’s kinky and satirical black-and-white ‘Scope feature (1966), about a man who makes eight-millimeter porno loops, often suggests the inventiveness of the French New Wave, but not so much the New Wave features of auteurs like Godard and Truffaut as the more illustrative offshoots of that movement, like Sundays and [...]
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Published on February 20, 2008 22:00

Be Kind Rewind

The sweet-tempered Michel Gondry works well with sharp-edged material (Eternal Sunshine of the Spotless Mind), but his projects as a solo writer-director have been soft and surreal celebrations of innocence that threaten to drift off into whimsy (The Science of Sleep and now this feature). Danny Glover entrusts his run-down video shop in Passaic to [...]
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Published on February 20, 2008 22:00

Prisoners Of War

Starting with From the Pole to the Equator (1987), the Milan-based couple Yervant Gianikian and Angela Ricci Lucchi have excelled at compiling silent archival footage, encouraging the material to speak, both historically and poetically, through masterful use of music, tinting, and variable speeds. (Their mystical reverence for the footage is reflected in how they commune [...]
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Published on February 20, 2008 22:00

Vantage Point

At a historic summit in Spain against global terrorism, the U.S. president (William Hurt) is shot, a bomb explodes, and two federal agents (Dennis Quaid and Matthew Fox) rush to find the culprits. This gripping if ridiculous thriller repeatedly backtracks to present the same events from different viewpoints, though ironically it has no viewpoint of [...]
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Published on February 20, 2008 22:00

February 13, 2008

Zegen

Shohei Imamura’s mordant, corrosive satire about Japanese imperialism (1987) is based on the autobiography of Iheiji Muraoka, a Japanese barber in Hong Kong who was ordered by the Japanese consulate to spy on Russians in Manchuria in the early 1900s. Played by Ken Ogata, the barber invests his earnings in a brothel and, anticipating the [...]
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Published on February 13, 2008 22:00

jonathanrosenbaum.com

Jonathan Rosenbaum
Not quite a complete compendium of my published writing, but a very comprehensive one, including all of my writing for the Chicago Reader and most of my writing for other publications (including Film ...more
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